Editor's opinion: Nikon's AF-S Nikkor 80-400mm F4.5-5.6G ED VR: Digital Photography Review

Comments

All (69)

Most popular (1)

Editors' picks (0)

DPR staff (0)

Oldest first

I have owned the original 80-400mm since 2006 and have literally made 10s of thousands of dollars by using it in regatta photography. It has been my go to lens on everything from a D100 up to my new D4. I have waited for this update for a long time. I will spend the extra money and be glad to do it. There are enough changes to the body of the lens, its technology, and optics to make the price increase worth it to me. I have read all the comments complaining about price. So What? If you are making money from the lens it will pay for itself. Frankly with the AF-S and no barrel movement it is going to make my life much better. Combined with the D4 and its stronger focus motor even the older 80-400 hunts less during focus so I expect this lens to be way more stable in that area. I do not need an exotic 400, the variable aperture is fine for what I do. 2013 dollars are not 2006 dollars so buy it or not it is your choice.

Apr 6, 2013permalink

Steve69

Great lookig lens. But someone could say using KR terminology, "It's the perfect model for gear masturbators".

Mar 18, 2013permalink

headlesspiderman

For 1,500 dollars what is the performance difference of buying a 70-300 mm and sticking a 2 or 3 times teleconverter to extend the lens? Do you think you will notice a big difference in the performance?

Mar 10, 2013permalink

yabokkie

70-300 is no good lens. people have to use it because there is little choice the 80-400D was too bad.

Mar 10, 2013permalink

nunatak

if the IQ of the new 80~400mm VR ii comes close to that of the 700~200mm f2.8 VR ii — the price point seems more than fair.

Mar 10, 2013permalink

yabokkie

in theory, 80-400/5.6 should be no cheaper than 70-200/2.8 if the performaces are comparable through the (different) zoom range.

but the current 70-200/2.8's from Canon and Nikon are almost twice as expensive as non-stabilized ones. Canon asked for a high premium for their infamous stagger and Nikon followed with virtual random, neither should cost more than 100 US.

Mar 10, 2013permalink

wildeye

After what seems an interminable wait for an AFS equivalent to Canon's well regarded 100-400 IS, Nikon users are now expected to pay more than twice the price of that lens, or more than 3 times the price of Sigma's 150-500 which in its latest incarnation is a very good lens at a very fair price. Come on Nikon, this price is just adding insult to injury!

Mar 9, 2013permalink

Nuno Souto

Any bets how long before the first complaints of bad QA come in?...

Mar 7, 2013permalink

Lawrence33

A real photographer blames "Self" first. And then the Grump, and if no one else is around the Equipment.
That's what a real "Pro" told me.

Mar 7, 2013permalink

Lawrence33

Why ? You crab about the latest, and greatest, it can't get here quick enough for most of you. ? And when the "New Wiz-Bang" gets here, it's too much of this and not enough of that. ?
Let me be the first to say, "Pay up sucker!"
My first camera 1940, was a Eastman Kodak box, #2A Brownie 116 film. 1965, I started as a 'Pro', whatever the hell that means, at a Chemical Company. My Portfolio was from walk around
Blk & Wh prints.
It's 'Luck' and hard work to get ahead in this field. Having the top of the line is a small thing in this game.
Thank God for the amateur. God must have love them, he made so many. And if he hadn't, I couldn't have afforded the gear I've work with all these years.
And 'Why' do we need the best thing-a-ma-BoB that comes down the pike.
Maybe it will help and maybe will just collect dust. I still work with a Nikon body from 1965 and a 85/250 f4 for walk around.
My cameras and work have taken we all over the globe. For that I'm very thankful.
"Keep shooting" 30

Mar 7, 2013*permalink

intro

I think camera and lens manufacturers live either on another planet or in the past. Things went wild with incomes after the crisis, in general people have less money for at least same amount of work.

Yet they keep showing more and more expensive products. Maybe professionals will buy these, but amateurs who do not earn (or very limited income) from photography will think twice....wrong in fact, at these prices there's nothing to think about, will just look on the second market or forget about it.

