Canon EOS 350D / Digital Rebel XT
Pre-PMA 2005: Canon has today announced the sucessor to the EOS 300D / Digital Rebel, the new smaller, lighter, eight megapixel EOS 350D / Digital Rebel XT. This new camera incorporates many new features introduced with the EOS 20D and also enables control of settings as requested by EOS 300D owners. The default body color is now black, although a silver body will be available. Key points: 8mp CMOS, 3fps 14 frames, DIGIC II, smaller, lighter, custom functions, selectable metering & AF mode, USB 2.0 Hi-speed, lower introductory list price (US: $899 body only, Europe: €899 body only).
US name: Canon Digital Rebel XT
European name: Canon EOS 350D
Japanese name: Canon EOS Kiss Digital N
Phil: Note that Canon has subtly updated the Kit lens, but it's only cosmetic modifications, the actual glass / lens design is identical (still no USM here, although there was a USM lens on black kits in Europe and standard in Japan).
Canon upgrades world’s best selling digital SLR
Amstelveen, The Netherlands, 17 February, 2005 - Canon, a leader in photographic and imaging technology, today upgrades the EOS 300D with the 8.0 Megapixel, 3 frame per second EOS 350D Digital. The launch completes a refresh of the entire digital EOS line-up and confirms Canon’s commitment to digital SLR research and development.
“The EOS 300D kick started the digital SLR revolution, becoming the best selling model of all time, ” the EOS 350D Digital will now take over, playing a major role in Canon’s digital SLR strategy,” said Mogens Jensen, Head of Canon Consumer Imaging Europe. “Canon predicts the D-SLR market will double in size by the end of 2006.”
The EOS 350D Digital features a newly developed, second generation, extremely low noise APS-C size 8.0 Megapixel CMOS sensor – the fourth new CMOS sensor from Canon in just twelve months. It is powered by the same DIGIC II image processor found in Canon’s professional series D-SLR cameras, and features 3 frame per second, 14 frame burst operation, USB 2.0 Hi-Speed interface, simultaneous RAW and Large JPEG writing and 0.2 second start up time. The camera is more than 10% lighter and 25% smaller by volume than the EOS 300D. It is available in both black and silver finishes.
“The camera combines ease of use with many of the same compelling technologies found in Canon’s professional series EOS cameras, chosen by more than 70% of pro photographers at the 2004 Athens Olympics, ” observed Jensen. “For the first time, every camera in the EOS digital range now incorporates a Canon original CMOS sensor and Canon DIGIC II processor.”
In terms of speed and resolution, Canon now has the leading performance camera in every D-SLR segment; all launched since January last year:
- EOS-1Ds Mark II - 16.7 Megapixel full frame 35mm sensor, 4 fps
- EOS-1D Mark II - 8.2 Megapixel APS-H size sensor, 8.5 fps
- EOS 20D - 8.2 Megapixel APS-C size sensor, 5.0 fps
- EOS 350D Digital - 8.0 Megapixel APS-C size sensor, 3.0 fps.
With plain language menus, intuitive controls and default settings chosen to reflect general every-day use, the EOS 350D Digital is designed to appeal to digital still compact users looking to expand their creativity, and film SLR users who have been waiting for 8.0 Megapixel performance at this price point. It will be available as body only and in kit form with the new EF-S 18-55mm f/3.5-5.6 II lens.
Improvements over the EOS 300D
The new CMOS sensor and high performance DIGIC II performance lead a number of improvements to the EOS 300D. Other advances include E-TTL II distance-linked flash metering for easy, consistent and precise flash exposures. Users can now select between three focus modes: One-Shot AF, AI SERVO and AI Focus. Writing to memory card is 3.5 times faster and the interface is upgraded to USB 2.0 Hi-Speed for fast image downloads. Mirror lock-up and 2nd curtain flash have also been added.
