'What camera should I buy?' That's a question we get asked a lot here at dpreview, and it's a tough one to answer. We use a lot of cameras, from simple point-and-shoot models to professional workhorses, and everything in-between. We review as many of the interesting models as we can, but we can't cover everything, and our reviews are spread out across the year, which can make it hard for you to make buying decisions.
In this short article, we've selected five of what we think are the best zoom compacts on the market right now, spanning the market from point-and-shoots to Raw-capturing high-end cameras. By 'zoom compact camera', we mean cameras with non-interchangeable zoom lenses, regardless of size. Of our top 5 selection we've summarized their major strengths, with links to previously-published content, including samples galleries. Here are the cameras we've selected (in alphabetical order). You can click to go directly to the camera you want to read about or just start at the top:
- Canon PowerShot G15
- Olympus XZ-2
- Panasonic Lumix DMC-FZ200
- Panasonic Lumix-DMC-ZS20
- Sony Cyber-shot RX100
$499 / £499
Canon's PowerShot G-series is one of the most iconic lines of digital compact cameras, with the original G1 having debuted back in September 2000. The latest model, the G15, features a 28-140mm zoom with a fast maximum aperture of F1.8-2.8 mated with a Canon-made 12.1MP 1/1.7"-type CMOS sensor. The G15 features an ISO range of 80 to 12,800 and full HD movie recording at a frame-rate of 24 fps, with stereo sound from the built-in microphones.
Canon PowerShot G15 key features
- 12 megapixel 1/1.7" CMOS sensor (7.4 x 5.6mm)
- 28-140mm (equivalent) F1.8-2.8 lens with 4-stop 'Intelligent IS'
- 3 in, 920k dot PureColor II G screen
- ISO 80-12800
- Raw + Raw+JPEG capture
- 1080p video recording
- Optical viewfinder
In our testing, we found that the G15's long but impressively bright lens is a real selling point compared to both its predecessor, and indeed most of its competitors. Having a maximum aperture of F1.8-2.8 combined with a useful 28-140mm (equivalent) zoom means that you've got a lot more flexibility in poor light, allowing you to set either a lower ISO sensitivity for cleaner images, or a faster shutter speed to avoid camera-shake or blurring due to subject movement.
In other respects, the G15 is a very solid performer, firmly in the G-Series tradition. This latest model is fast and responsive in use, offers about as much direct manual control as you could hope for, but isn't as bulky as previous G-series compacts. This is partly due to Canon's decision to go with a fixed LCD screen on the rear of the camera, rather than an articulated model. This makes the G15 less flexible when shooting from awkward angles, and when shooting movies, but the increased portability compared to earlier models, and competitors such as Nikon's Coolpix P7700 is very welcome.
As far as image quality is concerned, the G15 doesn't disappoint. Detail capture is high at the low end of its ISO sensitivity scale, and its 28-140mm lens is excellent, aided by a very effective image stabilization system that we've found can deliver sharp images at shutter speeds as low as 1/15sec at full zoom. The G15 gets noisier at its higher ISO settings but even at ISO 3200 and 6400, image quality is good enough for small prints or web use, and for critical use, shooting in Raw mode will allow you to get the most out of the camera. All in all, the G15 is a great performer and a pleasure to use. The G15 is highly recommended for anyone that needs a general-purpose compact with lots of manual control that can deliver great quality images.
What we like: Excellent 'hands-on' ergonomics in a small, relatively portable body, optical viewfinder can be handy on occasion, very nice image quality, good, responsive operation.
What we don't like: We miss the G12's articulated screen, and the lack of any meaningful manual control in video mode will frustrate budding filmmakers.
- Canon PowerShot G15 Full Review
- Canon PowerShot G15 Samples Gallery
- Canon PowerShot G15 in our product database (full specs, user reviews and much more)
$599 / £423
The Olympus XZ-2 is the successor to 2011's XZ-1 and offers a lot of improvements. The XZ-2 incorporates a more modern 12MP CMOS sensor, a screw-in hand grip, tilting touch-screen and a two-mode control dial around the lens. Although the XZ-2 features the same lens as its predecessor, the 28-112mm equivalent range is useful and the F1.8-2.5 maximum aperture is still impressively fast, promising greater versatility in marginal light than some of is competitors.
Olympus XZ-2 key features
- 12.1 megapixel 1/1.7" BSI CMOS sensor (7.4 x 5.6mm)
- 4x 28-112mm (equivalent) F1.8-2.5 lens
- ISO 100-12800
- 3.0 in, 920k dot LCD screen
- JPEG, Raw, Raw+JPEG capture
- 1080p video recording
- Customizable stepped/stepless front control dial
What we like: Fast lens, proven 12MP CMOS sensor, excellent ergonomics including extensive customization, good image quality (on initial assessment).
