Latest sample galleries
Latest in-depth reviews
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Canon has today tipped digital SLR resolution over the twenty megapixel barrier with the new EOS-1Ds Mark III. The much anticipated Mark III version of the full-frame EOS-1Ds delivers medium-format threatening resolution; 5616 x 3744 (21.1 million) pixels to be precise, in a portable and robust five frames per second Canon EOS body. From a built, function and usability point of view the EOS-1Ds Mark III is identical to the EOS-1D Mark III apart from the full frame (36 x 24 mm) sensor, (naturally) larger viewfinder and UDMA support (up to 45 MB/sec) for Compact Flash cards. At full tilt (at five frames per second) the Mark III is processing an mighty impressive 185 MB of data every second.
Amstelveen, The Netherlands, 20 August, 2007: Canon raises the stakes in the professional photography market with the launch of the 21 Megapixel, 5 frame per second EOS-1Ds Mark III. Delivering 14-bit depth resolution from a newly developed 35mm full frame CMOS sensor, Canon’s new flagship digital SLR produces files that convert to over 100MB uncompressed 16-bit TIFF, setting a new benchmark in image resolution and sharpness for 35mm-format digital photography.
As well as producing outstanding colour rendition, Dual DIGIC III processors drive 5 fps continuous shooting for up to 56 Large JPEGs (12 RAW) – unrivalled by any other camera at this resolution. This capacity to shoot such large images uninterrupted is regarded as a big driver in switching studio photographers to the EOS platform.
The EOS-1Ds Mark III inherits the new technology platform introduced earlier this year in the EOS-1D Mark III, including 63-zone exposure metering, 19 cross-type auto focus system, a 3.0” LCD with Live View mode and EOS Integrated Cleaning System. The Highlight Tone Priority function expands dynamic range for more depth and detail in bright areas. The launch is supported with the announcement of Canon’s new ultra wide-angle lens, the Lens 2.
“Taking image quality and versatility to unprecedented levels, the EOS-1Ds Mark III redefines commercial photography conventions”, said Karz Suzuki, Head of Canon Professional Services. “The camera will strengthen Canon’s popularity amongst professional studio photographers. Culminating 20 years of EOS development, the EOS-1Ds Mark III represents a definitive moment in our company’s photographic history.”
The EOS-1Ds Mark III produces files that exceed the standard resolution requirements of leading agencies and stock libraries. The third generation CMOS sensor incorporates a new pixel design with on-chip noise reduction circuitry to ensure high image quality all the way to ISO 1600. 14 bit A/D converters provide a total colour depth of 16,384 tones per pixel - delivering smoother gradations and more accurate colour reproduction.
The option to expand to H:3200 will be welcomed by professionals working in churches and sensitive situations where the use of flash is not permitted or desired. Where discretion is paramount, a silent drive mode delays shutter re-cocking for as long as the shutter release remains depressed.
Highlight Tone Priority mode gives wedding and landscape photographers the option to boost dynamic range for highlights when shooting above ISO 200 – reproducing more tonal detail from wedding dresses, clouds and other bright objects.
Precision and control
The auto focus system includes 19 cross-type sensors with sensitivity up to f/2.8, spread across the AF area to better accommodate off-centre subjects. An additional 26 AF assist points help with AF tracking accuracy.
The control layout includes a dedicated AF-ON button on the back of the camera, allowing users to instantly switch auto focus on when composing. The viewfinder is now brighter with a wider angle of view, while the 63-zone metering system gives photographers a greater degree of control over exposure.
New LCD with Live View
The bright 3.0” LCD monitor provides 230K pixels resolution for precise framing and reviewing. Live View mode displays a real-time image on the LCD, including a selectable grid overlay and a live histogram that simulates image exposure. For the studio environment, remote Live View lets the photographer compose, adjust settings and capture the shot from a PC using the supplied EOS utility software.
New controls and menu
The EOS-1Ds Mark III’s menu incorporates a tab structure that eliminates scrolling for vastly improved readability and ease of use. Improving on previous models, personal settings and custom functions are consolidated into 57 custom functions grouped into four logical categories. Photographers can also now see at a glance any default setting changes. The My Menu option allows photographers to store frequently used settings on a separate menu for immediate access. Settings for recently released accessories such as the Speedlite 580EX II and the Wireless File Transmitter WFT-E2 can be controlled directly from the LCD. Along with a new dedicated ISO button, ISO is permanently displayed on the top LCD panel.
