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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
My friends would (hopefully) say that I'm not one to toot my own horn, but since this weekend marks the 20th anniversary of my foray into the world of digital photography websites, I'm taking the liberty. Over Thanksgiving weekend in 1997 I founded the Digital Camera Resource Page, aka DCResource. The site is no longer updated (that probably wouldn't go over well with my current employer), so it remains as a sort of time capsule to days past.
In this Throwback Thursday I'm going to share my story of how I stumbled into the world of digital photography and the rollercoaster ride that followed.
I'm fortunate to have been an early adopter of many technologies. Prior to my first year of college I spent a summer working in a research lab at UC San Francisco, where we had a computer connected to this Internet thing. On it were copies of NCSA Mosaic 0.86, TurboGopher and Eudora (for e-mail). When I started college at UC San Diego in Fall of 1994 I was selected to test out a "cable modem," which back then was larger than a VCR and had a five figure price tag. Goodbye 28.8kbps dial-up, hello sort-of-high-speed Internet.
The combination of three different thing resulted in the creation of DCResource. First and foremost, thanks to my job at the UCSD Bookstore, I was able to get my hands on early consumer cameras from Kodak, Apple and Casio that were up for sale. Second, I had already dipped my feet into running my own website, in the form of PowerWatch, which covered Mac 'clones' made by Power Computing, which (after the return of Steve Jobs) eventually closed down. Using the successful model of PowerWatch and noticing the lack of any sites covering digital cameras, in November 1997, in my college dorm, the Digital Camera Resource Page was born.
The original site design by Delane Barrus, who was involved in the website for the first few years.
The goal of DCResource wasn't to be the most technical site out there (Imaging Resource and DPReview would arrive a year later to handle that), but to be the most accessible to the average person. Even now, I still get feedback from folks who thought that the site succeeded at doing that.
The early years of DCResource were pretty busy, with more and more companies entering the market with their plasticky, VGA-resolution cameras. In addition to the big names, companies such as Agfa, Sanyo, Sharp and Toshiba were all in the market at the time. If you ever owned any of those, consider yourself old. At the time, your camera either used SmartMedia (ugh), CompactFlash or floppy disk. I wrote about new '4X' speed CF cards and troubles getting the FlashPath SmartMedia-to-floppy adapter to work on Macs.
Back then there was no content management system to hold reviews, so everything sat in static HTML files. Users e-mailed their camera reviews to me, which were often cross-posted on rec.photo.digital on Usenet.
In the first couple of years it felt like the site just wasn't taking off. I considered closing it down, but kept it going, working on it in my spare time in and after college. As people started to gravitate away from film and toward digital, I realized that I was just a little early.
|The purple version of DCResource launched in 2000. I made a mobile version of the site around then, designed for Palm VII PDAs. I still think that's pretty awesome.|
When it came to camera reviews, I quickly established a standard that lasted for the entire life of the site. Besides being accessible, I wanted to be as consistent as possible. The layout was always the same: intro, what's in the box, software, look & feel, how many photos fit on a memory card, menu options, photo tests and conclusion. (I always use the term 'tests' loosely, since there was never any DPReview-level science involved.)
In every sample gallery I included the same set of photos taken in SF's Chinatown as well as at Stanford University about 40 minutes to the south. I'd take out groups of cameras at a time (my record was 10 at once) since the weather in SF is so unpredictable. I'd do my best to arrive at the same time on each visit.
Around 2001, I realized that keeping my site open was a good idea. Digital cameras were selling, and traffic was going up. I finally had good access to cameras to review, and back then, you could have a full review published on launch day. In the early days, it felt like the cameras manufacturers needed websites like mine (and others) a lot more than they do now. I quit my day job and started to run DCResource full-time.
The year 2004 was the beginning of what I (and probably many of my peers) called the glory days. Technology moved so quickly that some photographers were upgrading cameras every year, and that's in addition to first-time buyers. Business was booming.
You know what they say about 'all good things,' right?
|Unique visitors over time, minus the actual data. Traffic peaked during the 2006 holidays.|
On June 29th, 2007, consumer digital photography changed forever. That's when the original iPhone was announced, and for most of us in the publishing world, it was all downhill from there, though I didn't know it at the time. Manufacturers didn't either, because in January 2008 they collectively released 80 cameras at CES, again, most of them being compacts, with little to differentiate them. They still hadn't gotten the memo a year later, with 75 cameras announced.
While DCResource's traffic was slowly slipping, it didn't really hit home until after the 2009 holiday season, when I saw that my unique visitors were 60% of what they had been two years prior. It wasn't panic time yet – I kept going without worrying too much about it, because as long as I was still making a good living, everything would be fine...
|The 'orange' version of the DCRP website launched in 2004. I still think it looks great today.|
2011 was panic time. The time to sell the site for anything except peanuts had long since passed (DPReview was acquired by Amazon four years earlier), and regret set in. I remember thinking "if only I had hired a salesperson while times were good," - not that it would've made a difference at that point. While I still took most of my photos with my DSLRs, I was reaching for my smartphone more and more often.
The next year, manufacturers announced 55 cameras at CES. The problem was, nobody was buying them, and since DCResource leaned toward the consumer end of the spectrum, it was starting to hurt. I starting tapping into my savings (gotta pay the mortgage) so it became obvious that it was time to get back into the workforce and resume running my website on the side. While Silicon Valley had tons of tech companies to choose from, running a digital camera website for almost 15 years was an unusual thing to have on your resume.
|The sheer ridiculousness of the number of point-and-shoot cameras on the market inspired me to make a family tree of Canon's ELPH ultra-compacts.|
Around that time I was in touch with none other than Simon Joinson, who, along with Phil Askey, I'd known for several years as friendly competitors. Simon had expressed an interest in adding me to the DPReview team for a while, which was both a good opportunity for me and an excuse to move to Seattle, one of my favorite cities. Later that year, I accepted a position at DPReview, took a 3+ week trip to South America and Antarctica, and then drove myself and two partially sedated cats to Seattle. Since then, my brain has been stuffed with technical details (thanks Rishi and Richard), and my photography has improved as well (my old 'work' now makes me cringe).
Naturally, I feel very fortunate for the opportunity that I had to leave the corporate world behind and build one of the original, and for a time one of the biggest photography websites from the ground up, almost entirely on my own. Sure, in retrospect I would've done a few things differently, but it was a good ride while it lasted.
As 2017 comes to an end, I'm concerned that smartphones are following the same path as compact digital cameras, since they're so good now that there's less need to upgrade every year. That said, there is still a lot of innovation in this space, and smartphone photography is a lot more advanced than it was just a few years ago. While I don't know (yet) whether computational photography is the next big thing, I'm strapped in - ready for another ride.
Jun 10, 2018
Oct 19, 2017
Oct 12, 2017
Oct 5, 2017
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
|A smile is worth a thousand words by alberto_b|
from Fill the frame
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.