Canon PowerShot TX1
Pre-PMA 2007: Today also sees Canon announcing a raft of new PowerShot models. We'll start with the most interesting, the PowerShot TX1, which is unusual both in its cine camera styling and its positioning as a hybrid digital camera/video model offering HDTV (1280x720 pixel, 30fps) movie capture (no MPEG unfortunately), 10x stabilized zoom and 7.1MP sensor. All in an IXUS / Elph size body.
CANON'S NEW POWERSHOT TX1 DIGITAL CAMERA PACKS "BEST-OF" BREED IMAGING AND HIGH DEFINITION INNOVATION INTO ONE DO-IT-ALL DEVICE
ELPH-Sized Footprint and Vertical Profile Offer Huge Hints of PowerShot TX1's Double-Duty Photo and HD Video Capabilities
LAKE SUCCESS, N.Y., February 21, 2007 – At first glance Canon's new 7.1 megapixel PowerShot TX1 digital camera looks familiar...pocket-sized, stainless steel case with textured accents and enough cutting-edge photo technology to make one wonder how they got all that functionality into that deck of playing cards-sized package. Indeed, this compact camera fits in just as well at a football game or a family function; in a small evening bag for a night on the town, or the pocket of a dress shirt, and is as much at home on a business trip as it is on a hard-earned weekend getaway.
At second glance, the mystery of how they got all that functionality into that really small space deepens. Augmented by a simple press of the power button - this digital camera comes alive and the family resemblance to not one, but many of Canon's crowning camera achievements becomes immediately apparent...a stainless-steel barrier on the camera's leading-edge slides away to unleash the PowerShot TX1 digital camera's formidable (and optically image-stabilized) 10x optical zoom lens that glides smoothly from its resting place into the open air. Unfold a simple yet securely hinged housing, and an 115,000-pixel Vari-Angle LCD screen is freed to swivel camcorder-like from the PowerShot TX1 digital camera's side.
This digital dynamo even adds a 30 fps High Definition (HD) 720p widescreen (16:9) capability to its movie mode at the press of a button. What's more, the PowerShot TX1 digital camera has easy connectivity to play its movies or high quality stills back on high-def TVs, thanks to Canon's thoughtful inclusion of a convenient component video output terminal.
"We developed the PowerShot TX1 digital camera for people who appreciate its vast technological advances in both still and movie digital imaging and developed one, very compact, very powerful, very easy to use camera that provides high-resolution still images and HD movie capabilities as well," states Yuichi Ishizuka, senior vice president and general manager of the Consumer Imaging Group at Canon U.S.A., Inc. "The PowerShot TX1 digital camera is the fulfillment of Canon's innovative thinking and vision that mixes the best of photography and video features like never before."
Optical Image Stabilization
Given the impressive and extensive range of the PowerShot TX1 digital camera's 10x optical zoom lens (39mm -390mm equivalent), Canon included its advanced optical image stabilization (OIS) system that helps to significantly reduce the blurring effects of camera shake that can occur at long zoom settings or during long exposures. Superior to electronic IS systems that simply use software to mask movement, this OIS system actually shifts the lens to compensate for unwanted motion, making it easier to snap great images and smooth movies, when the camera is hand-held or in low-light conditions.
The "brain" of this new PowerShot camera is DIGIC III, the newest iteration of Canon's ultra-efficient (and proprietary) image processor. The new gold standard on all new Canon cameras, the DIGIC III image processor accounts for the camera's higher performance levels including faster start up, autofocus and shutter response times, improved image quality and more efficient power consumption; resulting in extended battery life under typical shooting conditions.
Advanced Face Detection and Red-Eye Correction
With Canon's new Face Detection AF/AE/FE function, the camera can detect, lock on, and track multiple human faces in a scene. The face detection algorithm automatically prioritizes and selects faces (based on Canon's Intelligent Scene Analysis/iSAPS technology). It will then optimize the focus, exposure and flash to help ensure the best possible results for even easier picture taking moments. The result is flattering portraits and group shots where all of the subjects are in clearer focus and accurately exposed. Compared to previous Canon cameras with Face Detection technology, the PowerShot TX1 digital camera adds several improvements, including the ability to use the function for movies as well as still images, the ability to detect faces that are further away or not aimed directly at the camera, and better control of flash exposure.
