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With its unusual form factor can the Tourbox aid the editing process? Will its price and variety of tactile controls appeal to photo and video editors who would like to streamline their workflow?
Canon has announced the long-awaited successor to the EOS-1D Mark III. The EOS-1D Mark IV features a totally new 45-point autofocus system that's claimed to fix all the issues reported with its predecessor, and has been extensively tested by professionals prior to launch. The new model also sports 10 fps continuous shooting, a new 1.3x crop (APS-H) 16.1 megapixel CMOS sensor and 1080p HD video capture. Like the recently announced Nikon D3S, the EOS-1D Mark IV pushes the sensitivity barrier with a top rating of ISO 102,400.
London, 20 October 2009 – Canon today announces the launch of the new EOS-1D Mark IV – a high-speed, professional Digital SLR (DSLR) camera designed to empower photographers to capture split-second moments in high resolution, under the most challenging of conditions. Ideal for shooting action, sports, news events and wildlife photography, the Canon EOS-1D Mark IV delivers speed, power and high-resolution images, creating the perfect camera for photographers who require reliability in fast-paced, high-pressure situations.
Developed incorporating feedback from professional photographers, the EOS-1D Mark IV features a new Canon 16.1MP APS-H CMOS sensor and a brand new 45-point Auto Focus (AF) system with 39 f/2.8 sensitive cross-type points, providing a wide selection of precise focus areas across the frame. Dual “DIGIC 4” processors provide the power to shoot continuous, high-resolution images at up to 10 frames per second (fps), as well as delivering the widest ISO range ever to feature in a Canon camera.
“Throughout the EOS-1D Mark IV’s development, we’ve carefully studied feedback from our photographers and developed a camera to meet their specific requirements” said Mr. Shinbori, Senior General Manager of Camera Development Center, Canon Inc. “With a brand new, high-quality CMOS sensor and Dual “DIGIC 4” processors, the Canon EOS-1D Mark IV allows photographers to be the first to get the highest quality images to picture desks in what is becoming an increasingly competitive market.”
The Canon EOS-1D Mark IV features a completely new 45-point AF system, with 39 f/2.8 sensitive cross-type points located across the frame, providing consistent AF on static or moving subjects, no matter which AF point is being used. All 45 AF points are user selectable and now more sensitive, with the AF points towards the edge of the frame offering identical levels of performance to those in the centre.
The entire AF system is managed by a dedicated microprocessor, providing fast, accurate focusing – even when shooting continuously at 10fps. Canon’s newly-evolved AI Servo II AF offers more precision when tracking moving objects, utilising the power provided by the dedicated microprocessor to improve overall tracking accuracy and increasing focus reliability in low-contrast and extremely bright conditions.
To provide increased flexibility, a vast range of manual and automatic AF control options are available including - with lenses featuring an AF Stop button - Canon’s new Spot AF feature. Spot AF offers a more precise focus area to meet the needs of photographers that require pinpoint focusing. A 63-zone metering system enables the use of multiple metering modes, with the dedicated sensor linked to the 45 AF points, providing AF point-linked and multiple spot metering options.
The EOS-1D Mark IV also features orientation-linked AF points, an orientation sensor controlled feature that enables photographers to store separate AF points for different camera positions. Covering both horizontal and vertical shooting positions (both grip up and grip down), orientation linked AF points offers the flexibility to quickly change camera orientation when shooting with the AF settings switching to suit the subject. AF point registration enables the photographer to store an alternate AF point that can be used at the touch of a button.
The combination of a custom-designed, high resolution 16.1MP APS-H CMOS sensor and Dual “DIGIC 4” processors ensures that detailed, crisp images are delivered at high speeds.
The inclusion of an APS-H sensor combines a high pixel-count with an effective field of view measuring 1.3x the focal length of the lens. This provides immediate benefits for sports, news and wildlife photojournalists, who operate on-the-move and need to get closer to their subjects and maintain fast apertures without resorting to longer focal-length lenses – which are typically heavier.
Continuous shooting is facilitated by the sensor’s eight-channel data read out, which provides a rapid read sequence and makes full use of the Dual “DIGIC 4” processors to enable high-speed 10fps shooting at full 16.1MP resolution, while maintaining image colours through 14-bit analogue to digital (A/D) conversion.
