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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Panasonic has announced the Lumix DMC-LX7 - the long-awaited update of its pocketable enthusiast compact camera. The LX7 features a slightly smaller sensor than the LX5, allowing it to offer the brightest lens of any compact camera with a really impressive F1.4-2.3 24-90mm equivalent range. The LX7 is based around a 10.1MP MOS sensor, rather than its predecessor's CCD, allowing it to offer 10 fps continuous shooting and 1080p60 movies (50p for European examples) in AVCHD Progressive format, or half that rate in MP4. It also gains an aperture ring around the lens, a 920k dot LCD, and finds room for stereo mics and a larger accessory port, allowing use with an optional high-res electronic viewfinder.
LUMIX LX7 Features 24mm Ultra-wide Angle Lens with 3.8x Optical Zoom*1 and F1.4 – F2.3 Full-range Brightness
July 18, 2012 (Secaucus, NJ) - Panasonic today announced its new premium digital compact camera, the LUMIX DMC-LX7, from the world-renowned LX series which has been long acclaimed by photography enthusiasts for its high picture quality and creative descriptiveness. The new LUMIX LX7 is equipped with a fully re-designed lens, image sensor and image processing engine for superior performance and stunning image quality.
“The Panasonic LUMIX LX-Series cameras have been extremely popular models for both professional and enthusiast photographers, who understand the value and superb image quality such a compact, affordable digital camera can offer,” said Marc Sorkin, Senior Product Manager, Imaging, Panasonic Consumer Marketing Company of North America. “We expect the same enthusiasm, if not more, for the LUMIX LX7, which features major upgrades and improvements resulting in even better image quality.”
Equipped with a newly developed 24mm ultra-wide angle LEICA DC VARIO-SUMMILUX lens with 3.8x optical zoom*1, the LUMIX LX7’s supreme lens also features F1.4 brightness at wide-end and F2.3 at tele-end. The F1.4 brightness is approximately 400% as bright as an F2.8 lens. The extraordinarily rich amount of light allows for the use of higher shutter speed to capture stunningly clear, sharp, blur-free images in low light situations and also provides impressive expression to images by reproducing exquisite gradation and mellow defocus to elevate photography.
The LUMIX LX7’s lens unit consists of 11 elements in 10 groups with five aspherical lenses with nine aspherical surfaces, including the dual-sided aspherical surface ED (Extra-low Dispersion) lens, which has never before been adopted by any Panasonic LUMIX digital camera or interchangeable lens. This advanced lens system makes it easy to produce beautiful photos in high resolution with minimal distortion and a pleasing, soft-focused background. Nano Surface Coating technology dramatically minimizes light reflection at entire visual range (380nm-780nm). The LX7’s 24mm ultra-wide-angle lens gives users a wider range of composition possibilities, capturing approximately 136% larger viewing space compared to that of a 28mm wide angle camera. Additionally, the LUMIX LX7’s lens minimizes distortion at wide end so users obtain stunning, true-to-life images with outstanding resolution and detail.
The LUMIX LX7 adopts a new 1/1.7-inch 10.1-megapixel*2 MOS Sensor that features an improved S/N ratio by 1.5 dB compared with its predecessor, the LUMIX DMC-LX5*3 which results in high resolution images with stunning clarity in high sensitivity recording and also in low ISO, reproducing rich gradation with wide dynamic range even when the situation is highly contrasted. The LUMIX LX7’s high performance Venus Engine also boasts advanced signal processing. The Intelligent NR (Noise Reduction) system keeps resolution high by optimizing the NR process applied to each part of an image. The Multi-process NR quickly detects brightness in each portion of a picture and applies optimal noise reduction in multiple steps. High-speed digital signal output has been integrated into the LUMIX LX7 to realize high-speed consecutive shooting at 11 fps (frames per second) in full resolution with mechanical shutter and 5 fps with continuous AF (Auto Focus).
