Canon has today announced two new additions to its line of Powershot SD compact cameras, the Powershot SD790 (IXUS 90 in Europe) and the Powershot SD770 (IXUS 85 in Europe). The two models share the same 10MP sensor and 3x (35-105mm equiv.) zoom lens. Key differences are the LCD size (3.0” on the SD790, 2.5” on the SD770) and the design. More after the click...
All style, no shake: two new compact Digital IXUS cameras with IS
Amstelveen, The Netherlands, 13 March, 2008: Canon today strengthens its Digital IXUS range with the launch of two new 10 Megapixel models: the Digital IXUS 90 IS and Digital IXUS 85 IS. Both models feature Canon’s lens-shift type optical Image Stabilizer (IS)for exceptional image quality, while expressing very distinct design styles. The solid, chiselled Digital IXUS 90 IS is enhanced by a powerful shape and seamless build; while the soft minimalism of the Digital IXUS 85 IS reflects a glimmering, understated elegance.
The two models share the core imaging prowess at the heart of Digital IXUS photography. In addition to their 3x optical zoom lenses with IS, the cameras feature enhanced auto focus performance for low-light shooting. Both cameras include Motion Detection Technology¹, which works in tandem with IS to reduce all kinds of blur, and Face Detection Technology¹ with Face Select & Track and Face Detection White Balance for accurate, natural-looking people shots in all situations. Bright, clear PureColor LCD II screens (3” Digital IXUS 90 IS, 2.5” Digital IXUS 85 IS) enhance user experience thanks to their wide viewing angle, high contrast easy-view displays, and glare-resistant coatings.
“The design versatility of Digital IXUS is clearly demonstrated by these two new models,” said Mogens Jensen, Head of Canon Consumer Imaging, Europe. “These are cameras that enable users to express their individuality, both in the model they choose, and the images they make.”
The Digital IXUS 90 IS and Digital IXUS 85 IS feature:
- Solid, chiselled design with flat control panel (Digital IXUS 90 IS)
- Rounded square design with bold details in piano key black or silver (Digital IXUS 85 IS)
- 10.0 Megapixel image sensor
- 3x optical zoom lens with optical Image Stabilizer (IS)
- Face Detection Technology with White Balance and Face Select & Track
- DIGIC III¹ with Noise Reduction Technology
- Automatic Red-Eye Correction in shooting and playback
- 2.5” PureColor LCD II (85 IS), 3.0” PureColor LCD II (90 IS)
- Optical Viewfinder (85 IS)
- Enhanced auto focus performs at up to 1-stop darker
- 19 shooting modes including new Sunset mode and My Colors photo effects
- Extensive movie options including VGA 30fps, Long Play and Time Lapse movie modes
- Optional accessories include Waterproof Case, Soft Case and High Powered Flash
- Easy printing with PictBridge and quick print order settings in playback mode³
Two designs, Two cameras, One Digital IXUS
Built to facilitate individual expression, these new cameras offer an evolution of two key Digital IXUS design strands. The Digital IXUS 90 IS takes the geometry of the Digital IXUS 75 and gives it a new sense of boldness and solidity. A flat key control panel enhances the camera’s seamless feel, giving it the appearance of being forged from a single piece of metal. The Digital IXUS 85 IS softens the sharp minimalism of the Digital IXUS 70, for a more fluid feel, accentuated by bold lens ring and edging details in piano black or silver.
The Digital IXUS 90 IS and Digital IXUS 85 IS both feature a 3x optical zoom lens, allowing everything from landscape shots to close-ups and medium telephoto zooms. Exceptional image clarity and compactness of form are achieved thanks to the inclusion of Canon’s UA (Ultra-high refractive index Aspherical) lens elements. The lens has a straight optical path for uncompromising image quality. Canon’s lens-shift type optical Image Stabilizer (IS) is incorporated into both cameras, vastly reducing the effects of camera shake when shooting in low light conditions or at the end of the zoom. The IS system gives both cameras a 3 stop advantage, facilitating better images in dusky conditions. Improved low-light AF performance helps users take advantage of the benefits of IS. The AF is now able to achieve focus in 1 stop less light, so the camera obtains excellent results even further into the evening.
Bye-bye to blur – Motion Detection Technology
Activated in High ISO Auto, Canon’s intelligent Motion Detection Technology works to eliminate the blur caused by subject motion and camera shake. When these are detected, the system provides an ISO boost between ISO 80-800 - counteracting motion blur to improve action shots and night snaps, without compromising shots where no ISO boost is needed. Combining inputs from Face Detection Technology, the optical Image Stabiliser, changes in scene brightness and changes from frame to frame, Canon’s Motion Detection Technology is a comprehensive solution to motion blur.