But in the end what do i know, maybe these are the fair prices...and they are if the market is willing to pay. If not...what can they do...increase even more? :)

Mar 6, 2013permalink

bossa

So the Elephant in the room right now must be the aging AF-S 300 F4 right? I bought mine a few months ago and I expect the bad news will arrive any day now of a 300 F4 VR.

Mar 6, 2013permalink

Chew488

Would love to pair this with the D7100. Saves my feminine hands from carrying heavy lenses, but dunno how good the tracking is .... agonizing wait!!

Mar 6, 2013permalink

Keithns

anybody wonder why it just says VR and not VR2

Mar 5, 2013permalink

khuon

Because Nikon's generational naming scheme is related to the lens as an overall package and not the individual component technologies. Nikon's primary distinguishers are the lens type. This is the first 80-400 to include AF-S and VR but more importantly it is a G-type whereas the older lens is a D-type. The next lens that will eventually replace this one will be named something like "AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR II" even though internally it may have VR-III technology or even VR-IV. The main factour as part of the naming scheme will be the fact that it will be the second generation version of the 80-400/4.5-5.6 G-type lens.

Mar 6, 2013*permalink

Patco

Khuon is correct. I don't believe Nikon ever includes the VR version in the official lens name, or on the markings on the lens.
As an example, the name of newer version of the 18-200mm ends in "...VR II", indicating the 2nd version of the lens, but both the 1st & current versions have VR2.

Mar 7, 2013permalink

yabokkie

there is no standard scale. each lens has its own design and performance though they may share some technologies.

Mar 11, 2013permalink

Wally626

Well at least the new Nikon makes the new Sony 70-400 f/4-5.6 G2 look like a comparable bargain at only $2198.

Mar 5, 2013permalink

Mescalamba

Lol, sad but true..

Mar 5, 2013permalink

rob asnong

Yes that is true and if the new Sony is as good or even better as the old one (maybe the best of all till now), then the new Sony 70-400 stays maybe even unbeaten.

Mar 6, 2013permalink

LarryK

I don't see any surprises here, pretty much every new Nikon Pro lens that comes out is twice the price of its predecessor. People always seem to be wishing for improvements in pre-2000 prices.

Hopefully it's better than the old model, but while the 80-400 was much maligned it was usually by people that didn't have one or didn't know how to use it. Mine has give me excellent service for close to a decade and I'll only replace it if there are real benefits from this. The old one packed a lot of firepower into a small (relatively speaking) package.

Mar 5, 2013permalink

yabokkie

Canon should be blamed, too, that Nikon cannot set unreasonable high prices without the cooperation from the competitor.

Mar 10, 2013permalink

ltabb

Well, I was waiting for this lens since I bought my D200 when it was first released. I finally got tired of waiting and six months ago bought a Sigma 50-500 VR and I love it (plus it's about $1000 cheaper).

I'm sure I'm not the only sale Nikon has lost because they've been too slow, not only with this but in other areas as well (e..g. a direct D300s upgrade). Also, this would have been an ideal lens to target for Dx so they could make it smaller and lighter.

This type of thing is making it clear why I see about four Canons for every Nikon DSLR.

Mar 5, 2013permalink

Retzius

I am sure it will be nice but the price is just ludicrous. The pre-order price at Adorama is full MSRP of $2700. I doubt they will move many at that price point.

Mar 5, 2013permalink

Osvaldo Cristo

Welcome, baby!

I bought my Nikkor 80-400 f/4.5-5.6 on 2002 to use with my (then) new Nikon D100 and today it is my oldest lens in my collection as previous lenses were replaced years back (the Sigma 15-30 by Nikkor 12-24, the Nikkor 24-120 AFD by Nikkor 24-120 f/4).

I am very happy with my older 80-400 even after so long years - of course improvements are always welcome. Let us see if in the field practice it worths so long waiting. Anyway I will not board at the first ship. I am not in a hurry.

Mar 5, 2013permalink

falconeyes

This lens has much in common with the Pentax DA* 60-200 F/4 ED (90-380 F/6 equivalent) which is tack-sharp at the long end even outperforming most fixed focal lengths.

