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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Canon has today announced the successor to the EOS-1D Mark II, this updated camera carries the N suffix to indicate its moderate range of updates. The EOS-1D Mark II N has the same 8.2 megapixel CMOS sensor, the same DIGIC II image processor and 8.5 fps shooting speed. The primary changes are a new 2.5" wide viewing angle LCD monitor, improved buffering characteristics, new 'Picture Style' image parameters and the ability to write different formats simultaneously to SD and CF cards. The EOS-1D Mark II N is priced at $3999 and will be available in September.
Phil: The only imaging pipeline change introduced to the 'N' are the new 'Picture Style' image parameters. Anyone who has used an EOS-1D digital SLR will know that the default image parameters apply virtually no sharpening at all, the new Picture Style's now do so. My only concern with the new 'Picture Style' option is how it is presented in the menu, each Picture Style can have a different tone curve however a contrast of zero (0) could be indicated for each leaving the photographer with the assumption that they would produce the same contrast, not true.
Amstelveen, The Netherlands, 22 August, 2005 - Canon, a leader in photographic and imaging technology, today launches the EOS-1D Mark II N: an upgrade of the award winning EOS-1D Mark II. Still featuring 8.2 Megapixel performance at 8.5 frames per second, the upgraded camera has a higher performance buffer to deliver a 48 frame burst in JPEG and 22 frame burst in RAW. LCD monitor size increases from 2.0” to a 2.5”, and dual CF and SD memory card slots provide for separate RAW and JPEG recording. Colour Matrix and parameter settings are replaced with Canon’s new Picture Style – 6 pre-sets that simplify in-camera control over image optimisation and processing.
“The EOS-1D Mark II took photojournalism and sports photography by storm and was chosen by more than 70% of professional photographers at the 2004 Athens Olympics, ” reported Mogens Jensen, Head of Canon Consumer Imaging Europe. “Taking feedback from the professionals as their guide, Canon’s engineers have made a great camera even better.”
Exceptional image quality is assured with an APS-H size (28.7 x 19.1 mm) CMOS sensor and high performance DIGIC II processor. The EOS-1D Mark II N also features 45-point Auto Focus and a start-up time of 0.2 seconds. Its wide 100-1600 ISO speed range is expandable to L:50 and H:3200.
First choice of professional agencies
Launched in January 2004, the EOS-1D Mark II fast became Europe’s best selling professional D-SLR camera . It secured the major share of sports and photojournalism worldwide, with the world’s leading wire agencies such as Reuters, Getty Images and AFP choosing Canon professional products for their photographers. “One of the big pluses of working with Canon is the interaction we get as a ‘body’ of photographers,” explained Stephen Munday, Director of Operations – Editorial, Getty Images. “Canon consults with us about our wish list for new products. When they come to testing a new camera, most of the work has been done because they have listened to their clients – the photographers.”
For improved image review and menu readability, the EOS-1D Mark II N is fitted with a larger, brighter 2.5” 230K pixel poly-silicon TFT LCD monitor, giving photographers a significantly larger viewing area. The improved screen has twice the number of backlighting LEDs so that it retains brightness and visibility throughout a wide 170 angle of view, both vertically and horizontally. This makes it easy to view images when camera is mounted in a fixed position. With image playback, the magnified view can now be viewed straight away on any selected AF point , and magnification is possible during the quick review immediately after image capture.
Meeting photographers’ needs, listening to the market
The EOS-1D Mark II N incorporates a host of improvements to enhance performance, operation and speed. To prevent shooting disruption, new folders are now automatically created when image number 9999 is reached in the current folder. A new memory card selection short cut makes it fast and easy to switch between card slots when choosing recording location. A Low Level Format option executes secure and permanent deletion of SD card data and increases SD card write speeds.
When shooting RAW and JPEG simultaneously, images can now be recorded separately onto a different memory card (CF or SD). In-camera file names are now customisable: users can decide the first four characters of the filename and the camera will append the 4 digit image number ¬– a feature particularly useful for agencies and photo libraries dealing with memory cards from multiple photographers.
