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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Fujifilm has unveiled the X10 - an enthusiast compact with a F2.0-2.8, 28-112mm-equivalent lens. It's built around a 2/3" (6.6 x 8.8mm) CMOS sensor that uses Fujifilm's EXR pixel arrangement. The 12MP sensor can produce either 12MP images in high resolution mode, under-expose half its pixels to provide 6MP images with greater dynamic range, or combine neighboring pixels for a 6MP high sensitivity mode. The X10 borrows extensively from the styling of the X100 (though its zooming viewfinder means you lose the X100's hybrid viewfinder), to give a camera that sits conceptually between the Olympus XZ-1 and the Canon Powershot G12.
Fujifilm is proud to announce the addition of a new premium compact camera to its digital camera line up for autumn 2011. The X10 features a large 2/3" 12 megapixel EXR-CMOS sensor and a high-definition F2.0 wide-angle and F2.8 telephoto Fujinon 4x manual zoom lens (28-112mm)*1, characterised by its brightness and superb picture quality right up to the edge of an image.
The X10 is a highly advanced compact camera with specifications that follow in the footsteps of the multi award-winning Fujifilm FinePix X100 (released in March 2011): the ultimate in refined design, components, functions and specification. Featuring a bright optical zoom viewfinder with a wide viewing angle, the X10 allows users to enjoy the pleasure of photography via a traditional viewfinder, providing all the benefits and ease of composition that this brings.
Thorough attention to detail is evident as soon as you take hold of the X10’s stunning body. With its upper control deck and base manufactured from lightweight, yet ultra strong, die-cast magnesium alloy; and mode dials and lens ring featuring their quality, aluminium milled, textured finish. The intuitive operability of the various dials and shutter-release button is also apparent with the manual zoom lens doubling up as an on/off power switch, ensuring you can react quickly to potential photo shooting scenarios as they occur.
(1) Newly-developed F2.0 wide-angle and F2.8 telephoto, bright FUJINON 4x optical manual barrel zoom lens
The X10 features a newly-developed high-definition Super EBC (Electron Beam Coating) FUJINON*2 lens which achieves superb clarity over the whole of the image. The lens consists of 11 glass lens elements in 9 groups, including 3 aspherical glass lens elements (6 sides) and 2 extra-low dispersion lens elements. The result is an ultra bright lens with a wide-angle maximum aperture of 2.0 and telephoto maximum aperture of 2.8.
With its all-metal lens barrel you are guaranteed a smooth zoom action which helps you compose your photos quickly and easily. In addition, the camera’s power switch has been deftly built into the manual barrel zoom to facilitate fast responses and to help you avoid missed photo opportunities.
Featuring a newly developed Optical Image Stabilisation mechanism, you can rest assured that any lens aberration is kept to an absolute minimum and image resolution is maximised making the most of the sensor performance and delivering high quality images.
The lens is capable of taking super-macro shots as close up as 1cm. This function can also be combined with 7-blade aperture to deliver a stunning soft-focus “bokeh” effect perfect for shooting portraits using the telephoto zoom.
(2) Combining a bright optical viewfinder with a wide viewing-angle and a manual barrel zoom lens
Fujifilm’s engineers have used an arrangement of 3 aspherical lenses plus a special dach prism configuration to deliver a viewfinder with superior brightness and a superb field of view with its extra wide viewing angle, and all whilst still maintaining a compact camera size. This, combined with the Manual Barrel Zoom functionality, makes a real difference and brings a welcome old-style photographic feel to the X10.
(3) Newly-developed large 2/3" 12 megapixel EXR-CMOS sensor and advanced EXR Processor
The X10 features a newly-developed large 2/3" 12 megapixel EXR-CMOS sensor with approximately twice the sensor area, and approximately 2.5 times the pixel area, compared to existing Fujifilm camera models*3.
This bespoke EXR-CMOS sensor combines Fujifilm's proprietary EXR technology (which can select the optimum shooting mode from the three options below SN / DR / HR), with CMOS technology to provide bright, sharp images in all shooting conditions.
In addition the X10 features a high-speed EXR-CMOS sensor and EXR processor which facilitate high-speed continuous shooting at up to 7 frames per second at the full 12 megapixel resolution (L size), and 10 frames per second at the reduced resolution M size.