The camera now features the same Monochrome mode found on the EOS 20D, allowing users to shoot in black & white with a range of filter effects. White Balance correction of both blue/amber and magenta/green bias is available to ±9 levels and WB bracketing is extended to include the magenta/green bias direction. Digital Photo Professional RAW image processing software – the same professional workflow software supplied with Canon’s €8,000 EOS-1Ds Mark II, has been added to the standard supplied software.
Low noise sensor and precision optics
The CMOS sensor features redesigned pixel sites, with improved capacity to isolate any residual charge remaining after the pixel site is reset. This is then subtracted from the exposure to suppress any random pattern noise. Improvements in image quality are particularly noticeable with long shutter exposures and high ISO settings, and result in more even rendering of uniform surfaces, such as blue skies. The low noise of the second generation CMOS sensor delivers clean images from ISO 100 through to ISO 1600.
The APS-C size sensor gives the camera a 1.6x magnification compared to 35mm cameras. The camera’s EF-S lens mount works seamlessly with all of the more than 60 Canon EF lenses – the world’s largest interchangeable lens system. It is also compatible with the four EF–S lenses developed for Canon’s APS-C format digital SLRs (the EOS 20D and EOS 300D) including the new
EF-S 60mm f/2.8 Macro USM lens.
Faster processing for better results
Underpinning the camera's performance is Canon's high-speed DIGIC II (Digital Image Core) processor, as found in Canon’s professional series EOS-1D Mark II and EOS-1Ds Mark II. DIGIC II is Canon’s second generation image processor, purpose built to handle the complex algorithms required for maximum image quality; optimally processing functions such as white balance and colour rendition. By integrating key functions onto a single processor, DIGIC II delivers superb quality images without trading camera responsiveness. "Digital image quality is dependent on three factors: lens quality, sensor performance and image processing capability,” said Jensen. “Canon is a developer, designer and manufacturer of the key components in each of the three critical technology areas: lens, CMOS sensor and image processor. It is the leadership position in each of these core technology areas that gives the EOS 350D Digital its edge.”
Focus can now be selected between One Shot AF (for single shot focusing), AI SERVO AF (for predictive tracking of subjects approaching at up to 50kph up to 10m away ) and AI Focus AF (switches automatically between One Shot AF and AI SERVO AF when subject movement is detected). This improves on the EOS 300D by providing direct selection of the three focusing modes. For more flexible focusing, AF point selection is now possible with the cross keys as well as from the main dial. Full time manual override is available with all EF Auto Focus lenses, while a new Precision Matte screen gives a brighter viewfinder image for easier, more accurate manual focusing.
The pop-up flash has a guide number of 13 and sits even higher (95.5mm) above the optical axis than on the EOS 300D, helping suppress red eye effect and reducing the possibility of lens barrel shadow. Angle of coverage extends to support wide lenses to 17mm. Flash compensation of ±2 stops in 1/3- or 1/2- stop increments is available with both the built-in flash and with all EX-series Speedlite flash units.
Print and review
Lab-quality prints can be produced without the need for a computer by directly connecting the EOS 350D Digital to any PictBridge compatible photo printer via the supplied USB cable. The new USB 2.0 Hi-Speed connection improves computer upload times, and is also compatible with USB 1.1 and Picture Transfer Protocol (PTP) for driverless transfers.
The 1.8" LCD is used to select and review photographs to be printed and set print variables. During image playback, it is possible to jump forward or back by date, by single image, or by groups of 10 or 100 images. Review display modes have been extended, making it possible to review an image without overlaying any information.
High-end exposure control
The EOS 350D Digital retains the accurate 35 zone TTL metering of the EOS 300D. The three metering modes (evaluative, partial, and centre weighted average) are now manually selectable and both exposure compensation and exposure bracketing are available in 1/2 stop increments as well as the 1/3 stop increments of the EOS 300D. The EOS 350D Digital retains the popular Programmed Image Control modes of the EOS 300D, such as Night Portrait, Sports, Close-up, Landscape, Portrait and Flash OFF.