Ready to use images as standard
New Picture Style pre-sets simplify in-camera control over image quality. The camera’s factory default configuration delivers more immediately usable JPEG images without need for additional menu settings. Picture Style pre-sets can be likened to different film types – each one offering a different colour response. Within each easily selectable pre-set, photographers have control over sharpness, contrast, colour tone and saturation.
The pre-sets include:
Additionally, 3 user defined entries allows the possibility to create additional variations on the in-camera styles or install additional custom Picture Style files. Additional custom Picture Style files may be downloaded from Canon’s web site.
Picture Style replaces internal image processing previously controlled by setting processing parameters and colour matrix. Picture Style is also supported by the supplied Digital Photo Professional and RAW Image Task software.
Exceptional image quality, total reliability
Exceptionally high quality images are assured due to the combination of Canon’s DIGIC II processor and 2nd generation CMOS sensor, which features an on-chip noise elimination circuit to reduce the creation of fixed pattern and random noise. A low-pass filter placed in front of the sensor reduces false colour and moiré effects, while the infrared filter suppresses red fringing caused by sensor reflections and fog.
The EOS-1D Mark II N has a shutter durability of 200,000 cycles, and a weather resistant magnesium-alloy casing with over 70 dust and moisture resistant seals protects the camera.
A new Auto option is available on the Noise reduction menu screen, which offers automatic detection and correction when necessary of noise levels in images with exposures of 1 second or longer.
Compatibility and accessories
The EOS-1D Mark II N is compatible with all Canon EF lenses and the entire EX series Speedlite flash range. Canon's E-TTL II flash system optimises flash exposures by linking distance information from the camera/lens system to the 21-zone evaluative or averaged metering readings from the pre-flash.
The camera’s focussing screens are interchangeable; an optional new “Super Precision Matte” Ec-S focussing screen enables easier manual focussing with fast lenses.
With the optional Wireless File Transmitter WFT-E1, photographers can work cable-free as images transfer automatically through a wireless LAN to a computer in seconds . Interfaces include video out (for display in both NTSC and PAL formats), IEEE1394 (Firewire) and USB. The camera is PictBridge compliant for PC-less direct printing to any brand of compatible photo printer.
The EOS-1D Mark II N supports the optional Data Verification Kit DVK-E2 v2.2, which verifies the originality of images taken with the camera.
The EOS-1D Mark II N is bundled with the EOS Digital Solutions Disk v11, which includes an upgraded version of Canon’s RAW image processing software Digital Photo Professional (DPP). DPP v2.0 now supports RAW images shot on all EOS digital cameras from the EOS D30 forwards, and includes support for Picture Styles. Improvements and additions are aimed at improving functionality and workflow efficiency for professionals, and include: easy image selection with three levels of check marks; real-time adjustment of sharpness; improved image correction (Copy Stamp); enhanced image transfer function – single image transfer to PhotoShop is possible; extended colour space support, now including Apple RGB and ColorMatch RGB; and an enhanced CMYK simulation function.
Also provided is on the solution disk is ZoomBrowser EX (PC) and ImageBrowser (MAC) v5.5 for managing images, EOS Capture v1.5 for remote shooting, PhotoStitch v3.1, PhotoRecord v2.2 (PC), RAW ImageTask v2.2 and CameraWindow v 5.3. EOS-1D Mark II N is compatible with CANON iMAGE GATEWAY providing a 100 MB online photo album.
