Review: Nokia 808 PureView
1 Nokia 808 PureView: Introduction
When the Nokia 808 PureView was announced earlier this year its 41MP camera sensor (for a maximum output resolution of 38MP) made headlines all over the tech industry. Not only does it feature the highest-resolution sensor of any mobile phone camera, but at the time of writing, the 808 PureView features the highest-resolution sensor of any current camera outside of highly specialist (and very costly) medium format equipment.
We've been eager to gets our hands on an 808 since the phone was announced, and a loan sample finally arrived in our Seattle office recently. We've been using it ever since. Please note though that this article doesn't touch on the 808 PureView's performance as a phone. That's not what interests us. We want to see what it's like as a camera...
Key Photographic/Video Specifications
- 38MP maximum resolution (in 4:3 aspect ratio - output size: 7728 x 5368 pixels)
- 1/1.2" CMOS sensor, pixel size: 1.4um
- ISO 80-1600 (+ auto)
- Five white balance presets (including auto)
- Exposure compensation +/-4EV in 0.3EV steps
- Carl Zeiss F2.4 8.02mm lens (26mm, 16:9 | 28mm, 4:3 equiv)
- Focus range: 15cm – Infinity (throughout the zoom range)
• 5 elements, 1 group. All lens surfaces are aspherical
• One high-index, low-dispersion glass mould lens
• Mechanical shutter with neutral density filter
- 1080p HD video (up to 25Mb/s) with 4X 'lossless zoom'
- Stereo recording with Nokia Rich Recording - rated up to 140db
The Nokia 808 PureView's large CMOS sensor has 41MP total, outputting a maximum of 38MP (resolution drops to 36MP in 16:9 aspect ratio). Such a high resolution sensor would be little more than a stunt if the camera specifications aren't up to scratch, but Nokia has designed the 808 to be a serious photographic tool. As well as some pretty impressive hardware, Nokia has also included a raft of enthusiast-friendly photographic features in the 808 including manual control over white balance, ISO and exposure (via exposure compensation and bracketing). Exposure compensation is as good as it gets though, in terms of manual exposure control - the 808 does not offer PASM modes (not unsurprisingly).
The Finnish company is at pains to point out that when it comes to image capture, the 808's headline specification of 41MP is far from the whole story. In fact, one of the reasons why Nokia has incorporated such a high pixel count is to allow the 808 to produce better quality lower-resolution images (3MP, 5MP or 8MP).
While it might sound counterintuitive to shoot a 38MP camera at 3MP, it actually makes a lot of sense in a device of this type. Apart from anything else, if you are one of those people whose first reaction to this product was to scream 'you don't need 41MP in a camera phone! The world has gone mad! The sky is falling in!' in a sense you were right - most people simply don't need to capture such high-resolution images on a phone.
But what you probably do want from a cellphone camera is good image quality, decent speed and responsiveness, and wouldn't it be nice to have a zoom, too? That's what the 808's lower-resolution PureView modes are designed to allow.
Putting optical zooms into cellphone cameras is hard. Really really hard, which is why manufacturers tend to include digital zooms instead. Effectively just cropping and upsizing, conventional digital zoom kills image quality. Normally, the instinct of any serious digital photographer would be to run away from 'digital zoom' features for precisely this reason. But the 808 is very far from conventional.
|Images captured in the 808's PureView modes are created by oversampling from the sensor's full resolution. At the 808's 'native' focal length of 28mm equivalent, the oversampling ratio is 14:1 for 3MP images, compared to 8:1 for 5MP and 5:1 for 8MP.|
In Nokia's words, 'pixel oversampling combines many pixels to create a single (super) pixel'. In theory then, at 28mm (equivalent) - i.e., without any 'zoom', the camera's 3MP PureView output should give the best critical image quality, followed by 5MP, then 8MP, and then 38MP. When fully zoomed in, all four output modes will give the same pixel-level image quality, since at this point there is no oversampling going on -as incated by '1:1' in the graph above.
How much you can 'zoom' using the 808 depends on what output resolution mode you're in. If you're shooting at full resolution you can't zoom at all - you're stuck with the lens' native 28mm (equivalent) focal length. In 3MP PureView mode you get the equivalent of a 3.6X 'zoom' - this drops to roughly 3X in 5MP mode, and about 2X in 8MP mode. The table below shows four images, taken at the 'longest' extent of the 'zoom' in each of the 808's output resolution modes.
|38 MP (1X)||8 MP (~2X)||5 MP (~3X)||3 MP (~3.6X)|
Compared to today's travelzoom compacts a 3.6X zoom is nothing much to shout about, but it's better than no zoom at all or - worse - a conventional digital zoom that upsizes cropped images into mush. Even a 2X zoom in 8MP mode allows a useful degree of control over framing, as you can see from the image above.
