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The Peak Design Travel Backpack 45L is the centerpiece of the brand's new Travel Line - it's pricey but awesome. Other components of the line are pricey and less-awesome.
Photokina 2012: Canon has refreshed its G-series enthusiast compact with the G15, and created the implausible SX50 HS. The G15 is a successor to the G12 and is built around a 12MP, 1/1.7" CMOS sensor. Its lens also gets an upgrade - retaining its 28-140mm range but now with a maximum aperture of F1.8-2.8. It loses the G12's articulated screen but gains a higher-resolution, 920k dot panel. Meanwhile the SX50 HS features a remarkable 24-1200mm equivalent 50x zoom, thanks to its smaller 1/2.3" CMOS sensor.
London, UK, 17 September, 2012 – Canon today unveils the PowerShot G15 and PowerShot SX50 HS – two new innovative compact cameras that demonstrate Canon’s expertise in next-generation lens design. The PowerShot G15 features the brightest lens in a PowerShot G-series model to date, with a new f/1.8-2.8, 5x zoom lens, providing photographers with an extra-wide aperture throughout the camera’s entire focal range. The PowerShot SX50 HS is the world’s first 50x optical zoom1 compact stills camera, offering ground-breaking power alongside advanced manual control and RAW format support.
Designed for advanced users looking for premium quality, class-leading performance and compact bodies, both PowerShot models feature Canon’s renowned imaging technologies, delivering superior quality stills and Full HD movies. Both also feature the acclaimed HS System, which offers outstanding low light performance and exceptionally low noise levels in all conditions. Canon’s optical Image Stabilizer with Intelligent IS ensures the sharpest image quality throughout each camera’s zoom range, while manual control and RAW file support provides photographers with maximum control over how images are captured and post-processed.
Next-generation lens design
The PowerShot G15 and PowerShot SX50 HS incorporate new, cutting-edge precision Canon lenses that open up a range of creative possibilities. The PowerShot G15 features a super bright f/1.8-2.8 lens, which has been developed using new highly refractive glass with a unique multiple material coating engineered to handle specific wavelengths of light at the nanometre scale. Its 5x optical zoom provides outstanding versatility, offering an f/1.8 aperture at its 28mm wide-angle, and an f/2.8 aperture at its maximum 140mm focal length. This offers photographers extra freedom to shoot in low light, use fast shutter speeds for freezing motion, or add atmosphere to stills by using a shallower depth of field, throughout the camera’s entire zoom range.
For photographers who want to capture detail in distant subjects, the PowerShot SX50 HS features Canon’s most powerful optical zoom in a compact camera to date. A class-leading optical construction features 13 elements, with three UD lenses included in a 10 group optical arrangement – providing exceptional performance throughout the enormous 50x optical zoom range. A newly designed Ultrasonic Motor (USM) and Voice Coil Motor (VCM) ensure fast and near-silent zooming when moving from the 24mm wide angle through to 1200mm2 maximum reach, while ZoomPlus digitally extends the zoom to 100x while maintaining high image quality.
Enhanced Zoom Framing Assist on the PowerShot SX50 HS now includes new Seek and Lock functions, which are designed to help photographers locate and lock-on to subjects at the telephoto end of the lens. Users can press a dedicated Seek button located on the lens barrel, which makes the lens zoom out to relocate subjects. Once the subject is located users can release the button, with the lens automatically extending back to its telephoto focal length. Additionally, a Lock button can also be used to engage a powerful optical IS mode that holds the subject in the frame until the shot is taken.
Pin-sharp clarity with optical Image Stabilizer
Canon’s industry-leading optical Image Stabilizer technology counters camera shake in both models, suppressing blur in stills and unsteady movie footage. 4-stop (PowerShot G15) and 4.5-stop (PowerShot SX50 HS) optical Image Stabilizers ensure that shots are sharp, crisp and detailed when shooting at telephoto focal lengths or in low light. Additionally, Intelligent IS automatically detects the shooting situation and applies the most suitable Image Stabilizer mode from seven variables. The PowerShot SX50 HS also features a new and advanced Dynamic IS mode that reduces the rolling motion style camera shake that typically occurs when movies are recorded whilst walking or moving.
Premium image quality and speed
Both models feature Canon’s HS System – a combination of a high-sensitivity 12.1 Megapixel CMOS sensor and powerful DIGIC 5 image processing. The PowerShot G15 features a new Canon 1/1.7-type high-sensitivity CMOS sensor that offers even greater light gathering abilities than its predecessor, resulting in outstanding flexibility during low light shooting. High ISO shooting at speeds up to ISO 12,8003 allows the use of fast shutter speeds and faster continuous shooting, even in poor light conditions. Powerful DIGIC 5 processing in each model is also optimised to work seamlessly with the high resolution sensors, keeping image noise to a minimum in all lighting conditions.
