Panasonic introduces the second member of its diminutive GM-series: the Lumix DMC-GM5. The GM5 offers a 16MP Four Thirds sensor in a point-and-shoot sized camera body equipped with a Micro Four Thirds lens mount. Following on the consumer-focused Panasonic Lumix DMC-GM1, the GM5 provides some enthusiast touches like a built-in 1.2m dot equivalent EVF and hot shoe. Also included is built-in Wi-Fi, 1080/60p HD video, 3" 921k dot touch LCD and a bundled external flash. The Panasonic Lumix DMC-GM5 will cost $899.
The Ultimate Digital Mirrorless Camera in an Ultra Compact Size New LUMIX DMC-GM5 with a Live View Finder
Panasonic is proud to introduce the new LUMIX DMC-GM5 from its stylish compact Digital Single Lens Mirrorless (DSLM) GM series, that boasts both an outstanding compact profile but its also high performance for the ultimate picture quality. The DMC-GM5 will be available at www.shop.panasonic.com and valued channel partners in mid November.
In the sleek, stylish body design adopting a magnesium alloy, DMC-GM5 (GM5) now integrates a 1,166K-dot equivalent LVF (Live View Finder) with approx.0.92x / 0.46x (35mm camera equiv.) magnification and 100% field of view. This LVF boasts approx.100% color reproduction as that on the LUMIX GX7.
The GM5 realizes high-quality image recording with real-to-life details through excellent resolution, image rendering and color reproduction. Taking full advantage of 16.00-megapixel Digital Live MOS Sensor and Venus Engine, images are rendered with high resolution even when shot in low-lit situations and at a max. 25,600 ISO sensitivity.
The Contrast AF System of GM5 excels in both speed and accuracy by exchanging a digital signal between the camera and the lens at max. 240 fps. A variety of extensive AF functions including new Face / Eye Detection AF, Low Light AF, Pinpoint AF and One-shot AF enhances usability to comply with a wide-range of shooting situations. The touch-control system integrated in the 3-inch large, approx.921K-dot high resolution monitor in 16:9 immediately lets users set focus to the subject by just touching the screen and you can release the shutter.
The GM5 also features Full HD 1920 x 1080, 60p (60 Hz) high quality video recording in AVCHD progressive and MP4 with stereo sound. The practical full-time AF and tracking AF is available in video recording too. The cinema-like 24p video with the bit rate of max. 24 Mbps or P/A/S/M mode provide richly expressive afterimage with overwhelming image quality.
The GM5 features a new video recording option called “Snap Movie Mode”. Users can record video for short period of time (2/4/6/8 sec) as they shoot “moving photos”. It is also easy to share them using Panasonic Image App and It is also possible to connect them later even with a variety of interval fade effects and music. The GM5 also incorporates the popular Creative Control mode with a total of 22 fascinating filter effects in addition to Time Lapse Shot, Stop Motion Animation or Clear Retouch. For more manual photography, Time (long exposure) function is newly added that lets photographers to set exposure time max. 60 sec.
Furthermore, the GM5 allows photographers to use a max. shutter speed of 1/16,000 for action photography. The GM5 is also compatible with Focus Peaking, Silent Mode, Highlight/Shadow Control and Level Gauge.
With the Wi-Fi® connectivity, users can connect the camera to their smartphone / tablet to expand shooting flexibility. It is also possible to use a smartphone / tablet as a multi-capable remote shutter with a monitor. With the Instant Transfer function, photos are automatically sent to the smartphone / tablet immediately after shooting. Additionally, both images and video can be archived to the registered digital equipment such as PC automatically via the wireless access point (router) at home.
An External flash unit (GN7/ISO100･m, GN10/ ISO200･m) is bundled to mount on the newly added hot shoe (in black or silver). On the other hand, the GM5 allows attachment of Hand Grip DMW-HGR1 (black / silver, sold separately) to enhance strength of gripping.
Packing high photographic performance in sleek, ultra-compact body, the DMC-GM5 is offered in black and red with premium synthetic leather. Dispelling all the prejudice against heavy, bulky DSLRs, the new LUMIX DMC-GM5 sparks the creativity that lies in every user across genders, across generations.