The ability to shoot images at 10fps, without any drop in resolution, means the EOS-1D Mark IV features the fastest continuous shooting with Auto Focus currently available from a Canon DSLR. The increased processing capacity of Dual “DIGIC 4” processors manages the increased data created by the 60% rise in image resolution, while still enabling the EOS-1D Mark IV to deliver a continuous burst of up to 121 large JPEGS, or 28 RAW images using a UDMA 6 card – ideal for fast-moving sporting action or news events where scenes are unfolding quickly.
The EOS-1D Mark IV also includes updated Picture Styles and the first ever integration of ALO (Auto Lighting Optimizer) in a professional EOS body, automatically correcting the contrast and brightness of images as they are recorded. These features combine to provide a faster workflow for those requiring press-ready images direct from the camera without the need for retouching, enabling photographers to concentrate solely on capturing that once-in-a-lifetime shot.
Full compatibility with the latest UDMA 6 standard Flash memory cards also ensures that image data is rapidly written to the EOS-1D Mark IV’s CF memory card. In addition, the flexibility to also record to a Secure Digital/SDHC memory card allows photographers to keep shooting for longer until they get the shot they need.
The EOS-1D Mark IV also delivers extreme low-light performance. Standard ISO on the EOS-1D Mark IV ranges from 100-12,800, while extended ISO ranges from a low of 50 to 102,400 – the highest ISO ever offered by a Canon SLR. This extreme low-light performance makes the EOS-1D Mark IV ideal for night shots or shooting at evening events, where the lack of light would normally make shooting impossible.
Intelligent noise reduction techniques keep chroma and luminance noise to a minimum, while maintaining colour balance, but never take control of the overall image quality away from the photographer. The architecture of the new 16.1MP APS-H CMOS sensor, featuring gapless microlenses with less surrounding circuitry and more sensitive, high-capacity photodiodes, also ensures that all available light is used as efficiently as possible to maximise ISO performance in low light conditions.
Light for its category, the EOS-1D Mark IV features a full magnesium alloy body, providing protection against knocks and bumps. The EOS-1D Mark IV has also been the subject of some subtle ergonomic redesigns, with the buttons reshaped and given a more defined ‘click’ when pressed, to make life easier for photographers operating in more extreme weather conditions where gloves may be necessary.
The EOS-1D Mark IV is protected by a total of 76 rubber seals fitted around the controls and cover seams, making the Canon EOS-1D Mark IV dust and water resistant when used in tandem with Canon’s range of weather-resistant EF lenses and Speedlite EX flash units.
The 920,000 dot, VGA resolution, Clear View II LCD makes it easy to instantly review images and video in the most challenging conditions. By filling the gap between the LCD panel and the protective cover screen with a photo-elastic material, Canon has been able to reduce light reflection, resulting in the clear display of images. The previously acrylic cover has also been replaced by reinforced glass, providing strong, scratch-resistant protection for the screen.
The EOS-1D Mark IV also features the EOS integrated cleaning system, which automatically eliminates dust on the sensor – ensuring reliable image quality when shooting in testing outdoor environments.
In addition to providing high-quality still image performance, the Canon EOS-1D Mark IV features EOS Movie function, providing the ability to capture 1080p High Definition (HD) video at 30, 25 and 24fps and 720p footage at 60 and 50fps. As well as complete compatibility with PAL, NTSC and native 1080/24p cinematic frame rates, the EOS-1D Mark IV offers full manual exposure, providing film makers and photographers with control over depth of field.
The EOS-1D Mark IV features a programmable button to enable quick movie shooting, allowing photographers to record HD video instantly at the touch of a single button. The EOS-1D Mark IV also features a mini HDMI output, enabling video and images to be viewed directly on compatible HD-ready TVs.
Advanced customisation to suit you.
Canon’s EOS-1D Mark IV is highly customisable, allowing photographers to take complete control of the camera’s features. Auto Exposure (AE) and Flash Exposure (FE) micro-adjustments allow photographers to fine tune the exposure for any given purpose, enabling them to perfectly match two separate cameras for consistent results or simply adjust the settings to meet specific personal requirements and tastes. Preferred user profiles can also be stored to memory card and subsequently transferred to other EOS-1D Mark IV bodies, so that photographers can seamlessly transfer their profile to another body if required.