Creative Control Mode offers 16 filter options including Soft Focus*4, Dynamic Monochrome, Impressive Art, One Point Color, Cross Process, Low Key, Toy Effect, Star Filter, Expressive, Retro, High Key, Sepia, Hi Dynamic, Miniature Effect*5 and the new exclusive Radial Defocus and Smooth Defocus modes. Radial Defocus adds defocus effect radially from the light source while Smooth Defocus makes defocus figuration even smoother. Photo Style is also available to provide photos with finer expression with Standard, Vivid, Natural, Monochrome, Scenery, Portrait and Custom preset options. The Time Lapse Shot function allows users to capture a record of stationary observation for objects such as flowers coming into bloom, wild animals and moving clouds. Additionally, full manual control is available on the LUMIX LX7 so advanced users can enjoy more creative photography.
The LUMIX LX7 features both iA (Intelligent Auto) and iA Plus modes. In addition to the popular functions of iA- POWER O.I.S., AF Tracking, Intelligent D-range Control, Intelligent Scene Selector, Face Recognition, Intelligent ISO Control, Intelligent HDR (High Dynamic Range), Intelligent Handheld Night Shot and Motion Deblur*6 modes- iA Plus mode allows users to adjust defocusing area in the background, exposure compensation and white balance for more flexible control
Equipped with a new 3.0-inch 920,000-dot Intelligent LCD screen with super high resolution and wide angle viewing, the LUMIX LX7’s screen brightness automatically adjusts in 11 steps as surrounding brightness levels change, ensuring easy visibility at all times. To enhance operability, the LUMIX LX7 has been equipped with an aperture ring, internal ND filter, focus lever and rear dial in order to control light source. The newly added Level Gauge detects horizontal or vertical angle of view which is helpful in keeping horizontal composition even when shooting in high or low angle.
In addition to recording stunning still imagery, the LUMIX LX7 also records high resolution full-HD 1,920x1,080 60p videos in AVCHD Progressive (MPEG-4 / H.264) format or 30p in MP4. The LUMIX LX7 features a dedicated video record button on the top of the camera body so users can instantly start recording videos while shooting photographs without changing any settings. Along with full-HD video capabilities with 3.8x optical zoom with step zoom function and POWER O.I.S., the LUMIX LX7 also features high-quality sound, recorded with Dolby® Digital Stereo Creator to offer highly realistic sound to images. The stereo microphone comes with a zoom noise reduction system and an Auto Wind Cut function blocks out most background noise from wind. Additionally, Creative Video mode lets users set the camera shutter speed, which can create special effects in videos, and aperture, which is convenient when there are several subjects at different distances, manually to create even more impressive videos.
The LUMIX LX7 offers rich accessory options for camera expandability to match every shooting situation and style. The hot shoe atop the camera body allows for the attachment of advanced accessories including the optional tilt-shift Live View Finder (DMW-LVF2) which helps monitoring even under strong daylight with high visibility.
The LUMIX DMC-LX7 will be available in black and white. Pricing and availability will be announced approximately 30 days prior to shipping. For more information about Panasonic LUMIX digital cameras and lenses, please visit www.panasonic.com/lumix.
*1 35mm camera equivalent: 24-90mm
*2 Camera effective pixels
*3 Panasonic in-house comparison with the LX5
*4 For photo only
*5 Sound will not be recorded with [MINIATURE EFFECT] and approximately 1/10 of the time period is recorded. (If you record for 10 minutes, the resulting motion picture recording will be approximately 1 minute long)
*6 The picture size may be reduced.
• Maximum time to record motion pictures continuously with [AVCHD] is 29 minutes 59 seconds. (excluding when [SH] is set)
• Motion pictures in [MP4] can be recorded continuously for up to 29 minutes 59 seconds. Also, motion picture recorded continuously in [MP4] is up to 4 GB.
* Leica is a registered trademark of Leica Microsystems IR GmbH.
* The LEICA DC VARIO-SUMMILUX lenses are manufactured using measurement instruments and quality assurance systems that have been certified by Leica Camera AG based on the company's quality standards.
* "AVCHD Progressive", "AVCHD", the "AVCHD Progressive" Logo and the "AVCHD" Logo are trademarks of Panasonic Corporation and Sony Corporation.
* Dolby and the double-D symbol are trademarks of Dolby Laboratories.
* HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.
* All other company and product names are trademarks of their respective corporations.
* This unit is compatible with both SD/SDHC/SDXC Memory Cards. You can only use SDHC Memory Cards on devices that are compatible with them. You cannot use SDHC Memory Cards on devices that are only compatible with SD Memory Cards. (When using an SDHC Memory Card on another device, be sure to read the operating instructions for that device.)
