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With its unusual form factor can the Tourbox aid the editing process? Will its price and variety of tactile controls appeal to photo and video editors who would like to streamline their workflow?
Whenever I teach macro photography I begin with a statement and two questions. The statement is that I, as a nature photographer, teach macro photography in the wild. The two immediate questions that stem from this statement are:
In this article, the first of a new series here on dpreview, I'll try to answer these questions, as well as elaborate a little bit about the essence of macro photography as I see it. I'll also try to give you enough information about the upcoming articles to keep you interested!
In simplest terms, macro photography is shooting your subjects from a close distance.
|Photographer Gilad Mass shoots a |
praying mantis up close and personal.
What is a 'close distance'? Anything from half a meter down to 4 or 5cm away from your subject.
|A crab spider shot from a distance of 5cm. Such a high magnification reveals details which are invisible to the naked eye.||Even when shooting a relatively large object, such as a pair of butterflies, the shooting distance is still much less than a meter.|
As for the second question - why shoot in the wild? - there are three answers, but they are personal, rather than technical.
Firstly, in my opinion, shooting insects and tiny animals is the most fascinating, exciting, forget-all-your-troubles experience a photographer can have. These minute creatures are not only crucial for our existence here on earth, but their colors, structure, behavior and interaction with the living world are unparalleled. Shooting earrings or sushi is considered macro photography, and a lot of photographers make a good living doing it, but does that even begin to compare to shooting a hovering dragonfly or a spider in the midst of a vicious hunt? I seriously doubt it.
|A dragonfly hovering in midair - a very close and exciting encounter of the third kind!|
The second reason for why I choose to shoot in the wild is simply that it is very challenging. And like all challenges, it is extremelt rewarding. Shooting outdoors in an uncontrolled environment is signficantly harder than shooting in a controlled environment, such as a studio. In nature you can't tell the sun when and where to shine, or tell the wind to stop blowing. You cannot predict which species you encounter and whether or not they feel like staying around for a quick snap. You cannot prevent a bird from snatching a praying mantis just when you finished composing and focusing (true story). Nature is essentially uncontrollable and as such, when you adopt is as your working environment a lot can - and does - go wrong. Once you've mastered shooting in the wild, taking pictures in a studio is easy.
Don't get me wrong though - have a lot of respect for the art of studio photography. Some of my favorite shots were taken in the studio, and the results obtained in a highly controlled environment can be nothing short of amazing. Yet in a studio there is no sun, no wind, no shifting clouds or rain, and you can pretty much control everything except animal behavior. That makes shooting in the studio easier, at least in principal.
The third reason why I shoot in the wild is that I don't feel that I have a choice. Ultimately, in my opinion, nature and wildlife photographers need to shoot in the wild. Nature photography is all about showing the beauty of the world surrounding us, its intricacy and diversity. And that just cannot be done in a studio, high-tech as it may be. Personally, I believe wildlife photography should be done in nature, nowhere else.
|Photographer Shy Cohen doing what he does best: shooting in nature.|
A quick yet important statement: All the shots you will see in this article, and in the rest of the series, show animals that are:
These three rules are especially important to me, so I will elaborate. Alive - well, that is pretty much self-explanatory, but there are photographers out there who shoot dead subjects. I am OK with that in principle, as long as the subject is not claimed to be alive, and is not killed on purpose just for the shot. Some special kinds of photographs, such as those taken using a scanning-electron-microscope (SEM), require the subject to be gold-plated or cut in cross-sections, so of course it needs to be dead. I personally don't do that kind of photography, but I have no problem with it. There is something I do have a problem with though - animal abuse, and that’s where rule number two is important. Believe it or not, some 'kind souls' have the gruesome habit of abusing subjects, just to get a shot! Needless to say, all of the photographs you'll see here are abuse free.
|A red strawberry poison-dart frog (Dendrobates pumilio), found in the jungle on Bastimentos Island, Bocas del Toro, Panama. Local children capture these delicate creatures and offer tourists to take picture for a dollar. I cannot tolerate this behavior toward wild animals, and so I had to chase this frog for about 2 hours before I could get some decent shots.|
|A robber fly is in an especially compromised situation while feeding. If we get too close and frighten it it will often abandon its hard-earned prey and run for its life. This can mean death instead of life for this magnificent hunter.|
As for natural surroundings - it is important to remember that you can really hurt an animal if you pull it away from its habitat. Lots of insects are dependent upon the plants you find them on, so even if you have to move them for a photograph, put them back on the same kind of plant when finished. The same goes for amphibians, and practically any other kind of animal.
|A spittlebug nymph, 3mm in length, sucking the fluid out of the plant it's found on and secreting it out of its backside as foam. Removing the foam gently for a short time does not hurt the creature, as it starts producing it again immediately. Yet removing the nymph from this branch might result in its death, since it wouldn’t be able to produce this protective substance anymore.|
By now we have a good starting point - I have given you a basic overview of what macro photography is, and how and why I do it, but a lot remains unexplained. What exactly it is that makes shooting up close so different? how do I persuade insects into cooperating for a photograph? What equipment should you use? How do you light a macro shot, and how should you manipulate it post-process? These questions, among many others, will be answered in the articles to come, so stay tuned for much more.