You can view and download a PDF on Nokia's PureView technology here.
|DSC_9643 by NOWHITELENS|
from Best Photo of the Week
|Thailand Sunrise by ozziebadger|
from Ships and Boats
Sigma is discounting 13 different high-performance 'Art' series lenses from today until November 30th. The company is calling it an 'unprecedented' sale.
See DJI's 'AeroScope' drone-tracking technology in action. This is the system that DJI says can help law enforcement and airport (among others) track and identify rogue drones.
iPhone X owners can already accessorize their new phone with high-quality smartphone photography lenses courtesy of Moment's new lineup.
Considering buying Sigma's exciting new 16mm F1.4 DC DN Contemporary lens for crop-sensor E-Mount and M43? Check out these official full-res samples first!
Vimeo has just added support for 8K HDR 10-bit content, making it possible to show up to 75% of the colors the human eye can perceive vs the usual 35%. Take THAT YouTube.
The holidays are coming, but your gear ain't fly? You gotta hit us up and read our treat yo' self guide.
We're counting down our top 10 most popular sample galleries of 2017, and sitting pretty at #5 is the Fujifilm X-T20.
See some of the most iconic black-and-white photographs throughout history brought to life by a community of colorization enthusiasts and professional retouchers in the new book Retrographic.
Shopping for a photographer? Whether you are one yourself or not, chances are you could use some ideas. From stocking stuffers on up, we've got some photography gift suggestions for every budget.
We're counting down our top 10 most popular sample galleries of 2017. Drum roll please... the #6 spot belongs to none other than the Sigma 85mm F1.4 DH HSM Art.
Read the story behind this gorgeous wedding photo captured at Trolltunga in Norway by husband and wife duo Priscila Valentina Photography. The 14 hour hike in the rain that preceded this shot was TOTALLY worth it.
Go behind the scenes with filmmaker Nick Arcivos, who recently created a beautiful cinematic short film in Paris using only the iPhone X, a couple of gimbals, and a few lights. The results are very impressive.
A Bay Area startup offering a pay-by-the-photo camera service cleverly addresses the pain points photographers experience when they pick up their first DSLR. But can it survive the smartphone?
It's been a big year for software innovations, dual cameras and huge displays. Take a look at our picks for the top smartphone cameras and why we think they stand out.
We're counting down our top 10 most popular sample galleries of 2017. At the #7 spot is the ready-for-any-weather Olympus Tough TG-5.
By combining his skills as a time-lapse filmmaker and an engineer, Julian Tryba created this out-of-this-world creative 'layer-lapse' of New York City that alternates between night and day in time with the music.
Canon Japan's new lineup of novelty camera-themed gifts was just revealed online, including a lens mug and lens thermos, two retro camera-themed USB drives, and a picnic mat.
The Profoto A1 most certainly isn’t for everyone [...] But for those who are used to using the Profoto systems, and want something that pairs seamlessly with the strobes you already have, there is no better companion.
Fujifilm has asked a US district court to clear it of any wrongdoing, after allegedly being threatened with trademark litigation by Polaroid.
While a couple of our reviewers are out testing the Sony a7R III in Arizona, back in Seattle we slapped the camera in front of our studio scene to get a close look at its image quality. See how it stacks up against the competition.
We're counting down our top 10 most popular sample galleries of 2017, and the #8 ranking belongs to the Nikon D7500.
B+W has announced a new aluminum filter holder that offers three slots so users can use multiple filters at the same time. The holder goes with the 2mm thick 100mm square filters it launched earlier this year.
8K video is coming a lot faster than you think, and Blackmagic is ready for it. Meet the DeckLink 8K Pro, a new high performance PCI-E capture and playback card built to handle 'real time high resolution 8K workflows.'
"Glass is everywhere in photography. From Eugène Atget’s reflective vitrines to Lee Friedlander’s sly self-portraiture, photographers have long been in thrall to the visual complications glass can inject into a composition."
Former Apple Aperture lead developer Nik Bhatt has designed an iOS app called RAW Power that lets you edit raw photos from your professional camera using your phone and tablet.... color us intrigued.
Advertising photographer Blair Bunting got his hands on the new Microsoft Surface Book 2, and it blew him away. Bye bye MacBook Pro...
The OnePlus 5T retains many of the 5's features and specs, but comes with an edge-to-edge display and a dual-camera that is optimized for low light.
Sony's recently announced IMX461 backside illuminated medium format sensor will bring 100MP resolution and almost 2x the speed to the next-gen Fuji GFX and Hasselblad X1D.
With the ‘Rent a Hasselblad’ camera equipment renting program, the camera makers is aiming to give enthusiast and professional photographers easier access to its medium-format photography products.
They say seeing is believing, and that's exactly what happened when one DPR staffer took the Google Pixel 2 out for an afternoon shooting under challenging conditions.