* Some accessories are not available in some countries.
* The use of recorded or printed materials that are protected by copyright for any purpose other than personal enjoyment is prohibited, as it would infringe upon the rights of the copyright holder.
* Design and specifications are subject to change without notice.
|Max resolution||3648 x 2736|
|Other resolutions||3968 x 2232, 3776 x 2520, 3328 x 1872, 3168 x 2112, 3072 x 2304, 2784 x 1568, 2736 x 2736, 2656 x 1768, 2560 x 1920, 2304 x 2304, 2208 x 1248, 2112 x 1408, 2048 x 1536, 2048 x 1360, 1920 x 1920, 1920 x 1080, 1600 x 1200, 1536 x 1536, 640 x 480, 480 x 480|
|Image ratio w:h||1:1, 4:3, 3:2, 16:9|
|Effective pixels||10 megapixels|
|Sensor photo detectors||13 megapixels|
|Sensor size||1/1.7" (7.44 x 5.58 mm)|
|Color space||sRGB, Adobe RGB|
|ISO||Auto, 80, 100, 200, 400, 800, 1600, 3200, 6400, (12800 with boost)|
|Boosted ISO (maximum)||12800|
|White balance presets||5|
|Custom white balance||Yes (2)|
|JPEG quality levels||Fine, Standard|
|Optics & Focus|
|Focal length (equiv.)||24–90 mm|
|Autofocus assist lamp||Yes|
|Digital zoom||Yes (up to 4.5x)|
|Normal focus range||50 cm (19.69″)|
|Macro focus range||1 cm (0.39″)|
|Number of focus points||23|
|Screen / viewfinder|
|Screen type||TFT Color LCD|
|Viewfinder type||Electronic (optional)|
|Minimum shutter speed||60 sec|
|Maximum shutter speed||1/4000 sec|
|Built-in flash||Yes (Pop-up)|
|Flash range||8.50 m|
|External flash||Yes (Hot-shoe)|
|Flash modes||Auto, On, Off, Red-Eye, Slow Sync|
|Continuous drive||11.0 fps|
|Self-timer||Yes (2 or 10 sec, 10 sec (3 images))|
|Exposure compensation||±3 (at 1/3 EV steps)|
|Resolutions||1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps)|
|Videography notes||1920 x 1080 pixels, 60p, 50p (PSH: 28Mbps / AVCHD) (Sensor Output is 60, 50fps) ; 1920 x 1080 pixels, 60i, 50i (FSH: 17Mbps / AVCHD) (Sensor Output is 60, 50fps) 1280 x 720 pixels, 60p, 50p (SH: 17Mbps / AVCHD) (Sensor Output is 60, 50fps); 1920 x 1080 pixels, 25 fps (FHD: 20Mbps / MP4) (Sensor Output is 25fps) 1280 x 720 pixels, 30, 25 fps (HD: 10Mbps / MP4) (Sensor Output is 30, 25fps)|
|Storage types||SD/SDHC/SDXC, Internal|
|Storage included||70 MB Internal|
|USB||USB 2.0 (480 Mbit/sec)|
|HDMI||Yes (mini HDMI TypeC)|
|Battery description||Lithium-Ion rechargeable battery & charger|
|Battery Life (CIPA)||330|
|Weight (inc. batteries)||298 g (0.66 lb / 10.51 oz)|
|Dimensions||111 x 68 x 46 mm (4.37 x 2.68 x 1.81″)|
Jul 16, 2015
Jul 16, 2015
Oct 15, 2012
Sep 18, 2012
The holidays are a great time to take pictures — and they're a great time to get a camera for yourself or for a loved one. With more than 50 cameras going through the hands of the DPReview team over the year, we've seen it all (or so we think). Based on our collective knowledge we hope this guide will help you make an informed decision on which camera will fit your needs. In part 3, we look at enthusiast compact cameras.
The holiday season is upon us once again and with all the sales and special deals around at the moment, this is a great time to start thinking about getting a new camera. Maybe for a loved one, maybe just as a treat to yourself. In this article, we'll be looking at the current field of enthusiast zoom compact cameras, and examining their relative strengths and weaknesses to help you make your buying decision. Click through for a link to our 12-page article.
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
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What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
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In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
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Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
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Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
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