Canon EF 300mm f/2.8 L IS II USM and EF 400mm f/2.8L IS II USM
Canon has introduced updated versions of two of its professional telephoto lenses, in the shape of the EF 300mm f/2.8 L IS II USM and the EF 400mm f/2.8L IS II USM. Both feature completely new optical designs, along with lighter weight construction employing magnesium alloy and titanium. Sub Wavelength Structure coatings are employed to minimize flare, plus water-repellant Fluorine coatings on the front and rear elements. A new IS mode has been added that activates stabilization only during exposure, alongside a 'Power Focus' mode for video shooting. The upgrades are rounded off by the addition of repositionable AF stop buttons and a choice of tripod mounts.
Outstanding design, exceptional performance – Canon sets new standards with the EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM
London, UK, 26 August 2010 – Canon today enhances its premium L-series with the launch of the new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM – two high quality super-telephoto lenses designed to meet the demands of professional photographers. Offering optical excellence and consistently high performance, the new lenses combine super-telephoto focal lengths, fast aperture and outstanding image quality, providing photographers with reliability and exceptional results.
Succeeding the well-respected EF 300mm f/2.8L IS USM and the EF 400mm f/2.8L IS USM, both new models will appeal to nature, wildlife and sports photographers. Each features a completely redesigned optical system and the latest iteration of Canon’s original Image Stabilizer (IS) technology, while an all-new magnesium alloy construction and titanium components ensure the designs are both robust and lightweight. The EF 400mm f/2.8L IS II USM is the lightest lens in its class*, offering unrivalled mobility due to an incredible 28% reduction in weight (1.5KG) compared to its predecessor, while the EF 300mm f/2.8L IS II USM offers photographers an 8% weight reduction.
Ultra high performance optics
Manufactured using the very best optical components, the new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM mark a significant step forward for Canon’s L-series, which is already renowned for its outstanding quality. Both lenses feature 16 elements in 12 different groups, using high performance fluorite lens elements that correct chromatic aberration to deliver high resolution and high contrast shots of the best possible quality – allowing photographers to capture images rich with edge-to-edge detail.
The optical elements also feature Canon’s latest Super Spectra Coatings, optimised for both the position and type of each lens element. A SubWavelength Structure Coating (SWC), which uses microscopic cone-shaped structures smaller than a wavelength of visible light, reduces ghosting caused by light bouncing back from the imaging sensor. Fluorine coating is also used on the front and rear elements of the lenses, repelling dust and dirt for clearer shots. The coating is also water repellent, keeping the front element free of water marks and smearing by ensuring water runs off the lens quickly.
New, improved IS and rapid AF
Both models feature Canon’s new Image Stabilizer system, providing outstanding results when the photographer is moving around and when capturing moving subjects. A 4-stop advantage offers greater image quality during handheld shooting, allowing users to shoot at speeds up for four times slower than normally required with minimal additional blur. Operation of IS mode 2 has been improved when shooting panning motion and a new third IS mode has been added, assisting users when quickly switching between subjects by activating the IS unit only during exposure.
Both lenses offer a constant f/2.8 aperture, allowing photographers to shoot at faster shutter speeds and capture clear shots of fast-moving subjects. The wide aperture also allows users to creatively isolate their subjects from the background, with a nine-blade circular iris creating dramatic and striking background blur that instantly adds beauty to an image.
Fast, quiet Auto Focusing (AF) is provided by a ring-type USM, new dedicated AF algorithms and a new high-speed CPU, which offer quick and accurate focusing during shooting. Photographers can also utilise full-time manual focusing functionality, which enables the adjustment and fine-tuning of focus even when the AF system is activated, providing even greater control over image capture. A new Power Focus mode aids focusing during video shooting, allowing the photographer to smoothly adjust focus during filming by twisting the focus recall ring.
All-new premium L-series design
Developed in line with Canon’s philosophy for the elite L-series, both the
EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM boast a refined design that reflects their status as market-leading, benchmark lenses. Both feature a new design layout, with carefully-positioned controls that improve operation in everyday use. The AF stop buttons are now location-adjustable, improving ergonomics by allowing users to custom-select the position of the lens grip, where the AF stop buttons are located.
A choice of dedicated tripod mounts provides added flexibility, allowing photographers to use a long or short foot suitable for monopods or tripods. A new rotational mechanism for the tripod collar also provides a smoother movement when turning the lens from portrait to landscape orientation. In addition, both models feature a new high quality exterior texture, while a new shade of white casing indicates the new advanced design and higher precision that each lens offers. A new Kensington-type wire security lock has also been added, allowing photographers to keep their lenses secure during location-based shoots.
A robust weatherproof design makes both lenses suitable for use in extreme conditions when paired with a weatherproof EOS body.
Complementary, high quality lens extenders
Both new models are compatible with the new set of Canon lens extenders designed for L-series super-telephoto lenses – the Extender EF 1.4x III and Extender EF 2x III. Manufactured to complement the new optical systems featured in both lenses, the Extender EF 1.4x III and Extender EF2x III will allow professionals to instantly extend the focal length of either lens by 1.4x or 2x respectively – enabling the capture of high quality, detailed images of subjects that may typically be beyond reach.