Working with the camera's Face Detection technology, Canon's new Red-eye Correction feature helps detect and corrects, during playback mode, that bothersome by-product of flash photography. Images can be corrected manually while viewing photos on the LCD screen to help vanquish red-eye, once and for all. Because most images will no longer require laborious post-processing with a computer, the new in-camera Red-eye Correction feature is ideal for direct printing.
The versatile PowerShot TX1 digital camera helps users to shoot home movies that can look like the next Hollywood blockbuster while recording CD quality Stereo Sound, in 44 KHz. In fact, consumers can take full advantage of the 10x optical zoom lens and image stabilization while shooting movies, which is a rare feature in most digital cameras. In addition to recording widescreen 720p HD movies at a rate of 30 fps for stunning High Definition clarity, the TX1 digital camera shoots high-quality VGA (640 x 480 pixels) movies at 30 fps (in a traditional 4:3 aspect ratio) and has the option of shooting at 30 fps or 60 fps in the QVGA 320 x 240-pixel setting (also in 4:3 format).
As an added benefit of the DIGIC III image processor's more aggressive noise reduction, the PowerShot TX1 digital camera can shoot at ISO equivalent speed ratings from 80 to as high as 1600. This increased sensitivity at the top-end allows users to select faster shutter speeds, adding additional stability and reducing the danger of camera shake and subject blur during hand held, low-light photography. What's more, the TX1 digital camera offers users the option of Canon's new "Auto ISO Shift" feature which, at the touch of a button, can accurately increase the ISO up to 800, further offsetting camera shake due to low-light or unsteady shooting conditions.
In the Mode
The PowerShot TX1 digital camera comes equipped with 14 shooting modes, expertly allowing for a myriad of different photo preferences and conditions including Automatic, Camera Manual, Super Macro for close-up work, Color Accent, Color Swap, Stitch-Assist, Movie (including HD), and seven Special Scene Modes: Portrait, Night Snapshot, Indoor, Foliage, Snow, Beach and Aquarium.
Still Images and Video: The Best of Both Worlds With MovieSnap
Newly adapted for the PowerShot TX1 digital camera's 7.1 megapixel CCD image sensor, MovieSnap enables users to capture high-resolution still images while recording movies, helping to ensure that milestone memories are preserved for picture frames, photo albums and e-mail sharing as well as for video viewing.
True to its multi-use design, the PowerShot TX1 digital camera's wide-viewing angle, Vari-Angle LCD screen swings out, permitting the user to compose shots from virtually any position, such as over-the-head or under the knees, while the display screen's 15-level brightness adjustment makes it easier to view images under a variety of real-world lighting conditions. A new multi-layer coating on the surface of the screen is glare and scratch resistant, and provides enhanced resistance to dust and fingerprints.
Which End Is Up?
Clearly, not all images are vertical, even those taken with a vertically-designed camera. Switching back and forth to accommodate preferred composition used to require flipping the images in playback in order to view them. Now, Canon's on-board Intelligent Orientation Sensor automatically detects whether the camera is being held vertically or horizontally, so PowerShot TX1 digital camera users have the freedom to shoot and share their photos quickly and with incomparable ease.
Windows Vista Ready
As one of Microsoft's Premier Launch Partners, Canon is proud to announce that all PowerShot digital cameras announced in 2007 including the PowerShot TX1 digital camera are Certified for Windows Vista according to Microsoft standards, without any extra downloads or upgrades. Additionally, all current models are fully compatible with other operating systems including Windows XP and Mac OS X (Versions 10.2 - 10.4). The PowerShot TX1 digital camera will be supplied with Digital Solutions Disk V.30, which contains the latest versions of Canon's powerful yet easy-to-use imaging software, including ZoomBrowser EX 5.8 and ImageBrowser 5.8 Both of these programs support One-Touch Downloading via the TX1 camera's Print/Share button, which illuminates in bright blue when the camera is connected to a compatible device via USB.