Aug 10, 2014
Aug 3, 2014
Jul 14, 2014
May 25, 2014
What’s the best camera for under $2000? These capable cameras costing less than $2000 should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing under $2000 and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
We've updated our 'best cameras over $2000' buying guide, and the Sony a7R IV is now our favorite mirrorless camera in the $2000-4000 price range. It sits alongside the Nikon D850, which is our choice for those who prefer DSLRs.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.
|Big Wave Surfer by Buzz Lightyear|
from international surfing day
|Field Worker in Vietnam by sgitlin|
from -Nat Geo Challenge : Working in Year 2020- (in Full Colours Only)
|IMG_1070_19x13_2400 by wehollo|
from A big year - birds 2020
|Rainbow 🌈 of Friendship 🤝 by robbiesydney|
from rainbow challenge
|Sleek, Mysterious......And Fast!! by G Gordon MacDonald|
from Aviation Legends: Lockheed SR-71 Blackbird
This sample gallery includes images from our recent review of the Tamron 28-200mm F2.8-5.6 Di III RXD zoom lens. Check out these photos to see how it performs, from wide-angle to telephoto and everything in between.
The Tamron 28-200mm F2.8-5.6 Di III RXD provides a wide zoom range in compact, weather-sealed design. Find out why it's Chris and Jordan's new favorite travel lens.
Kodak Portra 800 is a wonderful and versatile color film. And any rumors of it being discontinued, we're pleased to report, are simply untrue. That's a good thing, because it's capable of producing lovely results in all sorts of conditions.
Boering has left the World Press Photo without much of an explanation from either him or the organization, but he tells DPReview the COVID-19 pandemic is forcing the WPP to change the way it makes money.
The standard-size deck of playing cards features unique photography-oriented artwork and act as cheat sheets for photographers.
The Sony ZV-1 and Panasonic Lumix DC-G100 are the first cameras we've seen that are overtly designed with vlogging in mind – and the changes they represent could have implications for the future of all cameras.
The utility allows the E-M1X, E-M1, E-M1 Mark II, E-M1 Mark III and E-M5 Mark II cameras to be used with video conferencing apps over USB.
Olympus is showing final images of its under-development 150-400mm F4.5, which it says will arrive this winter. An unspecified macro and 8-25mm F4 Pro have also been added to the lens roadmap, and the E-M1X's AF gains bird detection.
The scam, which involves sending fake copyright violation notices, has been circulating on the social media platform since at least June 9.
Fujifilm is one of just two producers of tape media (the other being Sony) and it is hard at work on a breakthrough that will allow single tape storage drives to offer 400TB capacities in the coming years.
The National Parks Service says it's investigating the incident, which took place just two days after the park opened following a shutdown due to the COVID-19 pandemic.
Professional full frame lenses are usually large and have fast apertures. In this episode of DPReview TV, Chris and Jordan argue that there's a need for slow professional lenses – inspired by some of their favorite Micro Four Thirds lenses.
The camera maker joins Olympus, Fujifilm and others is a legal tussle over US digital camera technology patents held by DigiMedia Tech.
NASA's Solar Dynamics Observatory (SDO) photographs the sun every 0.75 seconds. In its first decade in space, the SDO has captured more than 425 million images of the sun. NASA has compiled these images into an amazing time lapse, come check it out.
The lens is available for Leica M, Sony FE, Nikon Z and L-mount camera systems, and now holds the title as the world's widest rectilinear lens for full-frame camera systems.
Tamron's new 28-200mm F2.8-5.6 is a versatile zoom lens for Sony E-mount. Well-suited for travel photography, it's compact, lightweight, and fast/quiet to focus.
Fujifilm has announced that its GF 30mm F3.5 R WR wide-angle lens for its medium format cameras will ship in late July or early August.
Fujifilm's latest lens is a sharp, reasonably compact and well-built wide-angle for the company's GFX medium-format cameras. We took it out and about in the warm Seattle summer with the company's 50 and 100 Megapixel camera bodies to see what it can do.
Fujifilm has issued firmware updates to the GFX 100 and GFX 50 models, with the 100MP camera gaining the most significant improvements.
Although the channel is still growing, it currently has nine videos that offer concise overviews of just a few of the cameras Japan Camera Hunter founder Bellamy Hunt has sitting around his Japanese storefront.
ON1 has launched ON1 360, the latest version of ON1 Photo RAW 2020 with ON1's new Photo Mobile application for iOS, iPadOS and Android mobile devices. The new solution syncs raw processing between your mobile device and computer.
Switching screw-on filters between lenses of different thread sizes is much quicker with the Revoring adjustable step-up ring. It uses a sprung iris that expands to fit a range of filter thread sizes, so a single filter can be used on multiple lenses
That's right folks, you heard it here first. Read on for the full interview, with Kenji Tanaka of Sony.
Kodak's discontinued Aerochrome film gets a digital remake in the form of a new Lightroom preset pack from film emulation specialists Really Nice Images.
We've updated our Best cameras under $2000 buying guide, and the Fujifilm X-T4 is our top pick for those seeking a camera that excels and both stills and video shooting.
Chris and Jordan didn't forget about stills when they previewed the video-centric Panasonic G100 earlier this week.
The Canon EF-M 11-22mm F4-5.6 is by no means a new lens, but it's one we've been shooting with over the years, and appreciate for its compact form, solid build and useful wide-angle range.
Mauritius is a remote island off the southeastern coast of the African continent that's never had Google Street View. So, an island resident, Reuben Pillay, decided to use his own DJI Phantom 4 Pro drone to create more than 220 high-resolution 360-degree images of the island.
Pye Jirsa explains how blowing out the highlights in an image — usually a no-no in the world of photography — can result in a 'perfectly imperfect' photo that feels more authentic and natural.
Here's a fresh take on a classic debate, or why both film and digital are awesome.