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Just Posted: Studio comparison shots from the Panasonic DMC-FZ150 superzoom. We've had a DMC-FZ150 in our studio for a few days now and, as promised, have shot our standard test scene with it. The FZ150 replaces the FZ100 and incorporates a lower-resolution 12MP CMOS sensor that the company says will outperform its predecessor's 14MP chip. Like the FZ100 the FZ150 records Raw images, which we've also included in our studio comparison tool.
Just Posted: Studio comparison shots from the Sony DSC-HX100V. We've just got hold of Sony's latest superzoom, the 16.2MP HX100 and shot our standard test scene with it. It's built around the latest 1/2.3" (6.17 x 4.55mm) back illuminated CMOS sensor and offers a vast 27-810mm equivalent 30x zoom. Being Sony's top-of-the-range superzoom, it features a manual control ring that can be switched between controlling zoom and or manual focus. We also have one of its main rivals - the Panasonic DMC-FZ150 in the studio and will add that to the comparison tool as soon as we can.
Just Posted: our group test of travel zoom compact cameras. The travel zoom/compact super zoom category is one of the great success stories of recent years, with all the major manufacturers offering at least one small camera with at least a 10x zoom. And that success is understandable - few other camera types offer such a balance between size, price and flexibility. We've looked at fourteen of the latest models and narrowed these down to a shortlist of six for the full review treatment. Our 18-page grouptest shows how these six perform in a variety of situations, but all fourteen have both real-world samples and studio comparisons. Click here to find out what we thought and which cameras prevailed.
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The Handevision Iberit 35mm F2.4 is a budget manual-focus prime lens for Leica's M-mount, and a slightly-less-budget alternative for Fujifilm X-mount and Sony E-mount photographers. We've been trying it out for a few days.