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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
DxO Labs has released Optics Pro 9.0, a major update to its RAW conversion and image correction software. It offers improved highlight recovery, adds creative visual presets known as 'Atmospheres', and includes all-new 'PRIME' noise reduction technology that claims to offer significant image quality gains at high ISOs. The software is available to download now, with a special introductory price to November 20th. See below for full details.
With its award-winning and unrivaled image processing quality, DxO Optics Pro definitively emerges as the software of reference for the most demanding photographers
Special introductory offer through November 20, 2013
October 23, 2013 - DxO Labs announces the immediate availability of DxO Optics Pro 9, the major new version of its image-processing software. DxO Optics Pro 9 introduces PRIME, a revolutionary noise reduction technology whose spectacular performance produces detailed and vividly-colored images even under the most extreme shooting conditions.
Based on DxO Labs' exclusive approach of prior calibration of equipment in its laboratories, DxO Optics Pro integrates many powerful tools for automatically processing RAW and JPEG images: precise optical and geometric corrections, intelligent optimization of exposure and contrast, preservation of colors and details. Its numerous presets can be adapted to photographers' personal tastes and will help them bring out the best in their photos in just a few clicks.
Thanks to PRIME (Probabilistic Raw IMage Enhancement) denoising technology, which analyzes the structure of RAW images in depth in order to differentiate between noise and fine details, DxO Optics Pro 9 offers a gain in image quality of up to one full stop over the best noise reduction algorithms currently on the market.
"In contrast to the usual approach of finding a better compromise between image quality and execution speed, we have created a tool whose sole purpose is to obtain the best image quality possible," explained Frédéric Guichard, Chief Scientific Officer of DxO Labs. "For each pixel, more than a thousand neighboring pixels are analyzed. This vast exploration allows DxO Optics Pro to identify similar data that can serve to reconstruct image information. Several minutes may be required to do this, but this process takes place in the background, so users can work on other images and projects while they wait for the results."
PRIME technology results in truly spectacular images: noise is suppressed, and textures, details, and color saturation are preserved, particularly in shadows, for a beautifully natural look.
For photographers who prefer to denoise their images immediately, DxO Optics Pro 9 still offers a newly-improved high-quality "classic" denoising tool that produces finely-detailed renderings quickly, even at the highest sensitivities.
The exclusive DxO Smart Lighting feature optimizes the overall contrast of an image by intelligently adapting to its contents. This tool has been further improved in DxO Optics Pro 9, which now offers even more powerful highlight management: details that once were thought lost are revealed, even when the information is missing in the original RAW data, and colorimetric errors are minimized.
DxO Labs' highly precise knowledge of the way each camera reproduces color allows DxO Optics Pro to emulate the rendering of any camera on RAW images. DxO Optics Pro 9 goes even further by proposing a new color rendering called "DxO Portrait," which preserves skin tones and naturally-saturated colors.
DxO Optics Pro 9's library of presets has been completely redesigned. Portrait, Landscape, Black & White, Single-shot HDR: the new DxO presets respond to different use cases that photographers frequently encounter, and are supplemented by "Atmospheres," a new set of creative renderings.
A new visual presets window makes it easier for users choose which preset to apply to their images by letting them preview thumbnails of the rendering effects prior to application.
DxO Optics Pro 9 simplifies its workflow by allowing photographers to go directly from customizing their images to using and sharing them.
The "Export to Disk" feature lets users generate and save JPEG, TIFF, and DNG images in just a few clicks. The new "Export to Application" feature groups into a single transaction both processing and opening images in an external application, such as other DxO software products or other editors that specialize in photo retouching, panoramic shots, HDR, and cataloguing. Finally, the "Export to Flickr" feature adopts this same new approach, letting users process and publish their photos directly online in just one step.
The DxO Optics Pro interface has undergone another evolution, with a new workspace that highlights essential correction tools, optimizes vertical space, and reorganizes toolbars and palettes in an even more logical fashion. Further, it is now possible to access context-sensitive help directly in the correction palettes.
The Standard and Elite editions of DxO Optics Pro 9 for Mac and Windows are now available in the DxO Labs line store (shop.dxo.com) and at photo resellers at a special discount through November 20, 2013:
GBP (Suggested retail prices, including VAT):
EUR (Suggested retail prices, including VAT):
Photographers who acquired a DxO Optics Pro 8 license on or after September 1, 2013, are entitled to a free upgrade to version 9. Other customers can benefit from a special discount on their upgrade directly from their customer account through November 20, 2013.
A fully-functional trial version of DxO Optics Pro 8, good for one month, is available on the DxO Labs website (http://www.dxo.com/intl/photography/download).
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DxO Labs has updated its Optics Pro Raw conversion software to version 8.1, adding support for five cameras: the Sony NEX-6, Olympus PEN E-PL5 and E-PM2, and Canon Powershot G15 and S110. An enhanced print module now offers colour management and sharpness adjustment for printing, and there's also an option to output JPEG or TIFF files with EXIF data removed. The software is available immediately from the DxO Labs online store, with a special end of year price through to December 25th 2012.
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
Much of the Fujifilm GFX 50R is very familiar, but its smaller size and redesigned controls serve to make the 50R handle very differently from its elder sibling. Here's a detailed look at what's different – and what isn't.
Sigma took the wraps off five new lenses at Photokina this year, and we were there to see (and handle) them for ourselves. Click through for more information, and some early first impressions.
Ricoh has announced the development of a third model in its popular GR lineup: The forthcoming GR III will feature an updated sensor and redesigned lens. We're at Photokina, where we took a quick look earlier at an early sample, behind glass.
It's been a busy old day for news: it's not often you get promised three full-frame cameras by different brands and still have a debate about whether they're the most interesting announcements. To make sure you've not missed anything, we've condensed the day's news down into an easy-to-swallow, er, digest.
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced give new lenses at Photokina, including a 'Sport' series 70-200mm F2.8 and a 56mm F1.4 for Micro Four Thirds and Sony E mounts.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.