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We've been digging around under the hood of the Nikon Z50. We look at what Nikon's first APS-C mirrorless camera does and doesn't offer.
|Tetsuya Yamamoto, General Manager of Nikon’s Development Headquarters within its Imaging Division. (Image courtesy Nikon Inc.)|
At this year’s International CES show in Las Vegas, we spoke to Tetsuya Yamamoto, General Manager of Nikon’s Development Headquarters within its Imaging Division. We discussed the market’s reaction to the 1 J1 and V1, and how the system might evolve in the future.
According to Yamamoto, Nikon has been pleased with the success of the 1 System, especially the J1, in the American market but that even before the system's launch 'we were very confident that there were customers out there who would gravitate towards the V1 and the J1'.
He told us that the sort of people buying the J1 and V1 are those customers that 'want a DSLR but don’t want something big and heavy’. He went on, '1 System customers like the fast AF and the size of the cameras and lenses, and once they’ve used [new features like] Motion Snapshot they really like them'.
Yamamoto told us that Motion Snapshot, which combines a still image with slow motion video in a single capture is a feature that Nikon is keen to improve in the next generation of 1 System cameras. There’s good news, potentially for videographers too - according to Yamamoto 'the [J1 and V1’s] sensor is capable of 2K (2048×1080px) and 4K (~4000px horizontal resolution) video and in the future we hope to incorporate [these functions]'.
Also on the agenda for future 1 System products it appears, are improvements to their innovative 'Hybrid' AF systems, which combine conventional contrast-detection AF with a faster phase-detection system, all using the main 10MP imaging sensor.
The key, according to Yamamoto, is faster lenses. He told us 'we want to develop higher speed AF, and specifically to improve phase-detection AF from the imaging sensor. This depends on lens aperture – if the lens [has a larger aperture] then AF is much faster'. In the future, he told us, 'we are going to develop brighter lenses for better total performance – brighter but still small'.
|The Nikon 1 J1 and V1 are built around a one-inch 10MP CMOS sensor that is capable of both phase-detection and contrast-detection AF. The EVF-equipped V1 is aimed at a slightly higher level than the J1 but both are essentially intended to be used as point-and-shoot cameras.|
|The Nikon 1 V1 pictured with the currently available 1 System lenses - (from right to left) the 10-30mm F3.5-5.6 VR, the 30-110mm F2.8-5.6 VR, the 10mm F2.8 pancake and the (comparatively) enormous 10-100mm F4.5-5.6 VR powerzoom.|
Still on the subject of Hybrid AF, which switches between contrast-detection and phase-detection AF modes automatically depending on light level, we asked Yamamoto why Nikon made this system entirely automatic. 'We are studying [manual AF mode control] for the future' he told us: 'for V1-class cameras we would like to do this manually but [AF mode selection in] J1-level models will remain automatic'.
Also potentially on the horizon for future 1 System models, Yamamoto told us, are in-camera NEF (raw) conversion, and in-camera 'Effects'. Asked why the first two functions were omitted from the J1 and V1, Yamamoto explained 'the J1 and V1 are in a new category, and [for these initial releases] we wanted to [focus on] enhancing basic functions like AF and introduce new ones like Motion Snapshot'. In the future though, he told us, 'we are studying the inclusion of [both] in-camera effects and raw conversion'.
During the process of creating our in-depth review of the 1 System cameras, our experience of the J1 and V1’s Automatic ISO system has been that they constantly risk blurry images in low light by selecting low ISO sensitivity settings and relatively low shutter speeds. Yamamoto assured us 'we are aware of the issue'. But, he explained - 'the target user [for the J1/v1] is a point-and-shoot customer and for that user we thought that it was better to make [the function] purely automatic'.
'We always have to find a balance [between noise and sharpness]' he went on, 'but after having a lot of discussions and getting feedback we may need to come up with another option'. Encouragingly, he added that 'we may provide an option for customers to customize Auto ISO performance in the future'.
We ended the interview by asking Mr Yamamoto for his vision of the future, and whether mirrorless cameras will replace consumer-level DSLRs. 'We don't think so' Yamamoto told us - 'mirrorless is one solution [if the aim is] compactness but it is just one approach. We don't think it is the only direction, and we are considering further reductions in size even for [our DSLR] cameras'.
Reportage photographer Giulio Magnifico wants to take people on a journey with him when they look at his photos. He captures street scenes and card nights in local osterias in his hometown of Udine, Italy, but over the past few years the focus of his work has been reporting on the refugee crisis in the Middle East and Europe. Read more
In this Photokina interview - the second of two with Dirk Jasper, Nikon's Product Manager for Professional Products and Product Planning - we spoke to Dirk about the development of the Nikon 1 System, as it marks its first anniversary, and the challenges of creating a hybrid 'connected camera'. In this interview, Dirk explains why the Android-powered Coolpix S800c is a more serious compact that Samsung's Galaxy Camera and how despite the fact that it was never meant to be a 'professional' system, the Nikon 1 became number one in Europe.
Nikon plans to develop 'brighter lenses for better total performance' from its 1 system, says Tetsuya Yamamoto, General Manager of Nikon’s Development Headquarters, Imaging Division. In an interview at this year’s International CES show in Las Vegas, he talked to us about some of the functions the company hopes to enhance on future models and offered some surprising news about the CX sensor's video capabilities.
The Olympus OM-D E-M5 Mark III is a 20MP Micro Four Thirds camera aimed at enthusiast photographers. It shares the same sensor, AF system and 4K-video capture as the flagship E-M1 II and E-M1 X, in a considerably smaller and lighter package.
The Live Planet VR system may look like something out of a science fiction movie, but this stereoscopic, 16-lens camera and its associated cloud platform may be one of the best tools out there for live-streaming events in 360 degrees.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
Long-zoom compacts fill the gap between pocketable cameras and interchangeable lens models with expensive lenses, offering a great combination of lens reach and portability. Read on to learn about our favorite enthusiast long zoom cameras.
If you want a compact camera that produces great quality photos without the hassle of changing lenses, there are plenty of choices available for every budget. Read on to find out which portable enthusiast compacts are our favorites.
|Zombie Dawn Approaches by cjf2|
from Zombies Don't Surf
|Red Eyed Tree Frog by Tallgrass|
from Flash Photography
|IN4A3812 by Rahto|
from A big year - birds 2019
|Cold Ride by DaveN01|
|Bear by matteroner|
from -Super Furry- (dogs in Full Colours Only)
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