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We reviewed three of the more popular 'pocket printers,' the Canon Ivy, Fujifilm Instax Share and Polaroid ZIP. Here's the one we recommend...
'What camera should I buy?' That's a question we get asked a lot here at dpreview, and it's a tough one to answer. We use a lot of cameras, from simple point-and-shoot models to professional workhorses, and everything in-between. We review as many of the interesting models as we can, but we can't cover everything, and our reviews are spread out across the year, which can make it hard for you to make buying decisions.
In this short article, we've selected five of what we think are the best zoom compacts on the market right now, spanning the market from point-and-shoots to Raw-capturing high-end cameras. By 'zoom compact camera', we mean cameras with non-interchangeable zoom lenses, regardless of size. Of our top 5 selection we've summarized their major strengths, with links to previously-published content, including samples galleries. Here are the cameras we've selected (in alphabetical order). You can click to go directly to the camera you want to read about or just start at the top:
Canon's PowerShot G-series is one of the most iconic lines of digital compact cameras, with the original G1 having debuted back in September 2000. The latest model, the G15, features a 28-140mm zoom with a fast maximum aperture of F1.8-2.8 mated with a Canon-made 12.1MP 1/1.7"-type CMOS sensor. The G15 features an ISO range of 80 to 12,800 and full HD movie recording at a frame-rate of 24 fps, with stereo sound from the built-in microphones.
In our testing, we found that the G15's long but impressively bright lens is a real selling point compared to both its predecessor, and indeed most of its competitors. Having a maximum aperture of F1.8-2.8 combined with a useful 28-140mm (equivalent) zoom means that you've got a lot more flexibility in poor light, allowing you to set either a lower ISO sensitivity for cleaner images, or a faster shutter speed to avoid camera-shake or blurring due to subject movement.
|The Canon PowerShot G15 offers an abundance of external controls, and an unusually fast lens, with a maximum aperture of F1.8-2.8 across its 28-140mm (equivalent) zoom.||Unlike its predecessor the G12, and some competitive models, the G15's rear display is fixed, not articulated. This makes for a smaller camera than the G12, despite the faster lens.|
In other respects, the G15 is a very solid performer, firmly in the G-Series tradition. This latest model is fast and responsive in use, offers about as much direct manual control as you could hope for, but isn't as bulky as previous G-series compacts. This is partly due to Canon's decision to go with a fixed LCD screen on the rear of the camera, rather than an articulated model. This makes the G15 less flexible when shooting from awkward angles, and when shooting movies, but the increased portability compared to earlier models, and competitors such as Nikon's Coolpix P7700 is very welcome.
As far as image quality is concerned, the G15 doesn't disappoint. Detail capture is high at the low end of its ISO sensitivity scale, and its 28-140mm lens is excellent, aided by a very effective image stabilization system that we've found can deliver sharp images at shutter speeds as low as 1/15sec at full zoom. The G15 gets noisier at its higher ISO settings but even at ISO 3200 and 6400, image quality is good enough for small prints or web use, and for critical use, shooting in Raw mode will allow you to get the most out of the camera. All in all, the G15 is a great performer and a pleasure to use. The G15 is highly recommended for anyone that needs a general-purpose compact with lots of manual control that can deliver great quality images.
What we like: Excellent 'hands-on' ergonomics in a small, relatively portable body, optical viewfinder can be handy on occasion, very nice image quality, good, responsive operation.
What we don't like: We miss the G12's articulated screen, and the lack of any meaningful manual control in video mode will frustrate budding filmmakers.
The Olympus XZ-2 is the successor to 2011's XZ-1 and offers a lot of improvements. The XZ-2 incorporates a more modern 12MP CMOS sensor, a screw-in hand grip, tilting touch-screen and a two-mode control dial around the lens. Although the XZ-2 features the same lens as its predecessor, the 28-112mm equivalent range is useful and the F1.8-2.5 maximum aperture is still impressively fast, promising greater versatility in marginal light than some of is competitors.
|The XZ-2 is reasonably large for a compact camera, but an optional screw-in grip provides a nice solid hand hold. The control dial around the lens is customizable.||The rear of the XZ-2 is dominated by a 3 in, 920,000-dot LCD screen. In this view you can also see the mechanical catch for the XZ-2's small built-in flash.|
What we like: Fast lens, proven 12MP CMOS sensor, excellent ergonomics including extensive customization, good image quality (on initial assessment).