Improved Auto Focus (AF) systems on both models make it easy for users to capture sharply-focused stills. The PowerShot G15 AF speed4 offers exceptional performance – at just 0.17 seconds at the wide-angle – representing a 53% improvement5 over the PowerShot G12, making it the fastest Canon compact camera ever produced.
High-speed Burst HQ mode, available on both models, also allows the capture of high quality, full resolution shots of fast moving subjects. The PowerShot SX50 HS captures split-second action at 13 shots/second, perfect for wildlife p hotography, while a burst rate of 10 shots/second on the PowerShot G15 is ideal for capturing fast-paced action.
Creative flexibility with manual control and auto modes
Offering similar levels of manual control to those found on Canon EOS DSLRs, both cameras allow photographers to adjust settings such as aperture, shutter speed, white balance and ISO sensitivity. RAW in both models now includes multi-aspect support, allowing photographers to explore different aspect ratios in post-production.
A range of automatic shooting features also ensure users get the best shot. Smart Auto utilises advanced scene detection technology and selects the most appropriate setting from 58 different variables, while Face ID cleverly recognises pre-registered faces of friends or family and adjusts settings accordingly to ensure they always look their best. Multi-Area White Balance automatically adjusts colour tones in shots captured indoors with different light sources, so shots look more natural.
Designed for serious photographers
The PowerShot G15 features the signature design characteristics of the PowerShot G- series, offering excellent handling for everyday use. Its lightweight, robust aluminium body is approximately 17% smaller than the PowerShot G12, making it an ideal complement to a DSLR camera.
Designed for quick one-handed operation, the PowerShot G15 features a two-level top control dial, a front dial and dedicated Movie Record and shortcut buttons – making it easy for users to access and adjust camera settings between shots. A sharp 920k-dot resolution 7.5 cm (3.0’’) PureColor II G screen is ideal for composition and playback, with a wide viewing angle and a tempered glass layer offering enhanced durability and visibility. An optical viewfinder also provides an alternative to live view composition, providing a more traditional through-the-lens shooting experience.
Designed to offer the familiar feel of a DSLR in a more compact form, the PowerShot SX50 HS features an angled design with a grip that feels secure in the hand and is ideal for ultra-zoom shooting. Outstandingly compact for the flexibility of the 50x optical zoom range, the PowerShot SX50 HS offers a control dial for easy access and navigation through system menus, as well as one-touch action buttons including a dedicated Movie Record button. An Electronic Viewfinder, combined with a 7.1cm (2.8’’) vari-angle PureColor II VA LCD screen, allows users to frame their shots in their preferred style, and shoot from a range of different angles.
Instant Full HD movies
Perfect for capturing super-sharp video, the PowerShot G15 and the PowerShot SX50 HS also support Full HD (1080p) movie recording at 24fps. The cameras’ optical zooms can be utilised during recording, while AF in movies also ensures that subjects remain crisp, clear and in focus. High quality stereo sound is also supported by both models.
Experiment with Canon accessories
Both new PowerShot models are compatible with a wide range of Canon accessories, allowing users to expand their photography kit bag. A hotshoe allows photographers to experiment with creative flash photography using Canon’s Speedlite flash range, while Lens Filter Adapters offer compatibility with Canon’s range of EOS filters. Both models are compatible with the Remote Switch RS-60E3, perfect for controlling long exposures or shooting at night to reduce camera shake. A new Waterproof Case WP-DC48 is also available for the PowerShot G15 – perfect for users who like to capture stunning marine life.