Max.1/16,000 sec Shutter Speed, Time (Long Exposure) Shooting, Focus Peaking, Silent Mode, Level Gauge, Highlight/Shadow Control, Easy Wireless Connectivity via Wi-Fi® with Smartphones, WB (White Balance) Bracket, iA+ (Intelligent Auto) Mode for Photo and Video, Bundled Software SILKYPIX Developer Studio 4.2 SE
To learn more about Panasonic’s line of LUMIX Digital Cameras and other consumer electronic products please visit www.shop.panasonic.com and www.lumixlounge.com. You can also follow Panasonic on Twitter (@PanasonicUSA) and Facebook.
Panasonic Lumix DMC-GM5 Specifications
|MSRP||$899 (w/12-32mm lens)|
|Body type||Rangefinder-style mirrorless|
|Max resolution||4592 x 3448|
|Other resolutions||4592 x 3064, 4592 x 2584, 3424 x 3424, 3232 x 2424, 3232 x 2160, 3840 x 2160, 2416 x 2416, 2272 x 1704, 2272 x 1520, 1920 x 1080, 1712 x 1712, 1824 x 1368, 1824 x 1216, 1824 x 1024|
|Image ratio w:h||1:1, 4:3, 3:2, 16:9|
|Effective pixels||16 megapixels|
|Sensor photo detectors||17 megapixels|
|Sensor size||Four Thirds (17.3 x 13 mm)|
|Color space||sRGB, Adobe RGB|
|Color filter array||Primary Color Filter|
|ISO||Auto, 200-25600 (expands to 100-25600)|
|Boosted ISO (minimum)||100|
|White balance presets||5|
|Custom white balance||Yes (2 slots)|
|JPEG quality levels||Fine, Standard|
|Optics & Focus|
|Autofocus assist lamp||Yes|
|Number of focus points||23|
|Lens mount||Micro Four Thirds|
|Focal length multiplier||2×|
|Screen / viewfinder|
|Viewfinder magnification||0.92× (0.46× 35mm equiv.)|
|Minimum shutter speed||60 sec|
|Maximum shutter speed||1/500 sec|
|Maximum shutter speed (electronic)||1/16000 sec|
|Built-in flash||Yes (small external flash included (GN7))|
|External flash||Yes (via hot shoe)|
|Flash modes||Auto, auto w/redeye reduction, on, on w/redeye reduction, slow sync, slow sync w/redeye reduction, off|
|Flash X sync speed||1/50 sec|
|Continuous drive||5.8 fps|
|Self-timer||Yes (2 or 10 sec, 10 sec (3 images))|
|Exposure compensation||±5 (at 1/3 EV steps)|
|AE Bracketing||±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)|
|WB Bracketing||Yes (3 frames in either blue/amber or magenta/green axis)|
|Resolutions||1920 x 1080 (60p, 60i, 50p, 50i, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p)|
|USB||USB 2.0 (480 Mbit/sec)|
|Battery description||DMW-BLH7 lithium-ion battery & charger|
|Battery Life (CIPA)||220|
|Weight (inc. batteries)||211 g (0.47 lb / 7.44 oz)|
|Dimensions||99 x 60 x 36 mm (3.9 x 2.36 x 1.42″)|
Sirui is launching an Indiegogo campaign for a wide-angle answer to its existing 50mm F1.8 anamorphic lens. The 35mm APS-C lens will come in a Micro Four Thirds mount with adapters for other systems.
Sony has added a 12-24mm F2.8 to its top-shelf 'G Master' series of lenses. It's the widest constant F2.8 zoom currently offered for full-frame, with a hefty price tag to match: it will sell for $3000 when it ships in mid-August.
Take a look at the view from Sony's new ultra-wide F2.8 zoom – we paired it with the a7R IV for some initial shooting.
Canon's EOS-1D X Mark III is one of the best DSLRs ever made. With fast burst speeds, great video quality and impressive autofocus, the 1D X III is equal parts cinema rig and sports shooter. Find out how it fares against steep competition in our full review.
Nikon Rumors is reporting that Nikon will announce successors to its Z6 and Z7 camera systems by the end of the calendar year.
