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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Pentax has refreshed its entry level DSLR lineup with the announcement of the K-50 and K-500. The K50 is an update of the K-30, featuring less controversial styling and slightly tweaked processing, helping it offer a maximum ISO of 51,200. The K-500, meanwhile, gets most of the K-50's features - the main loss being weather sealing - in a less expensive package. While not radically different from the K-30, both cameras bring twin dial controls and 100% glass prism viewfinders to price points ($799 and $599 respectively), where both those features are rare. Alongside the cameras, Pentax is launching revised, DA-L versions of its 18-55mm F3.5-5.6 WR and 55-200mm F4-5.6 WR lenses.
We had a chance to shoot a real-world samples gallery with the K-50 at the cameras' New York launch:
PENTAX enhances product offering with two new cameras and two new lenses
Denver, CO (June 12, 2013) — PENTAX RICOH IMAGING AMERICAS CORPORATION today introduced the PENTAX K-50 DSLR featuring advanced functionality beyond its mid-level classification. Ideal for photographers looking to transcend traditional DSLR offerings, the PENTAX K-50 combines a uniquely advanced feature set with a consumer-friendly price tag and 120 color combinations to meet an important additional demand of the creative consumer: personal style.
Rivaling many cameras higher in class, the K-50 boasts a long list of advanced specifications not found in other mid-level DSLRs. Beginning with its 81weather seals, the K-50 incorporates PENTAX’s long-standing heritage of weather-resistant products making cameras that extend shooting environments to wet, rainy or snowy conditions. Building on this leading advantage, the K-50 features high-speed continuous shooting at approximately six frames per second, super-high-sensitivity shooting at ISO settings up to 51200 and high-precision SAFOX IXi+ autofocus with accurate subject tracking, guaranteeing crisp images even when in low-light or with a fast moving subject. Additionally, the K-50’s 100% field of view viewfinder, innovative shake reduction system, four optional interchangeable focusing screens and a fast shutter with the ability to shoot at speeds up to 1/6000 of a second enable photographers to push the boundaries of high-speed shooting while providing total confidence that their vision is framed accurately and captured in complete focus. And, with new Eye-fi SD card compatibility built in photo and video sharing a breeze! Users can enable automatic transmission of images and video to a smartphone for rapid sharing and even select their favorite images and resize them before transmission.
The K-50 is available in 120 brilliant and eye-catching color combinations and sets a new standard in the customization of electronics. PENTAX’s Color to Order™ system takes advantage of a newly architected supply chain management system that is built to empower consumers to design the product they want.
“The K-50 introduces features that raise the bar in the mid-level DSLR class,” said Jim Malcolm, executive vice president, PENTAX RICOH IMAGING AMERICA. “Not only do the hardware and software specs outclass competitors, the Color to Order system is an industry first making it a truly unique offering among a sea of similarity.”
PENTAX has also strengthened its weather-sealed lens lineup with the debut of two new lenses; the smc PENTAX-DA L 18-55mm F3.5-5.6AL WR, and smc PENTAX-DA L 50-200 F4-5.6ED WR. The addition of these two lenses expands PENTAX’s extensive line of weather-sealed lenses which offer a wide variety of focal lengths and shooting perspectives ensuring there is a lens appropriate for many different shooting and weather scenarios.
Also introduced today is the PENTAX K-500, an entry-level DSLR that augments PENTAX’s DSLR lineup by including advanced features uncommon to the entry-level class. Ideal for families and casual photographers with rigorous demands, the K-500 features a 16 megapixel APS-C CMOS image sensor, fast continuous shooting, high sensitivity shooting up to ISO 51200, 100% field of view, in-body shake reduction, and an advanced auto focus module. Operating on four AA batteries, the K-500 guarantees ultimate flexibility and accessibility to a power source when travelling or in remote locations. In addition, the K-500’s wide selection of simple user-modes and creative tools enable limitless personalized expressions while its intuitive ergonomics and menu layout make the K-500 approachable and comfortable to use.
Both the K-50 and K-500 are built around PENTAX’s acclaimed K-mount system. Thanks to the lasting commitment PENTAX has made to the K-mount photographers are able to use any of the 25 million K-mount lenses that have been manufactured over the life of the mount. Access to this wide a selection is unparalleled and opens up many new perspectives for photographers encouraging boundless creativity.
