Latest sample galleries
Latest in-depth reviews
We reviewed three of the more popular 'pocket printers,' the Canon Ivy, Fujifilm Instax Share and Polaroid ZIP. Here's the one we recommend...
The thing that impresses me most about good architectural photography is its ability to imbue inanimate subjects - buildings and other manmade structures - with a life and soul of their own.
Five professional photographers who specialize in architectural photography kindly agreed to give me interviews (I continue to interview architectural photographers on our blog on a regular basis)
Each interview contains:
Mr. Blakely has also been the recipient of many professional awards for his commercial images. Blakely is the author of several photography publications and is a regular contributor to photography and architectural magazines and educational websites.
Thank you. The dusk shot has long been the signature shot of the architectural photographer. It requires a keen awareness of optimum timing and composition to be successful. Being able to create great dusk shots usually establishes a photographer as a legitimate architectural shooter. These shots also are crucial in a architectural photographer’s portfolio and marketing materials.
I use HDR as a tool in nearly every job I shoot. However, I would never want the tool, HDR or otherwise, to be the reason for a shot. I use HDR sparingly and always try to achieve a completely natural look in the image. I believe that an obviously HDR photograph is a failure.
Chip's passion for photography is reflected in the varied subject matter he shoots; specializing primarily in Commercial Architectural Photography & Fine Art Photography.
He gained a Bachelor of Science Degree in Business Administration with an emphasis in Marketing.
His business background gives him the knowledge and expertise to work efficiently with his corporate clients; applying his skills to listening, problem solving, and generating creative insight to best market their specific products and services.
Do ANYTHING you can to make your photos say “WOW!”. Take a medium that is 2D (photography) and give the viewer depth queues that draw the viewer into the story-understand in composing, what to exclude just as much as what to include in an image. As far as essential gear goes, the neatest thing since sliced bread is a tilt/shift lens. You really don’t know what you’re missing until you spend time with these things. If you’re
serious about architecture this is quintessential.
If someone wants to start up one’s own Architectural Photography practice get out and start pounding the pavement. Not just cyber pavement but making real connections, “handshakes” in their own physical business community. Just because you make pretty images does not mean business will just flow in. If you love what you do you have to work at it everyday. The alternative is working for someone else- NO THANK YOU.
His commercial architectural photography regularly appears in national periodicals and books, while his art work is represented in many museum, corporate and private collections in the S.W.
In addition, he is currently an adjunct professor at UNM, and an instructor at the School of the Art Institute of Chicago, teaching architectural photography.
He has received many awards including a major grant from the National Endowment for the Arts to photograph New Mexico’s historic churches. In 1992 he was nominated for the AIA’s GOLD MEDAL in PHOTOGRAPHY.
His first book CHACO BODY, with poet V.B. Price about the Anasazi ruins at Chaco Canyon, has been critically acclaimed as a major contribution to regional art.
Many amateur photographers would love to ask your advice. If you saw an aspiring photographer looking at your photographs in an exhibition, what advice would you give him or her? And, in general, when it comes to art, is it really possible to advise anyone? Or is it simply divine inspiration?
I actually think creativity is inate, commonplace and ideosincratic. As a teacher I can help encourage, focus, re?ne etc. someones vision, but I can’t make them see. That is in them or not.
If you want to be successful in this business you need to be incredibly hard working, have a thick skin, learn from the masters, be incredibly hard working, budget your ?nances, don’t be a prima donna (you are just a damn photographer!), be incredibly hard working and learn about architecture!
Learn the language of your clients. Learn what turns them on. Be knowledgeable about architectural trends and names. Get involved in historic preservation. Be a vital part of the architecture community.
Scott is an author of the popular book “The Essential Guide to Lighting Interiors”.
He is a location photographer specializing in Interiors & Architecture. Based in the San Francisco Bay Area, Scott also shoots portraiture and adventure sports.
A member of the International Association of Architectural Photographers, Scott also teaches photographers’ workshops throughout the United States, and has been widely recognized as a leader in the Interiors photography genre.