Enhanced Face Detection Technology
Equally comprehensive is Canon’s approach to Face Detection Technology. The Digital IXUS 90 IS and Digital IXUS 85 IS include Face Select & Track, which allows you to select a single face from a crowd of up to 35 detected faces. The optimum focus, exposure, flash and – in a new addition - white balance will then be set for that face, tracking the subject as they move around the frame.
Canon’s Red-Eye Correction draws on Face Detection Technology in order to eliminate red-eye from photographs. Whenever a face is detected in a shot, red-eye is checked for. It can then be either removed automatically while shooting or in playback mode. New AF Point Zoom allows the photographer to magnify the AF frame when the shutter button is pressed half way, so that facial expressions can be checked before shooting.
As well as powering features including Face Detection Technology, Canon’s DIGIC III image processor enables quick response times and fast buffering speeds. The processor also features advanced Noise Reduction Technology for excellent image quality at high ISO settings.
Intuitive ergonomics, easy menus
The Digital IXUS 90 IS and Digital IXUS 85 IS both feature high resolution PureColor LCD II screens. These screens offer a number of benefits over conventional LCD screens, including improved colour contrast for enhanced visibility, a wide viewing angle for easy shooting and instant image sharing, anti-glare coatings for viewing under bright light, and anti-scratch coatings.
The Digital IXUS 90 IS features a 3” screen, while the Digital IXUS 85 IS has a 2.5” screen. The Digital IXUS 85 IS provides additional photo framing options thanks to its Optical Viewfinder (OVF).
A host of features enable users to enhance their shooting options. Users can choose from a range of 19 shooting modes, including a number of Special Scene modes that automatically optimise camera settings for common shooting subjects. Both cameras feature Sunset scene mode for optimum capture of this tricky subject. Movie options include Long Play (LP) mode, which uses only half the memory of standard movies, and Time Lapse movie for the creation of fun and atmospheric accelerated film clips.
Powershot SD790 (IXUS 90)
Powershot SD770 (IXUS 85)
(L) 3648 x 2736
|Movie clips|| (L)640 x 480, 30fps/30fps(LP)
(M)320 x 240, 30fps
(S)160 x 120, 15fps
(Time Lapse)640 x 480, 0.5/1fps (Playback 15fps)
|File formats|| JPEG
AVI [Motion JPEG compression + WAVE (monaural)] WAVE (monaural)
|Lens|| 6.2 – 18.6 mm (35mm equivalent: 35 – 105mm)
f/2.8 – f/4.9
6 elements in 5 groups (1 double sided aspherical UA element, 1 single sided UA element)
|Image stabilization||Yes (shift-type)|
|Digital zoom||Yes, up to 4x|
|AF area modes|| AiAF (Face Detection / 9-point)
1-point AF (fixed to center or Face Select and Track)
|AF assist lamp||Yes|
|Focus distance|| 3cm (W) from front of lens in macro|
|Metering|| Evaluative (linked to Face Detection AF frame)
|ISO sensitivity|| AUTO
High ISO Auto (incorporating Motion Detection Technology)
|Exposure compensation||± 2EV, 1/3EV steps|
|Shutter speed|| 1/60 - 1/1500 sec (factory default)
15 - 1/1500 sec (total range - varies by shooting mode)
|Aperture||f/2.8 – f/4.9|
|Scene modes|| Kids & Pets
Auto (including Face Detection WB)
|Self timer||2, 10 sec|
|Continuous shooting||Approx. 1.4 shots/sec.(until memory card becomes full)|
|Image parameters||My Colors (My Colors Off, Vivid, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, Vivid Blue, Vivid Green, Vivid Red, Custom Color)|
Manual Flash On / Off
Slow Sync Speed
Flash Exposure Compensation
Flash Exposure Lock
Flash range: 30cm - 3.5m (W) / 2.0m (T)
|LCD monitor|| 3.0” PureColor LCD II (TFT),
approx. 230,000 dots
| 2.5” PureColor LCD II (TFT)
approx. 230,000 dots
|Connectivity|| Hi-Speed USB (MTP, PTP) dedicated connector (Mini-B compatible)
A/V output, dedicated connector (PAL/NTSC)
|Print compliance|| PictBridge
32MB memory card supplied
|Power|| Rechargeable Li-ion Battery NB-5L (battery and charger supplied)
optional AC adapter
|Weight (no batt)||155 g||130 g|
|Dimensions||91.6 x 56.8 x 20.9mm (excluding protrusions)||86.0 x 54.0 x 20.4mm (excluding protrusions)|
Canon's mirrorless EOS R5 comes with a ton of features and capability stemming from its design inside and out. Come along with us on a guided tour of Canon's new high-end, high-megapixel camera and check it out for yourself.
Announced alongside the EOS R5, the R6 offers a lot of the same technology but in a more affordable, slightly more enthusiast-focused model. Take a closer look.
Alongside the EOS R5 and R6, Canon has announced a brace of lenses, all in the short to long telephoto range. Filling out the 'long' end are one L-series zoom, and two innovative primes.