Shutter durability is increased by 50% to 300,000 cycles. A magnesium alloy casing with dust and moisture resistant seals protects the body. The EOS Integrated Cleaning System reduces, repels and removes dust from the sensor to significantly limit the need for manual cleaning. To avoid image loss, a warning alarm sounds if the memory card door is opened while images are still being written.
Interfaces include video out (for display in both NTSC and PAL formats – with the Live View mode ideal for live display to clients during the shoot) and USB 2.0. To prevent the USB cable becoming accidentally dislodged during shooting, a special connection secures it to the camera body.
Compatibility and accessories
As well as full compatibility with all EF lenses and EX Speedlite flashes and accessories, the EOS-1Ds Mark III is supported by the recently released Wireless File Transmitter WFT-E2. The WFT-E2 enables secure wireless uploads to FTP servers as well as remote access via HTTP and PTP protocols. The unit also connects wirelessly to external storage media and supports GPS tagging when used with a portable GPS device. For assignments where image protection and authenticity are crucial, the EOS-1Ds Mark III is compatible with the Original Data Security Kit OSK-E3.
Today’s launch coincides with the release of the EF 14mm f/2.8L II USM: Canon’s new professional L-series ultra wide-angle lens for the photographer requiring a slightly different perspective. As with many L-series lenses and the Speedlite 580EX II, the EF 14mm f/2.8L II USM incorporates environmental sealing to match that of the EOS-1Ds Mark III, creating a fully weatherproof camera system. Aspherical and UD lens elements produce exceptional image quality with improved corner-to-corner sharpness. The ring-type USM delivers fast, silent auto focus with full-time manual focus override. A circular aperture produces pleasing bokeh at wide apertures and Super Spectra coatings suppress ghosting and flare by suppressing internal reflections from lens element and sensor surfaces.
The EOS-1Ds Mark III is packaged with a comprehensive software suite to streamline the photographer’s workflow. This includes Digital Photo Professional (DPP) RAW conversion/processing software for complete RAW image processing control. DPP also integrates with camera features such as the Dust Delete Data and Picture Style. The camera also comes with EOS Utility, ImageBrowser/Zoom Browser and Photostitch.
|List price (body only)||US: $7,999
|Body material||Magnesium alloy (exterior, chassis and mirror box)|
|Sensor *|| 36 x 24 mm CMOS sensor
Full 35 mm size frame
RGB Color Filter Array
Built-in fixed low-pass filter (with self-cleaning unit)
21.9 million total pixels
21.1 million effective pixels
6.4 µm pixel pitch
3:2 aspect ratio
|Image processor *||Dual DIGIC III|
|A/D conversion *||14 bit|
|Image sizes (JPEG) *|| 5616 x 3744 (L; 21.0 MP)
4992 x 3328 (M1; 16.6 MP)
4080 x 2720 (M2; 11.0 MP)
2784 x 1856 (S; 5.2 MP)
|Image sizes (RAW) *|| 5616 x 3744 (RAW; 21.0 MP)
2784 x 1856 (sRAW; 5.2 MP)
RAW (.CR2; 14-bit)
|File sizes (approx.) *|| JPEG L: 6.4 MB
JPEG M1: 5.2 MB
JPEG M2: 3.9 MB
JPEG S: 2.2 MB
RAW: 25.0 MB
sRAW: 14.5 MB
|JPEG quality options||Each JPEG size (L, M1, M2, S) can be set to a quality level of 1 to 10 (1 high compression, low quality - 10 low compression, high quality)|
|Lenses|| Canon EF lens mount (does not support EF-S lenses)
No field of view crop (1.0x)
|Dust reduction *|| "EOS Integrated Cleaning System"
Self-cleaning sensor unit (filter in front of sensor vibrates at high frequency at start-up and shutdown - can be disabled)
Dust Delete Data - Data from a test shot is used to 'map' dust spots and can be later removed using Canon DPP Software
|Auto focus|| 45-point TTL
19 cross-type points, require F2.8 or faster lens *
Center cross-type point requires F4.0 or faster lens
26 assist points, require F5.6 or faster lens *
TTL-AREA-SIR with a CMOS sensor
AF working range: -1.0 to 18 EV (at 23°C, ISO 100)
|Focus modes|| One shot AF
AI Servo AF
|AF point selection|| Auto
Manual (all 19 or inner 9 / outer 9)
|AF assist||External Speedlite only|
|Exposure modes|| Program
63 zone metering linked to 19 AF points *
Evaluative (63 zone linked to active AF point)
|AE lock|| Auto: One Shot AF with evaluative metering
