Latest sample galleries
Latest in-depth reviews
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Superzoom specialist Tamron has today announced the development of its most ambitious lens yet, the characteristically snappily-titled AF 18-270mm F/3.5-6.3 Di II VC LD Aspherical (IF) Macro. Designed exclusively for digital SLRs with APS-C sensors, this optic offers a 35mm-equivalent range of 28-419* mm, perfect for owners of megazoom compacts looking to upgrade to an SLR, and incorporates the company's 'Vibration Control' optical image stabilisation system. To achieve the spectacular zoom range (billed as the longest in the world),Tamron has used all its design nous, including the use of aspheric elements and low dispersion glass to keep chromatic aberration under control.
The company has not yet announced pricing or availability information. It will initially only be available in Canon and Nikon mounts. *35mm-equivalent focal length ranges will be 27mm - 405 mm on Nikon and 29mm - 432mm on Canon.
A Technological Breakthrough—World’s Longest Range 15X Zoom Lens Has Exclusive Built-In Vibration Compensation Mechanism Optimized for Consumer Digital SLR Cameras
July 30, 2008, Saitama City, Japan — Tamron Co., Ltd., under the leadership of Mr. Morio Ono, President, has announced the development of a unique ultra high power zoom lens—the Tamron AF18-270mm F/3.5-6.3 Di II VC LD Aspherical (IF) MACRO (Model B003), the first1 digital SLR lens in the world that delivers a remarkable zoom ratio of 15X (28-419mm equivalent) and is equipped with a highly effective Vibration Compensation (VC) mechanism. Designed exclusively for digital SLR cameras with APS-C sized image sensors2, the new lens delivers outstanding image quality over its entire zoom range and its exclusive VC anti-shake system facilitates sharp handheld photography even at the longest telephoto settings.
With its vast zoom-range, the Tamron AF18-270mm F/3.5-6.3 Di II VC lens enables the user to cover virtually any photographic subject from wide angle to ultra telephoto simply by turning the zoom control. It covers angles of view equivalent to 28mm to 419mm when converted to the 35mm format3. In addition, this breakthrough lens is equipped with Tamron’s exclusive, proprietary tri-axial Vibration Compensation (VC) mechanism that eliminates or substantially reduces the effects of handheld camera shake. As a result, the user can enjoy the convenience of handheld photography in virtually any situation, from shooting candid images, to covering sporting events, to news photography, without worrying about camera shake having an adverse effect on image quality. The new lens will be made available in Canon and Nikon mounts. The price and launch date of the new lens will be announced at a later date.
Since launching the Tamron AF28-200mm F/3.8-5.6 (Model 71D) in 1992 that was highly acclaimed as the first high power zoom lens suitable for practical use, Tamron has continued to develop innovative zoom lenses as the “pioneer in high power zoom lenses”. With the AF18-200mm F/3.5-6.3 XI Di II (Model A14), Tamron realized an 11.1X zoom power for the first time in a zoom lens exclusively designed for digital SLR cameras and expanded the telephoto range further to 13.9X with the AF18-250mm F/3.5-6.3 Di II (Model A18), making steady progress in extending the range of high performance, high power zoom lenses.
Tamron’s engineers faced the even more formidable challenge of finding solutions for the problem of “handheld camera shake” while expanding the telephoto range even further and have eventually developed the AF18-270mm F/3.5-6.3 Di II VC. This lens has attained the maximum zoom power of 15X for the first time in the world, namely as a zoom lens exclusively designed for digital SLR cameras. It enables the user to cover an extremely wide angle-of-view range equivalent to a 28mm-419mm lens in the 35mm format. In addition, the lens is equipped with Tamron’s original and exclusive VC mechanism that effectively compensates for “handheld shake”, which would otherwise become visible as un-sharpness or blur in images shot handheld. Moreover this system is effective over the extremely wide focal length range of this extended ultra telephoto lens and Tamron’s VC mechanism provides maximum compensation performance at all focal lengths. The VC system enables the user to enjoy the full benefits of ultra-tele photography comfortably and provides amazingly stabilized viewfinder images as well. In short, this unique VC image stabilization system delivers the maximum potential built into the world’s longest-ratio zoom lens—15X.
Tamron was able achieve all these remarkable accomplishments thanks to its advanced optical/mechanical design technologies and production know-how accumulated over 16 years as the pioneer in high power zoom lens design, and its commitment to ongoing research and development. Even more important, in combining an amazingly high zoom ratio along with the VC function Tamron has maintained a high priority on its traditional goals of lightness and compactness. As a result the new Tamron AF18-270mm Di II VC delivers all the functionality and performance you expect from the latest Tamron ultra high power zoom, a lens that exemplifies our time-honored concept of “One great lens covering everything from wide angle to telephoto”.
1. World’s first and greatest zoom ratio of 15X, covering 28-419mm 35mm-equivalent angle of view
Going back to the basic concept of “one lens covering everything from wide angle to telephoto,” engineers at Tamron took up the difficult task of expanding the zoom range of Tamron’s high power zoom lenses even further. Their unstinting efforts to extend the telephoto end beyond previous limits while retaining the wide-angle end at 18mm has borne fruit as an ultra high power zoom lens that is exclusively designed for DSLR cameras and boasts the greatest zoom range of 15X for the first time in the world.
