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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Pre-PMA 2005: The second addition to Konica Minolta's Z series of digital cameras is the five megapixel, twelve times zoom DiMAGE Z5. Just like the Z3 this camera also features Konica Minolta's unique Anti-Shake stabilization system and has a flash hot-shoe. The Z5 features a larger LCD monitor and a few other subtle specification changes but otherwise appears to be fairly similar to the Z3.
Compact, high-performance 5.0-megapixel CCD digital camera features CCD-Shift Anti-Shake System, 12x optical “Mega Zoom” lens, fastest-in-class*1 Rapid AF, and large, easy-to-view 2.0-inch LCD
Mahwah, NJ (January 24, 2005) – Konica Minolta Photo Imaging U.S.A., Inc. introduces the new compact DiMAGE Z5 – a superb all-round digital camera that offers a built-in 12x optical Mega Zoom lens, Konica Minolta’s proprietary Anti-Shake System, 5.0-megapixel CCD, fast overall response including Rapid autofocusing (AF), and a large 2.0-inch LCD screen for easy viewing. All of these features combine to ensure that photographers won’t miss a photo opportunity and that the subjects of their photos are big, beautiful, and shake-free.
“The new DiMAGE Z5 is the ideal companion for travel photography as well as everyday picture taking,” said Todd Schrader, vice president of marketing for Konica Minolta Photo Imaging U.S.A., Inc. “Sophisticated photographers will appreciate everything this high quality versatile digital camera has to offer. Plus, thanks to the camera’s built-in 12x optical zoom lens and Konica Minolta’s innovative Anti-Shake technology, even novice photographers can easily capture clear, sharp detailed views of the world around them.”
The new DiMAGE Z5’s 12x optical zoom lens and 4x digital zoom combine for a total 48x zoom. Konica Minolta’s proprietary CCD-shift Anti-Shake System—the same one used on the top-of-the-line Maxxum 7D and DiMAGE A200 models—is particularly effective at such high zoom ranges. It allows photographers to shoot with shutter speeds four to eight times longer (2-3 stops*2) than when shooting without an Anti-Shake function. It also provides steady, shake-free images taken during the evening or other dimly lit shots which are susceptible to blur because of their slow shutter speed. This means significantly less blur even without a flash or tripod.
To ensure that photographers don’t miss their shot, the Konica Minolta DiMAGE Z5 has a Rapid AF that’s the fastest*1 autofocus for digital cameras with predictive focus control. Focusing in a mere 0.2 second (approximately) at wide angle and only 0.3 second (approximately) at telephoto, it’s ideal for capturing any subject, moving or still.
The Konica Minolta DiMAGE Z5 has everything you need to take high-quality pictures: 5.0-megapixel CCD, high-performance GT APO lens, and Konica Minolta’s proprietary CxProcess™ III image processing technology, which gives photographers images as beautiful as those they see with their own eyes.
The DiMAGE Z5 boasts a large, easy-to-view 2.0-inch LCD monitor. This makes navigating menus easier and allows users to see exactly what they’re photographing.
In addition to Rapid AF, the DiMAGE Z5 features a fast startup, short shutter release time lag, Ultra-High-Speed Continuous Advance, Progressive Capture, and Real Motion monitor for smooth display on the LCD. These features combine to let users capture any subject, no matter how fleeting, on the spur of the moment, and not miss a photo opportunity.
In addition to beautiful stills, the DiMAGE Z5 takes high-quality, high-resolution VGA movies that look as good as TV images. These movies are also shake-free thanks to the Anti-shake function.
*1 As of November 20, 2004, for 5.0-megapixel-class digital cameras with built-in lens system and 10X or greater zoom. Based on Konica Minolta’s standard test method.
*2 Depends on the shooting conditions.
*3 PictBridge is an industry standard established by the Camera & Imaging Products Association (CIPA).
|Sensor|| 1/2.5" Type CCD
5.2 million pixels total
5.0 million effective pixels
|Image sizes|| 2560 x 1920
2048 x 1536
1600 x 1200
640 x 480
|Movie clips|| 640 x 480 Fine (15 / 30 fps)
640 x 480 Standard (15 / 30 fps)
320 x 240 Standard (15 / 30 fps)
All with audio
Limited only by storage space
Night capture mode available
|File formats|| Still: JPEG (EXIF 2.2) - Fine, Standard, Economy
Movies: MOV (Motion JPEG)
|Lens|| 35 - 420 mm equiv. (12x optical zoom)
F2.8 - F4.5
|Image stabilization||CCD-shift 'Anti Shake'|
|Focus distance|| Normal: (wide) 0.6 m - Infinity, (tele) 1.6 m - Infinity
Macro: (wide) 10 cm
Super-macro: (wide) 1 cm
|Focus modes|| Single shot AF
Continuous AF (with predictive focus control)
Full time AF
|Auto focus areas|| 5-point Wide Focus Area
Spot focus area
|Digital zoom||Up to 4.0x (0.2x steps)|
|Metering|| Multi-segment (256 segments)
|ISO sensitivity|| Auto
|Exposure compensation|| +/- 2.0 EV
1/3 EV steps
|Shuttter speed|| Program AE / Aperture priority: 4 - 1/1000 sec
Shutter priority / manual: 15 - 1/1000 sec, Bulb (max 30 sec)
Scene modes: 2 - 1/1000 sec
|Noise reduction|| Automatic|
|Exposure modes|| Programmed AE
|Scene modes|| Auto (Portrait, Sports, Landscape, Sunset, Standard)
|Exposure bracketing|| 3 frames
0.3, 0.5 or 1.0 EV steps
|White balance|| Auto
|Self timer||2 or 10 sec|
|Continuous shooting|| Normal: 2.2 fps (6 frames @ 2560 x 1920; Standard)
Ultra High Speed: 10 fps (20 frames @ 1024 x 768)
Progressive mode: (stores last frames captured instead of first)
|Image parameters|| Contrast (3 levels)
Sharpness (3 levels)
Color mode (2 levels, b&w, sepia)
|Flash|| Pop-up (electronic)
Modes: Auto, Auto with red-eye reduction, Fill flash, Slow sync
Compensation: +/-2 EV in 1/3 EV steps
External flash: Hot-shoe
|Viewfinder|| Electronic Viewfinder (EVF)
0.3", 114,000 pixels
16.9 mm eye relief
|LCD monitor|| 2.0 " TFT LCD
|Languages||Japanese, English, Germany, French, Spanish, Chinese (Simplified character), Italian, Swedish|
|Connectivity|| USB 2.0 (Full-speed only; USB 1.1 equiv.)
|Storage|| Secure Digital
16 MB SD card supplied
|Power|| 4 x AA batteries
NiMH recommended (Alkaline supplied)
|Print compliance|| Exif Print
PRINT Image Matching III
|Weight||340 g (12 oz)|
109 x 80 x 84 mm (4.3 x 3.1 x 3.3 in)
|Standard accessories||Neck Strap NS-DG7000, Lens Cap LF-243 set, Accessory Shoe Cap SC-1000, AV Cable AVC-700, 16MB SD (Secure Digital) Memory Card, USB Cable USB-2, DiMAGE Viewer CD-ROM, Four AA Alkaline batteries|
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
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What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
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