This is one particular lens which makes the Pentax APS-C system quite attractive.

The new Nikkor 80-400 could do the same for Nikon FX if the optical performance is similiarly top notch and if the price comes down a bit.

Mar 5, 2013permalink

Guidenet

This lens has nothing in common with that Pentax 60-200 f/4. Nothing at all. The Pentax is half the focal length on the long side. If you want to apply crop factor, you have to apply that to both. Oh and it's a 60-250 f/4, if you check. It's about half the price and built for crop cameras only. The only thing it's equvalent to in this Full Frame lens is the angle of view. That's not a lot in common by my views.

That all said, that 60-250 f/4 is a superb lens for what it is. Also, it's unfortunate that Pentax doesn't yet make a full frame camera. Maybe soon in the future. I wish they'd catch up. I know they will, but when.

As for doing the same for Nikon, they aren't the same thing and Nikon has a plethora of lenses all around it, already top notch. I too hope it's excellent, but it won't make or break them. It just fits in a small nitch amongst all the others, some like the 200-400 f/4 being world class.

Mar 5, 2013permalink

viking79

It has a lot in common, they serve the same function if you shoot full frame vs APS-C. Both are medium to good light telephotos.

If I were to buy a Pentax K-5IIs I would get some standard range primes and the 60-250mm f/4. If I were to buy the D600, I would get this lens instead. If I had a D7000 and was getting the 80-400, well, Pentax has nothing similar (Sigma does).

Edit: I would never buy an 80-400mm on DX when what I really wanted was a 60-250mm. They are very different focal lengths at the wider end. Again, I see advantages to using an 80-400mm on DX, but it is a different lens altogether.

Mar 5, 2013*permalink

Plastek

"It has a lot in common, they serve the same function if you shoot full frame vs APS-C. " - and that's pretty much ALL.
Sorry, but these two lenses are completely different beasts.

Mar 5, 2013permalink

viking79

Incorrect, if I am coming from say Pentax K-5IIs to a Nikon D600, and I owned the 60-250mm on Pentax, I would want to get the 80-400mm to be fairly similar to what I had on Pentax. What are you failing to comprehend here?

The Pentax is a 1.5x crop, so the 60-250mm f/4 is equivalent to a 90-380mm f/6 lens. So the 80-400mm will have a bit shallower depth of field, etc, but these are very close in function if the 60-250 is used on APS-C and the 80-400mm on full frame.

Mar 5, 2013*permalink

ppastoris

viking79, +1.

Such mistakes as Plastek is making here are unfortunately very typical when people compare lenses on different size sensors :(.

Mar 5, 2013permalink

Guidenet

Ok, if you folks consider angle of view at one end of a zoom lens makes them common, that's fine. We're not talking equivalent focal length or reach, just angle of view here on one side of a zoom.

And you're right. Pentax doesn't really make anything really like it, do they? The fact you might want the 60-250 if you had a Pentax because Pentax doesn't make a full frame or this 80-400 is irrelavent. Field of view will never be the same as reach or focal length no matter how you slice the loaf. One is 400mm and one is 250mm on the long side regardless of how you wish to crop it.

Mar 5, 2013permalink

Mescalamba

I think original author meant more "similar sharpness at desired focal length of equiv. crop".

Can 80-400 deliver that? For that price it should..

Otherwise Sigma has nice 120-300mm f2.8 with VR for same price. And it works pretty good even with 1.4x TC. Worth thinking, eh?

Mar 5, 2013permalink

ppastoris

60-250 f/4 on APS-C and 90-375 f/6 on the same generation FF sensor will produce very similar images in terms of AoV, DoF, image noise, and diffraction. Nikon's 80-400 f/4.5-5.6 is indeed a bit brighter and more versatile than the above hypothetical 90-375 f/6, but close enough for people to compare and cross-shop Pentax 60-250 f/4 + K5II vs Nikon 80-400 + Nikon FF camera. It especially makes sense taking into account that Pentax 60-250 is a very good lens optically as well as mechanically and is lighter and, in combination with the corresponding camera, much-much cheaper than the Nikon's version.

