DPReview Gear of the Year: Canon Rebel SL1 / EOS 100D
18MP sensor | Hybrid CMOS AF II system | 3.0-inch touchscreen
I'm afraid I didn't even hesitate. Though I've reviewed some fine cameras this year, when we started discussing our choices for Gear of the Year, I immediately chose the little camera then nestled in my bag: The Canon Rebel SL1, also known as the 100D and Kiss X7 elsewhere in the world. As a longtime reviewer, my choice is partly about the achievement the camera represents for end users, but also how I use the camera in my own life.
Canon SL1 - What I love:
- Small body is easier than ever to bring along, so I do.
- Snappy yet subtle shutter sound doesn't disturb subjects and sounds cool rather than cheap.
- Touchscreen interface works better than most, making the quick menu truly quick.
- Usable live view autofocus system offers more options for creative shots.
- Low light performance is excellent for indoor and night shots, where family activities are common.
- Focus tracking in video mode is effective, making movie mode that much more useful.
As I mentioned, other cameras I used this year also earned my admiration, including the Fujifilm X-E1, Olympus E-M1, Sony A7R, and Canon's own 70D, whose autofocus surpasses the performance of the little SL1. But it's getting SLR performance in a small package that's significant about the SL1. With the 40mm STM attached, that goes to extremes, at least for the SLR category, fitting into the same space I usually reserve for medium zoom lenses in my bag.
While I sometimes use longer zoom lenses for shooting outdoor events, I usually have either the 40mm STM mounted, which is not much thicker than a body cap, or the excellent 50mm F1.4. The 40mm is equivalent to a 64mm lens, and the 50mm is like an 80mm lens on this APS-C camera. Short telephotos are actually great for the type of shooting I like to do, which is portraits, but that's not all I like to do.
What's missing to make the Canon SL1 the perfect 'street shooter' is a reasonably fast 22mm lens, which would equate to a 35mm lens. A 31mm lens would also come close to a 50mm lens on a full frame camera. These have too long been missing from Canon's lineup, so here's hoping they do something about this soon.
For more general-purpose photography, the 18-55mm kit lens focuses fast, is reasonably small and image-stabilized, and I'd recommend it for most shooters. My wife picked up the camera for the first time and used the SL1 to grab this shot of my kid showing off her sandy hands over the summer. She liked its small size and how easy it was to quickly frame and fire through the viewfinder.
Controls on the Canon SL1 are small, but still usable, such that when the battery of my other camera died on a recent portrait shoot, it wasn't hard to quickly adapt to the SL1 and keep shooting: All the control I needed was there, and though I had to go into the menu to make a few changes, and of course change lenses, it went quickly and the camera worked like a charm.
I also use Micro Four Thirds cameras for my on-the-go family photography, but since I've had the SL1 around, my mirrorless camera has been sitting unused. I have more lenses that work with the SL1, which is the main reason, not any shortcoming of the MFT cameras. If I have a larger SLR along, the SL1 makes a great second camera, reducing lens swaps and taking up little space.
And because Canon hasn't changed the resolution of its APS-C lineup significantly (much to the chagrin of some fans), the little SL1 still performs as well as we'd expect in terms of image quality, delivering good detail in low light settings common to family events.
Where the SL1 excels, though, is in its live view and movie autofocus. The SL1 handled live view shooting better than other SLRs I'd used previous to the 70D, and as I demonstrated in my review, the SL1 can also track focus admirably thanks to its Hybrid AF II autofocus system. That alone makes having video on an SLR valuable: Working autofocus allows you to stop thinking about focus and instead focus on following your subject.
I'm not one who has trouble framing with cameras that only feature an LCD, but I have to admit it's nice to have an optical viewfinder in such a small camera, one that works with my modest set of SLR lenses, yet fits in a small space. As such, I have no problem recommending the Canon SL1/100D to family photographers. Its simplified feature set is nevertheless quite complete, having just what I need in a body I can keep handy without too much fuss. Good stuff.
This is part 5 in a series of articles where DPReview staff will be highlighting their personal standout products of the year.
Canon Rebel SL1/100D sample gallery
Feb 28, 2016
Dec 30, 2015
Dec 28, 2015
Dec 23, 2015
|Patrick Finds Inner Peace by ecastellon|
from Your best photo of the week!
|Forks by Kukla|
from Arranged everyday objects
Do you think a $3,000 Canon 80D video rig can compete with an $80,000+ Arri Alexa setup? Well it can't, but check out this video anyway to see how the rigs compare.
