Sony announces Cyber-shot DSC-RX100 large sensor enthusiast compact
Sony has announced the Cyber-shot DSC-RX100, an enthusiast compact camera based around a 20MP 1" CMOS sensor. It features a 28-100mm equivalent lens with F1.8-4.9 aperture range and image stabilization and is the first Sony compact to capture Raw files. It can shoot 1080p60 and capture 17MP (16:9 crop) stills simultaneously. It features a lens control dial and a 3:2 aspect ratio sensor (the same proportions as most DSLRs). It's also the first Sony compact to feature the company's 'WhiteMagic' LCD technology, promising a brighter or lower-power display. The RX100 will be available from July at a price of around $649.
Sony’s New Advanced Cyber-shot RX100 Camera Packs Large Sensor and Bright Lens into Stylish, Pocket-Size Body
New Model Contains World’s First 1.0-inch type 20.2 MP Exmor CMOS Sensor and Ultra-bright F1.8 Carl Zeiss Vario Sonnar T* Fixed Lens to Deliver Outstanding Picture Quality
SAN DIEGO, May 16, 2012 – Travelling light no longer means compromising on picture quality with the Cyber-shot® DSC-RX100 camera, Sony’s new flagship compact camera.
Striking the ultimate balance of form and function, the stylish, aluminium-built RX100 camera inherits many advanced imaging features from Sony’s α range of A-mount and E-mount cameras, delivering beautiful still images, crisp full HD videos and a level of manual control and creativity unmatched by any other camera of its size.
“This camera is ideal for travel, portraits or street photography, delivering impressive results in a variety of lighting conditions with an intuitive, customizable control interface,” said Yosuke Tomoda, director of the Cyber-shot business at Sony Electronics. “It’s a perfect step-up model for point and shoot users not interested in larger DSLR or compact system cameras, and also an outstanding choice for enthusiasts who may already own a large DSLR and are looking for a high-quality, pocket-sized ‘all-in-one’ second camera.”
At the heart of the Cyber-shot RX100 is the world’s first 1.0-inch type Exmor® CMOS sensor with a resolution of 20.2 effective megapixels. Specially developed by Sony, the sensor has an area that’s approximately four times larger than the 1/2.3-type sensors in traditional point-and-shoot cameras. The sensor’s larger area takes in more light while capturing content, resulting in beautiful, detail-packed images and Full HD movie clips with very low noise.
The larger sensor is partnered with an exceptionally bright Carl Zeiss® Vario-Sonnar T* fixed lens with 3.6x optical zoom range. In contrast to standard point-and-shoot cameras, it has a wide F1.8 maximum aperture to let in additional light and complement the resolving power of the larger sensor.
Similar to high-performance DSLR optics, the lens features seven- bladed circular aperture. This makes it easy to produce images with subjects in sharp focus against a smoothly-blurred, beautifully defocused background. The lens also features an Advanced Aspherical (AA) lens element that contributes to the camera’s extremely compact dimensions without sacrificing optical zoom performance or resolution.
Newly optimized to complement the 1.0-inch type sensor and lens, the camera’s powerful BIONZ® image processor maximizes shooting response times while helping assure exceptionally clean, natural images. It also extends sensitivity right up to ISO 25600 (using Multi Frame Noise Reduction), allowing for exceptionally clear handheld images in low light conditions. To capture fast-moving subjects, the RX100 camera can also shoot at up to 10 frames per second (in full resolution) and has high-speed autofocus that locks onto a subject in as quickly as 0.13 seconds (depends on scene and lighting conditions).
The new RX100 camera features a high-resolution 3-inch 1,229k dot Xtra Fine LCD™ display and also adds a new feature: WhiteMagic™ technology. This uses additional white pixels to boost screen brightness, allowing users to see subtle details and tones on the screen in all types of shooting environments, including outdoors in bright sunlight.
For making manual adjustments while shooting both still images and movies, the new camera has a smooth control ring around the lens body, which can be used to alter exposure, zoom, creative picture effects and a variety of other customizable functions. Additionally, frequently used functions can be assigned to the Fn (function) button for instant access, and the Memory Recall feature can store up to three groups of customized shooting settings based on user preference.
Similar to a DSLR-style interface, there’s a choice of auto and manual focus modes on the Cyber-shot RX100 camera for enhanced image control. For those that prefer focusing manually, MF Assist magnifies images to simplify fine adjustments, and there’s also a pro-style peaking function that highlights sharply-focused areas of the image on screen.
