Panasonic launches FZ47/FZ48 24x superzooms
Panasonic has updated its FZ series of superzooms with the DMC-FZ47. The FZ47 features a 25-600mm 24x image stabilized zoom lens, featuring Nano Surface Coating to minimize internal reflections. The camera was built around a 12.1 megapixel CCD sensor capable of capturing 1080i60 HD movies (50i on the European variant). It also features the Creative Control picture effects first seen on the DMC-G3, as well as the Photo Style color modes. Unusually for its FZ series, Panasonic has not included Raw capability.
PANASONIC EXPANDS POPULAR FZ-SERIES SUPER-ZOOM LINE, WITH 24X OPTICAL ZOOM AND FULL HD-CAPABLE MODEL
New Panasonic LUMIX FZ47 Digital Camera Packs a Powerful 24x Optical Zoom in High-Quality Leica Lens and Adds Creative Manual Control Options
SECAUCUS, NJ (July 21, 2011) - Panasonic today introduces the LUMIX DMC-FZ47 digital camera, the newest addition to the company’s super-zoom FZ-Series. The LUMIX FZ47 packs a powerful 24x optical zoom in a 25mm ultra-wide angle LEICA DC VARIO-ELMARIT lens, full-High Definition 1080i video-recording capabilities and new creative controls while shooting both still and video images. The high-quality Leica lens features Panasonic’s Nano Surface Coating technology to help minimize light reflection that causes ghosting and flare.
“The LUMIX FZ-Series is an extremely popular line for Panasonic and we expect this model to be another winner for users who not only want an impressive 24x optical zoom, but those that seek exceptional image quality, and thanks to the Leica lens and full HD video capabilities – the FZ47 delivers,” said Darin Pepple, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “New to the FZ-Series are the improved AF speeds, 3D photo shooting and full 1080 HD video capabilities.”
Powered by a 12.1-megapixel Hi-Speed CCD sensor, the LUMIX FZ47 can produce the high-speed, large-capacity signal processing required for 1920 x 1080 full-HD video recording in the AVCHD format, and high-speed continuous shooting. The Venus Engine FHD processor helps create superb image quality in both photo and video recording, while also powering the Intelligent Resolution technology to perform the optimum signal processing. With Intelligent Resolution, the LUMIX FZ47’s zoom can be extended 1.3x times to a 32x zoom length. The LUMIX FZ47 can take high-resolution consecutive shots at 3.7 fps in 12.1-megapixel full-resolution and maximum 10 fps at 3-megapixel recording. With Panasonic’s Sonic Speed AF (Auto Focus), the LUMIX FZ47 has a quick start-up time, approximately 35% faster than the Panasonic LUMIZ FZ40, and also has an incredibly fast response time, helping to catch any fast-action photo opportunity. Additionally, the LUMIX FZ47 has fast and accurate AF Tracking.
The LUMIX FZ47’s 24x optical zoom optimized for video recording with a mechanism designed to minimize the noise of AF and zooming. The full-HD video capability is complemented with the high-quality stereo sound of Dolby® Digital Stereo Creator, to offer extremely realistic audio. And with a Wind Cut function, the LUMIX FZ47 reduces noise from background wind automatically. While shooting video, users can simultaneously take a 3.5-megapixel still photo.
Differentiating itself from most digital cameras that record video, the LUMIX FZ47 is unique in that it features a Creative Video mode, which lets the user set the shutter speed and aperture manually. Changing the shutter speed brings special effects to videos, which is especially suitable for shooting a fast-moving subject. The ability to control the aperture is convenient when there are several subjects at different distances and it is desired to have each of them stand out.
The creative mode is also available for still photos. For users seeking more creative freedom, the LUMIX FZ47 adds the new Creative Control and Photo Style that comes with a variety of options for artistic effect modes, including: Expressive, Retro, High Key, Sepia, High Dynamic, Miniature Effect, Film Grain and Pin Hole. Users can also adjust exposure compensation in the Creative Control mode. In addition, Photo Style is newly added to the LUMIX FZ47 to allow finer adjustment of contrast, sharpness, saturation and noise reduction in these settings: Standard, Vivid, Natural, Monochrome, Scenery and Portrait.
On the other hand, for those users who would prefer not to change any settings, the LUMIX FZ47 also features Panasonic’s iA (Intelligent Auto) mode. When in iA mode, the LUMIX FZ47 automatically chooses the best setting based on the shooting environment and features include: POWER O.I.S. (Optical Image Stabilizer), Motion Deblur*, Face Recognition, Face Detection, AF Tracking, Intelligent ISO Control and Intelligent Scene Selector. Additionally, iA is available during video mode, and the following features engage automatically: POWER O.I.S., Face Detection, Intelligent Scene Selector and Intelligent Exposure.
Other features of the Panasonic LUMIX FZ47 include:
- 3D Photo Mode: Take 3D still photos** that can be played back on MPO-compatible 3D equipment, such as a Panasonic VIERA 3D HDTV
- 3.0” Intelligent LCD: Features a 460,000-dot high resolution
- Social Media Connection: The LUMIX FZ47 makes it extremely easy to share photos via Facebook and videos via YouTube. As soon as the camera is connected to the computer it will prompt the user with an easy-to-follow menu asking if they want to share the images – no software needed
The Panasonic LUMIX FZ47 will be available in black for a suggested retail price of $399.99, starting in August 2011. For more information on Panasonic LUMIX digital cameras, please visit www.panasonic.com/lumix.
