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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Pre-IFA 2009: Canon has announced a handful of compact cameras including models aimed squarely at keen photographers. Top of the line is the PowerShot G11, successor to its flagship PowerShot G10 compact released last year. The G11 replaces the G10's 14.7MP sensor with what it describes as a high sensitivity 10 MP CCD though it still uses the same 28-140mm equivalent stabilized lens. The camera also gains a tilt and swivel LCD, though the size drops to 2.8 inches. Flash sync speed increases to 1/2000th of a second and HDMI output is also added. Other features include Dual Anti-Noise System (more sensitive sensor and Digic 4 offering a claimed 2-stop improvement over the G10), RAW shooting and P/A/S/M shooting modes.
London, UK 19th August 2009: Canon today announces the launch of the feature packed PowerShot G11, the successor to the multi award-winning PowerShot G10 - the favourite compact of professional photographers and photoagencies the world over.
Commenting on his use of the predecessor to the PowerShot G11, the PowerShot G10, Gary Knight, acclaimed photojournalist and co-founder of the VII Photo Agency, said: “As a photojournalist who covers warzones, one of the main challenges I face is getting high quality images in hostile environments.
To achieve this I need a camera that offers great image and build quality without the bulk, and the PowerShot G series is perfect for this purpose. When shooting in areas of conflict, it’s important to have a compact camera in my bag that allows me to work discreetly but also provides the level of quality required to get the photos I need. The G Series excels in this respect, delivering great quality images from a compact body that is less intimidating than that of an SLR.”
Professional photographers will benefit from the G11’s greatly expanded dynamic range. Canon’s new Dual Anti-Noise System combines a high sensitivity 10.0 Megapixel image sensor with Canon’s enhanced DIGIC 4 image processing technology to increase image quality and greatly improve noise performance by up to 2 stops (compared to PowerShot G10). The PowerShot G11 also includes i-Contrast technology, which prevents high-light blowout whilst retaining low-light detail – ideal for difficult lighting situations.
The premium quality Canon lens delivers picture-perfect performance, offering a 5x wide angle (28mm) zoom with optical Image Stabilizer (IS). This allows handheld shots to be taken at much slower shutter speeds (4-stops) than conventional non-IS models - allowing perfect shooting in darker conditions or at a lower ISO. Greatly reducing blur caused by camera shake, photographers can shoot at longer focal lengths and in lower light conditions without the need for a tripod.
The digital compact includes the ability to shoot in RAW format and is compatible with Canon’s Digital Photo Professional (DPP) software, ensuring that photo shoots can be easily integrated into a photographer’s workflow.
Stephen Munday, Senior Operations Director, Editorial, Getty Images, comments: "The quality of images delivered by the PowerShot G series are so good that we use G10 images within our editorial library, and our photographers using the G series models do so because of the image quality and flexibility they provide.”
He continues, “The unpredictable nature of news photojournalism requires our photographers to get shots in all kinds of situations, and the size of the G10 allows them to do that without drawing too much attention to themselves. The low-light capabilities of the new G11 will be of even greater help in that respect, as it will allow our photographers to shoot high quality images without flash in even more situations."
Alongside superb image quality, the compact size of the PowerShot G11 and a 2.8-inch vari-angle PureColor II VA LCD (461k dots) make it the ideal choice for professional photographers to use where an SLR is impractical or obtrusive. The G11 is ergonomically designed for faster, accurate menu scrolling. Analogue style dials for ISO and exposure compensation give photographers instant, familiar access to common settings and features.
“I’ve been a user of the G series since the G5” says Edmond Terakopian, photojournalist and winner of the British Press Awards Photographer of the Year and a World Press Photo award for Spot News. “Recently I’ve been using the G10 which is absolutely spot on; image quality, usability, reliability and build quality are all excellent. It’s the one camera that’s always with me, no matter where I am; whether on or off duty. I know I can rely on it to help me get the picture, no matter what.
Over the years I’ve used my G Series cameras on the occasions when assignments have needed discretion. It’s a satisfying feeling telling a picture editor that the photograph he’s just complemented was from a compact camera.”
