Sony has today announced the groundbreaking Cyber-shot DSC-R1, this camera is unique in that it features an APS-C size 10.8 million pixel CMOS sensor coupled with a non-removable 24-120 mm equivelant lens. The R1's APS-C size sensor is also unique in providing full-time live view video for the camera's EVF (electronic viewfinder) and LCD monitor. This means that the R1 can do away with the mirror box and prism arrangement of a a traditional digital SLR and hence have a more compact integrated lens / body design. The Cyber-shot DSC-R1 will be priced at $999 when it goes on sale.
Click here for our detailed hands-on preview of the DSC-R1
(full specifications and detailed camera preview)
SONY ESTABLISHES A NEW CLASS
OF HIGH-END DIGITAL CAMERA
SAN DIEGO, Sept. 8, 2005 – Sony intends to create a new benchmark in digital photography with the introduction of its high-end Cyber-shot® DSC-R1 camera.
The Cyber-shot® R1 camera is the world’s first integrated lens digital still camera to combine a professional-grade, 10.3-megapixel image sensor and the flexibility of live preview while shooting. With its ultra-wide Carl Zeiss Vario-Sonnar T* zoom lens (24mm – 120mm) and free-angle, two-inch LCD, the Cyber-shot R1 brings professional level imaging performance to mainstream consumers.
“The R1 represents a breakthrough in digital camera technology and construction,” said James Neal, director for digital imaging products at Sony Electronics. “You can grab this camera and go, confident that you will be prepared for a wide range of shooting situations. Its many convenience features and exceptional performance can not easily be matched with a typical consumer-level digital SLR.”
A Class of Its Own
Photo enthusiasts know that image sensor size is one of the most important influences on picture quality. Professional-grade image sensors, sometimes referred to as advanced photo system (APS) or APS-class, are many times the size of compact sensors used in point-and-shoot cameras; large sensors deliver extraordinary resolution, high sensitivity to light, and lower image noise or graininess for exceptional pictures. At 10.3 megapixels, the R1’s sensor offers one of the highest resolutions available in the APS class.
Unlike digital SLRs, the Cyber-shot R1 unit’s sensor allows for a “live” preview thanks to Sony Complementary Metal Oxide Semiconductor (CMOS) technology. Until now, the extraordinary power consumption of these large sensors has limited their operation to image capture only – unable to support the benefit of a live preview. Sony’s distinctive design is employed to reduce power consumption, as well as increase image processing speeds.
The camera’s electronic viewfinder or two-inch LCD lets you evaluate scene conditions, such as exposure and how color is rendered before taking a shot. Because the R1 camera can preview electronically, using the image sensor itself in real-time, framing is always 100% accurate.
Built Digital from the Ground Up
The R1’s integrated Carl Zeiss Vario-Sonnar lens was carefully crafted to take full advantage of the resolution, clarity and color performance of its APS-class CMOS image sensor. Because of the sensor’s live preview capability, there is no need for the camera to have a traditional “mirror and prism” construction common to digital SLRs. This allows a lens-to-sensor distance of as little as 2 mm, optimizing image quality and color accuracy.
Another benefit of this structure is the ability to incorporate an extraordinary wide field of view and zoom range. The 24 mm wide end of the lens is particularly suited for architectural photography, landscapes and large-group portraits, while the 120 mm telephoto end is perfect for filling the frame with distant subjects. This is a range not easily matched by any other lens for use with cameras using large-scale image sensors.
Furthermore, no mirror and prism construction means that the R1 is a quiet camera, perfect for shooting at a tennis match or in nature without disturbing wildlife.
Get the Shot without the Backache
The Cyber-shot R1 sports a two-inch, LCD screen that folds flat and swivels so you can shoot from nearly any position. This flexibility allows you to get the shots that other cameras miss. For example, you can hold the camera low – down to the ground – for eye-level view shots of kids and pets without having to bend yourself into a pretzel or crawling on the ground.
The Power of Optimal Image Processing
A 10.3-megapixel camera needs a fast processor. Sony harnessed the power of it Real Imaging Processor™ LSI to achieve fast response times, low power consumption and clear images.
The new camera features a one-second shot-to-shot time, three frame-per-second burst shooting, and a shutter release time of only 7.5 milliseconds. Because it consumes 70 percent less power than Sony’s previous processing circuitry, the camera has a battery life of up to 500 shots per charge, which can vary according to use and camera settings.
For enhanced versatility, Cyber-shot R1 offers three different modes of color reproduction: Adobe RGB used for professional graphics and offset color printing, Standard sRGB for most computer-based uses, and Vivid sRGB for more intense primary colors.
The camera’s user selectable Advanced Gradation Control System (AGCS) optimizes image contrast, in order to avoid “blown out” highlights in high-contrast scenes and “crushed” blacks in low-contrast ones. AGCS evaluates the distribution of brightness and then automatically applies the appropriate gamma curve to achieve better pictures.
Users will also enjoy the added convenience of storing images onto Memory Stick PRO™ media, as well as CompactFlash® Type I and Type II media or Microdrive® media. The camera supports both JPEG and RAW formats, which can then be manipulated on a PC using the supplied Sony Image Data Converter SR software.
The Cyber-shot R1 camera will be available in mid-November for about $1,000 online at SonyStyle.com, at Sony Style retail stores (www.sonystyle.com/retail), and at select authorized dealers nationwide. Pre-orders begin online today at http://www.sony.com/r1.
The new camera is supplied with a NP-FM50 InfoLithium battery, an AC-L15 adaptor, a USB and video cables, shoulder strap, and CD-ROM software with PicturePackage and Image Data Converter SR for RAW. There are a variety of optional accessories (sold separately), including wide angle and telephoto conversion lenses, adaptors, filters, tripods, flashes, carry cases, a neck strap and a battery.
Click here for our detailed hands-on preview of the DSC-R1
(full specifications and detailed camera preview)
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced the 56mm F1.4 DC DN lens for Micro Four Thirds and Sony E mounts. The compact 56mm lens becomes the sixth DN lens for mirrorless cameras and will make a handy portrait lens on both systems.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.