His work has appeared in the San Francisco Chronicle, The Los Angeles Times, This Old House, The East Bay Express, Bay Crossings Magazine, WEND Magazine, and Bay Nature, among others.
All the time. Someone is always responsible for styling, whether it’s just having fresh flowers or fruit available, or whether it’s more intense like steaming the curtains and replacing the entire contents of a bookshelf.
And we move furniture on almost every shoot. There are a few reasons for this. First, sometimes the “normal” furniture arrangement just doesn’t “read” properly from the camera’s perspective. It might be just a matter of adjusting the angle of a chair, or it might be as extreme as moving sofas and desks. We’re trying to render a three-dimensional space into a two dimensional medium, and that often requires some “re-mapping” of the landscape, if you will. The furniture frequently ends up in positions that make no sense to the eye, but again, from the camera’s specific perspective, it looks natural and pleasing.
The other reason for moving furniture is to get the place back to what the original designer intended. If the place has been occupied, it’s a good bet that the original décor has been altered, and furniture placements have been changed.
His specialties include architecture, landscape, nature, lifestyle, dance, travel and panoramic photography. With over 30 years of photographic experience he can create images that speak to the heart and engage the viewer.
With his interest in nature and the great outdoors, it was only natural that he gravitated to large format black and white landscape photography, attending the last workshop that Ansel Adams taught in Yosemite in 1980.
His commitment to environmental stewardship along with his association with conservation organizations has helped protect over a quarter of a million acres of California wild lands.
Treve, your photographs look amazing. Some of them are really mind-altering. I always love beautiful outdoor and landscape design projects. Your photo of the house by the landscape architect David Thorne and the builder James Rogers is one of my favorite photos from your portfolio
This project was for a landscape architect and a builder. The two parties participated in a joint photo shoot. Our plan was to shoot at dusk to show off the lighting features in the landscape as well as the landscape.
The landscape architect wanted a photo that said “house on a hill surrounded by native landscaping.” In walking through the project on a previous date we talked about the best point of view, which we thought would be the front of the house. At the time of the photo shoot, I captured the images that we had discussed and then I walked around to the back of the house. What I saw nearly blew me away.
The house glowing but the landscaping was quite dark compared to the sky and the windows. I thought if I could could pull off the image using HDR to bring the landscaping out of the darkness the image might work. The wind was blowing like crazy and I knew the vegetation whipping around would be an issue. In the final image though, everything seems to work.
We reviewed three of the more popular 'pocket printers,' the Canon Ivy, Fujifilm Instax Share and Polaroid ZIP. Here's the one we recommend...
Following testing of the Panasonic Lumix DC-LX100 II, we've added it to our Pocketable Enthusiast Compact Cameras buying guide as joint-winner, alongside Sony's Cyber-shot RX100 VA.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that while they're a bit older, still offer a lot of bang for the buck.
What's the best camera for under $500? These entry level cameras should be easy to use, offer good image quality and easily connect with a smartphone for sharing. In this buying guide we've rounded up all the current interchangeable lens cameras costing less than $500 and recommended the best.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.
|The Venetian Hotel and Casino, Las Vegas by pajarrett|
from Your City - Hotels
|Red Hot Knife 7501 by vbuhay|
from Macro - Cutlery. Knives, forks, and spoons
|Ditchling Beacon by Swervin Mervin|
from Best Photo of the Week...
|The Train that Crossed the Iron Curtain by cjf2|
The 12th International Garden Photographer of the Year winners have been announced. We've gathered the top photos from each category and rounded them up into a slideshow.
Kosmo Foto has announced the release and opened pre-orders for its new Mono 120 black-and-white film.
Uber software engineer Phillip Wang has created a website that shows a portrait of a person that doesn't actually exist by using AI to merge multiple faces together.
The Atomos Shinobi is a compact, lightweight monitor that features the same display found inside the much more expensive Ninja 5 monitor/recorder.