Shutter speeds extend from 30 sec to 1/4000 sec, plus bulb and high-speed x-sync at 1/200s. The memory card slot supports 2GB and higher CompactFlash Type I and II cards. Optional wired or infra red wireless remote control is available. Seven preset White Balance settings (such as cloudy, tungsten, fluorescent, etc.) plus custom White Balance and ±3 stop White Balance Bracketing (WB-BKT) ensure that image colours match the photographer’s recollection of the scene.
Comprehensive accessories, software and online access
The EOS 350D Digital comes complete with NB-2LH battery pack, charger, USB cable, video cable, wide embroidered anti-slip neck strap. A new optional Battery Grip BG-E3 gives the camera a solid and balanced pro feel, particularly when the camera is fitted with longer lenses, and includes a shutter release and main dial for vertical/portrait shooting. It comes complete with one magazine that takes 6 AA batteries and another that takes two NB-2LH Li-Ion rechargeable batteries.
Purchase of the EOS 350D Digital entitles photographers to membership of the CANON iMAGE GATEWAY with a 100 MB online photo album for image uploads. As well as Digital Photo Professional RAW image workflow software, ZoomBrowser EX 5.1 (Windows) and ImageBrowser 5.1 (Mac) are included for handling image file transfers between camera and computer, managing and printing files, and preview and conversion of RAW images. PhotoStitch is included for seamless merging of panorama shots. Arcsoft PhotoStudio software allows artistic and creative manipulation of images.
|International naming|| US: Canon Rebel Digital XT
Japan: Canon EOS Kiss n Digital
Elsewhere: Canon EOS 350D
| US: $899
(kit inc. lens)
| US: $999
|Body material||Plastic (matte finish)|
|Sensor *|| 22.2 x 14.8 mm CMOS sensor
RGB Color Filter Array
Built-in fixed low-pass filter
8.2 million total pixels
8.0 million effective pixels
3:2 aspect ratio
|Image sizes *|| 3456 x 2304 (L)
2496 x 1664 (M)
1728 x 1152 (S)
|Output formats|| RAW
RAW + JPEG Large/Fine *
JPEG (EXIF 2.21) - Fine, Normal
|Image processor||DIGIC II *|
|Lenses|| Canon EF / EF-S lens mount
1.6x field of view crop
|Focus modes|| Auto Focus
Manual Focus (switch on lens barrel)
|Auto Focus|| 7-point TTL
AF working range: -0.5 - 18 EV (at 20°C, ISO 100) *
|AF modes *|| AI Focus
|AF point selection|| Auto
|AF assist||Flash strobe|
|Shooting modes|| Auto
Program AE (P)
Shutter priority AE (Tv)
Aperture priority AE (Av)
|Metering|| TTL 35 zone SPC
Metering range: EV 1.0 - 20 EV (at 20°C, ISO 100, 50 mm F1.4)
|Metering modes *|| Evaluative 35-zone
Partial 9% at center
|AE Lock||AE lock button|
|AE Bracketing|| +/- 2.0 EV
0.5 or 0.3 EV increments *
|Exposure compen.|| +/- 2.0 EV
0.5 or 0.3 EV increments *
Auto (100 - 400)
|Shutter|| Focal-plane shutter
30 - 1/4000 sec (0.5 or 0.3 EV steps *)
Flash X-Sync: 1/200 sec
|Aperture values|| F1.0 - F91 (0.3 EV steps)
Actual aperture range depends on lens used
|White balance|| Auto
|WB Bracketing|| +/-3 levels
Selectable Blue/Amber or Magenta/Green bias *
|WB fine-tuning *|| Blue (-9) To Amber (+9)
Magenta (-9) to Green (+9)
|Color space *|| sRGB
|Image params *|| Parameter 1 (con +1, shp +1, sat +1, tone 0)
Parameter 2 (con 0, shp 0, sat 0, tone 0)
Set 1 (con, shp, sat, tone)
Set 2 (con, shp, sat, tone)