The PowerShot TX1 digital camera accommodates standard SD memory cards and the new, high-capacity SDHC memory cards as well as MultiMedia and MMCplus cards. In stores beginning in March 2007, the camera kit includes a Lithium-ion rechargeable battery and battery charger, a 32MB MMC plus memory card, a USB interface cable, stereo AV cable for audio/video output, and a component video cable for connecting to High Definition TVs. The PowerShot TX1 carries an estimated selling price of $499.99*.
- Entirely new vertical design In a camera body that’s nearly the same size as a Canon Digital ELPH, the new TX1 features both compact size and 10x optical zooming with optical image stabilization by adopting a vertical hand-holding position
- Vari-angle LCD monitor Compact 1.8-inch LCD monitor folds flat against camera for storage, and can be freely adjusted, swiveled and rotated for easy viewing during shooting or playback• No eye-level viewfinder; Equipped with new coating for anti-glare/anti-scratch and anti-fingerprint capabilities.
- Lens totally hidden when power off The new 10x zoom lens is retracted entirely within the body when power is off, preserving the traditional Digital ELPH shape and appearance
- Wide-range, compact zoom Entirely new 10x zoom lens — equivalent to 39–390mm ƒ3.5~5.6 (35mm film equivalent)• Macro focusing 3.9 inches ~ 1.6 feet; Super-Macro from surface of front element ~ 3.9 in.• 12 element design, including one UD and one Aspheric element• Special new optical and mechanical technologies keep lens design ultra-compact
- Image Stabilization Canon optical Image Stabilization system makes long telephoto zoom practical,even in less than ideal lighting conditions• Up to three stops shake correction with I.S. active
- New 7.1 million pixel CCD sensor New higher-resolution 1 ⁄ 2.5 -inch size CCD sensor (vs. previous SD630); 7.1 million pixels provides good resolution for prints up to 13x19 inches
- Expanded ISO range Up to ISO 1600 now possible; High Auto ISO setting allows camera to set ISO up to 1600
- New: Auto ISO Shift ISO can shift automatically to preserve shutter speeds fast enough to avoid shake, and blurs from limited subject movement (activated by pressing Print/Share button while shutter button is depressed half-way)
- Selectable Aspect Ratio Users can choose between 16:9 or 4:3 aspect ratios for still images as well as movies.
- Auto Red Eye Correction TX1 usesFace Detection technology during playback of captured images to detect red-eye. An on-screen menu allows users to correct red eye automatically or manually
- Digic III processor Significantly faster processing; superior image quality , better battery life and new camera features including improved Face Detection technology that works even in Movie modes
- Ready for Windows Vista OS Camera and included software will be compatible with new Windows Vista operating system; camera will be compatible with new “MTP” USB connect protocol
- Expanded SD card compatibility Now compatible with new, high-capacity (2GB and up) SD cards which comply with new SDHC industry standard
- New wide-screen setting 720P ( 1280 x 720) movie mode now possible; at 30 or 15 fps — highest movie resolution ever in a PowerShot digital camera – with stereo sound
- Flexible movie / still shooting Shoot a full-resolution still image during movie recording, or start movie recording by simply pressing record button (no need to switch into “movie mode” first)
- Continuous recording up to 4GB Movies can be continuously recorded with a fast SD card, up to 4GB per movie clip• Approx. 13 minutes of continuous movie recording at new 1280x720 resolution, 30 fps• Approx. 30 minutes of continuous movie recording at 640x480 resolution, 30 fps