Want to know more about the Canon EOS RP? Dying to ask a question that hasn't been addressed anywhere else online? Join the editors of DPReview for a live Q&A about this new camera next Tuesday, Feb. 19 on our YouTube channel. Click through for details.
Got a couple of minutes? Then you have all the time you need to learn about Canon's second full-frame mirrorless camera body – and why it's a compelling option for someone stepping into full-frame for the first time.
NASA's Curiosity rover captures a 360 panorama from its Vera Rubin Ridge 'Rock Hall' drill site before moving on to greener...er...redder pastures.
Xiaomi's new flagship Android smartphone is expected to be launched on February 24 at the Mobile World Congress in Barcelona.
A quick glance at the spec sheet doesn't make the Canon EOS RP look that exciting. But having shot with it, we've become oddly fond of this little full framer.
Pixelmator Pro has received an update with new and improved features, including support for Portrait Masks with images captured by the iPhone's Portrait Mode.
Alongside the EOS RP, Canon showed us mockups of the six lenses it says are in development for 2019. There's a distinct high-end flavor to the options in the works.
The new X-T30 may not be Fujifilm's flagship model, but it arrives with some very impressive features and specifications. Chris and Jordan have been shooting it for a few days and share their first impressions, along with a look at an iconic new building in their hometown of Calgary.
We don't often get excited about $900 cameras, but the Fujifilm X-T30 has really impressed us thus far. Find out what's new, what it's like to use and how it compares to its peers in our review in progress.
The Fujifilm X-T30 is equipped with the same 26.1MP X-Trans sensor and X-Processor 4 Quad Core CPU as the X-T3, along with some autofocus improvements. The new camera arrives in March for $900 body-only.
Fujifilm's new XF 16mm F2.8 R WR is a compact, weather-resistant lens that weighs just 155g/5.5oz. It'll be available starting in March for $399.
Fujifilm's XF 16mm F2.8 is one of the widest lenses in the company's lineup of compact primes for its X-series interchangeable lens cameras. We've been up and down the streets of snowy Seattle - a rare sight - to see just what our pre-production copy of this petite prime is capable of.
Firmware version 2.00 brings two new shooting modes and one new setting to its X-T100 and X-A5 camera systems.
Fujifilm has announced its upcoming rugged point-and-shoot, the FinePix XP140.
Get a closer look at Canon's second full-frame mirrorless body and its unique combination of features, capability and price point.
Canon has unveiled its second full-frame mirrorless camera: the entry-level EOS RP. Touting its compact size and approachability for beginners, the RP uses a 26.2MP sensor and will sell for $1300 body-only this March.
A pre-launch event gave us a chance to shoot a sample gallery to show what sort of image quality you can expect from the least-expensive digital full frame camera ever launched.
Nikon has taken the wraps off a new standard zoom lens for mirrorless, the Z 24-70mm F2.8 Z. The new 24-70mm has been on Nikon's Z-series roadmap since the mount was announced last August, and it will ship in spring for $2299.
Canon has announced the development of six RF lenses, including the incredibly compact RF 70-200mm F2.8L IS USM, two variations of an RF 85mm F1.2L USM, plus a 15-35mm F2.8L IS USM, 15-35mm F2.8L IS USM and 24-240mm F4-6.3 IS USM.
Nikon has announced more details of firmware in development for the Z6 and Z7. As previously reported, firmware is being planned that will add Eye-detection AF, CFexpress support and Raw video over HDMI.
Tripod manufacturer Three Legged Thing has developed a new L-bracket designed to fit a wider range of cameras and allow users to mount their camera in a variety of ways.
Some user information, including names, usernames and email addresses was compromised in the incident.
The FAA has announced drones will soon need aerial license plates of sorts to fly their UAVs in the United States.
The new Galaxy S10 front camera will adopt several technologies that are already commonplace on many smartphone main cameras.
The Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3 is a weather-sealed 24-400mm equiv. zoom for Micro Four Thirds and will go on sale in March for $900.
We put a pre-production version of Olympus' versatile new zoom through its paces.