Award-winning photographer Steve McCurry has published the photos taken with the last roll of Kodakchrome to come off the production line on his Wordpress blog. McCurry has shot more than 800,000 photos including his iconic 'Afghan Girl' portrait, with the film. In an article posted by NPR in 2009 McCurry equated 'losing the medium to losing a dear friend.'
I click the link and it says I don't have permission to access this. I understand that it's 3 years later but does anyone know where I can find these photos?
These are great image, but I for one am tired of always looking at asian, there poverty etc. Looking for the images that are different. What about staying in North America, do we not have anything to offer
Apparently North America does not offer a high degree of literacy. Asia is spelt with a capital, and "there" should be "their"... :- )
Asia holds by far the majority of the world's population, and it offers diverse, exotic and highly colourful images to those who choose to engage with it. That said, North America is at times stunningly beautiful... you would know coming from Calgary! So perhaps his choice is not a failing on his part, rather an exercise in the photographer expressing himself...
Every time I have problems with color from a roll of film these days, I can't help but think "If only I had loaded Kodachrome" Probably just selective memory, but what a great film it was, we shall never see it's equal again in this world.
I have a roll of Kodachrome that I shot 5 or 6 six years ago. I sent it to Kodak in an old mailer, but it was sent back. Is there anyplace that I can still get this processed?
The last roll was developed in the last facility to do such things at the end of December, 2010. As of now, there is not one place in the world you can send it for proper development, sad to say...
Yesterday I went to a store in Yokohama (Bic Camera) where there was still a lot of choice in photo-films sold: Fujifilm, Kodak (not everything though) and even... Agfa rolls, in their famous red little box (I hadn't seen any for maybe 15 or 20 years).
It means somewhere on this planet somebody is still able to develop rolls; in which manner I couldn't tell. Yet, there are still some players on the playground... at least in Japan !
There is a photo store in England that offers processing of Kodachrome but only as black and white slides. There is nowhere that Kodachrome can be processed in colour.
Umm, the roll of K64 in my Olympus Mju ii has a serial number one higher than his - should I tell him?
I'm happy to send him my roll if he wants to use up the remaining 6 frames, as long as he returns my camera afterwards - it's the limited edition one with the dateback and silver wrist strap so I don't just loan it to anyone.
He'd need to publishes my pictures too - there's a really good one of my Aunt doing the conga, and some arty contre-jour shots of Fudgie and Patch our guinea pigs.
Frames 8-30 he can ignore as I forgot to switch the camera off before I put it in my jacket.
Outstanding. However there are 30 images. This implies 6 or 7 were deleted. I would have also deleted the 2nd shot of De Niro. Such a dud compared to the first, and its existence devalues the first one slightly. I'm surprised it made the cut, especially considering he "proofed" all the shots with a digital camera first.
McCurry used a digital camera BEFORE he clicked the shutter on that last role of Kodachrome: “I wanted that reinforcement, to be able to see it on a two-dimensional screen...” – Steve McCurry, National Geographic photographer, on shooting the last roll of Kodachrome film produced by Kodak, during which time he took each photograph first with a digital camera. From Shutterbug Magazine, October 2011: “McCurry took no chances shooting the last roll of Kodachrome. To make sure he had exactly the right moment for each photo, in focus and at the right exposure, he first used a digital camera.”
Unfortunately for film enthusiasts, the fact that he used a digital camera first just goes to show how much more versatile and user-friendly digital cameras are.
Agreed ! I don't want to start a new discussion about Kodak, but I just wanted to say I never understood why this company didn't try to stay in the game earning money with its printing department, while making sure everybody knows the brand is around by selling SD cards/speedlight flashes like mads and - why not ? - shifting to making lenses like Tamron and Sigma. This would have been a big leap for sure, but everything was better than stupidily waiting for the end.
@Alizarine Sure you can, but if so, much less, if any, is needed. If you have shot Kodachrome or Velvia (or other films, but these are exceptional) you know you can get fantastic shots without any extra help from a computer.