|Pricing (body only)|
|Type||28.7 x 19.1 mm CMOS|
|Effective Pixels||Approx. 8.2M|
|Total Pixels||Approx. 8.5M|
|Low-Pass Filter||Built in/ Fixed|
|Colour Filter Type||Primary Colour|
|Lens Mount||EF (excludes EF-S lenses)|
|Focal Length||1.3x Multiplication with EF lens fitted|
|Type||TTL-AREA-SIR with a CMOS sensor|
|AF System/ Points||45 -point AF (Area AF)|
|AF working range||EV 0-18 (at 20°C & ISO 100)|
|AF Modes|| One Shot
|AF Point Selection|| Automatic selection
• Manual selection
• Home position (switch to registered AF point)
|Selected AF point display||Superimposed in viewfinder|
|AF Lock||Locked when shutter button is pressed half way in One Shot AF mode.|
|AF Assist Beam||Emitted by an optional dedicated Speedlite|
|Manual Focus||Selected on lens|
|Metering modes||TTL full aperture metering with 21 zone SPC
1. Evaluative metering (linked to any AF point)
2. Partial metering (approx. 8.5% of viewfinder at centre)
3. Spot metering: Center spot metering (approx. 2.4% viewfinder at center) AF point-linked spot metering (approx. 2.4% of viewfinder) Multi/Spot metering (Max 8 spot metering entries)
4. Center weighted average metering
|Metering Range||EV 0-20 (at 20°C with 50mm f1.4 lens ISO 100)|
|AE Lock|| Auto: Operates in 1-shot AF mode with evaluative metering when focus is achieved
Manual: By AE lock button in all metering modes
|Exposure Compensation||+/-3 EV in 1/3-stop increments (can be combined with AEB).|
|AEB|| +/-3 EV in 1/3-stop increments.
1/2-stop increments selectable with C.Fn-06-2.
Bracketing methods: 1 Shutter speed or aperture, 2 ISO speed
|ISO Speed Equivalent|| 100-1600 (in 1/3-stop increments)
ISO can be expanded to L: 50 or H: 3200 (selected on shooting menu)
|Type||Electronically-controlled focal-plane shutter|
|Speed|| 30 - 1/8000 sec. (1/3 stop increments)
• (Shutter speeds of 1/2 sec or more operate with noise reduction)
|Shutter release||Soft-touch electromagnetic release|
|Type||Auto white balance with the imaging sensor|
• Tungsten light
• Fluorescent light
• Colour Temperature Setting
• Personal WB
• (Total 10 Settings)
• White balance compensation:
1. Blue/Amber +/-9
2. Magenta/ Green +/-9.
|Personal White Balance||Up to 3 personal WB settings can be registered|
|WB Bracketing|| +/-3 stops in full stop increments.
3 x bracketed images per shutter release
|Type||2 types of colour space: *
• Adobe RGB
|Coverage (Vertical/Horizontal)||Approx. 100% (for JPEG Large images)|
|Dioptre Correction||-3 to +1 dpt|
|Focusing Screen||Interchangeable (9 types). Standard Focusing Screen Ec-CIII|
|Mirror|| Quick-return half mirror (Transmission: reflection ratio of 37:63
• no mirror cut-off with EF1200mm f5.6 or shorter
|Viewfinder Information|| AF information (AF points, focus confirmation light)
• Exposure information (shutter speed, aperture
• manual exposure
• metering range
• ISO speed
• exposure level
• exposure warning)
• Flash Information (flash ready, FP flash, FE lock, flash exposure level), JPEG format
• number of remaining shots
• CF card information
• WB compensation.
|Depth of field preview||Yes|
|Monitor|| 2.5" TFT *
• approx. 230K pixels
|Coverage||Approx. 100% (for JPEG images)|
|Brightness||Adjustable to one of five levels|
|Modes|| E-TTL II
• Auto Flash
• Metered Manual
|HotShoe/ PC terminal||Yes/ Yes|
|Flash Exposure Compensation||+/-3 EV in 1/3-stop increments with EX series Speedlites|
|Flash Exposure Bracketing||Yes|
|Flash Exposure Lock||Yes|
|Second Curtain Synchronisation||Yes|
|External Flash|| E-TTL with EX series Speedlites
• wireless multi-flash support.