Set 3 (con, shp, sat, tone)
B&W (con, shp, filter, toning)
(Set 1 - 3)
| Contrast (+/-2)
Color tone (+/-2)
|Drive modes|| Single
Continuous: 3.0 fps up to 14 JPEG / 4 RAW frames *
Self-timer 10 secs (3 sec with mirror lock-up)
|Mirror lockup *||Yes|
95% frame coverage
Magnification: 0.8x (-1 diopter with 50 mm lens at infinity) *
Eyepoint: 21 mm *
Dioptric adjustment: -3.0 to +1.0 diopter
Fixed laser matte screen
|Viewfinder info|| AF points
Exposure Level / Compensation
AF/MF focus confirmation
|DOF preview||Yes, button|
|LCD monitor|| 1.8" TFT LCD
115,000 pixels *
5 brightness levels
10x zoom playback
|Record review|| Off
On (Info, inc. histogram)
2 / 4 / 8 sec / Hold
|Flash|| Auto pop-up E-TTL II auto flash *
Guide number approx 13
Modes: Auto, Manual Flash On/ Off, Red-Eye Reduction
X-Sync: 1/200 sec
Flash exposure compensation: +/-2.0 EV (0.3 or 0.5 EV steps) *
Coverage up to 17 mm focal length (27 mm FOV equiv.)
|External flash|| E-TTL II auto flash with EX-series Speedlites *
|Direct printing|| Canon Card Photo Printers
Canon Bubble Jet Printers with direct print function
|Other features|| Orientation sensor
Automatically writes FAT16/FAT32 depending on capacity
LCD panel illumination
|Auto rotation|| On (playback uses orientation data in file header)
|Playback mode|| Single image
Single image with info (inc. histogram)
Magnified view (1.5 - 10x in 15 steps, browsable)
9 image index
Jump (by 10, 100 or date) *
|Custom functions||9 custom functions with 24 settings *|
|Firmware||User upgradable (uh oh!)|
USB 2.0 (Hi-Speed, approx. 2.6 MB/sec) *
|Direct Print|| Canon Compact Photo Printers and PIXMA Printers (supporting PictBridge)
|Storage|| Compact Flash Type I or II
FAT 12/16 and FAT 32 support
No CF card supplied
|Power|| Lithium-Ion NB-2LH rechargeable battery (supplied & charger) *
CR2016 Lithium battery (date/time backup) *
Optional ACK-700 AC adapter *
|Dimensions *||127 x 94 x 64 mm (5.0 x 3.7 x 2.5 in)|
|Weight *|| Body (no batt or CF): 490 g (1.1 lb)
Body plus battery and CF: 540 g (1.2 lb)
Body plus battery,CF and 18-55 mm II lens: 724 g (1.6 lb)
|Software *|| Digital Photo Professional
Zoom Browser EX
|Accessories|| Semi-hard case EH-18L *
EF and EF-S lenses
Canon Speedlites (220EX, 380EX, 420EX, 580EX, Macro-RingLite, MR-14EX, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2)
Battery Grip BG-E3 (takes two NB-2LH or 6 AA's) *
Remote Switch RS-60E3, Remote Controller RC-1 and RC-5
AC Adapter Kit ACK-700 *
* New or changed compared to the EOS 300D / Digital Rebel
I own it
I want it
I had it
Discuss in the forums
Storm chaser and award-winning photographer Mike Oblinski just released his latest time-lapse, and it is absolutely stunning.
Looking to level up your video capture capabilities without buying a whole new camera? Blackmagic's Video Assist 4K is well worth considering, despite a few flaws and its lack of 4K/60p support.
We're big fans of Fujifilm's fast-growing GFX system, and the GF 110mm F2 lens is no exception. Positioned as the system's classic portrait lens, its optics are just as impressive with non-human subjects as well.
Nikon turns 100 years old today, and the company is celebrating with a wacky music video, some tributes to its history, and a new vision presented by president Kazuo Ushida.