What we don't like: It's too early to make a definitive judgement, but the XZ-2's lens range isn't as wide as some of its competitors, and it's a little pricey.
The 12MP Lumix DMC-FZ200 is Panasonic's flagship super-zoom compact digital camera and features a lens with an F2.8 maximum aperture across its entire zoom range of 25-600mm (equivalent). Last year's DMC-FZ150 (which we liked a lot) had an F2.8 - F5.2 lens, so the lens on the FZ200 is a huge improvement, and the extra brightness should make a real difference at long focal lengths and/or in poor light, allowing you to shoot at lower, less noisy ISO settings.
Its constant F2.8 aperture makes the FZ200 stand out in its class, especially when it comes to versatility in poor light, or when shooting at the long end of the zoom. That large aperture allows it to offer faster shutter speeds at the same ISO settings as its peers, or use lower sensitivities at the same shutter speeds as the competition. In our testing, we found that in everyday outdoor shooting, the extra brightness of its lens meant that we rarely needed to select the FZ200's highest ISO sensitivity settings.
The FZ200's built-in lens covers an equivalent focal span of 25-600mm, with a maximum aperture of F2.8 across the entire range.
|The FZ200 features a built-in electronic viewfinder, above which are a hotshoe for external flashguns, and a stereo microphone. On the right you'll find an exposure mode dial.|
This is good news because although the FZ200's image quality is very good at the low end of its ISO sensitivity scale, things get pretty nasty above ISO 1600, as noise really kicks in and the camera's noise-reduction system smears away fine detail more than we'd like. As always though, if you stick to small prints or web display, these issues are much less noticeable. If you're critically-inclined, the FZ200 offers a Raw capture mode - still relatively unusual for this class. Shooting in Raw can make a lot of difference and careful processing will reward you with excellent image quality, particularly between ISO 100-400.
As well as offering impressive brightness, the FZ200's 25-600mm lens also offers very good sharpness. Considering the large maximum aperture and ambitious zoom range, we had no complaints about the FZ200's lens for everyday use. There are cameras out there with longer lenses (Nikon's Coolpix P510 is great value, also offers very good image quality and boasts an extraordinary maximum telephoto setting of 1000mm equivalent) but in terms of its feature set, versatility and overall performance, the FZ200 is one of the best super-zooms we've ever used, and highly recommended for anyone that needs the ultimate in flexibility - especially when traveling.
What we like: Fast, high-quality F2.8 lens, well thought-out ergonomics for still and video shooting, effective image stabilization, good image quality in JPEG mode and the option to shoot Raw for best results.
What we don't like: Image quality drops above ISO 800 in both JPEG and Raw, and ISO 6400 is unusable for all but the least demanding output, some operations can be a little 'laggy', no automatic LCD/EVF switch.
Panasonic was the manufacturer that defined what we now call the 'travel zoom' segment of the compact camera market, and its latest flagship model, the ZS20 (TZ30 in some markets) is the most advanced yet. The ZS20 offers a 20x zoom lens, covering the equivalent of 24-480mm, built-in GPS and a new 14MP MOS sensor that allows for features like high-speed 10fps burst shooting and 1080p60 video recording.
The Panasonic Lumix DMC-ZS20 packs in some great features, foremost among which is undoubtedly its 24-480mm (equivalent) zoom lens, which is Panasonic's most ambitious lens yet in the ZS/TZ series. For traveling or just everyday point-and-shoot photography, the ZS20 is hard to beat in terms of sheer versatility. If you're shooting a wedding, we wouldn't recommend relying on the ZS20 as your only camera, but for grab shots, the ability to quickly re-frame from 24mm to 480mm is extremely useful, especially in a camera that can slip into your jacket or pants pocket.
|The ZS20 is a slim travel-zoom camera which features a 24-480mm (equivalent) zoom lens and built-in GPS.||On the back you'll find a 3 inch LCD display with 460,000 dots and a small cluster of buttons.|
When we used the ZS20 we were impressed by its adaptability, but also by the effectiveness of features like its built-in GPS. While most GPS-equipped cameras just log your location, Panasonic also offers a built-in database of a million landmarks, plus maps of ninety countries. It can even show you where you are on the map, though they're not nearly detailed enough for navigation. If you don't need GPS though, you should turn it off - it will reduce battery life. The ZS20 is also capable of recording excellent video footage, up to 1080/60p, which is still relatively unusual in cameras in this class, although in video mode, the ZS20 is effectively a point-and-shoot camera.
