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1 Lightroom 4 Review
Adobe Photoshop Lightroom 4 offers an impressive list of features, the vast majority of which will be familiar to those who explored the previously-released public beta Adobe made available in January.
These include a completely new book-creation module, expanded support for video, soft proofing capability, and geo-tagging of still and video images via a Google Maps-powered module. Image editing tools have also been significantly updated, with a new process version (PV2012) that includes a reworking of the Basic panel controls and new localized editing options. If you've spent time playing with the public beta and are already comfortable using these features, you can jump ahead to a listing of the few (and mostly minor) changes that have gone into the shipping version of Lightroom 4.
One welcome surprise to everyone, though, is Adobe's announcement of a 50% price drop. For the first time in Lightroom's five year history, the retail price is now $149 US for a full version. Upgrade pricing for current users as well as the student/teacher versions also see a (more modest) price reduction to $79 US.
I've been using the shipping version of Lightroom 4 for a few weeks with my own personal image catalog and in this review I'll take you through the tools and features that have changed since Lightroom 3. Keep in mind this is not a step-by-step Lightroom tutorial, rather an illustrated guide to what has been added and updated. My goal is to explain the new features so that you can decide whether the upgrade to Lightroom 4 is one you should make. Of course, if you've already decided to take the plunge, this article will help you get started in exploring these new features for yourself.
We'll take a look at the following features:
Before we get started it's important to note that the minimum system requirements for Lightroom have changed. Lightroom 4 does not support 32-bit Macs. You must be running a 64-bit Intel processor and OS 10.6.8 or higher (read this Apple support document to determine whether your Mac has a 64-bit processor). On the Windows side, support for Windows XP has been dropped. Lightroom now requires a version of Windows Vista or Windows 7.
Lightroom 4 introduces Process Version (PV) 2012. What's a process version and why should you care? Well, it's the image processing engine behind Lightroom (and Photoshop's Adobe Camera Raw plug-in). The Lightroom engineers make periodic tweaks to its components to provide better image rendering and/or enable new editing functionality. While the rendering performance sees some minor changes, PV2012 stands out by introducing a redesigned and recalibrated set of the Develop module's Basic panel tools, along with more localized editing options. Simply put, PV2012 is of huge consequence for every serious Lightroom user. Its changes are significant and will have a direct effect on your editing workflow.
As with the introduction of previous process versions, Lightroom, by default honors the current (in this case PV2010) process version of your existing images. If you desire, you can simply go on working as you always have. But should you choose to update an image to PV2012, a whole host of new functionality awaits.
Select any image in the Develop module that was imported in Lightroom 3 or earlier and you'll notice a warning icon in the lower right (shown below), indicating the image has not been updated to PV2012.
|A warning icon appears at the bottom of the Develop module when an image processed via PV2010 or earlier (circled in red) is displayed.|
After clicking the icon you can choose to update the selected image or all images in the filmstrip. Once an image is updated to PV2012 you will notice a revised collection of tools in the Basic Panel (shown below), as well as a noticeable change to the appearance of your image.
Gone from the Basic panel are the Recovery, Fill Light and Brightness sliders. Instead, what you see in Lightroom 4 is a separate grouping of sliders labeled Highlights, Shadows, Whites and Blacks. Moving any of these sliders to the right (a positive value) brightens pixels. Negative adjustments darken pixels. The default value for all items in the Basic Panel is now set to 0 for raw files, just as they have always been for JPEG images.
|Many of the Basic panel controls
in Lightroom 3 (shown above)...
|...have been changed in version
4 with default values set to 0.
It's very important to understand that for many of the Basic panel tools, the internal effects ranges have been changed, meaning that a slider value of say +50 in a PV 2010 tool may not correspond to +50 in the equivalent PV2012 tool. When updating PV2010 (or earlier) images which already contain manual Basic panel adjustments, slider values will be carried over or 'transposed' to the appropriate PV2012 settings. But the appearence of your image will change, often significantly. For this reason, I encourage you to apply PV2012 on an image by image basis to your existing photos to get a feel for what the new tools can do. Or simply import new images, which will automatically get the newest process version, and explore the new features with those images.
The WB selector's sample area is now zoom-dependant, mimicing the behavior seen in Adobe Camera Raw. Clicking with the WB tool on an image displayed in say a 1:2 (50%) view will result in a white balance calculation based on a wider range of pixels than performing the same action with the image at a 1:1 view. Put more simply, when you adjust the Scale slider for the WB selector's loupe window, the image area you see in the grid is now the same area that LR will sample to determine WB.
|The loupe window of the WB selector
indicates the sampling area on which the
WB calculation will be made.
|Setting the Scale slider to the lowest
possible magnification results in a wider
area of pixels from which to sample.
Sampling over a wider area of pixels should lead to more accurate WB settings in noisy images by minimizing the impact of random pixel values. In previous versions of Lightroom, a consistent grid of pixels was being sampled regardless of the image view or Scale slider setting.
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Feb 23, 2015
Mar 2, 2015
Feb 24, 2015
May 15, 2013
Adobe has released a public beta version of its Photoshop Lightroom 5 workflow and image editing software and we've had some time to look at its latest features. Available immediately for free download from Adobe Labs, the beta introduces a more advanced healing/cloning tool, automatic image leveling and perspective correction, a new selective editing tool and the ability to edit files that are offline. Click here for all you need to know to begin exploring this new release on your own.
Adobe has released Photoshop Lightroom 4.4 and Adobe Camera Raw 7.4. These are final versions of updates that were originally posted as 'release candidates'. Both versions add Raw support for 25 additional cameras, including the Nikon D7100, Canon EOS 100D, Fujifilm X100s and Sony SLT-A58. Corrections to the demosaicing algorithms for previously supported Fujifilm X-Trans and EXR sensor cameras are also included along with several new lens profiles. Click through for a full list of supported cameras, lenses and bug fixes.
Adobe has released Photoshop Lightroom 4.3 and Adobe Camera Raw 7.3. These are final versions of updates that were originally posted as 'release candidates' on the Adobe Labs site, and are available for immediate download. The latest versions provide RAW support for 13 additional cameras, including the Canon EOS 6D, Nikon D5200 and Sony DSC-RX1. The Mac version of Lightroom features a Develop module that supports Apple's HiDPI mode, that makes the interface easier to read on the 'Retina' panels used on recent Macs.
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
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|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
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Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
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Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.