- Continuous audio-only recording PowerShot TX1 can be used as a sound recorder• Sound recordings up to 2 hours in continuous length are possible• At highest quality (44.100 kHz) setting, up to 1.5 hours audio fit onto 1GB SD card• Choice of 11.025 kHz, 22.050 kHz, or 44.100 kHz quality settings
- “Component” output to HDTVs D-type terminal delivers 1080i signal for higher-quality movie and still reproduction on new hi-definition TVs
- Face Detection system Face Detect AF — camera can precisely focus upon up to nine faces in scene• Face Detect AE — exposure concentrated upon detected faces in scene• Face Detect FE (new) — flash exposure concentrated on detected faces in scene
- Shutter speed/aperture read-out Actual shutter speed and aperture settings appear on camera’s LCD monitor before image is taken (when shutter button held down half-way)
- Precise read-out of ISO Actual ISO setting appears on camera’s LCD monitor before image is taken (when shutter button held down half-way) — even when Auto ISO mode is active
- Digital Tele Converter Magnify image approx. 1.5x or 1.9x, while preserving entire optical zoom range(equivalent to 740mm lens at 1.9x setting, when lens zoomed to max. tele position)
- Safety Zoom Momentarily halts digital zooming at level that preserves good image quality; further digital zoom possible after pausing. • Amount of digital zooming possible before pause increases when shooting at lower pixel resolution settings
- New Time Lapse movie feature Movies recorded at slow rates (0.5 fps or 1.0 fps) played back at 15 fps —record slow-occurring events like flower blooming, sun rising, etc.
- AC adapter kit ACK-DC10 Allows powering camera via household AC power, instead of rechargeable NB-4L battery(same AC adapter kit as SD630, SD600, SD450, SD430, etc.)
- High-power flash HF-DC1 Optional accessory flash unit for all current PowerShot cameras;significantly extends flash power and distance range
1/2.5 " Type CCD
|Image sizes|| 3072 x 2304
3072 x 1728 (16:9)
2592 x 1944
2048 x 1536
1600 x 1200
640 x 480
|Movie clips|| 1280 x 720 @ 30fps
640 x 480 @ 30fps
320 x 240 @ 60 / 30fps
|File formats|| JPEG Exif 2.2
AVI Motion JPEG WAVE
|Lens|| 39-390mm (35mm equiv)
10x optical zoom
|Digital zoom||up to 4x|
|AF area modes|| Face Detection AF
Single point AF (Center of frame)
|AF assist lamp||Yes|
|ISO sensitivity|| Auto
|Exposure compensation||+/-2EV in 1/3EV stop increments|
|Scene modes|| Portrait
|White balance|| Auto
|Self timer||2 or 10 sec, Custom|
|Continuous shooting||approx 2.2fps until card is full|
|Image parameters||My Colors: My Colors Off, Vivid, Vivid Blue, Vivid Green, Vivid Red, Neutral, Sepia, B&W, Positive Film, Light Skin Tone, Dark Skin Tone, Custom Color|
Flash On / Off
|LCD monitor|| 1.8-inch
Night Display, Quick Bright LCD available
|Connectivity|| USB 2.0 Hi-speed
|Storage|| SD / SDHC / MMC / MMCplus card compatible|
|Power|| Rechargeable Lithium-ion battery NB-4L
Optional AC adapter kit
|Weight (no batt)||220 g (7.8 oz)|
|Dimensions||89 x 60 x 29 mm (3.5 x 2.4 x 1.1 in)|
The new compression standard is set to reduce video file sizes by half to save space and speed-up transmission, paving the way for more portable 8K footage.
Sony recently confirmed plans to launch a successor to the video-centric a7S II. We don't even know the name of the camera, but Jordan already has a feature wish list for the new 'a7S III' – and it doesn't include 8K.
The Profot B10 is the first studio flash system that can be used when shooting with an iPhone camera.
The Pixii camera is an interesting little rangefinder camera that features a 12MP APS-C sensor and lacks a rear LCD display, opting instead to pair with your mobile device, which can be used to view and transfer images.
Sirui is launching an Indiegogo campaign for a wide-angle answer to its existing 50mm F1.8 anamorphic lens. The 35mm APS-C lens will come in a Micro Four Thirds mount with adapters for other systems.
