Background blur and its relationship to sensor size
1 Background blur and its relationship to sensor siz
Most experienced photographers know that they can modify the amount of background blur by adjusting the aperture of a camera. A typical use case is a portrait of a person, in which the person is in focus and the background is blurred in order to visually isolate the person from the background. But also the sensor size plays a critical role in determining how much background blur the photo will have at a certain aperture and focal length setting. Today's market offers a wide variety of cameras, using all sorts of different sensor sizes, maximum aperture setting and zoom ranges, making it virtually impossible for the user to estimate how much they will be able to adjust the background blur with a certain camera. This article tries to provide a practical guide on how to estimate the maximum strength of background blur for a given camera / sensor type.
In order to be able to say whether a camera is capable to create background blur, we first need to define the term "strength of the background blur". The Depth of field and Lens (optics) Wikipedia articles are good references for the basic formulas that I will use.
Most explanations about background blur start with the term Depth of Field (DoF). While Depth of Field is good, when defining the area of subject sharpness, it can be somewhat misleading if you try to translate the characteristics to the strength of background blur. If you e.g. caluculate the Depth of Field with a DoF calulator first for a subject distance of 1m using a 50mm focal length and then another time moving to a distance of 2m and increasing the focal length to 100mm to reach the same subject framing, you will notice, that the Depth of Field is the same in both situations. This is however not true for the amount of backgrund blur. The further you move away from the subject and compensate this by a stronger zoom, the stronger the background blur will get. The reason for this is, that the stronger zoom results in a narrower angle of view, which will capture less of the background compared to the shorter focal length. This smaller part of the background is however "stretched" to the same frame size, leading to a larger amount of background blur. In the example above moving from 50mm to 100mm will roughly double the strength of background blur, as you can see from the calculations below. So Depth of Field is not the same as strength of background blur.
How strong the background of a photo is defocused can best be seen when taking a look at photos that have spot highlights in the back. Those spots will appear as “blurred discs” in the shape of the aperture when getting defocused, as can be seen in the picture below.
|Photo with strong background blur, with clearly visible blur discs in the back|
The blur disc size b is approximately equal to (please refer to the DoF Wikipedia article):
b = f ·ms / N = (f ·w2) / (N ·w1),
- f is the focal length (the actual focal length, not the 35mm equivalent),
- N is the aperture or f-number,
- w2 is the sensor width,
- w1 is the subject height in portrait orientation or picture width in landscape orientation and
- ms = w2/w1 is the subject magnification of the lens.
Please note, that the equation above is only valid, if the background is sufficiently distant from the subject.
The absolute value of b does not tell much by itself, when comparing cameras with different sensor sizes. If we however compare b to the sensor size w2 we can estimate how big the blur disc size is compared to the total picture height (please refer to the photo above) and thus come to a definition of the strength of the background blur B:
B = b / w2
Example: if the blur disc is 1/1000th (i.e. 0.1%) of the sensor width, the background is almost as sharp as the focused area. If on the other hand the blur disc is only 1/10th (i.e. 10%) of the sensor width, then the background is significantly blurred, as the blur disc covers 10% of the entire picture.
Merging the formulas above yields the following equation for the strength of the background blur
B = f / (N ·w1)
From this equation, you can already see the basic dependencies. The background blur increases
- the more you zoom (i.e. increase the focal length f),
- the more you open the aperture (i.e. smaller f-numbers) and
- the smaller the subject is.
For a typical portrait of a person the photo should probably cover the head, the shoulders and a part of the upper body. A rough estimation is, that the value will be around w1 = 0.6m. This will of course depend on the size of the person and obviously on how much of the person you want to cover in the portrait.
As you can see, estimating the maximum strength of background blur can easily be done by using data that is right away available in the camera specifications. In fact you can even estimate it from data that is available on the lens. Just take the maximum zoom (the actual value, not the 35mm equivalent), divide it by the maximum aperture for the maximum zoom, and then divide this by a typical portrait height of w1 = 0.6m. In the next section I will explain how to interpret the resulting value for B.
