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When it comes to electronic viewfinders, the Z7 and a7R III both deliver a high quality experience with 3.68M-dot OLED EVFs, though with minor differences in magnification (0.8x on the Nikon and 0.78x on the Sony).

However, despite the similar specifications, both EVFs are not created equal. The a7R III delivers the full resolution to the EVF in playback mode, but not when shooting, and resolution drops when shooting in burst mode. The Z7, on the other hand, maintains full resolution even while shooting, and uses a relatively complex optical design with aspheric elements and a fluorine coating. In its effort to provide a seamless experience to DSLR shooters, Nikon has created a bright, sharp display that provides an extremely lifelike experience. The Sony, though, has a slightly deeper eye-point, meaning its full extent can be seen from slightly (2mm) further away.

Both cameras also have tilting rear touchscreens, though the Nikon is the clear winner here with a 2.1M-dot screen vs. a 1.44M-dot screen on the Sony. As we've mentioned elsewhere, Nikon has also done a better job of integrating the touchscreen into the camera's overall user experience, giving the impression that it was an integral part of the camera's design from the ground up rather than a feature bolted on later.

Nikon wins this one.