PMA 2007: Sigma has today announced one massive beast of a lens; the APO 200 - 500 mm F2.8 EX DG. This lens is stated by Sigma as being the worlds first Ultra-Telephoto Zoom Lens that offers an impressively fast F2.8 maximum aperture through its range. The lens also features and LCD panel with a readout of focal length and subject distance. If 500 mm isn't enough reach a dedicated 2x Tele Converter is supplied with the lens as standard and changes it into a 400 - 1000 mm F5.6. Combine that with a typical APS-size 1.5x FOV crop on a digital SLR and you've got either 300 - 750 mm F2.8 or a 600 - 1500 mm F5.6 (better have a good tripod). No news on price, availability or weight yet.
Sigma APO 200-500mm F2.8 EX DG
The world’s first Ultra-Telephoto Zoom Lens that offers a fast aperture of F2.8 at 500mm focal length
The APO 200-500mm F2.8 EX DG is the world’s first Ultra-Telephoto Zoom Lens that offers a fast aperture of F2.8 at 500mm focal length. It covers the widely used 200 to 500mm focal length range, and maintains its fast F2.8 aperture over the entire zoom range. Four SLD (Special Low Dispersion) glass elements provide excellent correction for all types of aberrations and produce a high level of optical performance throughout the entire zoom range.
Shooting distance and focal length can be viewed on the lens’ LCD panel, which is an additional convenience for the photographer.
A filter can be inserted towards the rear of the lens, and a circular polarizing filter can be used with its ingenious rotation mechanism.
A dedicated APO TELE CONVERTER 2x EX DG II is supplied as a standard accessory with the APO 200-500mm F2.8 EX DG.
Its exclusive design minimises image degradation usually associated with teleconverters. When this dedicated teleconverter is used with the APO 200-500mm F2.8 EX DG lens, it becomes a large aperture 400-1000mm F5.6 AF Ultra-Telephoto Zoom lens.
Feb 26, 2010
Feb 22, 2010
Feb 20, 2010
Feb 20, 2010
|Smile by Olymguy|
from Ultra Asian Indian Female Faces
|Space Shuttle Cockpit- by vbuhay|
from Aircraft Control Stick
Just a guy wearing a VR headset, smashing invisible Goombas in Central Park.
NASA's Mars Reconnaissance Orbiter captured this gorgeous aerial photo of the Martian landscape. And if you look really close, you can actually see the Mars Curiosity rover in the very middle.
The city of Laguna Beach, California has provided some clarification around the kinds of photography permits it offers.
Later this year, a VR180 camera will be Joining Yi's Halo and 360 VR cameras, which will offer stereo 3D capture, yet be as easy to use and compact as a 2D camera.
Caltech researchers have developed an 'optical phased array' chip that uses time delays instead of a lens to focus the incoming light.
Pricing and shipping have finally been revealed for two highly anticipated lenses from Sigma, announced in February.
These macro photos of clouds of paint billowing through clear water might look like high-quality CGI, but they're real photographs. And photographer Alberto Seveso told us how they were made.
Facebook is testing a feature that prevents people from saving, sharing, or even taking a screenshot of your profile picture.
We've reshot the Sony a9 in our studio. The short story: it's sharper! The long story... well you can read it all here.
The collection will be officially launched during the Europeana Transcribathon Campus Berlin 2017 crowdsourcing event which will be held on 22 and 23 June at the Berlin State Library.
Light gives us some insight into the preparations for the launch of the pre-order shipments of its much anticipated L16 multi-lens camera.
OnePlus co-founder Carl Pei has confirmed in a tweet that the second lens on the back of the OnePlus 5 uses a 1.6x optical zoom and that digital zoom is used to reach the claimed 2x zoom factor.
Fujifilm recently unveiled the second in its series of affordable cine lenses, the MK50-135mm T2.9. We got our hands on it for a couple days and took it for a spin.
Leica's first attempt at an M-series digital rangefinder was rough around the edges, but set a pattern for all of the cameras that came after it. In this week's Throwback Thursday article, Barney remembers the M8.
No stranger to extreme situations, legendary climber and filmmaker Jimmy Chin talks to Outside Magazine about his career, and the challenge of filming Alex Honnold's rope-free solo climb of El Capitain.
A company backed by Android co-founder Andy Rubin is attempting to make video conferencing less terrible.
Rangefinder magazine asked five professional portrait and wedding photographers about posting on Instagram; no surprise, they got five different answers.
This captivating stop motion film was created by stripping away one layer of wood at a time. It's hard to look away.
It will enable users to simulate the presence of the sun, moon and Milky Way and see how they interact with an area's topography.
Since its introduction in November last year Instagram's live streaming feature has been used by millions, but videos could not be archived for watching at a later stage. A new update has now added the capability.
CopyTrack's study also found that the second most-stolen image is a woman wearing painted jeans. That's apparently a thing.
Forget expensive lenses with fancy coatings and special lens elements – photographer Robin de Puy took these portraits using just a water drop for a lens.
Adobe reports a record quarterly revenue of $1.77 billion for the second quarter fiscal year 2017 ended June 2, 2017.
Zeiss says its new lens is particularly suited for portrait photography but also a good all-rounder and can be used in video applications.
We present to you the top photos from the Kennel Club's 2017 Dog Photographer of the Year photo contest – take a look at 10 of the award-winning puppers.
In case you were looking for any more inspiration to go fly one.
Following a couple of successful Kickstarter campaigns, Videre 35mm's creator has re-tooled the camera with sturdier components and a simpler user assembly process.
The two hour long video covers everything an aspiring drone pilot needs to know.
This is what happens when a Canon 17-85mm F4-5.6 lens meets 60,000 PSI of water pressure. Spoiler Alert: the water jet always wins.
Andrew Harnik discusses the challenges – and rewarding moments – of a career making images for the Associated Press in his native DC.