Pricing and Availability
The K-50 DSLR is available to order today in a choice of 120 color combinations at pentaximaging.com and retail outlets nationwide in July 2013 with a suggested retail price of $699.95 for body only, $799.95 for the kit including DA-L 18-55mm WR lens and $879.95 for the dual lens kit including the DA-L 18-55mm WR and DA-L 50-200mm WR lenses. The K-500 DSLR will be available at retail outlets nationwide and online in July 2013 with a suggested retail price of $599.95 for the kit including the DA-L 18-55mm lens and $699.95 for the dual lens kit including the DA-L 18-55mm and DA-L 50-200mm lenses.
|Pentax K-50||Pentax K-500|
|MSRP||Body only: $599/£529; body with 18-55mm WR lens: $779/£599; body with 18-55mm and 50-200m WR lenses: $879||Body with 18-55mm kit lens: $599.95/£449.99|
|Body type||Compact SLR|
|Body material||Reinforced polycarbonate over stainless steel chassis|
|Max resolution||4928 x 3264|
|Other resolutions||4224 x 2816, 3456 x 2304, 2688 x 1792|
|Image ratio w:h||3:2|
|Effective pixels||16 megapixels|
|Sensor photo detectors||17 megapixels|
|Sensor size||APS-C (23.7 x 15.7 mm)|
|Color space||sRGB, AdobeRGB|
|Color filter array||Primary color filter|
|ISO||Auto, 100 to 51600, in 1, 1/2, 1/3 EV steps|
|White balance presets||9|
|Custom white balance||Yes (3)|
|JPEG quality levels||Good, Better, Best|
|Optics & Focus|
|Number of focus points||11|
|Lens mount||Pentax KAF2|
|Focal length multiplier||1.5×|
|Screen / viewfinder|
|Screen type||TFT LCD monitor with brightness/color adjustment and AR coating|
|Viewfinder type||Optical (pentaprism)|
|Viewfinder magnification||0.92× (0.61× 35mm equiv.)|
|Minimum shutter speed||30 sec|
|Maximum shutter speed||1/6000 sec|
|Built-in flash||Yes (Pop-up)|
|Flash range||12.00 m (at ISO 100)|
|External flash||Yes (Hot-shoe, Wireless)|
|Flash modes||Auto, On, Off, Red-eye, Slow Sync, Slow Sync+Redeye, Trailing Curtain Sync, Wireless|
|Flash X sync speed||1/180 sec|
|Continuous drive||6.0 fps|
|Self-timer||Yes ( 2 or 12 seconds)|
|Exposure compensation||±5 (at 1/3 EV, 1/2 EV steps)|
|AE Bracketing||±3 (3 frames at 1 EV steps)|
|Resolutions||1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps)|
|USB||USB 2.0 (480 Mbit/sec)|
|Remote control||Yes (optional, wired or wireless)|
|Environmentally sealed||Yes (Weather and dust resistant)||No|
|Battery description||D-LI109 lithium-ion rechargeable (4 x AA with optional adapter)||4 x AA batteries (optional D-LI109 lithium ion battery) battery|
|Battery Life (CIPA)||410||710|
|Weight (inc. batteries)||650 g (1.43 lb / 22.93 oz)||646 g (1.42 lb / 22.79 oz)|
|Dimensions||130 x 97 x 71 mm (5.12 x 3.82 x 2.8″)|
|Timelapse recording||Yes (999 shots, 3 sec to 24 hr interval, time delay)|
|Pentax K-50 16MP Digital SLR Camera||See price on Amazon.com|
|Body Only, Black|
|Body Only, Red|
|Body Only, White|
|DA 18-135mm WR f3.5-5.6 Lens, Black|
|DA 18-135mm WR f3.5-5.6 Lens, Red|
|DA 18-135mm WR f3.5-5.6 Lens, White|
|DA L 18-55mm WR f3.5-5.6 Lens, Black|
|DA L 18-55mm WR f3.5-5.6 Lens, Red|
|DA L 18-55mm WR f3.5-5.6 Lens, White|
|DA L 18-55mm WR f3.5-5.6 and 50-200mm WR Lenses, Black|
|DA L 18-55mm WR f3.5-5.6 and 50-200mm WR Lenses, Red|
|DA L 18-55mm WR f3.5-5.6 and 50-200mm WR Lenses, White|
Dec 27, 2013
Dec 18, 2013
Aug 28, 2013
Jun 8, 2016
Ricoh has released firmware updates for its K-3 and K-50 DSLRs which add support for the company's K-AF4 lenses. Read more
The holidays are a great time to take pictures — and they're a great time to get a camera for yourself or for a loved one. With more than 50 cameras going through the hands of the DPReview team over the year, we've seen it all (or so we think). Based on our collective knowledge we hope this guide will help you make an informed decision on which camera will fit your needs. In this final part, we look at entry-level mirrorless cameras
The holidays are a great time to take pictures — and they're a great time to get a camera for yourself or for a loved one. With more than 50 cameras going through the hands of the DPReview team over the year, we've seen it all (or so we think). Based on our collective knowledge we hope this guide will help you make an informed decision on which camera will fit your needs. In this penultimate part, we look at consumer-level DSLRs.
Our friends and collaborators over at DxOMark have been investigating lenses for the Pentax K-50, and have just published an article assessing which score best on this well-featured little SLR. They've looked at 28 different models, from both Pentax itself and third-party makes like Sigma and Tamron, and given recommendations for the best lens to buy in various categories. This week they've also tested the Sigma APO 50-500mm f/4.5-6.3 DG OS HSM super-telephoto zoom, and compared it to the rather more expensive Nikon AF-S Nikkor 80-400mm f/4.5-5.6G ED VR. Click through for the links.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.