2. Tamron’s original VC mechanism for effective shake-free hand-held photography
Tamron’s proprietary VC (Vibration Compensation) mechanism was built in the AF28-300mm F/3.5-6.3 Di VC (Model A20) for the first time. It demonstrated its powerful compensation effect employing a tri-axial system that is designed to let three coils drive a compensator lens electromagnetically via three steel balls. Since the compensator lens is supported on rolling steel balls with very low friction, follow-up performance is also enhanced, resulting in stabilized viewfinder images. Since the mechanism is designed to allow parallel shifting of the compensator lens solely by means of electrical control, the mechanical construction is simpler and more compact, so the lens can be kept as small and light as possible.
3. Designing a high power, compact zoom lens with VC mechanism: Optical design optimization meets optimum power distribution
In developing the long-range zoom lens, Tamron’s optical designers pursued the optimum distribution of power within the overall optical system based on the optical design know-how Tamron accumulated over 16 years since the introduction of the first compact AF28-200mm in 1992. The resulting optical system uses two LD (Low Dispersion) glass elements and three aspherical elements in order to effectively compensate for various aberrations including astigmatism, yet this design allows the first optical group to be small enough in diameter to realize the overall goal of a compact lens that incorporates a handheld-shake compensation mechanism.
Note: In order to realize the high zoom ratio of 15X, the optical system does not use any XR (extra dispersion glass) element. Instead, compactness is achieved through optimization of the power distribution within the whole optical system.
4. Minimum focusing distance of 19.3” over the entire zoom range for the max. mag. ratio of 1:3.5
The AF18-270mm Di II VC allows close focusing down to 0.49m (19.3 inches) from the subject over the entire zoom range even though it incorporates the VC mechanism. The maximum magnification ratio of 1:3.54 at its 270mm telephoto end is the top class capability among high power zoom lenses exclusively designed for digital SLR cameras.
5. Optical system optimized for digital SLR cameras by taking incident rays of light reaching the image sensor into consideration
In order to effectively compensate for changes in aberrations due to zooming, the zoom lens employs an innovative optical system that is designed to converge the angles of rays of light entering from the center to the periphery of the lens. The light rays thus reach the image sensor within a defined circle that assures high imaging performance and reduces light falloff.
6. High resolution performance
As a lens exclusively designed for digital SLR cameras, this zoom lens delivers high resolution and contrast performance for outstanding image quality with sufficient flatness of the field under an extremely wide range of photographic conditions.
7. Thorough countermeasures, including advanced internal surface coatings, prevent ghosting and flare
Tamron employs multi-layer coatings in order to reduce reflections on lens surfaces as well as internal surface coatings (coatings on the cemented surfaces of lens elements) in order to minimize reflections from the sensor itself within the mirror box, a problem inherent to all digital SLR cameras.
8. The world’s first and greatest zoom power of 15X plus built-in VC mechanism achieved along with a remarkably slim maximum diameter of less than 80mmDesigning a lens with the world’s first and greatest zoom ratio of 15X inevitably entailed a larger travel distance of the components within the optical systems, but Tamron has successfully accommodated the optical system as well as the special VC mechanism in a remarkably compact and slim package by employing mechanical design technology accumulated over many years. The result: A slim design measuring less than 80mm in diameter despite the fact that it is an ultra high power zoom lens that incorporates a VC mechanism. Production engineering this unique zoom lens meant incorporating complex optical/mechanical components, and Tamron’s engineers had to employ innovative manufacturing techniques including methods of further enhancing accuracy, reducing weight, and increasing the strength of many components.
Note: In order to achieve the world’s first and greatest zoom ratio of 15X, metal mounts are used in both Canon- and Nikon-mount lenses.
9. Zoom lock mechanism for convenience in carrying the outfit
The lens has a built-in zoom lock mechanism to prevent its barrel from sliding forward when the lens is being carried on the camera.
10. Flower-shaped lens hood as a standard accessory
The lens is supplied with a flower-shaped lens hood as a standard accessory. It is designed to efficiently cut harmful light entering at angles other than intended angles at all four corners of the frame. This ensures clear, flare-free images.
11. New outer design matches the newest generation high power zoom lens in the digital era
1 “The world’s longest zoom range” and “world’s first” are statements that apply to interchangeable lens exclusively designed for digital SLR cameras equipped with APS-C sized image sensors, as of June 2008, according to Tamron’s survey.
2 Di (Digitally integrated) II lenses employ optical systems designed for exclusive use on digital SLR cameras equipped with smaller sized (APS-C sized) image sensors. Di II lenses are not designed for use with 35mm film cameras or digital SLR cameras with image sensors larger than 24mm x 16mm. (This special note “APS-C sized image sensors” is hereinafter omitted.)
3 Tamron’s conversion value is 1.55X
4 A format covered by an APS-C sized image sensor is smaller than that of 35mm format film. Therefore, this lens is capable of filling the frame by capturing an area that is almost the same as an area covered by a lens designed for the 35mm format and providing the maximum magnification ratio of 1:2.3.
|Lens name||AF 18-270mm F/3.5-6.3 Di II VC LD Aspherical (IF) Macro|
|Focal length||18 - 270 mm|
|Maximum aperture||f/3.5 - 6.3|
|Lens construction||13 groups 18 elements|
|Closest focus distance||49 cm|
|Filter attachment size||72 mm|
|Dimensions||101 mm × 80 mm (3.8 in × 3.1 in)|
I own it
I want it
I had it
Discuss in the forums
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
|A smile is worth a thousand words by alberto_b|
from Fill the frame
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.