Plus a 49-point matrix contrast AF which provides high-speed and high-precision auto focusing thanks to the fast CMOS capabilities and the advanced EXR Processor's AF system.
With its super speedy shutter-release time lag of approx. 0.01 seconds, the X10 can capture even the most fleeting of photo opportunities. And it’s also worth mentioning that it features best-in-class*4 1080p Full HD movie recording capabilities.
(4) The X10’s elegant design has inherited the look and feel of the X100, along with its "made in Japan" seal of quality
Manufactured from strong, yet lightweight, die-cast magnesium alloy, the X10’s upper control deck and camera base are perfectly designed and add a real sense of style and glamour to the camera. On top of this the exquisite notches of the exposure compensation dial and the satisfying torque feedback produced by the hidden metal ball in the click-stop mechanism ensure the quality of craftsmanship is truly apparent.
(5) Fujifilm's unique functions for adjusting image quality
EXR-Auto – for the automatic optimisation of the sensor and the camera settings
The X10 not only offers “EXR-Auto” intelligent scene recognition (which adjusts camera settings to suit sunsets, blue skies, greenery, beaches, snow, etc.), and also detects people and identifies difficult to photograph backlight conditions, but now, it even has the ability to detect subject movements. The intelligent EXR-CMOS Sensor automatically selects the optimum shooting mode from a total of 99 different variations; this enables it to capture any kind of scene perfectly in even the most difficult shooting conditions.
In terms of ISO settings, the X10 can capture shots between ISO 100 for well lit conditions and top picture quality, and ultra-high ISO 12800*5 for the most minimal of lighting conditions. If the correct exposure cannot be obtained with the selected ISO setting, the ISO Auto Setting function adjusts it automatically between 100 and 3200.
For those of you that like to experiment, the X10 offers Fujifilm's unique Film Simulation modes, reflecting the company's background in photographic films. Eight settings are available, including Velvia / PROVIA / ASTIA which allow you to reproduce the well-known tones of highly popular colour reversal films, as well as X10 expands the scope of photo expression with Monochrome Mode that can be fine-tuned with R / Ye / G filter settings.
In addition to Auto White Balance, the X10 provides a choice of 9 white balance presets to compensate for the colour of different light sources. Users can also set a Custom White Balance using a grey card or other surface, or select the optimum Kelvin value.
The X10 also features detailed image adjustability settings with options including "Colour" to adjust colour strength, "Highlight Tone" / "Shadow Tone" to adjust contrast in highlight / shadow sections, and "Sharpness" to sharpen or soften pixel edges.
Finally there is a Noise Reduction Adjustment function to set the strength of noise reduction at five different levels according to the users' emphasis on whether to prioritise high resolution or low noise.
(6) Other notable features on the FinePix X10
(7) Premium Accessory Line-up
*1 35mm equivalent
*2 For more information on high precision FUJINON lenses please visit: http://www.fujifilm.com/products/digital_cameras/fujinon/
*3 Compared to the FinePix F550EXR
*4 Digital cameras equipped with a 2/3" image sensor
*5 At reduced resolution
|Body material||Magnesium alloy|
|Sensor|| 2/3 inch EXR-CMOS sensor
12 million effective pixels
Primary colour filter (RGB color filter array)
|Image sizes|| 4:3
• 4000 x 3000
• 2816 x 2112
• 2048 x 1536
• 4000 x 2664
• 2816 x 1864
• 2048 x 1536
• 4000 x 2448
• 2816 x 1584
• 1920 x 1080
• 2992 x 2992
• 2112 x 2112
• 1536 x 1536
• 360° Vertical 11520 x 1624 Horizontal 11520 x 1080
• 300° Vertical 9600 x 1624 Horizontal 9600 x 1080
• 240° Vertical 7680 x 1624 Horizontal 7680 x 1080
• 180° Vertical 5760 x 1624 Horizontal 5760 x 1080
• 120° Vertical 3840 x 1624 Horizontal 3840 x 1080
|Still image formats|| RAW (.RAF)
JPEG (EXIF 2.3)
RAW + JPEG
|Image processor||Fujifilm EXR processor|
|Movie recording|| 1920 x 1080 Full HD, 30fps
1280 x 720 HD, 30fps
640 x 480 VGA, 30fps
H.264 MOV format
|Lens|| • FUJINON 4x optical zoom lens
• 28-112mm (equivalent to 35mm)
• F2 - F2.8
• 9 groups 11 lenses (3 aspherical glass moulded lenses included)
(from lens surface)
| • Normal: Wide: Approx. 50cm / 1.6ft. to infinity
Telephoto: Approx. 80cm / 2.6ft. to infinity
• Macro: Wide: Approx. 10cm - 3.0m / 0.3ft. - 9.8ft.