1 Correct as of 17 September 2012
2 35mm equivalent
3 PowerShot G15 can shoot up to ISO 12,800. The PowerShot SX50 HS can shoot up to ISO 6,400
4 Based on the new CIPA standard
5 Compared to PowerShot G12 AF time of 0.36 seconds at 28mm wide-angle. AF time definition conforms to new CIPA guidelines (established in April 2012)
|Canon PowerShot G15||Canon PowerShot SX50 HS|
|Body type||Compact||SLR-like (bridge)|
|Max resolution||4000 x 3000|
|Other resolutions||4000 x 3000, 4000 x 2248, 4000 x 2664, 2992 x 2992, 2816 x 2112, 2816 x 1880, 2816 x 1584, 2112 x 2112, 1920 x 1080, 1600 x 1200, 1600 x 1064, 1200 x 1200, 640 x 480, 640 x 424, 640 x 360, 480 x 480|
|Image ratio w:h||1:1, 5:4, 4:3, 3:2, 16:9|
|Effective pixels||12 megapixels|
|Sensor size||1/1.7" (7.44 x 5.58 mm)||1/2.3" (6.17 x 4.55 mm)|
|Color filter array||Primary Color Filter|
|ISO||Auto, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800||Auto, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400|
|White balance presets||7|
|Custom white balance||Yes (2)|
|JPEG quality levels||Fine, Normal|
|Optics & Focus|
|Focal length (equiv.)||28–140 mm||24–1200 mm|
|Autofocus assist lamp||Yes|
|Digital zoom||Yes (4x)|
|Macro focus range||1 cm (0.39″)||0 cm (0″)|
|Number of focus points||9|
|Screen / viewfinder|
|Articulated LCD||Fixed||Fully articulated|
|Screen type||TFT PureColor II G LCD|
|Viewfinder type||Optical (tunnel)||Electronic|
|Minimum shutter speed||15 sec|
|Maximum shutter speed||1/4000 sec||1/2000 sec|
|Flash range||7.00 m||5.50 m|
|External flash||Yes (Hot-shoe)|
|Flash modes||Auto, On, Off, Red-Eye, Slow Sync, Second Curtain|
|Continuous drive||2.1 fps||2.2 fps|
|Self-timer||Yes (2 or 10 sec, Custom)|
|Exposure compensation||±3 (at 1/3 EV steps)|
|AE Bracketing||(at 1/3 EV steps)|
|Resolutions||1920 x 1080 (24 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps)|
|Videography notes||Miniature Effect (HD, L) 6fps, 3fps, 1.5 fps|
|USB||USB 2.0 (480 Mbit/sec)|
|Remote control||Yes (Optional)||Yes (RS60E3)|
|Battery description||Lithium-Ion NB-10L rechargeable battery & charger|
|Battery Life (CIPA)||350||315|
|Weight (inc. batteries)||352 g (0.78 lb / 12.42 oz)||595 g (1.31 lb / 20.99 oz)|
|Dimensions||107 x 76 x 40 mm (4.21 x 2.99 x 1.57″)||123 x 87 x 106 mm (4.84 x 3.43 x 4.17″)|
|Canon PowerShot G15||Canon PowerShot G15|
|Canon PowerShot SX50 HS||Canon PowerShot SX50 HS|
Canon U.S.A. has recalled about 14,000 PowerShot SX50 HS digital cameras. According to the United States Consumer Product Safety Commission, 'A chemical used in the rubber part of the viewfinders on the camera can cause skin or eye irritation or an allergic reaction to the user'. The cameras in question have serial numbers beginning with 69, 70 or 71 and have 1 as the sixth digit of the serial number. Learn more
The holiday season is upon us once again and with all the sales and special deals around at the moment, this is a great time to start thinking about getting a new camera. Maybe for a loved one, maybe just as a treat to yourself. In this article, we'll be looking at the current field of enthusiast zoom compact cameras, and examining their relative strengths and weaknesses to help you make your buying decision. Click through for a link to our 12-page article.
'What camera should I buy?' That's a question we get asked a lot here at dpreview, and it's a tough one to answer. We use a lot of cameras, from simple point-and-shoot models to professional workhorses, and everything in between. To help you make a buying decision this holiday season, we've put together a short article which covers five of what we think are the best zoom compact cameras on the market right now, and summarized their strengths and weaknesses. Click through to see what we think.
Just Posted: Our Canon PowerShot G15 review. The G15 is one of the latest wave of updated enthusiast compact cameras and it follows this season's trend of gaining a brighter lens and CMOS sensor in the process. It still offers a 28-140mm equivalent lens range but its maximum aperture range has been pushed to F1.8-2.8 - a whole stop faster, throughout its range, than the older G12. It's lost that camera's flip-out screen but has lost bulk in the process and has retained that rarest of things - an optical viewfinder. Will this makeover of the G-series formula be enough to win back its place at the top of the heap? Read our review to find out.
Just Posted: Studio test samples from the Canon PowerShot G15. Although closely resembling the existing G-series cameras, the G15 is slightly smaller and features a faster lens than its predecessor. It also gains the latest version of Canon's 12MP 1/1.7"-type CMOS sensor - promising what should be a significant performance improvement over the now rather dated 10MP CCD in its predecessor, the G12. What difference does that sensor make? Have a look at our studio test images to find out.
The Peak Design Travel Backpack 45L is the centerpiece of the brand's new Travel Line - it's pricey but awesome. Other components of the line are pricey and less-awesome.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that while they're a bit older, still offer a lot of bang for the buck.
What's the best camera for under $500? These entry level cameras should be easy to use, offer good image quality and easily connect with a smartphone for sharing. In this buying guide we've rounded up all the current interchangeable lens cameras costing less than $500 and recommended the best.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.
|Lake view night sky by purelightglow|
from Night Landscapes
|LOOKING UP IN THE CITY by tko|
from Your City - B&W Night Picture (rerun)
|Nature's Crowning Acheivment by Domenick Creaco|
The Olympus OM-D E-M1X is a more powerful dual-grip evolution of the E-M1 II. Aimed at sports shooters it promises improved AF, including advanced subject recognition, along with the highest-ever rated image stabilization system.
