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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Fujifilm today announced the launch of the IS Pro - its third camera designed to record non-visible light and aimed at the law enforcement, scientific, medical and fine art communities. The camera - we assume it to be based on the S5 Pro - has a modified CCD filter pack and is sensitive to Ultraviolet and Infrared light between 380nm and 1000nm. Fujifilm are offering the IS Pro in four kits ranging from $2599 for the body only to $4999 with a Zeiss 50mm Macro 1:2 F2.0 Lens, suitable filters, HyperUtility processing software and even protective armour for the camera body. This comprehensive package represents a 'turn-key' solution to Infrared photography and requires only the addition of a Quartz UV lens for optimum Ultraviolet sensitivity. As was the case with its predecessors the IS Pro appears to be available - officially at least - in the US market only.
Valhalla, NY, July 13, 2007 – Following up on the success of the FinePix S3 Pro UVIR and IS-1 infrared digital cameras, Fujifilm today announced the IS Pro, the latest in a line that has proved popular with technical, law enforcement, medical research and scientific communities.
The IS Pro utilizes Fujifilm's Super CCD Pro and Real Photo Processor Pro technology to see light from the ultraviolet (UV), visible and infrared (IR) portion of the spectrum (approx. 380nm - 1000nm). It also benefits from compatibility with Nikon F mount lenses and Nikon iTTL flash systems, making it a cost effective solution for law enforcement agencies that already have Nikon components.
In addition, and to accommodate the growing needs of its specialized customers, Fujifilm has produced several system packages for the IS Pro digital SLR. These system packages range from the basic camera kit to advanced full system kits, along with a new set of UV and IR filters.
Dark opaque filters that cover the lens often render the viewfinder useless, so the IS Pro carries specialized features useful for investigative photography, such as a special quick activate one touch Live Image Preview (black and white) mode that can be activated by pressing the "Display/Back" button for three seconds. This makes fast access to Live Preview mode much easier when used on forensic copy stand tables in dark room environments. Its Mirror Lock-Up and Shutter Delay features also aid in reducing image blur during long exposures. It also has a specially formulated protective CCD glass filter that was designed to help protect the Super CCD Pro from dust and general maintenance damage while maximizing its UV and IR gathering potential.
"We're very excited to be offering this highly-anticipated camera to customers here in the U.S.," said Darin Pepple, consumer and professional marketing manager with Fujifilm's Electronic Imaging Division. "With our different kits, at different price levels, we are making it easier for law enforcement agencies to achieve a quick, cost-effective solution for entering into UV and IR investigative photography."
Live Image CCD Preview
Fujifilm pioneered Live Image CCD Preview for DSLRs. The IS Pro provides a 30-second Live Image CCD preview to the camera's LCD monitor directly from the imaging sensor in color or black and white. To further improve the process, the Live Image Preview can be digitally magnified and brightness adjusted to improve focusing accuracy or to compensate for light intensity. The video image can also be viewed on an NTSC/PAL monitor, or on the PC over the camera's USB 2.0 connection directly from Fujifilm's optional HyperUtility HS-V3 software.
Fujifilm's Post Capture Face Detection
The camera can be used for conventional daylight photography by adding a UVIR cut filter to the lens. And with Fujifilm's Post Capture Face Detection, after capture faces are automatically zoomed in during playback to confirm focus and exposure of up to 10 faces per image. Skin color quality is dependent on the brand of UVIR cut filter used.
Fujifilm IS Pro Digital SLR Kits
The four kits available in the U.S. come with a free online introduction to Fujifilm Forensic Infrared Photography from BioMed Studios, with additional courses available for a fee.
UV and IR Filters
Two of the kits listed above contain a collection of forensic UV and IR filters from Peca Products, Inc. They are the most common, yet hard to find set of filters that most forensic specialists use during investigations.
"Dealers are often asked to suggest filters for use with our cameras" said Darin Pepple. "Now that guesswork is gone, and purchasing a forensic camera system has been simplified."
For more information on Peca Products filters, please visit http://www.ir-uv.com/IR-UV%20Filters.htm
An optional IS Pro firmware upgrade due out later this Autumn will support in camera TIFF file formats in three resolutions. In addition, Fujifilm USA will offer an optional Bar Code Scanner option that allows for alpha-numeric data read by the bar code reader directly into the IS Pro's image file as part of the EXIF header in JPEG, TIFF and RAW file formats. This data can later be recalled so that images are synched to databases using special software programs.
Bar codes of driver's licenses, employee IDs, automotive VIN tags, credit cards, evidence tags, or any object with a bar code can be recorded directly to the camera. The same can also be accomplished with a magnetic card reader. Fujifilm provides an optional kit ($479.95) that includes a fully programmed and ready to use Symbol/Motorola LS2208 bar code reader with RS232 Kit and AC Adapter, Nikon MC-35 GPS/Serial Camera Adapter, Kingston 2GB Compact Flash Card, Scan to Reprogram Setup Card, and Tenba carrying case.
Fujifilm's optional Hyper Utility Software HS-V3 version 1.1 enables tethered shooting direct to a MAC or PC, with control from the camera or computer via a USB 2.0 connection. This option significantly speeds image capture and quality verification. Its Split Screen Mode allows photographers to fine tune the focus through a series of quick succession shots. This feature is highly useful during very low light UV photography where Live Image Preview becomes difficult. In addition, Live Image Preview from the computer is possible via its USB connection. Using the PC Capture mode can reduce or limit the photographer's exposure to harmful UV light by placing distance between the photographer and the object being photographed. Advanced RAW file conversion to JPEG, TIFF 8 bit and TIFF 16 bit is also provided by the HyperUtility HS-V3 software.
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When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|My Garden by Mitchmeister|
from The Secret Garden
|Crowded Skies by Rushlin|
from Seven types of aircraft - lighter than air
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.