Mar 6, 2013permalink

Osvaldo Cristo

Sorry, wrong comparison. One 20-200 at f/6 would be muuuch easier to design and manufacture than a 80-400 lens. It is Physics: 200mm is not the same focal length than 400.

You can use that lens with a FX camera but also the same lens can be used mounted on DX or even System 1 with adapter - but it is another story.

May 24, 2013permalink

G Davidson

Attractive lens maybe, but way too expensive for that slow aperture. It seems to be relying on-

A) The increased reach that newer crop cameras/ high MP sensors cropped offer, to give a really long reach (plus it's compatibility with tele-convertors) and

B) The better performance at high ISOs on today's sensors, along with the better VR. Presumably, this will only improve, making brighter lenses less important for capture speed.

... yet other lenses will share these benefits, including brighter ones presumably having better bokeh and faster AF due to letting in more light. It seems to me yet another opening for third parties like Sigma to offer similar ranges at a radically better price-point with only slightly worse optics, though that 'slightly worse' factor may push many to the Nikon.

Mar 5, 2013permalink

pureaxis

title is wrong, is 4.5-5.6 aperture not 4-5.6 aperture, I think you got it confused with a Sony

Mar 5, 2013permalink

Richard Shih

Thanks.

Mar 5, 2013permalink

map1273

For the money, I'd rather have the new Sigma 120-300mm 2.8 that's coming out in a few weeks and use a teleconverter if needed on that.

Mar 5, 2013*permalink

PatrickP

almost totally forgot about the Sigma.
$2700 for a 80-400 f/4.5-5.6 VR,
versus:
$3600 for a 120-300 f/2.8 OS
Given the recent improvement in quality from Sigma, the only downside is the size and weight.

Mar 5, 2013permalink

Mescalamba

Original "old" 120-300/2.8 costs same as this.. And if you take a look on reviews, its actually really good lens.

Mar 5, 2013permalink

bossa

Yes but the new Sigma 120-300 F2.8 has the same optical formula as the old one and according to Lens Rentals repair stat's the 'current' version of that lens degrades physically quite quickly (focus mechanism). I'd want to be sure of a few things before considering that lens.

Mar 6, 2013*permalink

Kabe Luna

Nearly double the cost of the outgoing lens? Fantasy pricing for this slow lens - unless, that is, build and optical quality are beyond reproach. We'll have to see.

Mar 5, 2013permalink

sandy b

Lets wait and see what Canon charges when they upgrade their version, probably soon.

Mar 7, 2013permalink

yabokkie

you can think the outgoing one as non-existence, nothing compared with Canon 100-400mm, while this lens looks much better on MTF at least.

would pay more for an EF100-500/4.5-5.6LIS.

Mar 7, 2013permalink

kewlguy

For the price it should be much better than the mediocre 70-300 VR!

Mar 5, 2013*permalink

Peter K Burian

You're comparing apples to oranges. This 80-400mm lens is a pro lens while the 70-300mm VR is a mass market lens.

Birders: MANY do use an 80-400mm or 100-400mm. That was the most common lens I saw last week at the Venice Rookery in Florida.

Mar 5, 2013*permalink

stevef1961

apparently you've never used a 70-300 vr or you're not using it properly. It's a great lens regardless of the price and produces amazing pictures. I've shown my photos to pro's who say don't bother with a 70-200 when the 70-300 produces results like I'm getting.

Mar 10, 2013permalink

gl2k

Odd focal length.
Nikon has already 2 very good 70-200 lenses. The 80-400 has some massive overlap to both of them. Additionally there is the quite good 70-300 consumer lens which is inexpensive and delivers a lot for the money.
I'm not confident if this is really the lens photogs are after except "birders".

Mar 5, 2013permalink

HiRez

Well yeah, that's who this lens is for, it's not a walking around/cover everything lens. It's not "odd" at all. The 70-300 is OK, but is very unlikely to match the performance of this lens. Nanocoat FTW.