Examples pictures that help to understand the values of B
The photos below were taken with a Nikon D7000 using a 18-200mm lens using a variety of aperture and focal length settings in order to be able to create a wide variety of background blur values (please have a look at the next page to see more steps). Please note that although I used the focal length setting equal to 200mm on the lens itself, the actual focal length for a distance of s1 = 2,2m is rather around 145mm. My assumption is that there is a variation in the field of view due to the internal focusing mechanics of the lens and that the actual focal length varies with the subject distance. I tested this and a focal length of 200mm can only be reached for subject distance well beyond 10m. This effect needs to be taken into account when calculating the maximum blur.
In order to categorize the strength of the background blur I used the following definition for B
|0,00% < 0,375%||No blur|
|0,375% < 0,75%||Very limited blur|
|0,75% < 1,50%||Limited blur|
|1,50% < 3,00%||Reasonable blur|
|3,00% < 6,00%||Strong blur|
|> 6,00%||Very strong blur|
Of course there is no such thing as a fixed definition for the strength of background blur and your taste may vary. It's also clear that a camera that is capable to produce B = 1.4 is not much different from a camera with B = 1.6. The idea is just to give an approximate sense to the numerical value.
In order to be able to compare various cameras, we need to define a common scenario. As said above, the smaller the subject the easier it is to create decent background blur. So it does not make sense to compare photos of very small subjects, as basically all cameras will be able to create some kind of background blur. If on the other hand the subject is very far away, you are most likely taking a picture of a landscape for which the background is supposed to be sharp all the way through. Hence the most interesting scenario is to evaluate the before mentioned portrait situation with w1 = 0.6m (head, shoulders and a part of the upper body). I will compare the cameras in two different ways:
- using the maximum zoom, resulting in a maximum achievable background blur for a given camera.
- using a 85mm equivalent focal length setting (which most cameras and standard kit lenses are able to achieve), so that all photo will have the same field of view (subject distance s1 = 1.5m for w1 = 0.6m)
Comparison using maximum zoom
The table below shows a comparison of the background blur B utilizing the maximum zoom available on the respective camera.
|Comparison of the maximum achievable background blur B for a portrait height of w1 = 0.6m|
Comparison for 85mm equivalent
The table below shows a comparison of the background blur B utilizing the 85mm equivalent zoom.
Discussion of the results
Limited background blur
- As expected the iPhone (as well as every other phone on the market) is not capable to produce any kind of background blur for portrait photos. The subjects will have to be fairly small and you have to move very close in order to be able to finally get some kind of background blur (see. e.g. iPhoto 5 example)
- Normal compact cameras are only slightly better than phone cameras and in practice they will not be able to produce significant background blur.
- Cameras using a 1/7" sensor like the Canon S110 and Canon G12, which also have a slow lens at telephoto are also very much limited in their ability to create background blur. This might come as a surprise to some people, as the cameras are clearly targeted at the more serious photographers having lots of manual controls. Those manual controls are however close to worthless, when it comes to taking portrait photos.
- The Nikon 1 cameras combined with their standard lens, does not look very promising either. The small zoom range and the slow lens seriously limit the ability to create background blur.
Cameras which at least provide some capabilities to create decent background blur
- Cameras like the Panasonic LX7 or the Olympus XZ-2 (and XZ-1), are better designed as they make use of faster lenses at telephoto.
- The Sony RX100 unfortunately lacks a faster lens, but compensates this with a larger sensor providing similar capabilities like the LX7 and XZ-2.
- The Canon G15 now got a faster lens compared to the G12. With respect to background blur it is not much different from the Canon G1 X, which has a larger sensor, but a slower lens. The Nikon P7700 is very similar to the Canon G15, having a slower lens but also a longer zoom range.
- FourThirds cameras using standard kit lenses are somewhat limited in their ability to create background blur, but the system offers a variety of faster lenses and longer zooms, which improves the situation signifcantly (like e.g. the 45mm 1:1.8)
- Cameras using APS-C sized sensors are a bit better than FourThirds, but also here the standard kit lenses are a bit short on the telephoto side and too slow. Taking the next bigger zoom range is usually a better option, providing much more photographic freedom.
- And finally it's clear that a 35mm full frame camera like the Canon EOS 6D, combined with a fast portrait lens, provides all the freedom you want. Even the Sony DSC-RX1 that uses a 35mm focal length can produce background blur.
As shown above, estimating the maximum strength of background blur is very easy. Just take the maximum zoom (the real value, not the 35mm equivalent), divide it by the maximum aperture at maximum zoom and then divide this by a typical size of the subject you want to take photo of (as said above 0.6m - 0.7m are good reference points for portraits). On the next page you will find additional pictures, that may help you to find define your own reference point.
