Zeiss announces 'no compromise' Otus 55mm F1.4
Zeiss has announced the Otus 1.4/55, a premium manual focus 'normal' lens for full frame SLRs. It's the first in a new line of lenses aimed at 'uncompromising professional' photographers, with a price tag to match - €2,940 or US$3,999 (excl. VAT). According to Zeiss it's named Otus after 'a type of owl known for its excellent vision in darkness'. On the technical side, it employs a Distagon design that's unusually complex for this class of lens, with 12 elements in 10 groups to minimise aberrations even when shooting at maximum aperture.
No-compromises image quality with the new ZEISS camera lens
The ZEISS Otus 1.4/55 stands out with technical features ideal for all-around professional photography with 35mm DSLR cameras
OBERKOCHEN/Germany, October 7, 2013: With an imaging performance that has hitherto only been seen with medium format systems, the new ZEISS Otus 1.4/55 offers ambitious photographers who do not accept any compromises in image quality the possibility for a more compact gear. DSLR cameras with high resolution 35mm sensors put enormous demands on lenses. The Otus1.4/55 can deal with these demands thanks to its outstanding sharpness, high image contrast and no visible chromatic aberrations. It creates the highest-possible image quality, even with an open aperture. The new ZEISS lens is especially suited for advertising, fashion and studio photography, and professional photographers working in these fields will not need to make any compromises in terms of performance and quality. The Otus 1.4/55 is the first lens in a family of uncompromising professional lenses from ZEISS. Additional focal lengths will follow. Otus is the Latin name for a type of owl known for its excellent vision in darkness — just like this new high-speed lens from ZEISS.
“Our goal was to bring the best standard lens for SLR cameras onto the market. The Otus 1.4/55 delivers outstanding sharpness and contrast rendition all the way into the corners of the image. The only way we could achieve this was through the complex Distagon optical design, which until now has only been found on wide-angle lenses,” explains Christophe Casenave, product manager for ZEISS Camera Lenses. “Thanks to the low level of longitudinal chromatic aberration, there are no visible aberrations. So an illuminated harbor scene by night with many light sources in front of and behind the actual focal plane appears close to reality, without displaying complementary, color contrast edges. The excellent performance delivered by Otus is constant for all shooting distances. Its high performance with an open aperture also makes this lens a good choice for close-ups or portraits. For architectural and landscape photography, the Otus 1.4/55 takes full advantage of modern high-resolution camera sensors, resulting in impressive resolution in the images, even for the smallest detail.”
Other unique features of the Otus 1.4/55 are its high image contrast all the way to the edges (even for low f-numbers) and the consistent high-resolution performance across the entire image field. The lens has a completely new optical and mechanical design, which was developed taking into account the special and increasing requirements of high-resolution DSLR cameras. The Otus 1.4/55 is equipped with a floating elements design with 12 lens elements in 10 groups, including a double-sided aspheric lens and six lenses made of special glass with anomalous partial dispersion. These sophisticated features create image results without color fringing or distortion. Cameras with a lower number of pixels will also benefit from the lens’s unique features.
The performance delivered by the Otus 1.4/55 is especially obvious with night shots. When taking pictures with many image-dominant, open light sources, it is common for correction defects to show up. Because the Otus 1.4/55 is an apochromatic lens, longitudinal chromatic aberrations are corrected by its lens elements of special glass with anomalous partial dispersion. The color defects are therefore significantly lower than the defined limits. Bright/dark transitions in the image, and especially highlights, are rendered with no colorful artifacts. Although it is not a traditional focal length for architectural and landscape photography, here, too, the lens can deliver very good results. The edges of the image can be used for all apertures, giving full rein to the photographer’s creativity. For portraiture, the Otus 1.4/55 render the finest details precisely, and thanks to the maximum aperture of f/1.4, the photographer can consciously play with the depth of field and create a smooth bokeh. The Otus 1.4/55 stands out not only for its highly detailed pictures with no bothersome artifacts, but also for its mechanical quality. The smooth focus operation with the large angle of rotation allows for the finest variations when focusing — qualities that are only possible in a metal barrel. Its design as a manual focus lens allowed the engineers to work with much smaller tolerances during the construction. The lens’s robust metal barrel with the easy to grip focus ring makes it perfect for the demanding everyday situations of professional photographers, and guarantees a long product life. The yellow labels on the scales, which are borrowed from the professional ZEISS cinema lenses, contribute to better visibility. For its innovative product design, the Otus 1.4/55 already won the iF product design award 2013.
The Otus 1.4/55 will be available with F bayonet (ZF.2) and EF bayonet (ZE) starting at the end of October in all global markets. The recommended retail price will be €2,940 or US$3,999 (excl. VAT)*.
More information can be found on www.zeiss.com/photo.
*Status 7 October 2013
|Lens type||Prime lens|
|Max Format size||35mm FF|
|Focal length||55 mm|
|Lens mount||Canon EF, Nikon F (FX)|
|Aperture notes||Nikon mount (ZF) version has aperture ring, Canon (ZE) version does not.|
|Special elements / coatings||1 double-sided aspheric element, 6 anomalous partial dispersion glass elements|
|Minimum focus||0.50 m (19.69″)|
|Full time manual||Yes|
|Weight||970 g (2.14 lb)|
|Diameter||92 mm (3.64″)|
|Length||141 mm (5.55″)|
|Materials||Metal barrel, metal mout|
|Filter thread||77.0 mm|
|Nikon mount version, with lens hood|
|The ZEISS Otus 1.4/55 uses a complex Distagon lens design with 12 elements on 10 groups|
Sep 15, 2016
May 22, 2014
Dec 18, 2013
Nov 22, 2013
By combining his skills as a time-lapse filmmaker and an engineer, Julian Tryba created this out-of-this-world creative 'layer-lapse' of New York City that alternates between night and day in time with the music.