Mar 5, 2013permalink

Julian

No - I don't think birders will be that interested - usually with this kind of optic the sharpness really suffers at the long end of the zoom the 70-300 certainly shows signs of this. I think most birders would be better of with the 300mm f/4 and a 1.4 tc, that combo should cost about the same too.

Mar 5, 2013*permalink

M Irwin

I think this is a much-favored general purpose (not professional) daylight sports range. It will be quite popular.

Mar 5, 2013permalink

emax

The "overlap" is not a bad thing. For sports / action shooting, I really like the 80-400 range (at least on DX).

Mar 5, 2013permalink

Peter K Burian

Birders: Yes, MANY do use an 80-400mm or 100-400mm. That was the most common lens I saw last week at the Venice Rookery in Florida.

This lens should be dramatically better than the 70-300mm VR which is really only so-so. The 70-200mm f/4 VR is SO much better even with the Nikon 1.4x converter. (I own both.)

Mar 5, 2013*permalink

Guidenet

Peter and the rest are right. If this lens performs, it will be your number one budget birder for Nikon cameras. As good as the 300 f/4 with converter is, most budget birders will buy a zoom.

The various Sigmas are not bad lenses but they just aren't quite good enough to show that fine detail we all want. This new lens will have to be able to do that. Feather and beak detail, eye glint and skin texture have to be there. i think it will be.

Canon's good 100-400 is probably the best budget birder for them. The problem is it's an old design and it push pull. I do not like push pull telephoto zooms and I think most others agree. When Canon updates, I bet the replacement will not be push pull.

If you can't figure out who'll buy it, just look how many Sigmas, Tanrons, Nikons and Canon lenses that zoom to 400 and 500 that are out there selling pretty well. This will sell off the shelves regardless of price if the optics are good.

Mar 5, 2013permalink

khuon

> I think most birders would be better of with the 300mm f/4 and a
> 1.4 tc, that combo should cost about the same too.

I believe the Nikon AF-S 300mm f/4 and a TC-14EII would be quite a bit cheaper... by almost $1000.

Mar 6, 2013permalink

stevef1961

70-300 is "so-so". Wrong - it's a great lens whether it cost 600.00 or 1800.00.

Mar 10, 2013permalink

Jack144

Eagerly awaiting Canon's response!

Mar 5, 2013permalink

LSE

eagerly awaiting canon's response to their 100-400 push pull zoom for the last 7 years!

Mar 5, 2013permalink

thomas2279f

Rumoured for 2013 announcement along with the 400 F5.6 L, expect upto date USM, IS and revamp optics and also employing Nikon's pricing strategy as well.

Will wait few months for this lens bit pricey at £2500 for few more ££/$$ could pick up a 200-400 second hand.

Mar 5, 2013permalink

Peter K Burian

Well Canon will be making the EF 200-400mm f/4L IS USM (with built-in 1.4x Extender) and apparently it will become available this summer. I'll bet it will cost $3500+. (Apparently one rumour says $13,000 ... I hope that is a crazy guess!)

http://www.cameraegg.org/video-ef-200-400mm-f4l-is-usm-extender-1-4x-hands-on-review/

Mar 5, 2013*permalink

harveysteeves

regarding the Canon, a friend of mine, down at CES, said that Canon didn't know when the 200-400 would be out as they were having problems so I wouldn't bet the farm. And the $13k ballpark price, not a guess.

Mar 5, 2013*permalink

dopsgp

Hopefully the new higher price means it comes with a decent tripod bracket this time.

Mar 5, 2013permalink

ThomasH_always

Well, yea, "shame about the price." I offer $1400. Want more? Nope, not from me, you keep the lens. I am endlessly patient. I will rather take my old 80-200 F/2.8 with extender.

Mar 5, 2013permalink

G Davidson

That's what I'm using, with beautiful results. The VR and fast AF are attractive, but not this price.

Mar 5, 2013permalink

thomas2279f

Agree quite good quality with my 70-200 f2.8 mk 2 and TC 2 III.

Mar 5, 2013permalink

G Davidson

My main problem is birds in flight. I'd like something with much faster AF and also the VR for this. The 5x zoom is attractive, too- with the 2x TC my 80-200 is always long. It's too bad this costs so much for the time being, but at least the IQ should be astounding.