Further customisable features include the ability to add copyright information directly in the camera. This enables photographers to embed their details within each shot as standard, removing the need for retrospective data insertion, and allowing news photographers to get shots to picture desks in the shortest time possible. An integrated microphone also allows the recording of audio notes to accompany each image, which will directly benefit photographers who wish to keep a record of the content of each image as they shoot.
|List Price (body only)||• £4499 (UK)
• $4999 (US)
• € 4599 (EU)
|Body material||Magnesium alloy (exterior, chassis and mirror box)|
|Sensor *|| 27.9 x 18.6 mm CMOS sensor
1.3x crop factor
RGB Color Filter Array
Built-in fixed low-pass filter (with self-cleaning unit)
17 million total pixels
16.1 million effective pixels
3:2 aspect ratio
|Image processor *||Dual DIGIC 4|
|A/D conversion||14 bit|
|Image sizes (JPEG) *||
|Image sizes (RAW) *|| 4896x3264 (RAW)
RAW (.CR2; 14-bit)
|JPEG quality options||Each JPEG size (L, M1, M2, S) can be set to a quality level of 1 to 10 (1 high compression, low quality - 10 low compression, high quality)|
|Movie Mode|| MOV (Video: H.264, Sound: Linear PCM)
1920 x 1080 (29.97, 25, 23.976 fps)
1280 x 720 (59.94, 50 fps)
640 x 480 (59.94, 50 fps)
Max duration: 29min 59sec
Max file size: 4GB
|Lenses|| Canon EF lens mount (does not support EF-S lenses)
1.3x field of view crop
|Dust reduction|| "EOS Integrated Cleaning System" with fluorine coating
Self-cleaning sensor unit (filter in front of sensor vibrates at high frequency at start-up and shutdown - can be disabled)
Dust Delete Data - Data from a test shot is used to 'map' dust spots and can be later removed using Canon DPP Software
|Auto focus *|| 45-point TTL
39 cross-type points, require F2.8 or faster lens *
TTL-AREA-SIR with a CMOS sensor
AF working range: -1.0 to 18 EV (at 23°C, ISO 100)
|Focus modes|| One shot AF
AI Servo AF
|AF point selection *|| Auto
Manual: Single point AF (45, 19, 11 or 9 points selectable)
Manual: Spot AF (with compatible lens)
Manual: AF point Expansion (Left right,surround, all 45)
AF points can be selected separately for vertical and horizontal shooting
|AF assist||External Speedlite only|
|Exposure modes|| Program
63 zone metering linked to all AF points *
Evaluative (63 zone linked to active AF point)
|AE lock|| Auto: One Shot AF with evaluative metering
Manual: AE lock button
|Exposure compensation|| +/- 3.0 EV
0.3 or 0.5 EV increments
ISO 100 - 12800
|Shutter|| Focal-plane shutter
30 - 1/8000 sec
0.3, 0.5 or 1.0 EV increments
Flash X-Sync: 1/300 sec (EX series Speedlites only)
|Noise reduction|| Long exposure (1 sec or longer)
Optional for High ISO (4 settings)
|White balance|| Auto (using the imaging sensor)
Custom (up to 5 can be stored)
Kelvin (2500 - 10000 K in 100 K steps)
|WB bracketing|| +/-3 levels
Blue / Amber or Magenta / Green bias
|WB shift|| Blue (-9) To Amber (+9)
Magenta (-9) to Green (+9)
|Picture style|| Standard
User def. 1
User def. 2
User def. 3
|Color space|| sRGB
|Viewfinder|| Eye-level pentaprism
100% frame coverage
Magnification: 0.76x (-1 diopter with 50 mm lens at infinity)
Eyepoint: 20 mm
Dioptric adjustment: -3 to +1 diopter
Precision matte screen Ee-C IV (interchangeable)
Eye-piece shutter available via lever
|Mirror|| Quick-return half mirror (transmission:reflection ratio 37:63)
Mirror lock-up (once or multiple exposures)
|LCD monitor *|| 3.0" TFT LCD
160° angle of view
7 brightness levels
|LCD Live view *|| Live TTL display of scene from CMOS image sensor
100% frame coverage
30 frames per second
Real-time evaluative metering using CMOS image sensor
Best view or exposure simulation
Magnify optional (5x or 10x at AF point)
Quick- or Live mode AF
|Flash|| No built-in flash unit
E-TTL II auto flash / metered manual
Flash compensation +/-3.0 EV in 0.3 or 0.5 EV increments
X-Sync: 1/300 sec (EX series Speedlites only)
Hot-shoe & PC Terminal
|Drive modes|| Single