Sony has added a 12-24mm F2.8 to its top-shelf 'G Master' series of lenses. It's the widest constant F2.8 zoom currently offered for full-frame, with a hefty price tag to match: it will sell for $3000 when it ships in mid-August.
Take a look at the view from Sony's new ultra-wide F2.8 zoom – we paired it with the a7R IV for some initial shooting.
Canon's EOS-1D X Mark III is one of the best DSLRs ever made. With fast burst speeds, great video quality and impressive autofocus, the 1D X III is equal parts cinema rig and sports shooter. Find out how it fares against steep competition in our full review.
Nikon Rumors is reporting that Nikon will announce successors to its Z6 and Z7 camera systems by the end of the calendar year.
Canon says the event, set to take place at 14:00 CEST in two days on July 9, will be its 'biggest product launch yet.'
The Verge Video Director, Becca Farsace, shows how she built a custom Raspberry Pi camera with effectively zero coding knowledge over the course of just three days.
The EOS R5 has been in the works for some time, and Canon has published a handful of specifications, but there's still plenty we don't know. What are you hoping to see from Canon's forthcoming flagship camera?
Canon's CE-SAT-IB satellite camera was destroyed alongside six other satellites during Rocket Lab's ironically-named 'Pics or It Didn't Happen Mission.'
This sample gallery includes images from our recent review of the Tamron 28-200mm F2.8-5.6 Di III RXD zoom lens. Check out these photos to see how it performs, from wide-angle to telephoto and everything in between.
The Tamron 28-200mm F2.8-5.6 Di III RXD provides a wide zoom range in compact, weather-sealed design. Find out why it's Chris and Jordan's new favorite travel lens.
Kodak Portra 800 is a wonderful and versatile color film. And any rumors of it being discontinued, we're pleased to report, are simply untrue. That's a good thing, because it's capable of producing lovely results in all sorts of conditions.
Boering has left the World Press Photo without much of an explanation from either him or the organization, but he tells DPReview the COVID-19 pandemic is forcing the WPP to change the way it makes money.
The standard-size deck of playing cards features unique photography-oriented artwork and act as cheat sheets for photographers.
The Sony ZV-1 and Panasonic Lumix DC-G100 are the first cameras we've seen that are overtly designed with vlogging in mind – and the changes they represent could have implications for the future of all cameras.
The utility allows the E-M1X, E-M1, E-M1 Mark II, E-M1 Mark III and E-M5 Mark II cameras to be used with video conferencing apps over USB.
Olympus is showing final images of its under-development 150-400mm F4.5, which it says will arrive this winter. An unspecified macro and 8-25mm F4 Pro have also been added to the lens roadmap, and the E-M1X's AF gains bird detection.
The scam, which involves sending fake copyright violation notices, has been circulating on the social media platform since at least June 9.
Fujifilm is one of just two producers of tape media (the other being Sony) and it is hard at work on a breakthrough that will allow single tape storage drives to offer 400TB capacities in the coming years.
The National Parks Service says it's investigating the incident, which took place just two days after the park opened following a shutdown due to the COVID-19 pandemic.
Professional full frame lenses are usually large and have fast apertures. In this episode of DPReview TV, Chris and Jordan argue that there's a need for slow professional lenses – inspired by some of their favorite Micro Four Thirds lenses.
The camera maker joins Olympus, Fujifilm and others is a legal tussle over US digital camera technology patents held by DigiMedia Tech.
NASA's Solar Dynamics Observatory (SDO) photographs the sun every 0.75 seconds. In its first decade in space, the SDO has captured more than 425 million images of the sun. NASA has compiled these images into an amazing time lapse, come check it out.
The lens is available for Leica M, Sony FE, Nikon Z and L-mount camera systems, and now holds the title as the world's widest rectilinear lens for full-frame camera systems.
Tamron's new 28-200mm F2.8-5.6 is a versatile zoom lens for Sony E-mount. Well-suited for travel photography, it's compact, lightweight, and fast/quiet to focus.
Fujifilm has announced that its GF 30mm F3.5 R WR wide-angle lens for its medium format cameras will ship in late July or early August.