With a double grip and double batteries, the Olympus E-M1X is the company's largest mirrorless camera to date - and yet, the big story is all on the inside.
After several teasers, Olympus has revealed its sports-oriented OM-D E-M1X to the world. This rugged camera has a 20MP Four Thirds sensor, built-in 7-stop image stabilization, a 121-point hybrid AF system, burst shooting at up to 18 fps with continuous AF, motorsports / train / aircraft recognition and much, much more.
Olympus just announced its new flagship camera, the OM-D E-M1X, and Chris and Jordan are already here with their review. Tune in to see them put this new model to the test in the frozen north, and find out what they think of it.
Olympus has released the ultimate Micro Four Thirds sports camera in the E-M1X and we've been busy pointing it at as many fast-moving subjects as humanly possible. Peep our first samples.
Want to know more about the new Olympus E-M1X camera? DPReview will be hosting a YouTube Live event at 9:00 AM Pacific time with editors Richard Butler and Carey Rose to answer any questions you may have. They will also share their own first impressions of the camera.
Olympus announced the development of a pro-level super-telephoto zoom the M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS Pro. This hefty lens is equivalent to 300-800mm on Micro Four Thirds bodies without the teleconverter and 375-1000mm with it. The lens will be available in 2020.
Olympus today also announced a 2X teleconverter, which is compatible with its 300mm F4 and 40-150mm F2.8 lenses, as well as the 150-400mm which is under development. The company has also released an updated lens roadmap showing what's to come.
Arriving in late February, the FL-700WR is freezeproof, dustproof and splashproof and offers wireless radio communication to act as commander or receiver.
In addition to a new flashgun, Olympus has introduced new weather-resistant, wireless flash commander and receiver units.
Vitec Imaging Solutions, the company behind Manfrotto, JOBY, Gitzo and others, has announced it's acquiring Syrp, a camera accessory manufacturer that specializes in video motion control products.
Despite viral photographs suggesting otherwise, Instagram claims it's not limiting how many accounts particular posts reach.
Winning images will be seen on and offline across the globe but read the small print to understand what's happening to your images when participating in the contest.
Sony is reportedly forming a subsidiary in Amsterdam in an effort to avoid issues as a result of Brexit, but 'business functions, facilities, departments, sites and location of [Sony employees in the UK] will remain unchanged.'
Announced at CP+ in 2018, the Sigma 28mm F1.4 Art has proven itself to be one heck of a sharp lens in our use so far.
EIZO has released an updated version of its display calibration program ColorNavigator 7 that brings along new features and support.
An incredibly rare contact sheet from the last known photo shoot of Marilyn Monroe has appeared on eBay for $195,000.
After teasing it last autumn, DJI has announced the pricing and availability of the optional Multilink accessory for its Inspire 2 and Cendence controllers
The Live Planet VR System is an all-in-one package designed to simplify the process of creating, storing and sharing immersive video content on-demand with a high-powered 16-camera array at the center of the platform.
Samsung's latest image sensor offers a high pixel count in a tiny package.
Meike has released a budget 50mm lens for Canon and Nikon's full-frame mirrorless camera systems.
One of three lenses launched alongside the Nikon Z6 and Z7, on the face of it the Z 50mm F1.8 S might appear the most pedestrian of the group, but it might just be the niftiest fifty we've ever seen.
Panoram is a simple app that makes it easy to split up panoramas so it's easier to post on Instagram, Facebook and Snapchat 'Stories.'
News results from Google might be missing a few images if a new EU Copyright Directive passes.
Professional commercial photographer Moe Lauchert shares an incredible gallery of film photographs he captured on Ilford HP5 with a Nikonos 5 while serving as a diver at NASA's Neutral Buoyancy Laboratory in Houston, Texas.
This week, Sony introduced its newest APS-C camera, the a6400. Of course, Chris and Jordan were on hand to take it for a spin and test out all the new features.
The Sony a6400 is, in many ways, just a refreshed a6300, but its overhauled AF system makes a big difference. We look at how it compares with its rivals in and beyond the E-mount system.
Glove and Boots take a humorous look into the history of photographs and how far technology has come since the days of caveman hand selfies.
We've been shooting with a beta version of the Sony a9's upcoming firmware 5.0. While there's much more analysis to come, we can say it makes for a dead simple AF tracking user experience. Take a look at some of our samples.
A statement following internal investigation by DJI alleges a number of employee were part of an internal corruption scandal that overcharged DJI for parts and materials.