Speaking of which, we like Panasonic's iAuto mode a lot. If you have no idea how to operate a camera, just set the mode dial to iA mode, and the camera will do the rest. The ZS20 has a limited set of manual exposure controls as well, but lacks the option to shoot in Raw mode, bracket white balance or focus manually.
The main strengths of the ZS20 then are its versatility and ease of use. Image quality is decent, but not outstanding. If you'd prefer better images, with fewer bells and whistles, the ZS20's 'younger brother' the ZS15, is worth a look.
What we like: Great zoom range, responsive operation, excellent iAuto mode gets the most out of point-and-shoot photography, useful 10fps burst mode, very good built-in GPS.
What we don't like: Average image quality, limited manual control, relatively low-resolution LCD screen (by the standards of the best of its competitors).
The Sony Cyber-shot DSC-RX100 is an enthusiast compact camera based around a large 1" 20 MP CMOS sensor, paired with a Zeiss-branded 28-100mm equivalent F1.8-4.9 stabilized lens. The rest of its specification is pretty impressive too - a 1.2 million dot 3.0" LCD (VGA resolution but using Sony's WhiteMagic technology to offer greater brightness or improved battery life), and 1080p60 video capture or 1080i with the ability to shoot 17MP stills without interrupting movie recording. All of this in a body of roughly equivalent size to more conventional compact cameras with much smaller sensors.
The RX100 is a very impressive compact camera, partly just because of the amount of technology that Sony has squeezed into it. The RX100's sensor has twice the surface area of the 2/3" EXR sensor inside the Fujifilm X10, and around three times the surface area of the 1/1.7" sensors in most other high-end compacts. The RX100 offers excellent image quality which is a step above its compact competitors in most situations, from bright sunlight to the subdued environment of a bar or concert venue. The only camera which really tops it in terms of critical image quality is Canon's PowerShot G1 X with its even-larger 1.5" sensor, but the bulky, more expensive Canon is also slower, and in some respects less pleasant to use.
|Despite its large 1" (13.2 x 8.8mm) sensor, the RX100 is roughly the same size as many of its small-sensored competitors. A control dial around the lens can be customized.||The rear of the RX100 is home to the majority of the control points, including a direct movie shooting button and a control dial to the right of the 3" 1.2 million dot 'WhiteMagic' LCD display.|
As well as solid image quality for still photographs, the RX100's video specification is very impressive, and its performance is excellent. 1080/60p video recording is still pretty unusual in compact cameras and resolution is very high, and footage very smooth. Unlike some of its competitors, the RX100 also offers a useful amount of manual control in video mode.
On the whole, the RX100 is a pleasure to use, too, thanks to its generous external controls and customizable Fn menu, which provides quick access to up to seven shooting parameters. Its front control dial is unusual - it moves smoothly, making it ideal for zooming or manual focus (but much less fun if you want to use it for setting discrete exposure parameters like aperture, shutter speed or exposure compensation).
The RX100 isn't perfect, but we're impressed by it not only as a feat of engineering, but also by its overall performance. The larger sensor really does make a difference, placing this camera at the top of the class when it comes to image quality, and making it worth the price premium compared to some of its competitors.
What we like: Excellent image quality, small, portable body, good, fast lens (at the wide end), excellent video specification and performance.
What we don't like: USB charging, front control dial isn't great for setting discrete exposure parameters, flash exposures aren't completely reliable, image on rear LCD can be hard to see in bright light, lag when magnifying images in playback mode is frustrating.
Nov 18, 2015
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We reviewed three of the more popular 'pocket printers,' the Canon Ivy, Fujifilm Instax Share and Polaroid ZIP. Here's the one we recommend...
Following testing of the Panasonic Lumix DC-LX100 II, we've added it to our Pocketable Enthusiast Compact Cameras buying guide as joint-winner, alongside Sony's Cyber-shot RX100 VA.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that while they're a bit older, still offer a lot of bang for the buck.
