Leaked in some detail over the weekend we can now bring you full details of the 16.7 megapixel EOS-1Ds Mark II. Successor to the EOS-1Ds the Mark II maintains the 36 x 24 mm CMOS sensor (full 35 mm frame size), raises the pixel count by almost six million pixels, provides ISO sensitivity through to ISO 3200, faster continuous shooting (4 fps) with a large and improved buffer (32 JPEG, 11 RAW) as well as all of the changes we saw between the EOS-1D to EOS-1D Mark II. Additionally Canon has also announced the WFT-E1 Wireless Transmitter which supports 802.11b/g (WiFi) as well as tethered LAN for transmission of images directly back to a server. It will be priced £5,999 (UK), $7,999 (US) and €8,000 (Europe).
Click here for our preview of the Canon EOS-1Ds Mark II
(includes detailed specifications and additional product images)
Canon’s 16.7 Megapixel SLR extends studio photographer’s options
Amstelveen, the Netherlands, 21 September 2004. Canon, a world leader in photographic and imaging technology, today announces its new flagship camera: the 35mm full-frame 16.7 Megapixel EOS-1Ds Mark II Digital SLR. The camera is expected to appeal to professional studio and commercial photographers.
Featuring a full-frame 36 x 24mm 16.7 Megapixel CMOS sensor, the EOS-1Ds Mark II produces images with outstanding colour rendition and dynamic range. It has sufficient resolution to produce files which convert to 50MB uncompressed TIFF at 24 bit colour depth, now considered standard acceptable size by leading international photo agencies and stock libraries.
Replacing the award winning 11.1 Megapixel EOS-1Ds, the camera is powered by Canon’s second generation DIGIC II image processor and is capable of firing at 4 fps for bursts of up to 32 frames in JPEG, or 11 frames in RAW. An optional wireless adaptor (also released today) delivers high speed IEEE802.11b/g wireless LAN and 100 Megabit per second wired LAN support.
Besides the inherent advantages of digital, such as immediate turn-around and elimination of film costs, it is the flexibility of the EOS 35mm SLR format which Canon expects to appeal to many studio photographers. For the first time, medium format image quality combines with access to the world’s most extensive range of professional lenses, spanning from 14mm to 1200mm.
“The EOS-1Ds Mark II is a tremendous achievement, it represents the pinnacle of Canon’s digital camera technology,” said Mogens Jensen, Head of Canon Consumer Imaging Europe. “With its resolution, image quality, immediacy of wireless and the power and flexibility of SLR, the EOS-1Ds Mark II offers the first real digital alternative to medium format, which has so far been the choice for mainstream commercial studio and location work.”
Canon expects the camera to be adopted in areas such as fashion, car, calendar, advertising and architectural photography.
Key camera specifications include:
- 16.7 MP full frame 36 x 24mm CMOS sensor
- 0.3 second start up and 4fps performance
- ISO 100-1600, expandable to L:50 and H:3200
- Digital Photo Professional v1.5 RAW processing s/ware with support for sRGB, Adobe RGB and wide gamut RGB colour spaces plus various European, North American and Japanese standard CMYK separation simulations
- Hi-Speed FireWire, & Video out i/face for complete connectivity
- Dual high performance SD and CF/CF-II card slots (supports cards greater than 2GB)
- Complete compatibility to all EF lenses & EX-series Speedlites
- 2.0” LCD screen with 230,000 pixels, 1.5-10x playback zoom
- Simultaneous RAW & JPEG shooting
- Battery life – approximately 1200 shots @ 20C, 800 at 0C – in accordance with CIPA testing standards
Unsurpassed image quality
The full frame 16.7 Megapixel resolution sensor has a built in low-pass filter to reduce false colour and moiré effects, which can appear when shooting subjects with fine regular detail, such as textiles. The second generation DIGIC II processor delivers 0.3 sec start up time, fast continuous shooting and simultaneous RAW and JPEG recording. It also features advances in the image processing algorithms to improve white balance, auto exposure and overall image quality. Photographers can choose between four resolutions and 10 quality levels for JPEG images. Within the camera, the EOS-1Ds Mark II supports sRGB and Adobe RGB colour spaces with user settable colour saturation and tone levels, and provides five preset and two user-definable colour matrices. When using the Digital Photo Professional software and RAW image files, Wide Gamut RGB is also available. White Balance (WB) bias is correctable by +/- 9 levels for both blue/amber and magenta/green bias and the camera supports WB bracketing up to +/- 3 levels.
