Latest sample galleries
Latest in-depth reviews
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
|Beautiful flowers in golden sunlight along the southern California coast|
I had to leave all my musical instruments in Cincinnati when I first moved to Seattle three years ago. Recently, I found the time to road trip back and collect them. Seattle is about as far removed from the rest of the United States as a major US city can be, while still being part of the 'lower 48'. This means that if you're headed a great distance East, there are a number of ways you can go. And when you work at DPReview, there are also a number of cameras you can take.
Welcome to my journey down the West Coast, where I have decided to discuss one of my favorite cameras from the past couple of years to use as a point and shoot. That 'point and shoot' bit is very important. This is my vacation. All of these photos have been taken in a state of total relaxation, focused much more on enjoyment and capturing places I have traveled. With enjoyment in mind, I take you to where my journey began:
|This photo was shot alongside the 101 in Washington state, where it all began.|
Highway 101 is a road that circles the Olympic peninsula and runs all the way down Washington, Oregon, and California, with large sections of it skirting the Pacific coast. My plan was to avoid the interstate freeway entirely until I made it to Los Angeles two days later. It turned out to be a good decision.
Now, to the camera: the Fujifilm X100F.
The first time I impulsively decided to drive cross-country it was right around the end of 2012. I had a week of time off to burn and decided it would be a great opportunity to rent a camera I was considering purchasing: the original X100.
The X100-series is perfect for road trips. The 23mm, 35mm equivalent field of view lens handles a variety of duties well: it can be wide enough for landscapes, tight enough for environmental portraits, and the minimum focus distance allows the capture of close-up details. Its size encouraged me to bring it absolutely everywhere. It even fit perfectly in the pocket of my car door, ready for action whenever the road got interesting.
The result was a camera that I looked forward to using at every stop. It led to the eventual purchase of an X100S, which I loved up to the moment it stopped working (full disclosure: it was my fault).
|The Astoria-Megler bridge crossing the mouth of the Columbia River. The total length of the bridge is a staggering 4.1 miles.|
While making my first stop in Astoria, OR, the X100F was igniting the romance all over again, even in the dismal grey that had fueled my wanderlust since last October. One of the biggest differences between all the X100 cameras are their sensors. We start at 12MP with CDAF only with the X100, then to the 16MP X-Trans with Hybrid AF on the X100S, then the 16MP X-Trans II in the 'T', and finally the new 24MP X-trans sensor from the X-T2 and X-Pro2 in the 'F'.
|Meandering about the docks of Garibaldi, OR was great for stretching out the legs and showing off the X100F's Acros mode|
Not everyone agrees that the move to the X-Trans style of color filter array was the best for the X100 series. I, for one, wasn't always a huge fan of the JPEG output of the X100S like I was with the X100. Sure, there was an improvement in sensor performance, but without changing the default noise reduction settings, things would start to look a bit waxy at higher ISOs.
The X100F still uses X-trans, but the 24MP sensor and updated processor combination is a significant step forward for the series. While in the northern parts of Oregon I switched the camera to Acros, one of my favorite JPEG modes, to try and make the most of the grey overcast conditions by adding a bit more contrast.
Combining this mode with the optical viewfinder is a real treat, blending nostalgic elements of film photography with modern convenience. Plus, it made it way easier to sit and wait for seagulls to fly through the emptiest part of the frame before releasing the satisfyingly quiet leaf shutter.
Somewhere south of Tillamook, the grey suede blanket of clouds that covers the Northern parts of the coast ended. So far for in 2017, Seattle has been posting record rainfall and a record lack of sunshine along with it. After crossing this meteorologic divide between blue and grey, I didn't see a cloud for three days. It was time to take the camera out of black and white and choose a color film simulation to bring the best out of the new found daylight.
|The Oregon coast of the Pacific Ocean under some welcome blue skies.|
Velvia brings out the blue in shadows too much for my taste, and can look cheesy when used outside of landscape duty. While Classic Chrome has its moments, I think I've moved past the shifted blues and crushed shadows. For this trip and the already vibrant environment around me, Provia worked perfectly.