Silent (single frame)
High-speed continuous: 10 fps
Low-speed continuous: 3 fps
Self-timer: 2 or 10 sec (3 sec with mirror lock-up)
|Burst buffer *|| Large/Fine JPEG: 121 frames
RAW: 28 frames
|Custom functions *||62 custom functions|
|Menu languages *|| English
|Wireless||Via WFT-E2/E2 II(optional)|
USB 2.0 Hi-Speed
|Storage|| Compact Flash Type I or II (supports UDMA)
SD card slot (supports SD/SDHC)
External USB hard drives (requires WFT-E2/E2A)
|Power|| Lithium-Ion LP-E4 rechargeable battery (supplied & charger)
|Dimensions *||156 x 156.6 x 80 mm (6.2 x 6.2 x 3.1 in)|
|Weight (no batt) *||1180 g (2.6 lb)|
|The EOS-1D Mark IV is protected by a total of 76 rubber seals|
|New AF system allows all 45 points to be selected (9, 11 and 19 point options also available). There are 39 F2/8 sensitive cross-type points located across the frame.|
|Improved sensor efficiency significantly reduces the size of each pixel without sacrificing the size of the photo sensitive area.||Gapless micro lenses|
As the National Football League season sweeps in, sports photographers across the United States take to the stadiums to create iconic images. In a Q&A below, veteran sports photographer Otto Greule shares insider knowledge & outstanding imagery to give insight into his fast-paced, visual craft.
Martin Kozak is a sports photographer based in Prague. His journey into photography began with a 1.3MP digital camera given to him as a birthday present more than 15 years ago. These days he's fond of the Canon EOS 1D-X when he's out shooting water sports, ski jumps, cycling and the occasional off-road rally. See his work and find out more about him in our Q&A. See gallery
Canon has posted a firmware update for its EOS-1D Mark IV and EOS-1Ds Mark III full-frame DSLRs to allow them to work correctly with the new EF 200-400mm F4 L IS 1.4x lens. Firmware versions 1.1.3 (1D Mark IV) and 1.2.2 (1Ds Mark III) allow the cameras' central AF points to achieve focus with the lens when it is used with an extender, where the combined aperture is F8. Both updates are available for immediate download.
With its unusual form factor can the Tourbox aid the editing process? Will its price and variety of tactile controls appeal to photo and video editors who would like to streamline their workflow?
What’s the best camera for under $2000? These capable cameras costing less than $2000 should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing under $2000 and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
We've updated our 'best cameras over $2000' buying guide, and the Sony a7R IV is now our favorite mirrorless camera in the $2000-4000 price range. It sits alongside the Nikon D850, which is our choice for those who prefer DSLRs.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.
|Summer night view of the fjord by Kaappo|
from My Best Picture of the Week
|It's a dog`s life by SteveWCM|
from The Floor
|Emotional Anguish by wam7|
from Emotional Pain
|Golden Season by George Veltchev|
|Whale... by aniltulsi|
from Story of the moment
|Big fish- is it for me ? by marcin905|
The Sony ZV-1 and Panasonic Lumix DC-G100 are the first cameras we've seen that are overtly designed with vlogging in mind – and the changes they represent could have implications for the future of all cameras.
The utility allows the E-M1X, E-M1, E-M1 Mark II, E-M1 Mark III and E-M5 Mark II cameras to be used with video conferencing apps over USB.
Olympus is showing final images of its under-development 150-400mm F4.5, which it says will arrive this winter. An unspecified macro and 8-25mm F4 Pro have also been added to the lens roadmap, and the E-M1X's AF gains bird detection.
The scam, which involves sending fake copyright violation notices, has been circulating on the social media platform since at least June 9.
Fujifilm is one of just two producers of tape media (the other being Sony) and it is hard at work on a breakthrough that will allow single tape storage drives to offer 400TB capacities in the coming years.
