Latest sample galleries
Latest in-depth reviews
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Pre-IFA 2009: Next comes the PowerShot S90 digital compact, resurrecting Canon's S-series of compact 'photographers' cameras. It features a 28-105mm F2.0-4.9 stabilized lens with a control ring built around it that enables control of camera settings such as exposure compensation. It also offers a 3 inch LCD with 461k dot resolution in a slim, compact body. Like the G11, it includes the high sensitivity 10MP sensor and Digic 4 noise reduction to make up a 'Dual Anti-Noise System.' In keeping with the photographers' camera brief, the S90 includes manual control and RAW shooting.
LONDON, UK, 19th August 2009: Today Canon announces the PowerShot S90 - marking the return of the Canon PowerShot S-series. The PowerShot S90 continues the PowerShot S-series tradition with impressive, fully manual features that deliver excellent image quality and user experience, including:
Canon’s Dual Anti-Noise System with an f/2.0 wide-angle lens, a 3.0 inch, PureColor II LCD display and an intuitive new lens Control Ring.
Exceptional image quality in all conditions
The PowerShot S90 features Canon’s Dual Anti-Noise System, combining a high sensitivity 10.0 Megapixel image sensor with Canon’s enhanced DIGIC 4 image processor. Photographers can capture full resolution images - even in tricky lighting conditions - with the Dual Anti-Noise System taking maximum advantage of the available light, while substantially reducing image noise.
This is particularly useful in low-light portrait and landscape photography, where users are able to shoot high quality full resolution images even at ISO 3200. DIGIC 4 also includes an enhanced version of i-Contrast: Canon’s Intelligent Contrast Correction technology, which delivers a wider dynamic range to reduce high-light blowout while retaining low-light detail.
The f/2.0 Advantage
Canon has fitted the PowerShot S90 with a wide aperture f/2.0 wide-angle lens to help photographers take full advantage of the Dual Anti-Noise System. The f/2.0 wide-angle lens allows twice as much light into the camera as an f/2.8 lens, enabling photographers to use faster shutter speeds to reduce blur or achieve a shallower depth of field.
The camera also includes Canon’s optical Image Stabilizer (IS) technology, which uses a lens-shift system to minimise camera shake and image blur – effectively giving photographers a 4-stop advantage over less capable cameras.
To help users capture the perfect shot, the PowerShot S90 includes a 3.0 inch LCD display, which features Canon’s PureColor II LCD technology. It enables users to frame and review images easily thanks to an exceptionally wide viewing angle, 461k dot resolution and great colour rendition.
Sophisticated performance, sensational ease of use
As befits a camera of this calibre, the PowerShot S90 features a wide range of powerful manual and automatic controls that give photographers creative freedom.
The PowerShot S90 features an intuitive lens Control Ring, which enables users to adjust the settings of various functions by twisting the selector at the base of the lens barrel to the left or right. The Control Ring can be used as a quasi-manual zoom offering a closer view of subjects in 28mm, 35mm, 50mm, 85mm and 105mm steps.
Additional settings can be assigned, such as ISO (in 1/3 stop increments), shutter, aperture, focus and exposure compensation - giving photographers a satisfyingly tactile experience. The Control Ring also helps enhance user interaction with the camera by offering fast, accurate scrolling through menus, functions and images. In new Nostalgic Mode the Control Ring can also be used to add an aged effect to the shot, from a subtle faded look to full grainy black and white.
Smarter Scene Detection
For more creative control, users can also choose from a variety of Scene Modes (SCN on the Control dial) that enable them to choose the best settings for particular shooting situations – ideal for creative effects or when shooting in difficult lighting. A new Low Light mode can help users capture reduced resolution 2.5 Megapixel images in very dim light at ISO speeds of up to ISO 12800 and at a fast 2.4 frames per second.
Photographers can also choose from a range of creative modes including Aperture priority AE, Shutter priority AE, Program AE, Manual and Custom modes. Choosing and using different camera settings is now even easier thanks to an improved menu navigation system, which includes ‘Hints & Tips’ on most settings and features.
The PowerShot S90 allows fine custom adjustment of the camera’s white balance settings – enabling compensation of different kinds of tungsten, fluorescent and other light conditions for perfect results every time.
For quick and easy snaps, the PowerShot S90 includes Smart Auto with Scene Detection Technology. This selects the scene type from 22 variables, applying the best settings for optimum output – a great asset to those who love to point-and-shoot without worrying about the technical details. Smart Auto now measures movement of objects or people in a scene, activating Servo AF/AE to ensure that the focus and exposure are locked onto a subject.
In addition, the PowerShot S90 offers RAW format shooting and support for Canon’s Digital Photo Professional (DPP) software, making it easy to integrate the camera into a user’s digital workflow. Users will also find it easy to share images captured on the camera with family and friends, thanks to an HDMI mini port, which enables the camera to be connected to a compatible TV using an optional cable.
With a strong heritage and impressive range of features the PowerShot S90 is the ideal compact camera for technology and photographic enthusiasts alike.
1/1.7" Type CCD
|Image sizes|| 3648 x 2736
3648 x 2048
2816 x 2112
2272 x 1704
1600 x 1200
640 x 480
320 x 240
|Movie clips|| 640 x 480 @ 30fps
320 x 240 @ 30fps
|Maximum clip length||Up to 4GB or 1 hour|
|File formats|| Still: JPEG (Exif v2.2), RAW
Movie: MOV [H.264 + Linear PCM (monaural)]
|Lens|| 28-105mm (35mm equiv)
f = 6.0 - 22.5 mm
3.8x optical zoom
Construction: 11 elements in 9 groups 7 elements in 6 groups (2 double-sided aspherical elements including 1 UA element)
|Image stabilization||Yes (Lens-Shift)|
|Digital zoom||up to 4x|
|Focus|| Auto focus :TTL
- 9-point AiAF
- 1-point AF (center or Face Select and Track)
|AF lock||Yes (on/off selectable)|
|AF assist lamp||Yes|
|Focus distance||Closest focus distance 5 cm|
|Metering|| Evaluative (linked to Face Detection AF frame)
|ISO sensitivity|| Auto
|Exposure compensation||+/- 2EV in 1/3 stop increments|
|Shutter speed|| Auto (1 - 1/1600 sec)
Auto (including Face Detection WB)
|Self timer|| 0-30 sec (1-10 frames)
|Continuous shooting|| Approx. 0.9 shots/sec.
AF: Approx. 0.6 shots/sec.
LV: Approx. 0.8 shots/sec. (until memory card becomes full)
|Image parameters||My Colors (My Colors Off, Vivid, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, Vivid Blue, Vivid Green, Vivid Red, Custom Color)|
|Flash|| Auto, Flash On, Flash Off, Slow Sync, Red-eye reduction
Slow Sync Speed : Fastest speed 1/500 sec
+/- 2EV in 1/3 stop increments
Face Detection FE compensation
Flash exposure lock
Manual Power Adjustment
Second Curtain Sync
Range (Auto ISO):50cm - 6.5m (wide) / 2.5m (tele)
|External Flash||Canon High Power Flash HF-DC1|
|LCD monitor|| 3.0 inch PureColor LCD II (TFT)
|Connectivity|| USB 2.0 Hi-Speed
HDMI mini connector
AV out (PAL / NTSC switchable)
|Storage||SD, SDHC, MMC, MMCplus, HC MMCplus|
|Power||Rechargeable Li-ion Battery NB-6L|
|Weight (no batt)||175 g|
|Dimensions||100 x 58 x 31 mm|
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.