Manual: AE lock button
|Exposure compensation|| +/- 3.0 EV
0.3 or 0.5 EV increments
|Exposure bracketing|| 2, 3, 5 or 7 shots
+/- 3.0 EV
0.3 or 0.5 EV increments
ISO 100 - 1600
|Shutter|| Focal-plane shutter
300,000 exposure durability *
30 - 1/8000 sec
0.3, 0.5 or 1.0 EV increments
Flash X-Sync: 1/250 sec
|Aperture values|| F1.0 - F91
0.3, 0.5 or 1.0 EV increments
Actual aperture range depends on lens used
|Noise reduction|| Long exposure (1 sec or longer)
Optional for High ISO (default Off) *
|White balance|| Auto
Custom (up to 5 can be stored)
Kelvin (2500 - 10000 K in 100 K steps)
Personal WB (up to 5 can be preset in software *)
|WB bracketing|| +/-3 levels
Blue / Amber or Magenta / Green bias
|WB shift|| Blue (-9) To Amber (+9)
Magenta (-9) to Green (+9)
|Picture style *|| Standard
User def. 1
User def. 2
User def. 3
|Custom image parameters *|| Sharpness: 0 to 7
Contrast: -4 to +4
Saturation: -4 to +4
Color tone: -4 to +4
B&W filter: N, Ye, Or, R, G
B&W tone: N, S, B, P, G
|Color space|| sRGB
|Viewfinder|| Eye-level pentaprism
100% frame coverage
Magnification: 0.76x * (-1 diopter with 50 mm lens at infinity)
Eyepoint: 20 mm
Dioptric adjustment: -3 to +1 diopter
Precision matte screen Ee-C IV (interchangeable)
Eye-piece shutter available via lever
|Mirror|| Quick-return half mirror (transmission:reflection ratio 37:63)
Mirror lock-up (once or multiple exposures)
|Viewfinder info|| AF points
Focus confirmation light
ISO sensitivity *
Exposure compensation amount
Spot metering circle
Red-eye reduction lamp on
Flash compensation amount
Maximum burst for continuous shooting
|LCD monitor *|| 3.0" TFT LCD
7 brightness levels
|LCD Live view *|| Live TTL display of scene from CMOS image sensor
100% frame coverage
Real-time evaluative metering using CMOS image sensor
Best view or exposure simulation
Grid optional (thirds)
Magnify optional (5x or 10x at AF point)
Aspect ratio masking for 6:6, 3:4, 4:5, 6:7, 10:12 and 5:7
Remote live view using EOS Utility 2.0 (via USB or WiFi/Ethernet using WFT)
Manual focus only
|Record review|| Off
On (histogram via INFO button)
Display mode same as last used Play mode
2 / 4 / 8 sec / Hold
|Playback modes *||
1. Single image with exposure, file number, storage slot
|Playback features|| Optional blinking highlight alert
Optional AF point display
Magnified view (up to 10x)
2x2 or 3x3 thumbnail index
Jump (by 1, 10, 100 images / by screen, date or folder) *
Delete / Protect
Record audio clip up to 30 seconds
|Flash|| No built-in flash unit
E-TTL II auto flash / metered manual
Flash compensation +/-3.0 EV in 0.3 or 0.5 EV increments
X-Sync: 1/250 sec
High-speed flash with EX-series speedlites up to 1/8000 sec
Hot-shoe & PC Terminal
|Drive modes|| Single
Silent (single frame) *
High-speed continuous: 5 fps * (adjustable 5 - 2 fps)
Low-speed continuous: 3 fps * (adjustable 4 - 1 fps)
Self-timer: 2 or 10 sec (3 sec with mirror lock-up)
|Burst buffer *|| Large/Fine JPEG: 56 frames
RAW: 12 frames
RAW+JPEG: 10 frames
|Auto rotation *|| On (recorded and LCD display)
On (recorded only)
|Custom functions *||57 custom functions in 4 groups|
|My Menu *||Up to six menu options can be customized|
|Menu languages *|| English
|Wireless||Via WFT-E2/E2A (optional)|
USB 2.0 Hi-Speed *
|Storage|| Compact Flash Type I or II (supports UDMA) *
SD card slot (supports SD/SDHC) *
External USB hard drives (requires WFT-E2/E2A) *
Canon Original Data Security Kit supported ("Original Image Data")
|Storage options *|| Record to one memory card
Record same image to both CF and SD cards (backup)
Record RAW image to CF and JPEG to SD card
Overflow (once one card becomes full camera uses next card)
Copy from one card to another
|Power|| Lithium-Ion LP-E4 rechargeable battery * (supplied & charger)
|Power information|| Current power source
Current shutter count on this battery charge
|Dimensions *||150 x 160 x 80 mm (6.1 x 6.2 x 3.1 in)|
|Weight (no batt) *||1205 g (2.7 lb)|
|Weight (inc. batt) *||1385 g (3.1 lb)|
* New or changed compared to the EOS-1Ds Mark II
Canon’s CMOS technology is one of the company’s key competitive advantages, with noise reduction circuitry at each pixel site delivering virtually noise-free images. In comparison with CCD technology, the lower power consumption characteristics of Canon’s CMOS sensors also contribute to longer battery life.