Jeff, I think the nuances and richness of the colors are outstanding without looking oversaturated. They are strong, yet natural. Look at the series of portraits, the red colors, the white colors, the skintones. And the amazing is that this just by clickling the shutter, no curves, no adjustment layers, no elaborate PP to fix the shortcomings of the digital image.
But the issues is how much did using Kodachrome 64 impact the final result compared to if the same photographer had used a modern high-end digital under the same conditions for the same shot. Are they any better because they were taken with Kodachrome 64 than they would have been taken with digital? If the answer is "no" because of the "noise" (grain) and lack of contrast/saturation control, the this is just an exercise in nostalgia. You appear to be implying that these shots ARE technically better. If so, in what way?
My thoughts exactly; there's no way, looking at those images, I'd have thought wow, those must have been made on film. Some aren't even that wonderful to me; they seem self-conscious and not particularly interesting; although others are wonderful.
Come on, tell me you know anyone who shoots 30/30 "wonderful" photos. Don't you think that your expectations are bit too high? And we never think "wow, those must have been made on film" because of the world shaped by Lightroom and Photoshop we live in as well as the amount of excellent shots created every day in the world. A truly excellent shot will defend itself even if made using cellphone. It doesn't mean though that film as such is a better medium for capturing life than digital.
the difference can only be appreciated when the proper medium is at hand. In the case of vinyl it will be a good pressed and good sounding vinyl, record player+amp+speaker combo, in image it will be a proper print. digital is catching though up in terms of resolution, and you can always apply tone curves and color profiles to make your image look 'analogue', as you have plugins that will give 'warmth' to the sound. we can always debate if digital has or hasn't yet reached that level of resolution either in audio, video or still image... but its pretty close nowadays.
I feel the same way. It seems to me that the love of film is due more to nostalgia than actual quality. I'm sure film-lovers will say that's not the case, but I'm just throwing my opinion out there.
Our expectations have indeed changed, though perhaps not for the better. I suppose you would have pounded that grain into submission with the noise reduction slider, turned down the saturation slider till the red blinkies went away, added a tone curve to get rid of some of that annoying contrast, and sharpened it up with some unsharp mask?
The beauty of film is that each one has it's own characteristics and quirks. Photographers call it the "look" of a film. Some are grainy, some are contrasty, some are colorful, and you choose the right look to match your artistic vision the way a sculptor would choose a block of marble to carve his masterpiece. And like a sculpture where the imperfections in color and texture in the rock contribute to the overall aesthetic of the work, so to does film grain add to the feel of an image.
I guess that's lost on some photographers these days.
The difference between past and present praxis is that more people now process their own digital photos than ever processed film. The nostalgic remembrance of glory days past is a feature of comments by film-lovers that has not always been borne out by reality. I've recently read an interview with a great exponent of landscape photography. When asked whether he had become a Photoshop expert (having of necessity converted to digital), he said he just told the technician how he wanted it to look - just as he had when he shot with Velvia.
I used to love Kodachrome 64 but I did switched to mainly Fujifilm Velvia 100 before the end of film arrived. This was mainly for the (almost) extra stop and being able to get it processed cheaper, quicker and not mounted. In the UK you could only really get Kodachrome processed by post by Kodak.
I'm sure the Kodachrome slides will outlast any of the E6 slides I have. Looking through my old film stuff it is amazing how little is worth scanning - but then I'm not Steve McCurry!
BTW: Think of the financial cost of nipping off to India with a few hundred rolls of Kodachrome. The business model of photography has changed sooo much.
The agony this photographer must have felt every time he squeezed off a shot from his VERY LAST roll careful to not waste a single frame. Now he knows to some degree the agony of the unwashed masses who had to buy their own film and shot so few keepers. Thank God for digital. That being said, these images while a tad "grainy" are beautiful.
I far much prefer 'grain' over ugly digital noise, color banding and all those artifacts. Something totally unnatural feeling, where that analogue grain really gives an image texture, and some 'luminous noise' is often nice to have. As much as modern digital is clean in good light, unless you're making a massive print, which no one does these days...
Of course it almost certainly was not in actuality the very last roll. There will be supplies in fridges here and there around the world for a while no doubt.