Flexibility of SLR in the studio
Photographers switching to Canon’s EOS system open up access to over 60 EF lenses, including tilt-shift, macro, super telephoto and Image Stabilizer lenses. The EOS-1Ds Mark II is compatible with the entire range of EX-Series Speedlite flash units, including two macro set ups and a range of wireless master/slave flash solutions. For photographers comfortable with the vertical orientation viewfinders of some medium format cameras, the camera accepts an optional Angle finder C right-angle viewfinder.
The immediacy of wireless image transfer
With the optional Wireless LAN adapter plugged into the camera’s IEEE1394/Firewire connection, photographers can work untethered as huge full-frame RAW files transfer automatically to the studio LAN in seconds . “A London publisher can now lay out a production-ready front cover of a magazine with a photograph taken literally seconds beforehand in a Milan studio,” observes Jensen. “Once this level of immediacy becomes commonplace, it is hard to imagine anyone accepting the risks and costs associated with the delays of film developing.”
The Wireless LAN adapter supports both IEEE802.11b, IEEE802.11g wireless network standards and also includes a 100 Megabit wired ethernet connector for automatic and immediate transfer to any wide or local area network. The system supports a comprehensive range of major wireless network encryption and security features.
The CMOS advantage
The EOS-1Ds Mark II’s CMOS sensor offers lower noise levels and a superior dynamic range (capacity to capture subtle tonal gradations in shadow, midtone and highlight areas) to that of sensors found in other digital cameras and camera backs. Canon is the only camera manufacturer with a history of significant research and development investment into image sensors. The resulting CMOS sensor technology found in its digital SLR range is key to the company’s competitive advantage. CMOS sensors have formed the basis of a long line of award winning cameras including the EOS-1Ds, EOS-1D and EOS 10D. Such is the strength of Canon’s sensor development that this is the third new CMOS sensor Canon has commercialised this year. Canon’s first commercialised sensor technology formed the basis of the 1987 EOS auto focus system, with CMOS technology first appearing as an image sensor in the 2000
Digital Photo Professional v.1.5 image processing software is provided for high-speed processing of lossless RAW files. Processing with Digital Photo Professional is approx. 6 times faster than the File Viewer Utility supplied with the EOS-1Ds. It allows real-time display and immediate application of adjustments to images and includes a wide array of RAW, TIFF or JPEG image editing functions, which give control over variables such as white balance, dynamic range, exposure compensation and colour tone. sRGB, Adobe RGB and Wide Gamut RGB colour spaces are supported, and an ICC (International Colour Consortium) profile is automatically attached to RAW images that have been converted to TIFF of JPEG formats. This allows images to be displayed in their faithful colours in software applications that support ICC profiles, such as Adobe Photoshop. Image processing of various parameter changes can now be batched rather than carried out sequentially, vastly increasing the efficiency of applying a number of changes to the same images. The new version of Digital Photo Professional adds the ability to simulate the CMYK separation of images based on regular Japanese, European and USA printing industry practices.
