Canon announces EF-M 11-22mm f/4-5.6 IS STM wide zoom
Canon has announced the EF-M 11-22mm f/4-5.6 IS STM - an image-stabilized wideangle zoom for its EOS M mirrorless camera. It's Canon's first wide zoom with IS, promising three stops of stabilization for stills and 'Dynamic IS' for video. A linear stepper motor offers silent autofocus during movie shooting, and a retractable barrel design makes the lens about the same size as the 18-55mm kit zoom when collapsed. It should be in shops at the end of June, at an MSRP of £379.99 / €399. We're told the lens isn't going to be available in the USA, at least for now.
Canon has also announced a version 2.0.0 firmware update for the EOS M, which the company says will offer full compatibility with the 11-22mm (to prevent the camera from shooting with the lens in the collapsed position), and bring a much-needed improvement in autofocus speed with all lenses. The firmware will be available to download from Canon's support website at a date that has yet to be confirmed.
The 11-22mm uses a 55mm filter thread, which isn't shared with any other current Canon lens. This means the company has introduced two new products to complement it - the E-55 front lens cap, and a 55mm 'Protect' filter.
Widen your horizons – Canon unveils the compact, ultra-wide EF-M 11-22mm f/4-5.6 IS STM
London, UK, 6 June 2013 – Canon today expands its range of EF-M lenses with the introduction of the new EF-M 11-22mm f/4-5.6 IS STM. Designed for Canon’s Compact System Camera, the EOS M, this is Canon’s first ultra wide-angle EF lens to feature an Optical Image Stabilizer. Offering a versatile wide-angle zoom range, first-class optical performance, and a new retractable design, the EF-M 11-22mm f/4-5.6 IS STM is the perfect addition for EOS M users who wish to capture their passion for landscapes and architecture.
Shoot the city, shoot the world
Designed to expand the range of creative possibilities and shooting subjects, the EF-M 11-22mm f/4-5.6 IS STM has an 11-22mm focal range which provides an incredibly wide field of view. This allows users to capture the environment around them whilst remaining close to the subject – ideal for adding drama and atmosphere to each shot.
Class-leading optics deliver incredible results
Engineered using the latest optical technologies, the EF-M 11-22mm f/4-5.6 IS STM enables users to capture images with incredible levels of detail and quality. Manufactured using Canon’s professional quality standards, the lens uses Super Spectra Coatings designed to minimise ghosting and flare, providing beautiful results with every shot. Images are crisp and clear thanks to Canon’s Optical Image Stabilizer, which works to keep image blur to a minimum by correcting camera shake. A 3-stop shutter speed advantage ensures high quality stills, even when light levels start to fade. Shooting smooth Full HD movies is easy using the advanced Dynamic IS mode which combats more exaggerated forms of camera shake that occur when shooting video on the move. Canon’s near-silent STM technology also ensures focus noise is supressed during movie capture, so the audience can enjoy crystal clear sound to match the visual quality of the footage captured.
Designed for performance and style
Incredibly compact and lightweight, the EF-M 11-22mm f/4-5.6 IS STM has been designed to fit easily into the smallest of spaces so it can be carried everywhere. A new retractable lens design – a first for the EF lens range – locked in place by a switch, allows users to retract the lens back into the barrel when not in use. This keeps the body slim and compact, reducing the lens length by 13mm. An integrated full time manual focus ring also provides the freedom to make precise adjustments to focus as needed. Designed to complement the EOS M’s chic styling, the EF-M 11-22mm f/4-5.6 IS STM features a graphite silver, metal exterior, while the knurled focus and zoom rings are comfortable in the hand and provide easy operation.
EF-M 11-22mm f/4-5.6 IS STM – key features:
- Ultra-wide 11-22mm EF-M zoom lens
- Compact, retractable lens design
- Smooth, quiet STM focusing in movies
- Dynamic IS for steady movies
- 3-stop optical Image Stabilizer
- High image quality
- 0.15m minimum focusing distance
- Manual focus ring
Before using the EF-M 11-22mm f/4-5.6 IS STM with the EOS M it is recommended that users upgrade the camera to firmware version 2.0.0 or later.
|Lens type||Zoom lens|
|Max Format size||APS-C / DX|
|Focal length||11–22 mm|
|Image stabilization||Yes (3 stops, Dynamic IS)|
|Lens mount||Canon EF-M|
|Number of diaphragm blades||7|
|Special elements / coatings||2 aspheric elements|
|Minimum focus||0.15 m (5.91″)|
|Motor type||Stepper motor|
|Full time manual||Yes|
|Weight||220 g (0.49 lb)|
|Diameter||61 mm (2.4″)|
|Length||58 mm (2.29″)|
|Materials||Metal barrel, metal mount|
|Zoom method||Rotary (extending)|
|Filter thread||55 mm|
|Filter notes||Does not rotate on focusing|
|Hood product code||EW-60E|
|EF-M 11-22mm f/4-5.6 IS STM||Optional EW-60E hood|
|E-55 lens cap||55mm protect filter|
Sony's new 12-24mm F2.8 GM is the widest fast aperture zoom for full frame. Based on our tests it's a worthy recipient of Sony's 'GM' moniker.
