When the line blurs between photography and photojournalism
British sports photographer Tom Jenkins has written a thought-provoking article for The Guardian about how quickly sports stories can turn into breaking news events. In the aftermath of the bomb attacks at the Boston Marathon, Jenkins draws parallels with past tragedies including the Hillsborough disaster, which occurred on the same day 24 years earlier.
Jenkins quotes photographer John Tlumacki, who was covering the marathon for the Boston Globe: 'I was covering the finish line at ground level at the marathon. Everything was going on as usual. It was jovial – people were happy, clapping – and getting to a point where it gets a little boring as a photographer. And then we heard this explosion'. Tlumaki carried on shooting, explaining 'my instinct was: no matter what it is, you're a photographer first; that's what you are doing'.
Wondering how he would react in the same situation, Jenkins explains his usual mindset when setting out for work: 'just as a war or news photographer should be mentally attuned to what they are likely to see, I am similarly prepared. I am certainly not ready for bombs and violence to erupt in the arenas where I work. I don't go to work in a bulletproof vest and helmet, I go with a fishing stool and a 500m lens'.
But although most of his work is safe and predictable, Jenkins has been thrust into the middle of breaking news events, remembering how 'in 1996 I was called away from snooker at Wembley to get to the IRA Canary Wharf bombing [and] in Marseille at the World Cup of 1998, I found myself, regrettably without an anti-teargas mask, in the middle of a full-scale riot between French police, local Tunisians and visiting England fans'.
Jenkins also remembered 'on the day Princess Diana died, my football match was cancelled and I was sent down to Harrods to see people laying flowers, where I was spat at and blamed for her death: possession of a large pro camera marked me down as "paparazzi scum"'.
Asking himself how he would have reacted if he had been at the Boston marathon Jenkins says 'I feel it's a fine dividing line, achieving a delicate balance between helping someone in need but also recording the situation without exploiting it. Under extreme pressure that sort of call is very hard to make. I sincerely hope I never have to.'
At the time of writing, a manhunt for the perpetrators of the Boston bombings is still underway, and US security forces have been pouring over thousands of photographs and videos taken by photographers at the event - both professional and amateur. One of our own contributors, Lauren Crabbe, was among them. You can read about her experiences that day here.
|My Garden by Mitchmeister|
from The Secret Garden
|Crowded Skies by Rushlin|
from Seven types of aircraft - lighter than air
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.