What we don't like: It's too early to make a definitive judgement, but the XZ-2's lens range isn't as wide as some of its competitors, and it's a little pricey.
$549 / £439
The 12MP Lumix DMC-FZ200 is Panasonic's flagship super-zoom compact digital camera and features a lens with an F2.8 maximum aperture across its entire zoom range of 25-600mm (equivalent). Last year's DMC-FZ150 (which we liked a lot) had an F2.8 - F5.2 lens, so the lens on the FZ200 is a huge improvement, and the extra brightness should make a real difference at long focal lengths and/or in poor light, allowing you to shoot at lower, less noisy ISO settings.
Panasonic Lumix DMC-FZ200 key features
- 12.1 megapixel High Sensitivity MOS sensor
- 24x 25-600mm (equivalent) lens with F2.8 across the zoom range
- 0.2 in EVF (Electronic View Finder) with 1,312k dot equivalent resolution
- 3.0 in, free-angle 460k dot LCD screen
- ISO 100-6400
- RAW and RAW+JPEG data recording option
- High Speed Video at 120 fps (HD) or 240 fps (VGA)
- 1080 60p video recording in AVCHD or MP4 formats
- 12 fps continuous shooting
Its constant F2.8 aperture makes the FZ200 stand out in its class, especially when it comes to versatility in poor light, or when shooting at the long end of the zoom. That large aperture allows it to offer faster shutter speeds at the same ISO settings as its peers, or use lower sensitivities at the same shutter speeds as the competition. In our testing, we found that in everyday outdoor shooting, the extra brightness of its lens meant that we rarely needed to select the FZ200's highest ISO sensitivity settings.
This is good news because although the FZ200's image quality is very good at the low end of its ISO sensitivity scale, things get pretty nasty above ISO 1600, as noise really kicks in and the camera's noise-reduction system smears away fine detail more than we'd like. As always though, if you stick to small prints or web display, these issues are much less noticeable. If you're critically-inclined, the FZ200 offers a Raw capture mode - still relatively unusual for this class. Shooting in Raw can make a lot of difference and careful processing will reward you with excellent image quality, particularly between ISO 100-400.
As well as offering impressive brightness, the FZ200's 25-600mm lens also offers very good sharpness. Considering the large maximum aperture and ambitious zoom range, we had no complaints about the FZ200's lens for everyday use. There are cameras out there with longer lenses (Nikon's Coolpix P510 is great value, also offers very good image quality and boasts an extraordinary maximum telephoto setting of 1000mm equivalent) but in terms of its feature set, versatility and overall performance, the FZ200 is one of the best super-zooms we've ever used, and highly recommended for anyone that needs the ultimate in flexibility - especially when traveling.
What we like: Fast, high-quality F2.8 lens, well thought-out ergonomics for still and video shooting, effective image stabilization, good image quality in JPEG mode and the option to shoot Raw for best results.
What we don't like: Image quality drops above ISO 800 in both JPEG and Raw, and ISO 6400 is unusable for all but the least demanding output, some operations can be a little 'laggy', no automatic LCD/EVF switch.
- Panasonic Lumix DMC-FZ200 Full Review
- Panasonic Lumix DMC-FZ200 Samples Gallery
- Panasonic Lumix DMC-FZ200 in our product database (full specs, user reviews and much more)
$249 / £229
Panasonic was the manufacturer that defined what we now call the 'travel zoom' segment of the compact camera market, and its latest flagship model, the ZS20 (TZ30 in some markets) is the most advanced yet. The ZS20 offers a 20x zoom lens, covering the equivalent of 24-480mm, built-in GPS and a new 14MP MOS sensor that allows for features like high-speed 10fps burst shooting and 1080p60 video recording.
Panasonic Lumix DMC-ZS20 / TZ30 key features
- 14.1 megapixel MOS sensor
- 20x 24-480mm (equivalent) F3.3-6.4 lens
- 3 in 460k dot LCD screen
- ISO 100-1600
- 1080 60p video recording in AVCHD or MP4 formats
- 10 fps continuous shooting (for burst of 10 images)
- Built-in GPS
The Panasonic Lumix DMC-ZS20 packs in some great features, foremost among which is undoubtedly its 24-480mm (equivalent) zoom lens, which is Panasonic's most ambitious lens yet in the ZS/TZ series. For traveling or just everyday point-and-shoot photography, the ZS20 is hard to beat in terms of sheer versatility. If you're shooting a wedding, we wouldn't recommend relying on the ZS20 as your only camera, but for grab shots, the ability to quickly re-frame from 24mm to 480mm is extremely useful, especially in a camera that can slip into your jacket or pants pocket.
|The ZS20 is a slim travel-zoom camera which features a 24-480mm (equivalent) zoom lens and built-in GPS.||On the back you'll find a 3 inch LCD display with 460,000 dots and a small cluster of buttons.|
When we used the ZS20 we were impressed by its adaptability, but also by the effectiveness of features like its built-in GPS. While most GPS-equipped cameras just log your location, Panasonic also offers a built-in database of a million landmarks, plus maps of ninety countries. It can even show you where you are on the map, though they're not nearly detailed enough for navigation. If you don't need GPS though, you should turn it off - it will reduce battery life. The ZS20 is also capable of recording excellent video footage, up to 1080/60p, which is still relatively unusual in cameras in this class, although in video mode, the ZS20 is effectively a point-and-shoot camera.