Mar 8, 2013permalink

Mike Cialowicz

Finally! Shame about the price, but at least everything else looks great!

Mar 5, 2013permalink

G Davidson

Considering they recommend TCs, the detail you can capture with this should be astounding.

Mar 8, 2013permalink

Behind the scenes with Nat Geo and 'The Last Honey Hunter'

Go behind the scenes with National Geographic photographer Renan Ozturk and see what it takes to capture a dangerous, harrowing, stunning Nat Geo photo essay.

Jul 22, 201719

Photo of the week: Torment

Erez Marom tells the story behind this ominous photo of the sand 'reaching up' towards the mountains at Skagsanden beach in Norway. He calls this photo 'Torment.'

Jul 22, 201727

Panasonic Leica DG 15mm F1.7 shooting experience

DPReview staffer Carey Rose has taken the Panasonic Leica DG 15mm F1.7 along for everything from a city-side boat ride to a bachelor party across the mountains. Find out how the little Leica fared.

Jul 22, 2017202

Canon's new imagePROGRAF PRO-6000 printer can make 60-inch prints

Canon just unveiled the largest 12-ink printer on the market. The new imagePROGRAF PRO-6000 printer can make prints from 17 all the way up to 60 inches wide.

Jul 21, 201763

When the selfie turns sacreligious

"Standing in one of the holiest places on earth, I felt uneasy," writes Wired's Jason Parham. "Most of my fellow visitors, I realized with a brief bloom of nausea, were taking selfies."

Jul 21, 2017Wired 7

Chances are you'll never see Dunkirk the way Christopher Nolan intended

Christopher Nolan's Dunkirk has been receiving great reviews, but it's a challenge to see it in its full glory. This handy infographic reveals the aspect ratio chaos that is wrought as the industry retreats from film.

Jul 21, 2017112 video

Another study finds Instagram is terrible for youth mental health

Anti-bullying organization Ditch the Label's Annual Bullying Survey 2017 reveals yet again that Instagram, more so than any other social network, has a the worst effect on youth mental health.

Jul 21, 201726

Sony patents 400mm F2.8 lens for a curved medium format sensor

It's been a crazy day for innovative patent news. Apparently Sony is thinking of developing a medium format curved sensor camera.

Jul 21, 2017129

Silkypix adds support for Sony Alpha a9 and other cameras

An update to the Silkypix Raw converter fixes some bugs and adds support for several popular new cameras.

Jul 21, 20171

Intense underwater 8x10 camera pops up on eBay for $5,800

This crazy custom-built underwater camera shoots 8x10 large format film. It's supposedly "the first successful underwater 8x10 ever made," and it can be yours for $5,800... plus shipping.

Jul 21, 201714

Blackmagic unveils Audio and KeyKode Reader for the Cintel Film Scanner

Blackmagic just reveled a new accessory for their Cintel Film Scanner. The Cintel Audio and KeyKode Reader can capture KeyKode data and high-quality audio from film in real-time as it is being scanned.

Jul 21, 20172

Nikon patents 35mm F2.0 lens for camera with curved full frame sensor

A new Nikon patent shows a lens designed for a curved full-frame sensor. Could this be the high-end Nikon mirrorless camera people are hoping for?

Jul 21, 2017178

Sony 1000 fps sensor gives high-speed vision to industrial robots

The ability to shoot images at 1,000 fps first appeared in a Sony smartphone sensor. Now the Japanese manufacturer is using the same feature for industrial applications.

Jul 21, 20173

How to photograph the August eclipse, and why you probably shouldn’t try

Astronomy expert and photographer Dr. Tyler Nordgren thinks you should "see your first eclipse, photograph your second." But if you do plan on taking photos this August, here are a few tips from someone who's been there.

Jul 21, 201766

Study finds most people can't spot manipulated photos, can you?

How confident are you that you can spot a manipulated photo? A recent study at the University of Warwick shows that many people are pretty bad at it.

