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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
1 Pro DSLRs, Pro Photographers
|Nikon D4, Nikkor 35mm F1.4 AIS (exposure not recorded). Lighting: Profoto Pro-7b power pack and heads with 5-foot Octa softbox (camera right) and silver umbrella (camera left). John Lok/The Seattle Times.|
The Canon EOS 1D X and Nikon D4 offer all of us tantalizing looks at the top of the technology ladder for pro cameras. Yet there's no denying that these DSLRs are developed primarily to serve the unique needs and demands of working professionals such as photojournalists. For them, features like durability, intuitive ergonomics and lightning fast performance are non-negotiable requirements that can mean the difference between getting published and being out of work.
With this in mind, we recently sat down with two Seattle Times staff photographers to get their take on what it's like to use these cameras on a daily basis. Dean Rutz, a longtime Canon shooter has been using the EOS 1D X since its launch. John Lok has shot professionally with the Nikon D3s in addition to the Canon gear issued by the Times. At our request, he agreed to spend a few weeks using the Nikon D4 for many of his daily assignments.
|Canon EOS 1D X, EF 400mm F2.8L IS USM ISO 800, 1/1000 @F2.8. Dean Rutz/The Seattle Times.|
In this interview, both photographers give us their take on Canon and Nikon's latest pro bodies, providing a wide-ranging and inside look at what it's like to earn a living covering breaking news in a major US city with the most expensive and highest performing DSLRs on the market.
Dean Rutz: My father worked at the Chicago Tribune his whole life. He was an executive at the newspaper and was reading through two or three papers at the kitchen table every morning, so newspapers were something I always paid attention to. Because of that, my interest in photography was always related to photojournalism. I first got published in newspapers at 14 years old. I was shooting high school sports for the local papers. There was a huge appetite for that, so they were hiring stringers all the time at $25 for a picture of anything!
|Canon EOS 1D X, EF 50mm F1.4 USM ISO 2000, 1/1000 @F2.8. Dean Rutz/The Seattle Times.|
I was actually a photo editor at the Seattle Times for 10 years. I was also shooting for the paper when the need arose, but in 1992 I covered the Barcelona Olympics and I became really enamored with the spectacle of sport. It was then that I committed myself almost full-time to sports photography, while still working as a photo editor. After 1998 I left the desk and went back to full-time shooting.
John Lok: I had a business undergraduate degree and was doing social work when I was younger. I only discovered photography when I was about 28. It happened when I spent a weekend up at a cousin's house in Canada. Photography was something he did as a hobby. We went to a local park and I started taking pictures with his gear, of pretty generic stuff like flowers and ducks. Later we got the pictures back from the one hour photo lab and...I can't really explain it but I just fell in love. Something about the photography process and the gear just lit a fire in me.
|Nikon D4, Nikkor 35mm F1.4 AIS, ISO 1000, 1/800 @F2.
John Lok/The Seattle Times.
|Nikon D3S, AF-S Nikkor 60mm F2.8 Macro, ISO 200, 1/100 @F3. John Lok/The Seattle Times.|
I got back home to Seattle and looked into how I could become a photographer. I looked for schools that offered programs in photojournalism and ended up quitting my job and attending Western Kentucky University in Bowling Green, Kentucky. A month before graduation I got a position as a three year resident photographer at the Seattle Times. Just a year after that I was hired on as a full time staff member. That was ten years ago.
|Canon EOS 1D Mark II, EF 70-200 F2.8L IS USM ISO 250, 1/8000 @F2.8. John Lok/The Seattle Times.|
JL: I can't have any lag in shutter response or AF performance. I need the shooting rate to be as fast as possible. I need 1080p video. I need a solidly built body that won't break if I knock it on something. And of course the body has to be part of a very extensive system of lenses and accessories. Nikon and Canon are unrivaled there.
DR: Like John, my first priority is the responsiveness of the shutter. When you press the button, it's gotta go! There was a little delay on the 1D Mark III but on the 1D X when you press the button it fires. That is a big deal in sports.
|Nikon D3S, AF-S Nikkor 600mm F4 VR, ISO 2000, 1/1600 @F4. John Lok/The Seattle Times.|
Image quality is big. On the 1D X I can crop an image without a real loss in quality. That's huge in sports because I don't know anybody who can publish uncropped files all the time (laughs). Fast write speed to the cards is also important. We saw big delays in the 1D Mark III and earlier models. The 7D was a great improvement especially after the firmware update. But the 1D X, with three processors is so much faster that I shoot all raw, all the time on my sports assignments. I can underexpose a little bit and don't have to worry about weird color balance when shooting in arenas.
And two card slots let me archive JPEGs for crisis situations where I have to use my iPad or iPhone to transmit images.
JL: Yes. Now we are being asked to come back with video clips for breaking news and even longer form stories to accompany the stills and the words. I don't have to shoot tons of video but I do it fairly frequently.
DR: It's a little different in sports because the federations have taken control over their images. The NFL is a classic example. You can post only 45 seconds of video online. That's all you get. And that's for the first 24 hours after the game. Then you have to pull it down for like 10 hours. So its just not worth it for sports assignments.
|Nikon D3S, AF-S Nikkor 70-200mm F2.8G VR II + TC-14E II 1.4x teleconverter, ISO 400, 1/50 @F29. John Lok/The Seattle Times.|
Mar 2, 2016
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Sep 16, 2015
Jan 31, 2016
The Sony a9 is here and it's likely to make a lot of sports photographers curious about switching to Sony. But what's the actual cost of switching if you're a pro? Read more
A peek inside Getty's Rio office reveals plenty of hard work, a bunch of robots, and a whole lot of nice camera bodies and lenses. Read more
NASA astronaut Jeff Williams posted a video detailing some of the equipment he uses to capture Earth from the ISS. So what kind of specialized gear does one use in space? Turns out the crew uses 'regular photography equipment' like the Nikon D4. Read more
Laurent Baheux began in photography as a sports writer and photojournalist before a safari to Tanzania in 2002 changed his life. There he fell in love with photographing the exotic animals of Africa, preferring a fine art approach that gives his wildlife images a portrait-like quality. Read more
Oscar Cwajbaum and his wife have been attending comic conventions together for 18 years. When they were given a point-and-shoot as a wedding gift, Oscar was eager to capture the elaborately costumed convention attendees. Now he shoots portraits of cosplayers both at conventions and on location, capturing the attention to detail and playful spirit at the heart of cosplay. Take a look at his photos and read more about his technique in our Q&A. See gallery
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.