Chris and Jordan took the new Sony 12-24mm F2.8 GM to Calgary's eclectic Ingelwood neighborhood. From record stores to spice shops, find out what got their attention when it was time to go wide.
The six prize-winning photographs and four honorable mentions were narrowed down from more than 6,000 entries captured across North America.
Though Thunderbolt 4 remains at 40Gb/s, its minimum requirements include dual 4K monitor support, faster external drive speeds and more.
You can now use compatible Fujifilm cameras with video conferencing software on macOS hardware without the need of a dedicated capture card.
The Epson V600 remains one of the most popular flatbed film scanners on the market. Revisit our review of this affordable and (mostly) easy-to-use option and see how its output compares to local lab scans.
Canon's mirrorless EOS R5 comes with a ton of features and capability stemming from its design inside and out. Come along with us on a guided tour of Canon's new high-end, high-megapixel camera and check it out for yourself.
Announced alongside the EOS R5, the R6 offers a lot of the same technology but in a more affordable, slightly more enthusiast-focused model. Take a closer look.
Alongside the EOS R5 and R6, Canon has announced a brace of lenses, all in the short to long telephoto range. Filling out the 'long' end are one L-series zoom, and two innovative primes.
Alongside a trio of telephoto lenses, Canon also announced a new 85mm this week. The RF 85mm F2 Macro IS STM is a compact, affordable alternative to the pro-oriented 85mm F1.2L.
The EOS R5 has been a long time coming – we knew it had 8K and we knew it had an AF joystick. But now that's it's here, what is it really like to use? Find out in our initial review based on hands-on time with the camera.
The R6 doesn't promise quite such headline-grabbing specs as its big brother, but it still packs a punch, whether you shoot stills, video or both.
Think you've read everything there is to know about the new Canon cameras? Chris and Jordan share eight important things you may have missed from today's Canon EOS R5 and R6 announcements.
We've been shooting around with the new Canon EOS R6. Initial impressions of image quality are positive, and out-of-camera JPEGs appear similar to that of the gold award-winning Canon EOS-1D X III. Have a look for yourself.
Canon has officially released the long-awaited EOS R5, the company's top-end full-frame mirrorless camera. Featuring a new 45MP CMOS sensor, Dual Pixel AF II system, 8K video capture and 20 fps bursts, this is the RF-mount camera we've been waiting for.
Although the Canon EOS R6 doesn't have the 45MP sensor and 8K video capture of the higher-end R5, it's still an incredibly capable camera with specs that outshine similarly priced peers.
The Canon RF 100-500mm F4.5-7.1L IS USM is the company's first super-zoom lens for RF-mount. Despite a relatively slow aperture range, it's very versatile, offering five stops of stabilization, weather-sealing and compatibility with Canon's new teleconverters.
Canon's RF 85mm F2 Macro IS STM is an inexpensive telephoto prime lens with a minimum focus distance of just 0.35m (14") and a 0.5x magnification. When attached to the new R5 and R6, it offers a whopping eight stops of shake reduction.
Canon has announced a pair of super-telephoto fixed-aperture primes. The 600mm and 800mm use diffractive optics to keep their size and weight down. They'll also be compatible with new 1.4x and 2x RF teleconverters.
Canon has announced a new small-footprint inkjet photo printer, the imageProGraf Pro-300. it will produce prints up to 13 x 19" and it goes on sale later this month for $900. A new textured photo paper will also arrive in July.
The new compression standard is set to reduce video file sizes by half to save space and speed-up transmission, paving the way for more portable 8K footage.
Sony recently confirmed plans to launch a successor to the video-centric a7S II. We don't even know the name of the camera, but Jordan already has a feature wish list for the new 'a7S III' – and it doesn't include 8K.
The Profot B10 is the first studio flash system that can be used when shooting with an iPhone camera.
The Pixii camera is an interesting little rangefinder camera that features a 12MP APS-C sensor and lacks a rear LCD display, opting instead to pair with your mobile device, which can be used to view and transfer images.
Sirui is launching an Indiegogo campaign for a wide-angle answer to its existing 50mm F1.8 anamorphic lens. The 35mm APS-C lens will come in a Micro Four Thirds mount with adapters for other systems.
Sony has added a 12-24mm F2.8 to its top-shelf 'G Master' series of lenses. It's the widest constant F2.8 zoom currently offered for full-frame, with a hefty price tag to match: it will sell for $3000 when it ships in mid-August.
Take a look at the view from Sony's new ultra-wide F2.8 zoom – we paired it with the a7R IV for some initial shooting.
Canon's EOS-1D X Mark III is one of the best DSLRs ever made. With fast burst speeds, great video quality and impressive autofocus, the 1D X III is equal parts cinema rig and sports shooter. Find out how it fares against steep competition in our full review.
Nikon Rumors is reporting that Nikon will announce successors to its Z6 and Z7 camera systems by the end of the calendar year.
Canon says the event, set to take place at 14:00 CEST in two days on July 9, will be its 'biggest product launch yet.'