Jul 20, 2017230

PSA: Leica's new TL2 may break if you use it with the Leica Visoflex electronic viewfinder

If you purchased a Leica TL2, do NOT attach Leica's Visoflex electronic viewfinder. Leica is working on a fix, but for now, it's possible the viewfinder will break your camera.

Jul 20, 2017152 camera news

Google's Motion Stills app is now available for Android

Google just released Motion Stills for Android. Unlike the iOS version, the Android app uses a redesigned video processing pipeline that processes each frame of a video as it is being recorded, creating instant results.

Jul 20, 201718

Zillow and VHT appeal $4 million copyright infringement ruling

A huge copyright lawsuit between photography firm VHT and Zillow Group is heating up again, as both sides appeal a court ruling that granted VHT $4 million in damages.

Jul 20, 201711

You can now explore the International Space Station in Google Street View

European Space Agency astronaut Thomas Pesquet spent 6 months on board the International Space Station where he worked with Google capturing spheric panorama images that are now available in Street View.

Jul 20, 201730

Confirmed: Bowens is going out of business

It's official. PDN has confirmed with parent company Aurelius that 94-year-old lighting company Bowens is indeed going out of business.

Jul 20, 201743

Firmware update fixes Sigma MC-11 AF issues with incompatible lenses

The newly launched firmware version 1.06 fixes AF-issues that can occur with some lenses that are not officially compatible with the MC-11 converter.

Jul 20, 20179

Voyager is a waterproof, smart LED light stick that you control with a phone

Voyager is a waterproof smart light stick you can control entirely from your phone. The light has already blown past its $300K funding goal on Indiegogo.

Jul 20, 201713

Photokina 2019 dates announced

2018 is the last year Photokina will take place during the traditional end-of-September dates. In 2019, Photokina will take place from the 8th to the 11th of May.

Jul 20, 20175

Throwback Thursday: Canon IXUS 50 / SD400 Digital ELPH

The Canon IXUS 50 (known as the SD400 Digital ELPH in North America) was one of a string of high-performing, pocketable PowerShots of the mid-2000s. In this week's throwback Thursday, Barney casts his mind back to 2005.

Jul 20, 201757

Canon 6D Mark II dynamic range falls behind modern APS-C cameras

A close look at the EOS 6D II's Raw files suggest its dynamic range has taken a significant step backwards compared with the company's recent DSLRs. We look at how much difference this might make for your photos.

Jul 20, 20171265

Canon EOS 6D Mark II sample gallery

With a full-production review unit in our hands, we've got over 100 production samples from the new Canon EOS 6D Mark II to share.

Jul 20, 201744 sample gallery

Canon EOS 6D Mark II sample reel

Need a break from your day? Kick back and watch the making of a somewhat unconventional mojito filmed on Canon's new EOS 6D Mark II.

Jul 20, 201733 video

This $31 lens will turn any room into a camera obscura

The Bonfoton Camera Obscura Room Lens can turn any room into a camera obscura, projecting the view from your window onto the walls of your room.

Jul 19, 201758

Lightroom CC 2015.12 arrives with bug fixes, new camera and lens support

Adobe just released version 2015.12 of Lightroom CC, adding support for several new cameras and lenses, and baking in several important bug fixes while they were at it.

Jul 19, 201791

This is what the photo editor at VanityFair.com looks for

In this interview, Chiara Marinai, photo editor for VanityFair.com, explains exactly what she looks for in new photographers and photo submissions. Take notes.

Jul 19, 2017PhotoShelter Blog 2

Tips or suggestions? Contact us!


Wild Things: Marsel van Oosten's landscape and wildlife photography Jan 11, 2015	Nikon D810: A sport photographer's impressions Aug 12, 2014	Lens reviews update: DxOMark data for 400mm telezooms compared May 29, 2013	Samsung Galaxy S7 teardown reveals Sony IMX260 Dual-pixel sensor Mar 4, 2016


Nectar Dancing by Lensmate from A Big Year - birds	Sad clown by PEB from Clowns	Mtl Gen X 2015 DP by MarioSS from - Gen X - (In Full Colours+ Border)