* As of August 2010
|EF 400mm f/2.8L IS USM||EF 300mm f/2.8L IS USM|
|Diagonal Angle of view (FF)||6°10'||8°15'|
|Lens Construction||16 elements/12 groups|
|Number of diaphragm blades||9, rounded|
|AF motor type||Ring-type Ultrasonic Motor|
|Image stabilization||4 stops|
|Filter thread||52mm drop-in|
|Supplied accessories||• Front and rear caps
• ET-155(WII) Hood
• 400C Hard Case
|• Front and rear caps
• ET-120(WII) Hood
• 300B Case
|Weight||3850 g||2400 g|
|Dimensions||163 mm diameter x 343 mm length||128 mm diameter x 248 mm length|
|Lens Mount||Canon EF|
|Canon EF 400mm f/2.8L IS USM II Super Telephoto Lens for...|
|scrum break away by al booth|
from Sport competition
|Parking Deck by Olaf R|
from Your City - Parking Garage
|Communication Tech by alberto_b|
|With & without by OBellini|
from Empty - Full
When one of his friends got a lens filter stuck on his $1,700 Canon EF 24-70mm F2.8L lens, former MythBuster Adam Savage removed it using an unlikely, terrifying tool: a band saw.
The New Yorker asked Magnum's famed photographers, in town for the agency's 70th anniversary, to go out and capture 'the fleeting beauty of New York City's golden hour.' This is what they shot.
Roger Cicala is a difficult man to impress, but he's been waxing lyrical over at Lensrentals about Sony's new 12-24mm wide zoom.
Glassware is one of the most challenging subjects to photograph, especially against a white background. This tutorial shows you how to do it with hardly any gear.
Handevision is now shipping its all-metal Iberit 90mm F2.4 short telephoto lens for Leica M-mount 35mm and full-frame cameras.
Isocell comprises four sub-brands: Bright, Fast, Slim and Dual which are tailored to specific mobile device market demands.
The new store will be located at the Fotografiska center for contemporary photography in Stockhom, Sweden and carry the full range of Hasselblad products.
A recent vacation gave Richard a chance to think about the needs of travel photography – and how our reviews might recognize the perfect travel camera.
Need more evidence that 2017 is the year analog begins its comeback? Well, welcome another new film stock to the world.
The winners of the 10th annual iPhone Photography Awards have been announced, and they're striking.
If you were disappointed by reports that the Sony a9 struggles with adapted Canon glass, you might be able to take some comfort from Metabones' latest update.
Blackmagic Design has dropped the prices of its Video Assist external monitor/recorders for a limited time. Prices of the SD card-based recorders will be reduced in all markets, while supplies last.
Instagram has started testing a new feature called 'favorites' that enables users to share photos with only certain people. Only a small number of users have access to the feature at this time, though it may roll out to everyone in the future.
Lensbaby has announced the Velvet 85 F1.8 for interchangeable lens cameras. The lens is available in Canon, Nikon, Sony E, Sony A, Pentax K, Samsung NX, Fuji X and Micro 4/3 mounts.
It's the end of an era. Parent company Micron has announced that they are discontinuing the Lexar retail brand. This includes 'memory cards, USB flash drives, readers, and storage drives.'
Youthful trainspotter turned adult photographer, John Sanderson has traveled across the United States, documenting the country's railroads. But you won't find any trains in his pictures.
Sony's new CMOS sensor is backside-illuminated and offers an all-pixel global reset function which should drastically reduce rolling shutter effect when panning.
Shoulderpod has converted its offerings into a lego-like modular system by offering all individual parts of existing products separately, allowing users to build exactly the rig they need for a specific project or simply replace a damaged part.
Photographer Felix AAA has spent the past ten years touring the world with a variety of musicians, capturing behind the scenes shots and portraits. He talks about some of his favorite images on the FujiFilm Blog.
A roll of film discovered in an Argus C2 from an Oregon Goodwill turned out to contain some incredible images – and has been re-united with the original owner's family.
Nikon's 28mm F1.4E ED appears to roundly complete the company's updated lineup of fast, professional prime lenses. We've already seen some initial images from a Nikon ambassador, but we've worked through a gallery of our own, with a lens of our own over the past week. Take a look.
Google is holding a competition that could see your Pixel photos gracing millions of screens.
Nikon's 100th birthday party continues worldwide as a distributor in Italy organized a one-of-a-kind feat: assembling the world's largest 'human camera' from over a thousand volunteers.
Ricoh has dropped the price of its Theta SC 360 spherical camera by to $199, a reduction of roughly $50. The camera features two 12MP sensors and can record Full HD video in addition to stills.
Photojournalist Pete Souza served as the presidential photographer for both Ronald Reagan and Barack Obama. In an interview with fellow photographer Marcia Nighswander, he discusses several of his most noteworthy images.
Photographer Michael Wolf has been documenting the crowded conditions of Tokyo's subway trains since the 1990s. The photos have gone viral regularly in the years since he started the project, and he just published the final edition in the series.
The just-launched OnePlus 5 is getting a minor update that should improve camera function.
A Belgian camera shop is showing off an extremely rare, limited 'Rex Edition' Nikon D500. The cosmetic alterations were provided by a customer's German Shepherd Rex, who got ahold of the camera within a day of its purchase.
Adobe says that many of its users have been relying on SkyBox for VR editing and it therefore made sense to make the plug-ins available to all subscribers through Creative Cloud.
The Pictar grip provides a number of customizable physical controls for your iPhone camera, but at its price point we would like to see better materials and build quality.