Telephoto: Approx. 50cm - 3.0m / 1.6ft. - 9.8ft.
• Super Macro: Approx. 1.0cm -1.0m / 0.4in. - 3.3ft.
|Image stabilization||Lens shift type|
|Auto focus|| • TTL Contrast Detection AF system
• Multi, Area, Tracking
|Focus modes|| • Single shot AF (S-
• Continuous AF (C-AF)
• Manual focus (MF)
|AF assist lamp||• Yes|
|Exposure modes|| • Program AE
• Aperture priority AE
• Shutter priority AE
|Sensitivity|| • ISO 100- 12800
• 6400 and 12800 in extended mode
• Auto ISO
|Metering modes|| • TTL 256-zones metering
• Center-Weighted Average
|Exposure comp.|| • Up to ± 2.0 EV
• 1/3 EV steps
|Shutter speeds|| • 1/4 - 1/4000 sec (Auto mode)
• 30-1/4000 sec (all other modes)
|Self timer||10 or 2 seconds|
|Drive modes|| • Super High?approx. 10fps (Size M,S)
• High?approx. 7fps (Size L,M,S)
• Middle?approx. 5fps (Size L,M,S)
• Low?approx. 3fps (Size L,M,S)
|Auto bracketing|| • AE Bracketing (±1/3EV, ±2/3EV, ±1EV)
• Film Simulation Bracketing (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft)
• Dynamic Range Bracketing (100%, 200%, 400%)
• ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV)
|White balance|| • Automatic scene recognition
• Fluorescent light (Daylight),
• Fluorescent light (Warm White)
• Fluorescent light (Cool White)
• Incandescent light
• Color temperature selection
|Internal Flash|| • Auto flash (super intelligent flash)
• Effective range: (ISO 800) approx. 50 cm –7 m / 1.6 ft. – 22.9 ft.
|Flash modes|| • Auto
• Forced Flash
• Suppressed Flash
• Slow Synchro
• Red-eye Reduction Auto
• Red-eye Reduction & Forced Flash
• Red-eye Reduction & Slow Synchro
|External Flash||• Hot-Shoe (dedicated TTL flash compatible)|
|Viewfinder|| • Optical viewfinder
• Approx. 85? coverage
• Eye point approx 15mm
• Diopter adjustment -3.5 to +1.5 m-1 (dpt)
|LCD monitor|| • 2.8" TFT colour LCD
• 460,000 dots
• 100% frame coverage
|Connectivity|| • USB 2.0 (Hi Speed)
• Mini HDMI
|Power||• NP-50 Lithium-Ion rechargeable battery|
|Dimensions||117.0 (W) x 69.6 (H) x 56.8 (D) mm
4.6 (W) x 2.7 (H) x 2.2 (D) in.
|Weight|| • Approx. 350g / 12.3oz. (including battery and memory card)
• Approx.330g / 11.6oz. (excluding battery and memory card
Aug 28, 2014
Aug 28, 2014
Aug 27, 2014
Jul 11, 2012
The holiday season is upon us once again and with all the sales and special deals around at the moment, this is a great time to start thinking about getting a new camera. Maybe for a loved one, maybe just as a treat to yourself. In this article, we'll be looking at the current field of enthusiast zoom compact cameras, and examining their relative strengths and weaknesses to help you make your buying decision. Click through for a link to our 12-page article.
Not long after samples of the Fujifilm X10 became available reports started surfacing of 'white orbs' or 'white discs' appearing in images. We mentioned this phenomenon when we included the X10 in our pre-Christmas roundup of high-end enthusiast compact cameras, and Fujifilm has subsequently released a firmware update that promises to address the issue. So does firmware version 1.03 banish the dreaded 'white orbs' for good? Click through to find out.
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced the 56mm F1.4 DC DN lens for Micro Four Thirds and Sony E mounts. The compact 56mm lens becomes the sixth DN lens for mirrorless cameras and will make a handy portrait lens on both systems.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.