Canon says the event, set to take place at 14:00 CEST in two days on July 9, will be its 'biggest product launch yet.'
The Verge Video Director, Becca Farsace, shows how she built a custom Raspberry Pi camera with effectively zero coding knowledge over the course of just three days.
The EOS R5 has been in the works for some time, and Canon has published a handful of specifications, but there's still plenty we don't know. What are you hoping to see from Canon's forthcoming flagship camera?
Canon's CE-SAT-IB satellite camera was destroyed alongside six other satellites during Rocket Lab's ironically-named 'Pics or It Didn't Happen Mission.'
This sample gallery includes images from our recent review of the Tamron 28-200mm F2.8-5.6 Di III RXD zoom lens. Check out these photos to see how it performs, from wide-angle to telephoto and everything in between.
The Tamron 28-200mm F2.8-5.6 Di III RXD provides a wide zoom range in compact, weather-sealed design. Find out why it's Chris and Jordan's new favorite travel lens.
Kodak Portra 800 is a wonderful and versatile color film. And any rumors of it being discontinued, we're pleased to report, are simply untrue. That's a good thing, because it's capable of producing lovely results in all sorts of conditions.
Boering has left the World Press Photo without much of an explanation from either him or the organization, but he tells DPReview the COVID-19 pandemic is forcing the WPP to change the way it makes money.
The standard-size deck of playing cards features unique photography-oriented artwork and act as cheat sheets for photographers.
The Sony ZV-1 and Panasonic Lumix DC-G100 are the first cameras we've seen that are overtly designed with vlogging in mind – and the changes they represent could have implications for the future of all cameras.
The utility allows the E-M1X, E-M1, E-M1 Mark II, E-M1 Mark III and E-M5 Mark II cameras to be used with video conferencing apps over USB.
Olympus is showing final images of its under-development 150-400mm F4.5, which it says will arrive this winter. An unspecified macro and 8-25mm F4 Pro have also been added to the lens roadmap, and the E-M1X's AF gains bird detection.
The scam, which involves sending fake copyright violation notices, has been circulating on the social media platform since at least June 9.
Fujifilm is one of just two producers of tape media (the other being Sony) and it is hard at work on a breakthrough that will allow single tape storage drives to offer 400TB capacities in the coming years.
The National Parks Service says it's investigating the incident, which took place just two days after the park opened following a shutdown due to the COVID-19 pandemic.
Professional full frame lenses are usually large and have fast apertures. In this episode of DPReview TV, Chris and Jordan argue that there's a need for slow professional lenses – inspired by some of their favorite Micro Four Thirds lenses.
The camera maker joins Olympus, Fujifilm and others is a legal tussle over US digital camera technology patents held by DigiMedia Tech.
NASA's Solar Dynamics Observatory (SDO) photographs the sun every 0.75 seconds. In its first decade in space, the SDO has captured more than 425 million images of the sun. NASA has compiled these images into an amazing time lapse, come check it out.
The lens is available for Leica M, Sony FE, Nikon Z and L-mount camera systems, and now holds the title as the world's widest rectilinear lens for full-frame camera systems.
Tamron's new 28-200mm F2.8-5.6 is a versatile zoom lens for Sony E-mount. Well-suited for travel photography, it's compact, lightweight, and fast/quiet to focus.
Fujifilm has announced that its GF 30mm F3.5 R WR wide-angle lens for its medium format cameras will ship in late July or early August.
Fujifilm's latest lens is a sharp, reasonably compact and well-built wide-angle for the company's GFX medium-format cameras. We took it out and about in the warm Seattle summer with the company's 50 and 100 Megapixel camera bodies to see what it can do.
Fujifilm has issued firmware updates to the GFX 100 and GFX 50 models, with the 100MP camera gaining the most significant improvements.
Although the channel is still growing, it currently has nine videos that offer concise overviews of just a few of the cameras Japan Camera Hunter founder Bellamy Hunt has sitting around his Japanese storefront.
ON1 has launched ON1 360, the latest version of ON1 Photo RAW 2020 with ON1's new Photo Mobile application for iOS, iPadOS and Android mobile devices. The new solution syncs raw processing between your mobile device and computer.