Signal conversion in Canon’s CMOS sensors is handled by individual amplifiers at each pixel site. Unnecessary charge transfer operations are avoided, vastly speeding up the process of getting signals to the image processor. Noise generation is reduced, power consumption is limited and faster frame rate potential is increased.
EOS Integrated Cleaning System
The EOS Integrated Cleaning System combats sensor dust in three important ways: Reduce, Repel and Remove.
Canon has also developed an internal Dust Delete Data system, which can map the position of visible dust on the sensor. This can then be deleted automatically after the shoot with the latest Digital Photo Professional software.
Picture Style pre-sets simplify in-camera control over image qualities. Picture Style pre-sets can be likened to different film types – each one offering a different colour response. Within each selectable pre-set, photographers have control over sharpness, contrast, colour tone and saturation. The camera’s factory default configuration is set to deliver immediately-usable JPEG images without need for additional menu settings. Picture Style pre-sets applied to a RAW image can be revised with Canon’s Digital Photo Professional software.
The six presets include:
The User Defined Picture Style can be used to store up to three customized pre-sets, or any of the pre-sets available for download from Canon’s web site at www.canon.co.jp/Imaging/picturestyle/file/. Additionally, users can create their own custom Picture Style pre-sets using the supplied Picture Style Editor software.
Digital Photo Professional Software
Digital Photo Professional software provides high speed, high quality processing of lossless RAW images. Processing with Digital Photo Professional allows real-time display and the immediate application of image adjustments, giving control over RAW image variables such as white balance, dynamic range, exposure compensation and colour tone. Images can be recorded in camera with sRGB or Adobe RGB colour space. Digital Photo Professional supports sRGB, Adobe RGB, ColorMatch RGB, Apple RGB and Wide Gamut RGB colour spaces.
ICC (International Colour Consortium) profiles can be attached to TIFF or JPEG images when converted from RAW. This allows faithful reproduction of colours in software applications that support ICC profiles, such as Adobe Photoshop. For improved efficiency, a set of image adjustments can be saved as a combination and applied.
Improvements in the latest version of Digital Photo Professional include three times faster image previews, an enhanced Noise Reduction tool and simultaneous batch processing of TIFF and JPEG images.
The latest version of EOS Utility provides essential support for remote shooting control, camera configuration, remote Live View support and configuration of the new Original Data Security Kit OSK-E3 and Wireless File Transmitter WFT-E3 accessories. EOS Utility can be configured to monitor ‘hot’ folders, automatically renaming and moving incoming images to a structured file system – ideal for Wi-Fi transfers, or for commercial and studio photographers who want to shoot direct to a computer.
Canon has posted a firmware update for its EOS-1D Mark IV and EOS-1Ds Mark III full-frame DSLRs to allow them to work correctly with the new EF 200-400mm F4 L IS 1.4x lens. Firmware versions 1.1.3 (1D Mark IV) and 1.2.2 (1Ds Mark III) allow the cameras' central AF points to achieve focus with the lens when it is used with an extender, where the combined aperture is F8. Both updates are available for immediate download.
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
|A smile is worth a thousand words by alberto_b|
from Fill the frame
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.