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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Are High Dynamic Range photos appropriate for illustrating news? That's the debate that's been started by the Washington Post's use of an HDR image on its front page in January. Sean Elliot, president of the National Press Photographers Association came down firmly against it, saying, 'HDR is not appropriate for documentary photojournalism.' John Omvik, Marketing VP with HDR software maker Unified Color understandably disagrees. He's written us a response arguing that what we see is closer to HDR than, say, a mono photo shot with Tri-X film.
John Omvik's statement:
Recently, the Washington Post stirred up a healthy debate among amateur photographers and photojournalists when it published a photograph on its front page commemorating the 30th anniversary of the tragic crash of Air Florida Flight 90 (January 13, 2012). The photo in question shows the back-lit 14th St. Bridge shot at sunset with an airplane in the upper left corner of the frame. The controversy stems from the fact that staff photographer Bill O’Leary used High Dynamic Range (HDR) techniques to process this photo, a fact the Post mentioned in the photo’s caption.
|'Using HDR software and processing tools is the only method a photographer has to deliver precisely what he or she witnessed at the time of an image capture'|
The caption ultimately led to some confusion by readers, many of whom took it to mean the paper was publishing a doctored photo, perhaps in order to achieve the emotional impact appropriate to the accompanying story. In a subsequent Ask the Post article online, Michel du Cille, the Post’s director of photography posted detailed information on the HDR process while making it clear that the publication did not and does not “manipulate” photos.
The debate spread to the Poynter Institute’s blog, where Sean Elliot, president of the National Press Photographers Association (NPPA) is quoted as saying:
“HDR is not appropriate for documentary photojournalism.” Elliot points out that the NPPA’s code of ethics say photographers should respect the integrity of the digital moment, “and in that light an HDR photo is no different from any other digital manipulation.”
As vice president of Unified Color Technologies, a pioneer in the field of HDR imaging, I strongly disagree with Elliot and the NPPA’s viewpoint. When properly used, HDR does the most accurate job of reconstructing the dynamic range of the original scene at the time the photo was taken. In fact, if one really wants to split hairs about what is “real” and what isn’t, consider this; from the moment you open your eyes in the morning until the moment you close them at night, everything you see in the world around you is in HDR.
There is no camera in existence, digital or film, which can accurately reproduce what the human vision system can capture and process in real time. While today’s digital cameras capture a much larger dynamic range in a single shot than any color transparency film ever could in the past, they still can't match the tonal range humans can see. And so, using HDR software and processing tools is the only method a photographer has to deliver precisely what he or she witnessed at the time of an image capture.
In the case of Bill O’Leary, his color HDR image is clearly more realistic to the moment then had he used the old gold standard of photojournalism and newsprint: black and white Tri-X film.
Improper use of HDR can clearly create a misrepresentation of the photographic moment, but when HDR techniques are used as they should, they absolutely meet, and might, in fact, go above and beyond the standards of the NPPA’s code of ethics which state, in part:
Proper use of HDR does not alter, mislead or misrepresent a scene. In fact, true color HDR processing and tone mapping techniques restore the integrity of the photograph, and is the best way to reproduce the original high contrast scene, in low dynamic range media such as newsprint or on our LCD computer or handheld displays.
At the current rate of technology evolution, we’re likely to soon have cameras that can match the dynamic range of human vision in a single shot (though even then software tools will be required to tone map the image for printing.) Until that time, the HDR process is the best option for photographers seeking to convey a sense of realism. Simply mentioning the process in the caption, as the Post did here, is all the disclosure that ought to be necessary.
V.P. Marketing, Unified Color Technologies
Feb 3, 2015
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When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
|A smile is worth a thousand words by alberto_b|
from Fill the frame
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.