Only a litle over 8 minutes into this video and really enjoying it. Sad indeed, but paradigms do shift but fortunately memories will hold on. Thanks for sharing your experience with this wonderful yet now sad end of an era Steve. :)
I have to say, I'm moved to tears at the end. It's hard to let go of beautiful things, people, or an era. Great way to see it off Steve, excellent work.
(manually added) EXIF data would have been interesting. Especially ISO-value. Grain seems to be quite high in all shots. Dark areas miss detail. Sharpness could be better in modern standards.
The "feel" of the images is sure quite strong. Film camera increases "sadness" of the the subject.
Seeing these images, I miss old film ages less and less.
I very much enjoyed shooting this film. And my father shot dozens of rolls of it from the late 1950s to the early 1980s. Fortunately they all survived and look as brilliant as they did when they arrived in the mail after being processed in Palo Alto.
A photographer paying tribute to his "tool" of choice for such great moments in his career by shooting "the last roll" of Kodachrome could not be a more perfect final chapter for such a iconic image registering medium, one that even has the previous "honor" of having a song been written about it.
I love digital, but cannot but lament the dismissal of such a powerful photographic tool...I guess the tide of times just makes everything, sooner or later, obsolete, irrespective of its intrinsic and objective value.
It is also ironically sad while, at the same time, extremely reveling that he found fit to bring along his digital DSLR to test possible shots before actually expending the valuable Kodachrome frames.
Given that usually we take dozens, if not hundreds sometimes, of pictures, to get a few very good ones... I feel that having 36 out of 36 being a success, this was quite an achievement, that few of us could aspire to.
In this light, although I would have liked to see a wider range, subject wise, and geographically, on the last roll, I feel it was a nice closing. After all, the world is all about how it is seen, through various eyes. And those eyes, belong to the people.
A few nice shots.. but considering his reputation and ability to basically travel anywhere this series wasn't very inspiring or really made me appreciate kodachrome,, colors were not that great
Personally, I loved the vividness of fujifilm. There was something about it that I never experienced with any other film. Not intending to take anything away from Kodachrome - just saying.
Yeah go buy some Velvia, every camera store with a film cool I check out has packs of them... or buy 'miss' do you mean you don't have it in you to 'bother' with analogue? :/
I liked Velvia as well, although I used the 50. Reala was an excellent negative film as well.
While I liked them, I reluctantly have to say that digital gave me as much resolution and color that those did even in the 6mp days. But rolls of film will always hold a place dear in my heart.
Great video of a wonderful film and an incredible photographer. I began my photography with Kodachrome and loved the warm tones. This video is well done and I appreciate those who put it together. We have friends who have degrees in film history/production who have always known and used digital. I will be curious about their response to this video. Thank you for letting us know about it and sharing it.
Great Goodbye on the last roll, excellent shots all. I switched from Kodachrome to Fujichrome around 1984, but still can remember the Kodachrome's over-accented warm part of the spectrum. It was a pleasure to look at.
I did not find the photos on his Wordpress blog. Even your own link points to a gallery on his website instead, where these pictures have been available for ages. They are great of course but I fail to see what the news is.
Looks Great, but my last years of shooting slide film - I shot Fujichrome Provia 100F & not much of anything else. I personally think Fujichrome Blew Kodachrome away! ! I have a roll in my EOS-3 - probably been in the camera going on 2 years. I'll finish it some day this spring or summer.
The X-A7 is Fujifilm's latest, and most polished, entry-level APS-C mirrorless camera. With improved autofocus and a large touchscreen interface, we found ourselves really enjoying it.
With a fast lens, GPS and useful tracking features, and Raw support, Olympus's flagship rugged compact continues to be the best waterproof camera on the market.
While improvements like HyperSmooth 2.0 stabilization are truly impressive, the latest GoPro generation really only offers incremental upgrades – and that's looking like a trend we can count on in the foreseeable future.
The Lume Cube 2.0 is much improved on its predecessor, but we do have concerns about its smartphone app. It's also pretty pricey among its competitors, but its feature set and quality of light may win you over. Find out more in our full review.