What's the best camera for under $500? These entry level cameras should be easy to use, offer good image quality and easily connect with a smartphone for sharing. In this buying guide we've rounded up all the current interchangeable lens cameras costing less than $500 and recommended the best.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.
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The 12th International Garden Photographer of the Year winners have been announced. We've gathered the top photos from each category and rounded them up into a slideshow.
Kosmo Foto has announced the release and opened pre-orders for its new Mono 120 black-and-white film.
Uber software engineer Phillip Wang has created a website that shows a portrait of a person that doesn't actually exist by using AI to merge multiple faces together.
The Atomos Shinobi is a compact, lightweight monitor that features the same display found inside the much more expensive Ninja 5 monitor/recorder.
Want to know more about the Canon EOS RP? Dying to ask a question that hasn't been addressed anywhere else online? Join the editors of DPReview for a live Q&A about this new camera next Tuesday, Feb. 19 on our YouTube channel. Click through for details.
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NASA's Curiosity rover captures a 360 panorama from its Vera Rubin Ridge 'Rock Hall' drill site before moving on to greener...er...redder pastures.
Xiaomi's new flagship Android smartphone is expected to be launched on February 24 at the Mobile World Congress in Barcelona.
A quick glance at the spec sheet doesn't make the Canon EOS RP look that exciting. But having shot with it, we've become oddly fond of this little full framer.
Pixelmator Pro has received an update with new and improved features, including support for Portrait Masks with images captured by the iPhone's Portrait Mode.
Alongside the EOS RP, Canon showed us mockups of the six lenses it says are in development for 2019. There's a distinct high-end flavor to the options in the works.
The new X-T30 may not be Fujifilm's flagship model, but it arrives with some very impressive features and specifications. Chris and Jordan have been shooting it for a few days and share their first impressions, along with a look at an iconic new building in their hometown of Calgary.
We don't often get excited about $900 cameras, but the Fujifilm X-T30 has really impressed us thus far. Find out what's new, what it's like to use and how it compares to its peers in our review in progress.
The Fujifilm X-T30 is equipped with the same 26.1MP X-Trans sensor and X-Processor 4 Quad Core CPU as the X-T3, along with some autofocus improvements. The new camera arrives in March for $900 body-only.
Fujifilm's new XF 16mm F2.8 R WR is a compact, weather-resistant lens that weighs just 155g/5.5oz. It'll be available starting in March for $399.
Fujifilm's XF 16mm F2.8 is one of the widest lenses in the company's lineup of compact primes for its X-series interchangeable lens cameras. We've been up and down the streets of snowy Seattle - a rare sight - to see just what our pre-production copy of this petite prime is capable of.
Firmware version 2.00 brings two new shooting modes and one new setting to its X-T100 and X-A5 camera systems.
Fujifilm has announced its upcoming rugged point-and-shoot, the FinePix XP140.
Get a closer look at Canon's second full-frame mirrorless body and its unique combination of features, capability and price point.
Canon has unveiled its second full-frame mirrorless camera: the entry-level EOS RP. Touting its compact size and approachability for beginners, the RP uses a 26.2MP sensor and will sell for $1300 body-only this March.
A pre-launch event gave us a chance to shoot a sample gallery to show what sort of image quality you can expect from the least-expensive digital full frame camera ever launched.
Nikon has taken the wraps off a new standard zoom lens for mirrorless, the Z 24-70mm F2.8 Z. The new 24-70mm has been on Nikon's Z-series roadmap since the mount was announced last August, and it will ship in spring for $2299.
Canon has announced the development of six RF lenses, including the incredibly compact RF 70-200mm F2.8L IS USM, two variations of an RF 85mm F1.2L USM, plus a 15-35mm F2.8L IS USM, 15-35mm F2.8L IS USM and 24-240mm F4-6.3 IS USM.
Nikon has announced more details of firmware in development for the Z6 and Z7. As previously reported, firmware is being planned that will add Eye-detection AF, CFexpress support and Raw video over HDMI.
Tripod manufacturer Three Legged Thing has developed a new L-bracket designed to fit a wider range of cameras and allow users to mount their camera in a variety of ways.
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The new Galaxy S10 front camera will adopt several technologies that are already commonplace on many smartphone main cameras.
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