Speaking of which, we like Panasonic's iAuto mode a lot. If you have no idea how to operate a camera, just set the mode dial to iA mode, and the camera will do the rest. The ZS20 has a limited set of manual exposure controls as well, but lacks the option to shoot in Raw mode, bracket white balance or focus manually.
The main strengths of the ZS20 then are its versatility and ease of use. Image quality is decent, but not outstanding. If you'd prefer better images, with fewer bells and whistles, the ZS20's 'younger brother' the ZS15, is worth a look.
What we like: Great zoom range, responsive operation, excellent iAuto mode gets the most out of point-and-shoot photography, useful 10fps burst mode, very good built-in GPS.
What we don't like: Average image quality, limited manual control, relatively low-resolution LCD screen (by the standards of the best of its competitors).
- Panasonic Lumix DMC-ZS20 Full Review
- Panasonic Lumix DMC-ZS20 Samples Gallery
- Panasonic Lumix DMC-ZS20 in our product database (full specs, user reviews and much more)
$649 / £443
The Sony Cyber-shot DSC-RX100 is an enthusiast compact camera based around a large 1" 20 MP CMOS sensor, paired with a Zeiss-branded 28-100mm equivalent F1.8-4.9 stabilized lens. The rest of its specification is pretty impressive too - a 1.2 million dot 3.0" LCD (VGA resolution but using Sony's WhiteMagic technology to offer greater brightness or improved battery life), and 1080p60 video capture or 1080i with the ability to shoot 17MP stills without interrupting movie recording. All of this in a body of roughly equivalent size to more conventional compact cameras with much smaller sensors.
Sony Cyber-shot RX100 key features:
- 20.9 MP 1" Exmor CMOS sensor (13.2 x 8.8mm)
- 28-100mm (equiv), F1.8-4.9 Carl Zeiss Vario-Sonnar T* lens with Steady-Shot image stabilization
- 3" 1.2M dot 'WhiteMagic' LCD screen
- ISO 125-6400 (ISO 80 and 100 expansion, up to 25,600 using multi-frame noise-reduction)
- JPEG, Raw, Raw+JPEG capture
- 1080p60 video, (AVCHD) with MP4 option (50p in PAL regions)
- 10 fps continuous shooting in 'Speed Priority' mode
The RX100 is a very impressive compact camera, partly just because of the amount of technology that Sony has squeezed into it. The RX100's sensor has twice the surface area of the 2/3" EXR sensor inside the Fujifilm X10, and around three times the surface area of the 1/1.7" sensors in most other high-end compacts. The RX100 offers excellent image quality which is a step above its compact competitors in most situations, from bright sunlight to the subdued environment of a bar or concert venue. The only camera which really tops it in terms of critical image quality is Canon's PowerShot G1 X with its even-larger 1.5" sensor, but the bulky, more expensive Canon is also slower, and in some respects less pleasant to use.
As well as solid image quality for still photographs, the RX100's video specification is very impressive, and its performance is excellent. 1080/60p video recording is still pretty unusual in compact cameras and resolution is very high, and footage very smooth. Unlike some of its competitors, the RX100 also offers a useful amount of manual control in video mode.
On the whole, the RX100 is a pleasure to use, too, thanks to its generous external controls and customizable Fn menu, which provides quick access to up to seven shooting parameters. Its front control dial is unusual - it moves smoothly, making it ideal for zooming or manual focus (but much less fun if you want to use it for setting discrete exposure parameters like aperture, shutter speed or exposure compensation).
The RX100 isn't perfect, but we're impressed by it not only as a feat of engineering, but also by its overall performance. The larger sensor really does make a difference, placing this camera at the top of the class when it comes to image quality, and making it worth the price premium compared to some of its competitors.
What we like: Excellent image quality, small, portable body, good, fast lens (at the wide end), excellent video specification and performance.
What we don't like: USB charging, front control dial isn't great for setting discrete exposure parameters, flash exposures aren't completely reliable, image on rear LCD can be hard to see in bright light, lag when magnifying images in playback mode is frustrating.
Nov 18, 2015
Nov 20, 2015
Nov 20, 2015
Nov 18, 2015
|scrum break away by al booth|
from Sport competition
|Chinese Acrobat by lim yau tong|
|Parking Deck by Olaf R|
from Your City - Parking Garage
|Communication Tech by alberto_b|
|With & without by OBellini|
from Empty - Full
The Canon EOS 6D Mark II brings more resolution, better autofocus and faster continuous shooting to Canon's entry-level full-frame camera. And we've had the opportunity to shoot with one.
