Tamron 17-50 f/2.8 now available for Pentax
PMA 2008: Tamron has announced it is to offer its 17-50mm f/2.8 midrange zoom for Pentax mount. Previously available only for Canon, Nikon and Sony systems the Tamron offers yet more choice for Pentax users looking for a fast walkaround lens.
Tamron SP AF 17-50MM F/2.8 XR DI II LD Aspherical IF now available in Pentax mount
Lightweight, Compact, Fast 2.8 Standard Zoom Lens Designed for Exclusive Use with Digital SLR Cameras (APS-C Size), Featuring 17mm Wide-Angle
PMA, January 31, 2008, Las Vegas, NV— Mr. Morio Ono, President of Tamron Co., Ltd., announced that Tamron has introduced its SP AF17-50mm F/2.8 XR Di-II LD Aspherical [IF] (Model A16) in Pentax mount designed exclusively for digital SLR cameras with smaller size image sensors.*
*Di (Digitally integrated)-II lenses are designed for exclusive use on digital cameras with smaller-size imagers. This lens is not designed for use with 35mm film cameras or digital SLR cameras with image sensors larger than 24mm x 16mm.
The SP AF 17-50mm F/2.8 XR Di II LD Aspherical [IF] has been well received as a lightweight and compact, fast standard zoom lens. In addition to Nikon, Canon and Sony AF mounts, it is now available in Pentax mount to meet consumer demand.
- Lightweight, Compact Fast Standard Zoom Lens is Designed Exclusively for Digital SLR Cameras, with 17mm Wide Angle Coverage
Exclusive design for digital SLR cameras achieves a fast standard zoom lens that covers virtually the same angles as focal lengths of 26-78mm when converted to a 35mm format. The wide-angle focal length is established at 17mm (26mm equivalent) to obtain a wider angle of view than ordinary standard zoom lenses, while maintaining the remarkably lightweight and compact size of the earlier full frame zoom lens model. Since the lens is designed exclusively for APS-C sized digital cameras, the image circle diameter has been reduced. Moreover, careful adjustments to the design have achieved a lightweight, compact body with a filter diameter of 67mm, overall length of 81.7mm (3.2”)*, and weight of 434g (15.3oz.)*.
* Values given are for Nikon AF cameras.
- Optical System Uses Special Glass, and Is Optimized for Digital SLR Characteristics to Enhance Optical Quality in a Compact Design
The use of XR (Extra Refractive Index) glass in an innovative way optimizes the overall distribution of optical power, and also reduces various aberrations to the absolute minimum while achieving remarkable compactness. In addition, suitable positioning of two hybrid aspherical elements serves to maintain imaging performance and to shorten and compress the entire optical system. Furthermore, an LD (Low Dispersion) glass element is used to accomplish effective compensation of on-axis and lateral chromatic aberrations, a critical factor for enhancing optical quality in digital photography, in order to achieve outstanding optical performance over the entire zoom range.
- Minimum Focus Distance of 0.27m (10.6”) over the Entire Zoom Range Affords a 1:4.5 Macro Capability
The new lens achieves a minimum focus distance of 0.27m (10.6") over the entire zoom range, one of the best in its class among fast standard zoom lenses with an F/2.8 maximum aperture throughout the entire zoom range used exclusively for digital SLR cameras with APS-C sized image sensors. The maximum magnification ratio of 1:4.5*1 at the 50mm setting is the top level in its class.
*1 Since APS-C sized image sensors are smaller than 35mm film, the 17-50mm can fill the frame with almost the same scope as a lens with a Max. Mag. Ratio of 1:3.0 on a 35mm SLR camera.
- Optical Design Dedicated to Digital SLR Photography by Optimizing the Angle of Incidence of Light Rays Reaching the Image Sensor
This zoom lens uses an optical system designed to confine the changing angles of incidences of light rays reaching the imager within a certain scope over the entire image field by considering the effects of variance due to zooming.
- Enhanced Peripheral Illumination
Peripheral light fall-off is minimized when compared with that of conventional lenses for film cameras, so images are uniformly bright from the center to the periphery.