Phottix just released the Premio Parabolic Umbrellas series, replacing their Para-Pro line with a stronger, deeper and better made set of parabolic umbrellas.
The Moto Z2 is Motorola's first dual-camera smartphone and, compared to its predecessor, comes with a number of improvements and new camera features.
Researchers at Stanford have revealed a new '4D camera system' built for robots. The system is based on the same light field tech that allowed Lytro cameras to refocus images after they were taken.
If you want 'beautiful rendition' from your lenses, follow this simple rule: only buy classic low-element prime lenses with lead glass elements—everything else is junk.
In an interview with CNBC, Leica Chairman Andreas Kaufmann said he dreams of a 'true Leica phone,' and hinted at what's next for the Leica and Huawei partnership.
Wildlife and nature photographer Peter Mather tells the story behind this exceptional shot of a mama grizzly and her cub searching for salmon in Yukon, Canada.
Popular YouTube channel TastyTuts has put together this 33-video Beginner's Guide to Adobe Photoshop—a godsend for anybody who wants to learn Photoshop from scratch.
The long anticipated replacement for the popular Rode VideoMic Pro is almost ready for shipping. The price of the upgraded VideoMic Pro+ will be £290/$300 when it goes on sale in mid-August.
A new iOS app called Explorest wants to help you find new locations to shoot. It's limited to Singapore for now, but the app is packed full of useful location scouting features.
Nikon's D850 development announcement is extremely light on details, so we assembled a wish list of upgrades and features we'd love to see.
Nikon has announced the development of the long-awaited replacement to its full-frame D810: the D850. Nikon says that the D850 will build on the strengths of its predecessor and offer 'new technologies, features and performance enhancements.'
Lens manufacturer Voigtlander has introduced a 65mm F2 macro lens for Sony E-mount that it says "rates as one of the finest in the history of Voigtländer."
The UK released a preview of their upcoming drone safety regulations, and it looks like drone pilots will have to both register their device and pass safety awareness tests.
National Geographic photographer Bob Holmes talks about light, and why you need to learn how to 'see' and not just 'look' at your subject.
Photographer Alessandro Barteletti shares the story behind his National Geographic Italia cover, shot with a 10-year-old DSLR and an iPhone flashlight.
Fashion catalog photographers in China have some next-level models to work with. In this video, you see one model hitting 30 poses in 15 seconds as the photographer snaps away.
Photographer Paul Adshead breaks down 11 photography-related smartphone apps he couldn't live without—from a pocket light meter to a lighting diagram app.
Fast-growing Chinese flash brand Godox is teasing a brand new flash trigger... for smartphones. The Godox A1 is a 'phone flash system' that can act as both flash and 2.4GHz trigger.
On July 12, Canon opened its newest Technology and Support Center, designed to serve the motion picture industry, in Burbank, CA. DPReview got a sneak peak and takes you behind the scenes.
The Sigma 14mm F1.8 Art is truly one-of-a-kind. It offers the fastest aperture of any lens that shares its focal length, produces beautiful sunstars and is incredibly sharp to boot. If you're in the market for a fast ultrawide prime, this looks to be the one to get.
In this article, expert macro photographer Thomas Shahan shares advice for successful closeup photography of bugs, insects and small animals.
DJI's new firmware makes it difficult to fly in restricted airspace, even when you have proper clearance. Is DJI placing themselves between professionals and the FAA?
Go behind the scenes with National Geographic photographer Renan Ozturk and see what it takes to capture a dangerous, harrowing, stunning Nat Geo photo essay.
Erez Marom tells the story behind this ominous photo of the sand 'reaching up' towards the mountains at Skagsanden beach in Norway. He calls this photo 'Torment.'
DPReview staffer Carey Rose has taken the Panasonic Leica DG 15mm F1.7 along for everything from a city-side boat ride to a bachelor party across the mountains. Find out how the little Leica fared.
Canon just unveiled the largest 12-ink printer on the market. The new imagePROGRAF PRO-6000 printer can make prints from 17 all the way up to 60 inches wide.