The RX100 camera offers a generous choice of artistic options to expand creative shooting possibilities. It includes the option for six different creative styles and a variety of popular picture effects including Toy Camera, Partial Color, HDR Painting and several others, most of which can be previewed directly on screen before shooting.
The new Cyber-shot features Auto Portrait Framing – a feature found on Sony’s latest α range of A-mount and E-mount cameras -- making it simple to create sharp, perfectly framed portraits. This unique feature automatically detects faces in a scene, crops the picture accordingly creates a tighter, pro-style composition at full resolution. Both the original and cropped photo are saved for review.
New accessories include a spare battery, dedicated carrying case and a battery charger designed to complement to the new camera.
Pricing and Availability
The Cyber-shot DSC-RX100 digital camera will be available this July for about $650. The camera and accessories will be available at Sony retail stores (www.store.sony.com) and other authorized dealers nationwide.
|MSRP||US: $650 EU: €650 UK: £550|
|Max resolution||5472 x 3648|
|Other resolutions||5472 x 3080, 4864 x 3648, 3888 x 2592, 3648 X 3648, 3648 x 2736, 2736 x 1824, 2592 x 1944, 2592 x 1944|
|Image ratio w:h||1:1, 4:3, 3:2, 16:9|
|Effective pixels||20 megapixels|
|Sensor photo detectors||21 megapixels|
|Sensor size||1″ (13.2 x 8.8 mm)|
|Color space||sRGB, AdobeRGB|
|Color filter array||RGB Primary color|
|ISO||Auto, 100, 200, 400, 800, 1600, 3200, 6400, 12800, 25600|
|White balance presets||9|
|Custom white balance||Yes (1)|
|Optics & Focus|
|Focal length (equiv.)||28–100 mm|
|Autofocus assist lamp||Yes, built -in LED type|
|Digital zoom||Yes (14x)|
|Macro focus range||5 cm (1.97″)|
|Number of focus points||25|
|Screen / viewfinder|
|Screen type||WhiteMagic TFT LCD|
|Minimum shutter speed||30 sec|
|Maximum shutter speed||1/2000 sec|
|Built-in flash||Yes (Pop-up)|
|Flash modes||Auto, On, Off, Slow Sync|
|Continuous drive||10.0 fps|
|Self-timer||Yes (2 or 10 sec, Portrait 1/2)|
|Exposure compensation||±3 (at 1/3 EV steps)|
|AE Bracketing||(3 frames at 1/3 EV, 2/3 EV steps)|
|Resolutions||1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps)|
|Videography notes||1920 x1080 60p PS: 59.97fps Progressive (appx 28Mbps), 1920 x 1080 60i FX : 59.97fps Interlaced (appx 24Mbps), 1920 x 1080 60i FH : 59.97fps Interlaced (appx 17Mbps), 1440 x 1080 30p :29.97fps Progressive (appx 12Mbps), 640 x 480 30p :29.97fps Progressive (appx 3 Mbps)|
|Storage types||SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo|
|USB||USB 2.0 (480 Mbit/sec)|
|HDMI||Yes (Micro HDMI)|
|Battery description||Lithium-Ion NP-BX1 battery and charger|
|Battery Life (CIPA)||330|
|Weight (inc. batteries)||240 g (0.53 lb / 8.47 oz)|
|Dimensions||102 x 58 x 36 mm (4 x 2.29 x 1.41″)|
Sony's new 12-24mm F2.8 GM is the widest fast aperture zoom for full frame. Based on our tests it's a worthy recipient of Sony's 'GM' moniker.
Chris and Jordan took the new Sony 12-24mm F2.8 GM to Calgary's eclectic Ingelwood neighborhood. From record stores to spice shops, find out what got their attention when it was time to go wide.
The six prize-winning photographs and four honorable mentions were narrowed down from more than 6,000 entries captured across North America.
Though Thunderbolt 4 remains at 40Gb/s, its minimum requirements include dual 4K monitor support, faster external drive speeds and more.
You can now use compatible Fujifilm cameras with video conferencing software on macOS hardware without the need of a dedicated capture card.
The Epson V600 remains one of the most popular flatbed film scanners on the market. Revisit our review of this affordable and (mostly) easy-to-use option and see how its output compares to local lab scans.