The National Parks Service says it's investigating the incident, which took place just two days after the park opened following a shutdown due to the COVID-19 pandemic.
Professional full frame lenses are usually large and have fast apertures. In this episode of DPReview TV, Chris and Jordan argue that there's a need for slow professional lenses – inspired by some of their favorite Micro Four Thirds lenses.
The camera maker joins Olympus, Fujifilm and others is a legal tussle over US digital camera technology patents held by DigiMedia Tech.
NASA's Solar Dynamics Observatory (SDO) photographs the sun every 0.75 seconds. In its first decade in space, the SDO has captured more than 425 million images of the sun. NASA has compiled these images into an amazing time lapse, come check it out.
The lens is available for Leica M, Sony FE, Nikon Z and L-mount camera systems, and now holds the title as the world's widest rectilinear lens for full-frame camera systems.
Tamron's new 28-200mm F2.8-5.6 is a versatile zoom lens for Sony E-mount. Well-suited for travel photography, it's compact, lightweight, and fast/quiet to focus.
Fujifilm has announced that its GF 30mm F3.5 R WR wide-angle lens for its medium format cameras will ship in late July or early August.
Fujifilm's latest lens is a sharp, reasonably compact and well-built wide-angle for the company's GFX medium-format cameras. We took it out and about in the warm Seattle summer with the company's 50 and 100 Megapixel camera bodies to see what it can do.
Fujifilm has issued firmware updates to the GFX 100 and GFX 50 models, with the 100MP camera gaining the most significant improvements.
Although the channel is still growing, it currently has nine videos that offer concise overviews of just a few of the cameras Japan Camera Hunter founder Bellamy Hunt has sitting around his Japanese storefront.
ON1 has launched ON1 360, the latest version of ON1 Photo RAW 2020 with ON1's new Photo Mobile application for iOS, iPadOS and Android mobile devices. The new solution syncs raw processing between your mobile device and computer.
Switching screw-on filters between lenses of different thread sizes is much quicker with the Revoring adjustable step-up ring. It uses a sprung iris that expands to fit a range of filter thread sizes, so a single filter can be used on multiple lenses
That's right folks, you heard it here first. Read on for the full interview, with Kenji Tanaka of Sony.
Kodak's discontinued Aerochrome film gets a digital remake in the form of a new Lightroom preset pack from film emulation specialists Really Nice Images.
We've updated our Best cameras under $2000 buying guide, and the Fujifilm X-T4 is our top pick for those seeking a camera that excels and both stills and video shooting.
Chris and Jordan didn't forget about stills when they previewed the video-centric Panasonic G100 earlier this week.
The Canon EF-M 11-22mm F4-5.6 is by no means a new lens, but it's one we've been shooting with over the years, and appreciate for its compact form, solid build and useful wide-angle range.
Mauritius is a remote island off the southeastern coast of the African continent that's never had Google Street View. So, an island resident, Reuben Pillay, decided to use his own DJI Phantom 4 Pro drone to create more than 220 high-resolution 360-degree images of the island.
Pye Jirsa explains how blowing out the highlights in an image — usually a no-no in the world of photography — can result in a 'perfectly imperfect' photo that feels more authentic and natural.
Here's a fresh take on a classic debate, or why both film and digital are awesome.
A recent copyright infringement lawsuit against Newsweek, as well as Facebook's subsequent statement about its sublicensing terms, prompted the judge to reopen the case against Mashable.
Sigma's fp full-frame mirrorless camera is now able to output a 4K raw stream that can be captured as ProRes Raw by an Atomos Ninja V or Blackmagic Raw on the Blackmagic Video Assist 12G, as part of a major update.
DPR readers submitted more than 250 photos taken with the Samsung Galaxy S20, S20+ or S20 Ultra. Here are some of our favorites.
Coffee expert and 2007 World Barista Champion James Hoffmann recently took to YouTube to share his experience developing film with coffee using a rather robust Caffenol recipe.
Panasonic's Lumix DC-G100 interchangeable lens camera is ultra-compact and aimed at those who want to film themselves doing just about anything. But it also lends itself to other types of videography (and photography) as well, so check it out in our hands-on slideshow and find out if its a match for you.