- Outstanding Resolution
Since the lens is designed exclusively for digital SLR photography, it provides high image quality resolution, contrast and flatness of image field.
- Internal Surface Coating to Reduce Ghosting and Flare
By employing “Internal Surface Coatings” (i.e., multiple-layer coatings on cemented surfaces of plural elements) and new multiple-layer coating technology on ordinary elements, ghosting and flare due to the reflections that occur when light enters through the front element and reflections caused by the imagers themselves are reduced to the absolute minimum.
- Large Aperture in Lightweight, Compact Design Thanks to New Mechanical Devices
Complicated mechanisms are built into the compact body, thanks to new mechanical devices, for excellent portability and ease of use. In addition, a complex triple cam structure where cams zoom and focus within a three-layer lens barrel has been further developed to improve AF focus precision for close-in shots and torque irregularity when zooming in and out. Additionally, the engineering of the lens has been completely overhauled to downsize its parts and to increase their precision and durability, in order to accommodate the complex structure incorporated into the new SP AF17-50mm F/2.8 XR Di-II LD Aspherical [IF].
- Zoom Lock Mechanism Incorporated
The Zoom Lock prevents unwanted barrel extension when carrying the lens/camera combination.
- Flower-Shaped Lens Hood
A glare-reducing flower-shaped lens hood is included as a standard accessory. The special hood provides optimum shading of superfluous light rays that enter from the rectangular frame outside the image field.
- New External Design of the New Di II Series Conveys “High Performance, High Precision Image”
Improvements have been made to the external design by adding a gold-colored band between the focus and zoom rings to enhance the appearance and make the product stand out as a Di-II lens. Also, the black coating over the entire lens barrel creates a high-quality, sophisticated look. The rubber patterns of the zoom rings have also been improved to complement the digital camera design style and to provide better handling.
|Focal Length||17-50 mm|
|Angle of view (APS-C)||78°45’-31°11’|
|Max. Magnification ratio||1:4.5 (at f=50mm MFD 0.27m)|
|Lens construction||16 elements / 13 groups|
|Minimum focus distance||0.27m (10.6”) (Over the entire zoom range)|
|Filter attachment size||67mm|
|Dimensions||74.0mm x 81.7mm (2.9 in. x 3.2 in.)|
|Weight||434g* (15.3 oz)|
*Values given are for Nikon AF cameras. The cosmetic design and specs are subject to change without notice.
Feb 1, 2008
Jan 27, 2011
Jan 17, 2011
Jan 7, 2011
I own it
I want it
I had it
Discuss in the forums
|Autumn by valenttin|
from Harvest Festivals
|Cardinal, Male by paul katinas|
from A Big Year - birds
|.. by Amar Vignesh|
from Unintentional Blur
|Sir Mick Jagger by HetFotoAtelier|
from - Concerts : When The Lights Come On -
Adobe's experimental Project 'Deep Fill' is an incredibly powerful and impressive, AI-powered version of Content Aware Fill. Watch the demo to see this amazing tool in action.
LEE has released a new series of Reverse ND filters that are most opaque in the middle and become progressively clearer towards the top. This makes them ideal for capturing scenes where the sun is close to the horizon.
A former New York Times photographer is suing both the newspaper and its photography director Michele McNally for over $500,000 for age discrimination and unfair classification as a freelancer for nearly a decade.
"CPS Platinum members will now enjoy next-day service, with equipment serviced and shipped the business day after an estimate is approved. For repairs that will take longer, Canon will offer next-day loaner equipment."
Irix is introducing a new filter system called the Irix Edge 100. The ultra-light, ultra-thin system is build specifically for wide angle lenses like Irix's own 15mm F2.4.
After conducting a series of safety tests, the FAA is recommending that all airlines ban cameras and other electronics with Lithium Ion batteries from checked baggage. The agency believe the risk of a catastrophic fire and explosion is too great.
The Pixentu jackets keep you and your gear warm and dry, offering useful features like lens and tripod pockets, in addition to some quirky ones like an extended hood to protect your camera from the rain.