Seven simple rules to make sure you get the most out of your next photography outing.
Vitec, the company that owns popular accessory maker Manfrotto, has just acquired JOBY and Lowepro for a cool $10.3 million in cash. The acquisition adds JOBY and Lowepro to Vitec's already sizable collection of camera gear brands.
A master drone pilot has captured one of the most incredible (and highly illegal) drone videos we've ever seen by flying around, inside, onto, and under a moving train.
Intel just debuted their 8th generation desktop CPUs, and the lineup packs a performance boost for 'content creators' that photo and video editors might be intrigued by.
Canon is developing a 'Free Viewpoint Video System' that will turn real life sports games and events into immersive 3D interactive experiences. It's video game-like camera control IRL.
A veteran photojournalist, Rick Wilking secured a spot in the path of totality for the August solar eclipse. While things didn't quite pan out as predicted, an unexpected subject in the sky and a quick reaction made for a once-in-a-lifetime shot.
The new iZugar 3.25mm F2.5 super fisheye lens offers an insane 220-degree angle of view. That means it can basically see behind itself... good luck keeping your feet out of the shot.
You'll laugh, you'll cry, you'll remember that time you took a picture of the frozen pizza baking directions.
A Craigslist poster has discovered the worst possible way to photograph a car: taking pictures of pictures displayed on a cracked and scratched up smartphone screen.
With the iPhone X coming out soon, the title probably won't last, but the iPhone 8 Plus is officially the best smartphone camera DxOMark has ever tested, and the iPhone 8 is second.
Kodak's new Facebook Messenger chatbot is trying to bring back the 'Kodak Moment' by digging up your old social media photos and trying to sell you prints and custom coffee mugs.
Affinity Photo for iPad was touted as "the first full blown, truly professional photo editing tool to make its way onto the Apple tablet." This update makes it that much more convenient.
Yashica has released a new teaser video, and this one claims they'll be releasing an "unprecedented camera" in October on Kickstarter. Ready... set... speculate!
Storage solutions company Synology has just released its very first 6-bay NAS tower. Combined with the DX1215 expansion units, it can hold and control up to thirty drives.
We're always expanding our collection of product overview content, and we've just added videos for the Canon EOS 6D Mark II, the EOS Rebel SL2 and EOS M6.
The venerable Canon PowerShot G1 was announced seventeen years ago this week, marking the start of a line of enthusiast-focused compacts that's still alive and kicking.
Super macro photographer Can Tuncer captured these incredible close-ups of a single peacock feather using a special setup and three different microscope lenses.
After successfully crowdfunding the Biotar 75mm F1.5, Oprema Jena is at it again. This time they're bringing back the Biotar 58mm F2: the world's only lens with a 17-blade aperture.
Adobe's move to a subscription model is treating it very well indeed. The company has posted record revenue for the second quarter in a row, hauling in a mind-boggling $1.84 billion.
More details have emerged about the potential sale of Blackstone's 45% stake in iconic camera brand Leica.
Popular mobile editing app Snapseed just got a major update that includes a new interface and 11 new presets for both Android and iOS, as well as adding the Perspective tool to the iOS version.
It might sound like a strange idea, but taking macro photos of boiling water can actually result in some really cool photographs. A good photo experiment for a rainy day.
The database was created to "break with the narrow lens through which history… has been recorded" by equipping those who commission photography with "the resources to discover photographers of color available for assignments.
Lensbaby has released two new optics for their special "optic swap system." The Lensbaby Sweet 80 Optic gives you that trademark sweet spot of focus, while the Creative Bokeh optic gives you 9 different drop in aperture plate options to play with.
TechCrunch has already posted their review of the upcoming iPhone 8 (not yet the iPhone X), and they're calling it "a look into the augmented future of photography."
Affinity Photo is a $50 photo editing software with no subscriptions. That's it – pay for it once and you're done. And we think it's actually pretty darn good.
Instagram is currently testing a major change to the app's profile layout: replacing the 3-photo across grid with a 4-photo grid... and some users are NOT taking the news well.
A report by USSRPhoto is shedding some light on the return of the famed Zenit camera brand. It seems the full-frame mirrorless camera they're working on will be made in part by Leica using components from the Leica SL.
According to a reliable Korean report, Samsung is developing a smartphone sensor that's capable of super slow motion. Translation: Samsung's next batch of Galaxy smartphones may be able to shoot 1,000fps.