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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
1 Shooting with the Leica M9-P
|The Leica M9-P with the Summilux-M 50mm/1.4 lens.|
In light of the speculation surrounding the upcoming Leica press event in Berlin - expectation is high for an M10 announcement - a few of us here in dpreview's Seattle office took the opportunity to shoot briefly with the Leica M9-P and a selection of current M lenses. In this article we'll share our experiences using the Leica rangefinder system, not in the context of our normal studio tests and analyses, but out in the real world as a photographic tool.
As anyone who's ever shot with a Leica M - or any rangefinder camera for that matter - can tell you, doing so is a vastly different photographic experience than shooting with an SLR. Setting manual focus via a 'focussing rectangle' located in the center of the optical viewfinder means that you'll often be using a focus-recompose technique or relying on zone focusing with the lens stopped down to a relatively narrow aperture.
And unlike the 'tunnel-vision' of an SLR, a rangefinder lets you look beyond the scene, with framelines superimposed in the viewfinder.
Seen through the viewfinder, the outer framelines shown here represent a 35mm field of view. These are paired with 135mm field of view framelines visible towards the center of the image.
With a rangefinder you turn the focus ring of the lens until objects in the the center 'focussing rectangle' (shown here in white) appear in perfect alignment in the viewfinder.
Experienced rangefinder shooters can work surprisingly quickly even without all of the electronic focusing aids and multiple metering modes that come standard on other modern cameras. Seeing beyond the edges of the 'frame' allows you to anticipate action and for many, triggers a much more critical sense of composition, in which more options are likely to be considered before releasing the shutter.
The M9-P is a subtle revision of the Leica M9, which is itself the second generation of Leica digital rangefinders. Both cameras are identical in operation, image quality and in nearly all other technical specifications. The only significant hardware difference is an updated scratch-resistant rear LCD on the M9-P with an anti-reflective coating to reduce glare. In a nod to shooters who prefer discretion when carrying around a $8,000 camera, the M9-P also sees the removal of the famed red dot and the 'M9' moniker from the front camera plate.
|The Leica M9-P with (from left) the Summicron 90mm/2.0, Summilux 50mm/1.4, Summilux 35mm/1.4 and Super Elmar 21mm/3.4 lenses.|
The design and form factor of the M9-P hews closely to the template Leica has embraced since the start of the M series back in 1954. The M9 and M9-P are Leica's first full frame digital rangefinders. They feature an 18MP CCD sensor that forgoes an anti-aliasing (AA) filter. In theory, the omission of an image-softening AA filter should translate into greater detail resolution. The downside is that without this filter, the sensor is more prone to color moiré artifacts.
|A focal-plane shutter with metal blades...||...sits in front of an 18MP full frame CCD sensor.|
Of course, a big draw of any Leica rangefinder is its compatibility with the highly regarded (and very expensive) collection of Leica M-mount lenses. Known for their uncompromising optical standards and robust build quality, these lenses have gained a sterling reputation through the work of photographers such as Cartiér Bresson, Elliott Erwitt and Sebastião Salgado, to name but three. The M9 and M9-P provided M lens owners the long-awaited opportunity to use these optics with the field-of-view they were designed for, on a Leica digital rangefinder.
The M9-P features a minimalist external control layout that gives you access to critical shooting parameters and nothing more. The viewfinder is largely free of electronic data, save for the shutter speed when in Aperture-priority mode, a temporary confirmation of any exposure compensation adjustment and over/under-exposure indicators in manual mode.
The camera's external controls fall nicely in hand. Build quality is exceptional, with a magnesium alloy frame and solid brass top and bottom plates adding welcome stability without feeling unnecessarily heavy. The camera's compact size means it can fit in a small shoulder bag, and its light weight - compared to a full frame DSLR - means that you won't need to to visit a chiropractor after a day spent walking with the camera around your neck. A bright viewfinder allows for quick and accurate focus even in low light. Engraved depth of field markings on the lenses make zone focusing relatively simple.
The M9-P embodies nearly all of the traits that make film-era Leica M models such great analog cameras. Concessions to the needs and conveniences related to digital camera use, however, are few and far between. The user interface design is where we struggle most with the M9-P. Every other 4-way controller we've ever seen includes an 'OK' button at its center. Here there is nothing but what looks to be a placeholder for a button that was going to go there at some point. Instead, you're forced to continually confirm settings with the 'Set' button which is rather inconveniently placed on the opposite side of the camera body. And the awkward process of adjusting ISO, in which you must continue holding the ISO button while using the 4-way controller or dial to navigate the choices, never ceased to be frustrating.
|Both the M9 (shown here) and the M9-P continue the Leica M tradition of a removable base plate. Users will become all too familiar with its removal, as both the SD card and the battery are housed beneath it.|
Also on the list of things we'd love to see improved upon in an M9-P successor is a higher resolution rear LCD screen. The 230k dot resolution of the M9-P is quite low by current standards and makes critical image evaluation virtually impossible. The camera is also rather slow in writing to the SD card, which means a delay in reviewing images even in single-shot mode. And removing the entire bottom plate cover just to get to the SD card can lose its charm rather quickly.
Apr 30, 2015
Dec 6, 2011
Jun 21, 2011
Oct 11, 2011
Owners of Leica M cameras that suffer from peeling CCDs will be able to claim a free repair in the future so long as the camera was purchased within five years of the fault becoming apparent, the company has announced.
Leica has a reputation for making pretty rugged cameras, going back more than 100 years. But nobody would expect a rangefinder to survive a fall from a balcony, onto granite tiles. However, if a recent post on Chinese social network Sina Weibo is to be believed, that's exactly what happened to a Leica M9 recently, and somehow it survived the experience. Click through to read more
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
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The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
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In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
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Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
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Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
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The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
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Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.