Adobe gave the audience at MAX a sneak peek at some exciting new technology its developing. It's called Adobe Cloak: a highly capable Content Aware Fill-like feature for video editors.
Earlier today, Flickr moved its photo book printing service over to a third party services, and stopped offering any wall art options entirely.
The patent details a flipping rear LCD screen so large, Canon has had to hide the rear dial and several buttons underneath.
We've added a selection of extra images to our Nikon D850 gallery. As part of the process of rounding off the review we made sure a number of us had shot the camera in a variety of situations, we've added those shots to the gallery to give a broad cross section of how the camera performs.
Wiral LITE is an affordable, easy-to-use cable cam system that can do things a portable slider simply can't do, and go places no slider would dare go.
Not happy with the recent demise of Lightroom as a stand-alone, subscription free service? Macphun's got your back... or they will in 2018.
Once connected to a PC, Mac, tablet or smartphone, Pholio automatically searches through the device storage and backs up all images and videos—complete with auto-tagging and intelligent search capabilities.
The 360 Round uses eight horizontally positioned camera pairs and one upward-pointing single lens to capture and livestream panoramic 4K 3D content.
Introduced just three years ago, the Samsung NX1 was both a technological tour-de-force and a great camera to use, earning one of the highest scores we've ever awarded and winning our 2015 Innovation Award. But its short-lived run in the photo world leaves us wondering what could have been.
The Fujifilm X-E3 is styled like a classic rangefinder, but features a built-in touchscreen, AF joystick, and electronic viewfinder – truly an old school meets new type of camera. Lay some eyes on our sample gallery to see how it performs in the real world.
Like it or not, Adobe is embracing a cloud-centric, AI-rich future with the introduction of Lightroom CC. And that's a great thing, though you may not see it now, argues Rishi Sanyal.
The announcement of a more cloud-integrated Lightroom product sees the death of the company's standalone version. This need to make payments in perpetuity (whether you choose Lightroom Classic or CC), chips away at the idea that your Lightroom library is a long-term solution, argues Richard Butler.
The XPro-C 2.4GHz wireless flash trigger that Godox released for Canon users last month now has a Nikon equivalent—the aptly named XPro-N. Sony, Fujifilm and MFT versions are in the works.
In the aftermath of hurricanes Harvey, Irma and Maria, camera and lens maker Sigma is extending its standard product warranty to cover damage caused by these three natural disasters.
The F4 Plus can can capture 360° stills, videos and broadcast livestream footage at 8K resolution... that's 7680 x 3840 pixels!
Lightroom is hogging the spotlight at Adobe MAX, but Photoshop CC got some substantial improvements as well. Find out what's new in the latest version of Photoshop CC.
The aptly-named 'Nude' app automatically detects NSFW images on your iPhone, moves them to a protected vault and deletes the original files in the camera roll and on iCloud.
The Zeiss Milvus family of manual-focus full-frame lenses just gained a new member. Meet the Zeiss Milvus 24mm F1.4: a fast, rugged new lens designed primarily for landscape and architecture photography.
Lightroom has built a brand new Lightroom CC from the ground up to be faster, easier to use, and cloud-based. The application formerly known as Lightroom CC will continue to exist, and will go by "Lightroom Classic CC."
Google Research did a deep dive on the Pixel 2 smartphone's background-blurring portrait mode that uses neural networking and dual-pixel technology instead of a dual-camera setup.
With the arrival of the PowerShot G1 X III, there are now seven Canon cameras built around the 24MP Dual Pixel sensor and Digic 7 processor. We take a look at the differences and what might prompt you to choose one over the others.
Meet the HP ZBook x2. The so-called 'world's most powerful and first detachable PC workstation,' it was built with creative professionals in mind, and is being debuted at Adobe MAX.
PDN sat down with Ahmed Fakhr, director of photography at RollingStone.com, to talk about how the famed publication is adapting to the changing photo and video needs of the modern era and how he 'evaluates the skills of potential contributors.'