Alongside a trio of telephoto lenses, Canon also announced a new 85mm this week. The RF 85mm F2 Macro IS STM is a compact, affordable alternative to the pro-oriented 85mm F1.2L.
The EOS R5 has been a long time coming – we knew it had 8K and we knew it had an AF joystick. But now that's it's here, what is it really like to use? Find out in our initial review based on hands-on time with the camera.
The R6 doesn't promise quite such headline-grabbing specs as its big brother, but it still packs a punch, whether you shoot stills, video or both.
Think you've read everything there is to know about the new Canon cameras? Chris and Jordan share eight important things you may have missed from today's Canon EOS R5 and R6 announcements.
We've been shooting around with the new Canon EOS R6. Initial impressions of image quality are positive, and out-of-camera JPEGs appear similar to that of the gold award-winning Canon EOS-1D X III. Have a look for yourself.
Canon has officially released the long-awaited EOS R5, the company's top-end full-frame mirrorless camera. Featuring a new 45MP CMOS sensor, Dual Pixel AF II system, 8K video capture and 20 fps bursts, this is the RF-mount camera we've been waiting for.
Although the Canon EOS R6 doesn't have the 45MP sensor and 8K video capture of the higher-end R5, it's still an incredibly capable camera with specs that outshine similarly priced peers.
The Canon RF 100-500mm F4.5-7.1L IS USM is the company's first super-zoom lens for RF-mount. Despite a relatively slow aperture range, it's very versatile, offering five stops of stabilization, weather-sealing and compatibility with Canon's new teleconverters.
Canon's RF 85mm F2 Macro IS STM is an inexpensive telephoto prime lens with a minimum focus distance of just 0.35m (14") and a 0.5x magnification. When attached to the new R5 and R6, it offers a whopping eight stops of shake reduction.
Canon has announced a pair of super-telephoto fixed-aperture primes. The 600mm and 800mm use diffractive optics to keep their size and weight down. They'll also be compatible with new 1.4x and 2x RF teleconverters.
Canon has announced a new small-footprint inkjet photo printer, the imageProGraf Pro-300. it will produce prints up to 13 x 19" and it goes on sale later this month for $900. A new textured photo paper will also arrive in July.
The new compression standard is set to reduce video file sizes by half to save space and speed-up transmission, paving the way for more portable 8K footage.
Sony recently confirmed plans to launch a successor to the video-centric a7S II. We don't even know the name of the camera, but Jordan already has a feature wish list for the new 'a7S III' – and it doesn't include 8K.
The Profot B10 is the first studio flash system that can be used when shooting with an iPhone camera.
The Pixii camera is an interesting little rangefinder camera that features a 12MP APS-C sensor and lacks a rear LCD display, opting instead to pair with your mobile device, which can be used to view and transfer images.
Sirui is launching an Indiegogo campaign for a wide-angle answer to its existing 50mm F1.8 anamorphic lens. The 35mm APS-C lens will come in a Micro Four Thirds mount with adapters for other systems.
Sony has added a 12-24mm F2.8 to its top-shelf 'G Master' series of lenses. It's the widest constant F2.8 zoom currently offered for full-frame, with a hefty price tag to match: it will sell for $3000 when it ships in mid-August.
Take a look at the view from Sony's new ultra-wide F2.8 zoom – we paired it with the a7R IV for some initial shooting.
Canon's EOS-1D X Mark III is one of the best DSLRs ever made. With fast burst speeds, great video quality and impressive autofocus, the 1D X III is equal parts cinema rig and sports shooter. Find out how it fares against steep competition in our full review.
Nikon Rumors is reporting that Nikon will announce successors to its Z6 and Z7 camera systems by the end of the calendar year.
Canon says the event, set to take place at 14:00 CEST in two days on July 9, will be its 'biggest product launch yet.'
The Verge Video Director, Becca Farsace, shows how she built a custom Raspberry Pi camera with effectively zero coding knowledge over the course of just three days.
The EOS R5 has been in the works for some time, and Canon has published a handful of specifications, but there's still plenty we don't know. What are you hoping to see from Canon's forthcoming flagship camera?
Canon's CE-SAT-IB satellite camera was destroyed alongside six other satellites during Rocket Lab's ironically-named 'Pics or It Didn't Happen Mission.'
This sample gallery includes images from our recent review of the Tamron 28-200mm F2.8-5.6 Di III RXD zoom lens. Check out these photos to see how it performs, from wide-angle to telephoto and everything in between.
The Tamron 28-200mm F2.8-5.6 Di III RXD provides a wide zoom range in compact, weather-sealed design. Find out why it's Chris and Jordan's new favorite travel lens.
Kodak Portra 800 is a wonderful and versatile color film. And any rumors of it being discontinued, we're pleased to report, are simply untrue. That's a good thing, because it's capable of producing lovely results in all sorts of conditions.