Canon Japan's new lineup of novelty camera-themed gifts was just revealed online, including a lens mug and lens thermos, two retro camera-themed USB drives, and a picnic mat.
The Profoto A1 most certainly isn’t for everyone [...] But for those who are used to using the Profoto systems, and want something that pairs seamlessly with the strobes you already have, there is no better companion.
Fujifilm has asked a US district court to clear it of any wrongdoing, after allegedly being threatened with trademark litigation by Polaroid.
While a couple of our reviewers are out testing the Sony a7R III in Arizona, back in Seattle we slapped the camera in front of our studio scene to get a close look at its image quality. See how it stacks up against the competition.
We're counting down our top 10 most popular sample galleries of 2017, and the #8 ranking belongs to the Nikon D7500.
B+W has announced a new aluminum filter holder that offers three slots so users can use multiple filters at the same time. The holder goes with the 2mm thick 100mm square filters it launched earlier this year.
8K video is coming a lot faster than you think, and Blackmagic is ready for it. Meet the DeckLink 8K Pro, a new high performance PCI-E capture and playback card built to handle 'real time high resolution 8K workflows.'
"Glass is everywhere in photography. From Eugène Atget’s reflective vitrines to Lee Friedlander’s sly self-portraiture, photographers have long been in thrall to the visual complications glass can inject into a composition."
Former Apple Aperture lead developer Nik Bhatt has designed an iOS app called RAW Power that lets you edit raw photos from your professional camera using your phone and tablet.... color us intrigued.
Advertising photographer Blair Bunting got his hands on the new Microsoft Surface Book 2, and it blew him away. Bye bye MacBook Pro...
The OnePlus 5T retains many of the 5's features and specs, but comes with an edge-to-edge display and a dual-camera that is optimized for low light.
Sony's recently announced IMX461 backside illuminated medium format sensor will bring 100MP resolution and almost 2x the speed to the next-gen Fuji GFX and Hasselblad X1D.
With the ‘Rent a Hasselblad’ camera equipment renting program, the camera makers is aiming to give enthusiast and professional photographers easier access to its medium-format photography products.
They say seeing is believing, and that's exactly what happened when one DPR staffer took the Google Pixel 2 out for an afternoon shooting under challenging conditions.
We're counting down our top 10 most popular sample galleries of 2017. At the #9 spot we have the Fujifilm GFX 50S, a medium-format camera that took CP+ 2017 by storm.
Instagram is testing a new feature that lets you follow hashtags in addition to people, making it possible to keep track of your favorite #landscapes or #portraits without leaving your home feed.
Despite the gigantic volume of second hand film bodies in existence, it seems there is still a demand for new 35mm SLRs with a retro feel. The latest is a remake of the Ihagee Elbaflex from the 1960s, but with a Nikon F mount.
The Polaroid Insta-Share Moto Mod straps an instant printer directly to your Moto Z smartphone, so you can print your photos as soon as you've captured them.
The Mitakon Speedmaster 135mm F1.4 lens is being relaunched in 7 different mounts, including: Sony A, Sony E, Canon EF, Nikon F, Fujifilm G, Pentax K, and Leica L. Got an extra three grand lying around?
In January, Kodak announced it would bring back the beloved slide film Ektachrome. The timeline has been pushed back a bit, but Kodak says you can expect to purchase Ektachrome again in 2018.
Instagram popularity is threatening some of the most beautiful landscapes in the US, as hordes of 'nature lovers' trample over the same spots over and over again in search of the same exact shot.
You’d have to be pretty brave to immerse your $50K RED cinema camera underwater. But if you've got the guts, Gates just released a new housing you can be pretty sure won't wreck your unbelievably expensive toy.
Adobe has released a 'Lightroom Downloader' app for Windows 10 and macOS High Sierra that allows you to download all of your images from the Adobe Cloud, all at once.
After releasing a popular 4K action cam and an affordable mirrorless M43 camera, Chinese camera maker YI is diving into yet another market: 360° VR. Meet the YI 360 VR: a powerful little two-lens camera that can shoot and stream in 4K.
The DJI Spark has received a lot of attention thanks to its diminutive size, but how does it stack up? In our review, we take a look at what it's like to fly this pint-sized drone, as well as what's in it for photographers.
Between now and the end of the year we'll be counting down our top 10 most popular sample galleries of 2017. Coming in at #10 is a fast wide prime and part of the highly-acclaimed Sigma Art series.
DxOMark has awarded the Pentax 645Z 101 points, making it the second-highest scoring medium format camera it's tested (or the highest scoring from 2015 to now, based on the originally published results).
A small explosion that sounded like a gunshot caused a panic and 24 flight cancellations at Orlando International Airport last Friday. As it turns out, it was a camera battery that exploded inside a traveler's bag.
At last, a premium superzoom bridge camera with phase detect autofocus. Is this the best all-in-one camera ever made? Read on.