|Modes|| Program AE
• Shutter priority AE
• Aperture priority AE
|Continuous Shooting|| Maximum approx. 8.3 fps
JPEG: up to 48 images (JPEG quality 8)
• RAW: up to 22 images (2)
|Recording pixels / compression|
|Image Size|| 3504x2336 (L) (8.2 million pixels)
3104x2072 (M1) (6.4 million pixels)
2544x1696 (M2) (4.3 million pixels)
1728x1152 (S) (2.0 million pixels)
|Compression|| JPEG (1-10 settings, user selectable)
• RAW (Canon RAW 2nd edition, .CR2 files)
|Still Image Format|| JPEG (Exif 2.21 [Exif Print] compliant)
Design rule for Camera File system (2.0)
• Digital Print Order Format [DPOF] Version 1.1 compliant
|RAW+JPEG simultaneous recording||Yes|
|Simultaneous multiple formats to SD & CF card||Yes *|
|Folders||Folder creation & selection is possible|
|File Numbering||1. Consecutive numbering
2. Auto reset
3. Manual reset
|Processing Parameters||• 6 Preset 'Picture Styles' *
• 3 User defined settings *
|Sound Files||WAVE (monaural)|
|Canon Printers||Canon Compact Photo Printers and PIXMA Printers supporting
|Custom Functions||21 Custom Functions with 69 settings *|
|LCD Panel (EL) Illumination||Yes|
|Water/ Dust resistance||Yes|
|Sound Memo||Up to 30sec per image|
|Histogram||• Brightness: Yes
• RGB: Yes
|Playback zoom||1.5x - 10x|
|Display Formats||1. Single image with information
2. Single image
3. 4 image index
4. 9 image index
5. Magnified view
|Image Erase Protection||Erase protection of one image, all images in a folder, or all images in the memory card can be applied or cancelled at one time|
|Image Erase|| Single image
|Self Timer||Approx. 2 or 10 sec.|
|Menu Categories||1. Recording Menu
2. Playback menu
3. Set-up menu
4. Custom/ Personal Functions Menu
|Menu Languages||• English
• Simplified Chinese
• Traditional Chinese *
• Korean *
• Russian *
|Firmware Update||Update possible by the user.|
|Computer|| IEEE 1394 (Supplied with 4-pin dedicated cable)
• USB 1.1(Mini-B, PTP)
|Other||Video output (PAL/ NTSC)|
|Type|| CompactFlash Type I/ II (Microdrive compatible)
• SD memory
|Supported operating system|
|PC||Windows 98 (including SE) / 2000 / Me / XP|
|Macintosh|| OS 9.0 – 9.2
• OS X v10.1 / v10.2
|Browsing & Printing||EOS Viewer Utility/ EOS Capture|
|Drivers|| TWAIN (Windows 98 / 2000)
• WIA (Windows Me)
|Image Manipulation||Digital Photo Professional|
|Batteries|| 1x Ni-MH pack NP-E3
• 1x CR2025 for date & settings
|Battery life||Approx. 1200 (at 20C) Approx. 800 (at 0C)|
|Power saving||Power turns off after 1, 2, 4, 8, 15 or 30mins.|
|A/C Power Supply||Power adapter DCK-E1|
|Lenses||All EF lenses (excludes EF-S lenses)|
|Flash||Canon Speedlites (220EX, 380EX, 420EX, 550EX, Macro-Ring-Lite, MR-14EX, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2)|
|Remote Controller/ Switch||Remote control with N3 type contact|
|Power Supply & Battery Chargers|| DC coupler kit DCK-E1
• Battery charger NC-E2
|Body Materials||Magnesium Alloy|
|Operating Environment|| 0-45 °C
• 85% or lower humidity
|Dimensions (WxHxD)||156 x 158 x 80 mm (6.1 x 6.2 x 3.1 in)|
|Weight (body only)||Approx. 1.2 kg (battery weight 335 g)|
* New or changed compared to the EOS-1D Mark II
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
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What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|My Garden by Mitchmeister|
from The Secret Garden
|Crowded Skies by Rushlin|
from Seven types of aircraft - lighter than air
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
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Sigma has announced the 56mm F1.4 DC DN lens for Micro Four Thirds and Sony E mounts. The compact 56mm lens becomes the sixth DN lens for mirrorless cameras and will make a handy portrait lens on both systems.
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ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
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IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
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Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.