The X-T4 brings image stabilization and a larger battery to the X-T series, but dig a bit deeper and you'll find a host of improvements and tweaks. See what we've discovered in the X-T3's sister model.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Nikon DSLRs in several categories to make your decisions easier.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Canon DSLRs in several categories to make your decisions easier.
The fixed lens camera market may be a bit niche, but it's here that you'll find some of the best cameras you can buy. Sensors ranging from APS-C to full-frame are designed to match their lenses, which cover ranges from 28-75mm equivalent, so image quality is top-notch.
Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we've chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media.
We think that the Nikon 50mm F1.4G and 85mm F1.4G are great all-around picks for APS-C and full-frame Nikon DSLR portrait shooters, respectively. Read on for more recommendations and all of our top lens picks for these systems.
The Sigma 24-70mm F2.8 DG DN lives up to Sigma's 'Art' standard, giving first-party lenses for E-mount and L-mount a run for their money. We put it to the test and came out impressed.
Our team at DPReview TV just finished reviewing Sigma's newest 24-70mm F2.8 lens and they found a lot to like. Check out these sample photos captured while filming their review.
Following our recent microphone pre-amp shootout there was a lot of controversy surrounding the results from the Sony a7 III. Our team tested a second a7 III body to verify the results and discovered some important things that could impact the rankings – depending on what microphone you use.
The patent shows how users could capture light field images with depth data to create immersive experiences that can be viewed on mobile devices or head mounted displays.
The Olympus AF-10 Super is by all stretches of the imagination, a very basic film point and shoot with limited features. But sometimes limitations can inspire creative workarounds – and creative workarounds can lead to really interesting photos.
NVIDIA's new RTX Studio-branded laptops combine NVIDIA's newest RTX Super GPUs with Intel's latest H-Series CPUs to deliver improved performance for creative professionals on the go.
Intel's new 10th generation Intel Core H-series mobile processors promise processing frequency up to 5.3 GHz. The six new chips range from four to eight cores and promise incredible mobile computing performance.
With a top prize of $13,000 worth of Zeiss lenses, plus a grant for a photographic project, competition for the Zeiss Photography Award was at a high. Here's a gallery of winning and shortlisted photographers from the fifth annual contest
Despite a nearly identical form factor and very similar specs, the Feiyu Pocket retails for just $249, an impressive $120 cheaper than DJI's Osmo Pocket.
The Phocus 3.5 for desktop app has received a number of new and improved features, while the 1.0.1 update for Phocus Mobile 2 is much less substantial.
Anamorphic lenses aren't typically used for still photography, so we decided to try it out using accessory lenses from Moondog Labs and Moment. As one of our editors discovered, it can be a fun, creative challenge.
We think the Canon EF 50mm F1.8 STM and Sigma 85mm F1.4 Art are the best all-around picks for APS-C and full-frame Canon DSLRs, respectively, but we've got more recommendations to meet a range of budgets.
Glimpse is a fork from the free and open-source GNU Image Manipulation Program, more commonly referred to as GIMP (although Glimpse's creator is hoping to change that.
Lots of people are suddenly working from home. For many, that means creating online videos for others to watch or logging time on video calls. We review some simple techniques to make your videos look and sound great, so you'll look more professional.
The X-A7 is Fujifilm's latest, and most polished, entry-level APS-C mirrorless camera. With improved autofocus and a large touchscreen interface, we found ourselves really enjoying it.
The pair of card readers include a new Thunderbolt 3 CFexpress Type B and XQD reader as well as an updated version of its CFexpress Type B and SD card reader.
Shooting with an unusually capable compact taught Technical Editor Richard Butler the real photographic impact of sensor size and F-number, along with the role math could play in lens design.
Whether it's your first time or you're rekindling an old love, here's everything you need to know to jump into the fun, DIY world of home developing and scanning.
ProRes RAW for Windows version 1.0 adds beta ProRes RAW and ProRes RAW HQ support to Adobe After Effects, Adobe Media Encoder, Adobe Premiere and Adobe Premiere Rush.
Comments