The Canon 6D Mark II will ship to consumers in August, but we've been able to do some shooting with a pre-production unit well in advance.
Rumors have been swirling around for a while, and Canon has just unveiled the long-awaited successor to the popular and long-serving EOS 6D. Read all about it in our hands-on preview.
Canon's latest entry-level DSLR is here. The new Rebel SL2 (EOS 200D) is the belated successor to 2013's Rebel SL1, billed at the time as the smallest and lightest DSLR on the market.
Nearly five years after the announcement of the EOS 6D, Canon has finally replaced it with the EOS 6D Mark II. The Mark II features an all-new 26.2MP Dual Pixel AF full-frame sensor, 6.5 fps burst shooting, a fully articulating touchscreen, 1080/60p video and much more.
Canon has announced the EOS Rebel SL2 (also known as the EOS 200D), which replaces the aging SL1. This ultra-compact DSLR features a 24MP sensor, DIGIC 7 processor, Dual Pixel AF system and a 3" fully articulating touchscreen LCD.
When one of his friends got a filter stuck on his $1,700 Canon EF 24-70mm F2.8L, former MythBuster Adam Savage removed it using an unlikely, terrifying tool: a band saw.
The New Yorker asked Magnum's famed photographers, in town for the agency's 70th anniversary, to go out and capture 'the fleeting beauty of New York City's golden hour.' This is what they shot.
Roger Cicala is a difficult man to impress, but he's been waxing lyrical over at Lensrentals about Sony's new 12-24mm wide zoom.
Glassware is one of the most challenging subjects to photograph, especially against a white background. This tutorial shows you how to do it with hardly any gear.
Handevision is now shipping its all-metal Iberit 90mm F2.4 short telephoto lens for Leica M-mount 35mm and full-frame cameras.
Isocell comprises four sub-brands: Bright, Fast, Slim and Dual which are tailored to specific mobile device market demands.
The new store will be located at the Fotografiska center for contemporary photography in Stockhom, Sweden and carry the full range of Hasselblad products.
A recent vacation gave Richard a chance to think about the needs of travel photography – and how our reviews might recognize the perfect travel camera.
Need more evidence that 2017 is the year analog begins its comeback? Well, welcome another new film stock to the world.
The winners of the 10th annual iPhone Photography Awards have been announced, and they're striking.
If you were disappointed by reports that the Sony a9 struggles with adapted Canon glass, you might be able to take some comfort from Metabones' latest update.
Blackmagic Design has dropped the prices of its Video Assist external monitor/recorders for a limited time. Prices of the SD card-based recorders will be reduced in all markets, while supplies last.
Instagram has started testing a new feature called 'favorites' that enables users to share photos with only certain people. Only a small number of users have access to the feature at this time, though it may roll out to everyone in the future.
Lensbaby has announced the Velvet 85 F1.8 for interchangeable lens cameras. The lens is available in Canon, Nikon, Sony E, Sony A, Pentax K, Samsung NX, Fuji X and Micro 4/3 mounts.
It's the end of an era. Parent company Micron has announced that they are discontinuing the Lexar retail brand. This includes 'memory cards, USB flash drives, readers, and storage drives.'
Youthful trainspotter turned adult photographer, John Sanderson has traveled across the United States, documenting the country's railroads. But you won't find any trains in his pictures.
Sony's new CMOS sensor is backside-illuminated and offers an all-pixel global reset function which should drastically reduce rolling shutter effect when panning.
Shoulderpod has converted its offerings into a lego-like modular system by offering all individual parts of existing products separately, allowing users to build exactly the rig they need for a specific project or simply replace a damaged part.
Photographer Felix AAA has spent the past ten years touring the world with a variety of musicians, capturing behind the scenes shots and portraits. He talks about some of his favorite images on the FujiFilm Blog.
A roll of film discovered in an Argus C2 from an Oregon Goodwill turned out to contain some incredible images – and has been re-united with the original owner's family.
Nikon's 28mm F1.4E ED appears to roundly complete the company's updated lineup of fast, professional prime lenses. We've already seen some initial images from a Nikon ambassador, but we've worked through a gallery of our own, with a lens of our own over the past week. Take a look.
Google is holding a competition that could see your Pixel photos gracing millions of screens.
Nikon's 100th birthday party continues worldwide as a distributor in Italy organized a one-of-a-kind feat: assembling the world's largest 'human camera' from over a thousand volunteers.
Ricoh has dropped the price of its Theta SC 360 spherical camera by to $199, a reduction of roughly $50. The camera features two 12MP sensors and can record Full HD video in addition to stills.