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Canon has added to its EOS 5D range with the launch of two 50MP cameras, the 5DS and the 5DS R. Both cameras are high-resolution full frame models, primarily aimed at stills photographers. The only difference between the models is that the 'S' has an optical low-pass filter, while the 'S R' has a self-cancelling filter (the same relationship as Nikon's D800 and D800E models shared). We've put both cameras through exhaustive tests. Read our full review to see what we think
2015 was a big year for some brands, in terms of high-end ILCs, and a quiet year for others. Still, we saw Sony release second iterations of the company's full frame "R" and "S" cameras, we also saw Canon release the two highest resolution DSLRs to date, in addition to a brand new pro-level system from Leica.
Tudor ApMadoc's usual photo haunts include the iconic architecture and gritty abandoned structures of Detroit, but a recent trip took him to an entirely different landscape - the canyons and big skies of the American Southwest. He brought a Canon 5DSR, 11-24mm F4 and a bag full of favorite lenses to capture Arizona's colors. Read more
Mikey Schaefer is no stranger to the great outdoors. As a professional photographer who specializes in shooting in some of the most extreme environments on earth, he tests his body - and his gear - to the limits. In this field test we're following Mikey on a sports lifestyle / editorial shoot with Canon's EOS 5DS and 5DSR, near his home town in Oregon. Read more
Canon's EOS 5DS may not have its more expensive sibling's self-canceling optical low-pass filter, but it's identical in all other ways starting with a 50.2MP full-frame sensor. We put its high resolution sensor and 61-point AF module to the test for some real-world shooting - take a look. See gallery
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The Handevision Iberit 35mm F2.4 is a budget manual-focus prime lens for Leica's M-mount, and a slightly-less-budget alternative for Fujifilm X-mount and Sony E-mount photographers. We've been trying it out for a few days.