The G11 is equipped to deal with any light condition. Low Light mode enables photographers to shoot up to ISO 12,800 in reduced 2.5MP resolution at 2.4fps capturing brilliant shots indoors without the need for a flash, whilst a built-in Neutral Density (ND) filter decreases light levels by 3 stops allowing creative control in bright conditions.
The camera’s highest flash synchro speed has been increased to 1/2000th seconds, reducing the possibility of overexposed bright scenes. A real time histogram displays brightness levels on the PureColor II VA LCD screen, so photographers can easily view conditions and change settings when shooting.
The PowerShot G11 gives photographers the freedom to perfectly shoot fast-paced action. Quick Shot mode takes images almost instantly after pressing the shutter, so fast moving objects are always captured, whilst Servo AF/ AE continuously adjusts focus and exposure to optimise settings when photographing moving subjects.
The PowerShot G11 can be used with a wide range of Canon accessories, including the Speedlite 270EX, 430EX II and 580EX II; Macro Twin Lite MT-24EX and Macro Ring Lite MR-14EX flashes for enhanced shooting options; the Speedlite Transmitter ST-E2, Speedlite Bracket BKT-DC1 and Remote Switch RS-60E3. Underwater photographers can even team the PowerShot G11 with the specially designed Waterproof Case WP-DC34 - an underwater housing allowing full control of the camera at depths down to 40m. The PowerShot G11 includes an HDMI port so users can review images on a full HD screen via an optional HDMI cable.
1/1.7" Type CCD
|Image sizes|| 3648 x 2736
3648 x 2048
2816 x 2112
2272 x 1704
1600 x 1200
640 x 480
320 x 240
|Movie clips|| 640 x 480 @ 30fps
320 x 240 @ 30fps
|Maximum clip length||Up to 4GB or 1 hour|
|File formats|| Still: JPEG (Exif v2.2), RAW
Movie: MOV [H.264 + Linear PCM (monaural)]
|Lens|| 28-140mm (35mm equiv)
f = 6.1 - 30.5 mm
5x optical zoom
Construction: 11 elements in 9 groups (1 double-sided aspherical element)
|Image stabilization||Yes (Lens-Shift)|
|Digital zoom||up to 4x|
|Focus|| Auto focus :TTL
- Face Detection / 9-point AiAF
- 1-point AF (center or Face Select and Track)
- Fixed centre or Face Select and Track
|AF lock||Yes (on/off selectable)|
|AF assist lamp||Yes|
|Focus distance||Closest focus distance 1 cm|
|Metering|| Evaluative (linked to Face Detection AF frame)
Spot (center or linked to Face Detection)
|ISO sensitivity|| Auto
|Exposure compensation||+/- 2EV in 1/3 stop increments|
|Shutter speed|| Auto (1 - 1/4000 sec)
Auto (including Face Detection WB)
|Self timer|| 2 or 10 sec
Custom or FaceSelf Timer
|Continuous shooting|| Approx. 1.1 shots/sec.
AF: Approx. 0.7 shots/sec.
LV: Approx. 0.8 shots/sec. (until memory card becomes full)
|Image parameters||My Colors (My Colors Off, Vivid, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, Vivid Blue, Vivid Green, Vivid Red, Custom Color)|
|Flash|| Auto, Flash On, Flash Off, Slow Sync, Red-eye reduction
Slow Sync Speed : Fastest speed 1/2000 sec
+/- 2EV in 1/3 stop increments
Face Detection FE compensation
Flash exposure lock
Manual Power Adjustment
Second Curtain Sync
Range (Auto ISO):50cm - 7.0m (wide) / 4.0m (tele)
|External Flash||E-TTL with EX series Speedlites, Macro Twin Lite MT-24EX, Macro Ring Lite MR-14EX, Canon High Power Flash HF-DC1|
|Viewfinder||Real-image zoom, Optical Viewfinder|
|LCD monitor|| 2.8 inch Vari-angle PureColor II VA (TFT)
|Connectivity|| USB 2.0 Hi-Speed
HDMI mini connector
AV out (PAL / NTSC switchable)
|Storage||SD, SDHC, MMC, MMCplus, HC MMCplus|
|Power||Rechargeable Li-ion Battery NB-7L|
|Weight (no batt)||355 g|
|Dimensions||112 x 76 x 48 mm|
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
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In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
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Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
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British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
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Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
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Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
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Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.