Canon's mirrorless EOS R5 comes with a ton of features and capability stemming from its design inside and out. Come along with us on a guided tour of Canon's new high-end, high-megapixel camera and check it out for yourself.
Announced alongside the EOS R5, the R6 offers a lot of the same technology but in a more affordable, slightly more enthusiast-focused model. Take a closer look.
Alongside the EOS R5 and R6, Canon has announced a brace of lenses, all in the short to long telephoto range. Filling out the 'long' end are one L-series zoom, and two innovative primes.
Alongside a trio of telephoto lenses, Canon also announced a new 85mm this week. The RF 85mm F2 Macro IS STM is a compact, affordable alternative to the pro-oriented 85mm F1.2L.
The EOS R5 has been a long time coming – we knew it had 8K and we knew it had an AF joystick. But now that's it's here, what is it really like to use? Find out in our initial review based on hands-on time with the camera.
The R6 doesn't promise quite such headline-grabbing specs as its big brother, but it still packs a punch, whether you shoot stills, video or both.
Think you've read everything there is to know about the new Canon cameras? Chris and Jordan share eight important things you may have missed from today's Canon EOS R5 and R6 announcements.
We've been shooting around with the new Canon EOS R6. Initial impressions of image quality are positive, and out-of-camera JPEGs appear similar to that of the gold award-winning Canon EOS-1D X III. Have a look for yourself.
Canon has officially released the long-awaited EOS R5, the company's top-end full-frame mirrorless camera. Featuring a new 45MP CMOS sensor, Dual Pixel AF II system, 8K video capture and 20 fps bursts, this is the RF-mount camera we've been waiting for.
Although the Canon EOS R6 doesn't have the 45MP sensor and 8K video capture of the higher-end R5, it's still an incredibly capable camera with specs that outshine similarly priced peers.
The Canon RF 100-500mm F4.5-7.1L IS USM is the company's first super-zoom lens for RF-mount. Despite a relatively slow aperture range, it's very versatile, offering five stops of stabilization, weather-sealing and compatibility with Canon's new teleconverters.
Canon's RF 85mm F2 Macro IS STM is an inexpensive telephoto prime lens with a minimum focus distance of just 0.35m (14") and a 0.5x magnification. When attached to the new R5 and R6, it offers a whopping eight stops of shake reduction.
Canon has announced a pair of super-telephoto fixed-aperture primes. The 600mm and 800mm use diffractive optics to keep their size and weight down. They'll also be compatible with new 1.4x and 2x RF teleconverters.
Canon has announced a new small-footprint inkjet photo printer, the imageProGraf Pro-300. it will produce prints up to 13 x 19" and it goes on sale later this month for $900. A new textured photo paper will also arrive in July.
The new compression standard is set to reduce video file sizes by half to save space and speed-up transmission, paving the way for more portable 8K footage.
Sony recently confirmed plans to launch a successor to the video-centric a7S II. We don't even know the name of the camera, but Jordan already has a feature wish list for the new 'a7S III' – and it doesn't include 8K.
The Profot B10 is the first studio flash system that can be used when shooting with an iPhone camera.
The Pixii camera is an interesting little rangefinder camera that features a 12MP APS-C sensor and lacks a rear LCD display, opting instead to pair with your mobile device, which can be used to view and transfer images.
Sirui is launching an Indiegogo campaign for a wide-angle answer to its existing 50mm F1.8 anamorphic lens. The 35mm APS-C lens will come in a Micro Four Thirds mount with adapters for other systems.
Sony has added a 12-24mm F2.8 to its top-shelf 'G Master' series of lenses. It's the widest constant F2.8 zoom currently offered for full-frame, with a hefty price tag to match: it will sell for $3000 when it ships in mid-August.
Take a look at the view from Sony's new ultra-wide F2.8 zoom – we paired it with the a7R IV for some initial shooting.
Canon's EOS-1D X Mark III is one of the best DSLRs ever made. With fast burst speeds, great video quality and impressive autofocus, the 1D X III is equal parts cinema rig and sports shooter. Find out how it fares against steep competition in our full review.
Nikon Rumors is reporting that Nikon will announce successors to its Z6 and Z7 camera systems by the end of the calendar year.
Canon says the event, set to take place at 14:00 CEST in two days on July 9, will be its 'biggest product launch yet.'