When I shot with the original X100, I mostly used focus and recompose in AF-S and rarely used the optical viewfinder due to focus not being a sure bet. AF improved with each iteration of the camera, though. And with the X100F, armed with improved PDAF coverage on the 24MP sensor, I feel comfortable shooting with the optical finder because of how reliable AF is.
When AF-C is turned on, the camera depth tracks using a single point (in good light) with ease. It also repositions the AF box in the viewfinder to help keep framing corrected for parallax. This means that if I am waiting for the perfect moment, I don't need to worry about subject distance changing as long as I have kept my subject under the focus point.
|As the sun raced for the horizon I found the X100F's focus slowing down, although its pace is still miles ahead of the early generations of the X100|
Good AF-C also meant that when shooting close-up subjects, like a leaf in the sunset, I didn't have to worry about my body rocking back and forth or a gentle breeze moving my subject, as I would if I were shooting in AF-S. This wasn't a scenario I ran in to too often on my trip, but it is something that makes the X100F much more versatile than previous iterations.
|The final sliver of sun from my amazing first day on the Pacific coast.|
The camera's autofocus abilities aren't perfect though, due to two main issues. First, when using AF-C, focus acquisition (the time it takes for the box to turn bright green, confirming focus) is delayed compared to AF-S. Second, as light decreases, or if the lens is stopped down past a certain point, focus can hunt, slow down or fail entirely. In spite of these issues, I still feel that this is the X100 camera I like best since the original.
|One day for the Oregon coast isn't enough. Plan two, or maybe three, if you ever intend to visit.|
As my first day of sunshine came close to an end, I came close to the end of Oregon and the start of California. The former's coast, with its rocky shores and blue waters, adds to what has become my favorite state in the 'Lower 48'. I have only began to glimpse the surface of Washington's downstairs neighbor and hope to spend more time exploring its corners. My last moments basking in a sunset on the beach simply cemented my conclusions.
The second day started brilliantly with a walk around a sunny farmers market and several of the best grilled oysters I've ever had.
|Growing up landlocked means I was never around delicious seafood like these spicy grilled oysters from Humboldt County. The close focus capabilities of the X100F allowed me to capture all the spices and pieces of dill floating in those beautiful shells.|
Having the ability to shoot both wide and close-up shots is one of the great things about the X100F and its 35mm equivalent focal length, even if the lens is a bit soft wide open at the close end. Having a close minimum focus distance helps fill the frame with smaller subjects, and as mentioned before, the improved depth tracking in AF-C helps keep these shots sharp when snapping handheld.
Reviewing my images the night before revealed some of the lens' sharpness shortcomings in regards to fine detail in landscapes, which isn't a huge deal to me personally. For me, the camera's biggest downfall became apparent when I was in tight quarters, surrounded by massive trees towering above me. I couldn't help but long for something a bit wider (I did not have the wide angle adapter with me).
|The Avenue of the Giants|
Even so, I think if I were stranded with one camera, the X100F would be one of the contenders for my choice. Leave it in full auto mode, and it works almost flawlessly. Of course classic ergonomics and physical controls have always been part of the X100-series DNA. But robust continuous autofocus has not. Fortunately, with the X100F, suddenly the camera's autofocus can keep up with the movement of a quickly approaching subject. Combine that with the ultimate timing precision of an optical viewfinder, and you are left with a simple and fun camera that can easily capture that 'decisive moment' - even if that decisive moment is just a seagull entering your frame.
Apr 12, 2018
Dec 22, 2017
Dec 20, 2017
Dec 3, 2017
We're counting down our top 10 most popular sample galleries of 2017 – the Fujifilm X100F takes the bronze and the #3 spot.
The holidays are coming, but your gear isn't cutting it? It's time to treat yourself!
Fujifilm has announced a new Raw converter that uses the camera's own image processor while connected to a Mac or PC over USB. It arrives in November 2017 for Mac, and January 2018 for PC.
Alongside the new X-E3 and XF 80mm F2.8 prime, Fujifilm also announced firmware updates for several of its current X-series models, and an updated lens roadmap.
Everyone loves a big sensor compact with a prime lens. But can you put together a better combination with a cheap-ish mirrorless camera and a pancake prime? Read more
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
|A smile is worth a thousand words by alberto_b|
from Fill the frame
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.