*The picture size may be reduced
**The picture size is fixed to 2M (16:9)
The Pixii camera is an interesting little rangefinder camera that features a 12MP APS-C sensor and lacks a rear LCD display, opting instead to pair with your mobile device, which can be used to view and transfer images.
Sirui is launching an Indiegogo campaign for a wide-angle answer to its existing 50mm F1.8 anamorphic lens. The 35mm APS-C lens will come in a Micro Four Thirds mount with adapters for other systems.
Sony has added a 12-24mm F2.8 to its top-shelf 'G Master' series of lenses. It's the widest constant F2.8 zoom currently offered for full-frame, with a hefty price tag to match: it will sell for $3000 when it ships in mid-August.
Take a look at the view from Sony's new ultra-wide F2.8 zoom – we paired it with the a7R IV for some initial shooting.
Canon's EOS-1D X Mark III is one of the best DSLRs ever made. With fast burst speeds, great video quality and impressive autofocus, the 1D X III is equal parts cinema rig and sports shooter. Find out how it fares against steep competition in our full review.
Nikon Rumors is reporting that Nikon will announce successors to its Z6 and Z7 camera systems by the end of the calendar year.
Canon says the event, set to take place at 14:00 CEST in two days on July 9, will be its 'biggest product launch yet.'
The Verge Video Director, Becca Farsace, shows how she built a custom Raspberry Pi camera with effectively zero coding knowledge over the course of just three days.
The EOS R5 has been in the works for some time, and Canon has published a handful of specifications, but there's still plenty we don't know. What are you hoping to see from Canon's forthcoming flagship camera?
Canon's CE-SAT-IB satellite camera was destroyed alongside six other satellites during Rocket Lab's ironically-named 'Pics or It Didn't Happen Mission.'
This sample gallery includes images from our recent review of the Tamron 28-200mm F2.8-5.6 Di III RXD zoom lens. Check out these photos to see how it performs, from wide-angle to telephoto and everything in between.
The Tamron 28-200mm F2.8-5.6 Di III RXD provides a wide zoom range in compact, weather-sealed design. Find out why it's Chris and Jordan's new favorite travel lens.
Kodak Portra 800 is a wonderful and versatile color film. And any rumors of it being discontinued, we're pleased to report, are simply untrue. That's a good thing, because it's capable of producing lovely results in all sorts of conditions.
Boering has left the World Press Photo without much of an explanation from either him or the organization, but he tells DPReview the COVID-19 pandemic is forcing the WPP to change the way it makes money.
The standard-size deck of playing cards features unique photography-oriented artwork and act as cheat sheets for photographers.
The Sony ZV-1 and Panasonic Lumix DC-G100 are the first cameras we've seen that are overtly designed with vlogging in mind – and the changes they represent could have implications for the future of all cameras.
The utility allows the E-M1X, E-M1, E-M1 Mark II, E-M1 Mark III and E-M5 Mark II cameras to be used with video conferencing apps over USB.
Olympus is showing final images of its under-development 150-400mm F4.5, which it says will arrive this winter. An unspecified macro and 8-25mm F4 Pro have also been added to the lens roadmap, and the E-M1X's AF gains bird detection.
The scam, which involves sending fake copyright violation notices, has been circulating on the social media platform since at least June 9.
Fujifilm is one of just two producers of tape media (the other being Sony) and it is hard at work on a breakthrough that will allow single tape storage drives to offer 400TB capacities in the coming years.
The National Parks Service says it's investigating the incident, which took place just two days after the park opened following a shutdown due to the COVID-19 pandemic.
Professional full frame lenses are usually large and have fast apertures. In this episode of DPReview TV, Chris and Jordan argue that there's a need for slow professional lenses – inspired by some of their favorite Micro Four Thirds lenses.
The camera maker joins Olympus, Fujifilm and others is a legal tussle over US digital camera technology patents held by DigiMedia Tech.
NASA's Solar Dynamics Observatory (SDO) photographs the sun every 0.75 seconds. In its first decade in space, the SDO has captured more than 425 million images of the sun. NASA has compiled these images into an amazing time lapse, come check it out.
The lens is available for Leica M, Sony FE, Nikon Z and L-mount camera systems, and now holds the title as the world's widest rectilinear lens for full-frame camera systems.
Tamron's new 28-200mm F2.8-5.6 is a versatile zoom lens for Sony E-mount. Well-suited for travel photography, it's compact, lightweight, and fast/quiet to focus.
Fujifilm has announced that its GF 30mm F3.5 R WR wide-angle lens for its medium format cameras will ship in late July or early August.
Fujifilm's latest lens is a sharp, reasonably compact and well-built wide-angle for the company's GFX medium-format cameras. We took it out and about in the warm Seattle summer with the company's 50 and 100 Megapixel camera bodies to see what it can do.
Fujifilm has issued firmware updates to the GFX 100 and GFX 50 models, with the 100MP camera gaining the most significant improvements.
Although the channel is still growing, it currently has nine videos that offer concise overviews of just a few of the cameras Japan Camera Hunter founder Bellamy Hunt has sitting around his Japanese storefront.