Click here for our preview of the Canon EOS-1Ds Mark II
(includes detailed specifications and additional product images)
Sony's newest G Master telephoto zoom, announced alongside the a9, is the first of the company's FE lenses to reach 400mm natively. We had one in California and photographed horses, portraits, and landscapes - check out how it did. Read more
Garmin has entered the 360-camera market with the VIRB, which captures 5.7K video at 30p as well as 15MP stills. Read more
Join DPReview editors Rishi Sanyal and Carey Rose on Facebook Live as they share their experience and answer your questions about the new Sony a9, Wednesday at 9:30 AM Pacific time. Click here for additional details and time zones
German media reports that the founders of the company behind the Panono 360-degree ball camera have filed for bankruptcy at a court in Berlin. Read more
With a claimed 800 new custom parts, Microsoft's updated Surface Pro comes with the latest Kaby Lake processors, better battery life, a new hinge, plus the Surface Pen is updated as well. Read more
DW Photo is attempting to resurrect the Hy6 medium format camera, though the legal tangles of its development may stop it being branded Rolleiflex.
The Kodak EKTRA, the company's 'camera first' smartphone, is now available to purchase in the United States. Read more
Apple and Nokia have settled their years-old patent dispute. Apple will make an undisclosed payment to Nokia and sign a licensing agreement related to digital health products with the Finnish company.
David Gibson, one of Britain's best known street shooters, shares all.
Photographers from the SKYGLOW project travelled 150k miles and took 3 million photos in increasingly rare locations: those without light pollution.
The world's fastest 200mm was produced for 16 years. In that time, only 8000 were made.
Photokina, the biennial photo industry trade show in Cologne, Germany, has announced that it will become an annual event beginning in 2018, and expand its focus to additional areas of imaging technology. Read more
No mic socket? No problem. In this video, Daniel Peters at Photo Gear News shows you how to make a lapel microphone using just a smartphone and a pair of earbuds.
How does the iPhone 7 Plus stack up against the Arri Alexa cinema camera? Watch this short video to find out.
Canon Australia's video series "The Lab" is designed to make photographers experiment and think outside the box. In the latest video a group of photographers create images based on their sense of taste.
The GH5 is expected to get a firmware update this summer to support 400Mbps internal recording. NewsShooter explores what memory cards you'll need to make it work.
Microsoft's new Surface Pro offers Intel's latest processor generation and improved battery life.
Riding a mountain bike downhill is dangerous enough in daylight, but potentially lethal at night. Which is where drones come in.
Rumors abound that Canon (and maybe Nikon) may produce a mirrorless camera based using their existing DSLR mount. Does this guarantee immediate great lens choice or a perpetually second-rate experience? Read more
According to rumors, the next camera from Nest will be able to capture 4K video, though that resolution will be only used for 'virtual' pan and tilt functions.
Boundary's Prima 'fully modular' backpack is expandable to 30L and has a removable camera case and tablet sleeve. Early Kickstarter backers can get one for $189.
Stanley Greene captured 'brutally honest' photographs in the war zones of the Middle East, Chechnya and Georgia. He was also one of the few African-American photographers working internationally.
Owners of Leica M cameras that suffer from peeling CCDs will be able to claim a free repair in the future so long as the camera was purchased within five years of the fault becoming apparent, the company has announced. Read more
The Carl Zeiss Jena BIOTAR 75mm F1.5 Red T lens is very rare and priced accordingly. It can be yours today for the low, low price of $15,000.
The MIT’s Computer Science and Artificial Intelligence Laboratory (CSAIL) has developed a drone that does not require any human control for recording tracking shots. Read more
In this terrifying video, Iraqi journalist Ammar Alwaely narrowly misses a sniper's bullet, which takes out his chest-mounted GoPro. Warning: strong language. Watch the video
A new report expects action camera growth to increase about 15% by 2021, with Ultra HD cameras driving demand. Read more
Profiles for Adobe Photoshop and Lightroom have been released for Irix's ultra-wide 11mm and 15mm primes. Like all profiles, these correct for distortion and vignetting.
An upcoming firmware update from DJI will cripple its drones unless they are 'activated' on the company's website. Live streaming will be turned off and flight radius/altitude will be limited.
Brent from ShareGrid rounds up the 10 most common products filmmakers are renting from one another for productions; chances are good you own one or more of them.