Jul 7, 2014
Mar 18, 2013
Mar 8, 2013
Feb 2, 2013
|Waffles with fruits by Coolinarka|
from Food photography (desserts)
|Vestrahorn Frozen Reflection by Will B Milner|
from Ice cold
As summer really gets going over here in the Northern hemisphere, the team at Imaging Resource has put together a list of the best cameras for backpacking.
The Ukrainian Parliament banned statues of Lenin in 2015. Two years later, the monuments no longer adorn public buildings or stand watch over town squares, but they're still there.
If you had to choose one camera to bring along for the ultimate West coast road trip, what would it be? DPR's Sam Spencer choose the X100F. Read more
The a9 boasts impressive capability. As more examples of it in practice pour in, Sony's claims hold up. Watch the a9 track and maintain focus on a rapidly approaching basketball.
Last week, more than a million tonnes of Californian coastline slid into the ocean, taking part of Highway 1 with it. Check out the remodeling in photos taken before and after the landslide.
Even after eighteen months of reviewing the latest, greatest, shiniest and must-buy-me-est new gear, DPReview staffer Carey Rose has continued to use older DSLR cameras for his freelance work. But now, that might be changing. Read more
Sony is the world's leading mirrorless camera brand but remains third for ILCs overall, it's said in a presentation to investors. A focus on high value cameras and lenses should boost operating income, it says. Read more
It's nicknamed the 'Cycloptic Mustard Monster,' and is a 3D printed medium format camera. Read more
The new NanGuang LED lights are battery powered and come with accessories including filters and diffusers.
Have you been telling yourself, "Hey, I really need one of those 8K displays?" A video about Dell's new 8K monitor shows you what to expect. Is it really that much better?
Tamara Lackey, a Nikon ambassador USA and pro shooter, discusses embracing self-consciousness as a means of connecting with subjects.
There's a new Spiderman movie coming out and the poster been generating a lot of online chatter. Mostly about how it looks like the creation of a fevered teenager that just discovered Photoshop.
An honest defense of the system's merits, with photos as proof.
Copyright disputes are no fun at all. 'Binded' is a new startup that aims to simplify the process of registering - and enforcing - copyright for photographers. Read more
Not everyone wants to pay a premium for a long zoom camera. Thankfully, there are many reasonably priced cameras available, though they won't offer the same image quality as enthusiast models. In this updated roundup we look at big zoom cameras with more consumer-friendly price tags. Read more
Think Tank Photo has updated two of its popular bag lines with improvements to functionality. Read more
We’ve all seen Bob Jackson’s Pulitzer Prize winning photo, but there's another.
The sample footage looks good.
It will automatically pick the best camera settings depending on shooting conditions. It even promises enhanced functionality for your camera, like exposure and focus stacking. It already supports many cameras from Canon, Fuji, Nikon and Sony. Read more
As if $13,950 wasn’t enough to pay for a special edition lens, the Leica Store in San Francisco is offering a prototype of said lens for $24,995. Read more
Make those old photos disappear without deleting them forever.
Firmware updates enable 10 fps shooting with adapted A-mount lenses, and faster startup times and better compatibility for 20 fps shooting when using native lenses on the a9.
Fujifilm has released firmware updates for its camera models X-T2, X-Pro2, GFX 50s, X-T20, X100F and X-T1 and updates to three of its software products.
A 22 year-old Romanian photographer uses his DJI Phantom 4 drone to capture unique perspectives of the city where he now lives.
What's it like to ride the waves with champion surfer Kelly Slater? This VR video from Teton Gravity Research gives you a taste.
When Nikon released the full-frame D3 in 2007, it changed the professional photography industry. In this week's Throwback Thursday, Barney remembers a legend. Read more
The new stuff should have better red hues, improved sensitivity and finer grain - but don't worry - will still shift blues to green, greens to purple and yellows to pink.
Ricoh has introduced a new rugged compact camera with a 16MP CMOS sensor, 28-140mm lens, 2.7" LCD and built-in LED macro lights. Read more
This compact drone can shoot HD video using a 2-axis stabilized 12MP camera. Read more
The new Prynt Pocket can print a photo directly from their iPhone simply by inserting the phone into the printer, then snapping a photo. Each print will cost about 50 cents. Read more