Latest sample galleries
Latest in-depth reviews
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Pre-PMA 2006: The first of today's announced Digital ELPH / Digital IXUS cameras is the new flagship of the range, the 6 million pixel Canon PowerShot SD700 IS. Featuring Canon's optical Image Stabilizer, a 4x optical zoom, an ISO of up to 800 and a large 2.5-inch LCD. This is the first ever ultra-compact from Canon with built-in image stabilization (but probably not the last).
Amstelveen, The Netherlands, 21 February 2006: Canon today releases the Digital IXUS that advanced photographers have been waiting for – the 6.0 Megapixel Digital IXUS 800 IS. Redefining the boundaries of compact camera design, the new flagship of the Digital IXUS range fits a 4x optical zoom lens and Canon's optical Image Stabilizer (IS) technology into an incredibly slender body.
Exquisitely styled with a unique 'Curvature and Stream' design, the camera incorporates a host of cutting-edge features and shooting options to satisfy the most demanding of photographers, including:
"IXUS is synonymous with distinctive style and leading technology," comments Mogens Jensen, head of Canon Consumer Imaging Europe. "The Digital IXUS 800 IS adds another dimension to the range with a new level of functionality that will thrill serious photo enthusiasts."
4x optical zoom with Image Stabilizer
Smaller, lighter camera bodies are more susceptible to camera shake from handheld shots, especially in low light situations. The Digital IXUS 800 IS employs the same optical Image Stabilizer (IS) technology used in Canon's professional EF lenses to reduce the image blur caused by camera shake. IS allows for sharper flash-free shooting by enabling photographers to shoot at shutter speeds up to 3 stops slower. It also allows for steadier macro shooting when using the camera's 2cm Macro mode. To incorporate this technology into such a compact space, a new IS processor chip was developed by Canon's engineering team. The new chip accurately controls the movement of lens elements, delivers fast, precise shake correction – processing up to 4000 signals per second – and contributes to lower power consumption.
The 4x optical zoom lens incorporates an Ultra-High Refractive Index Aspherical (UA) lens to achieve a focal length range of 35-140mm (35mm equivalent) while allowing the camera to maintain a slender profile. The camera retains a real-image optical viewfinder despite its compact size, enabling users to frame without the LCD and further extend the camera's impressive 240-shot battery capacity.
Increased ISO speed
The Digital IXUS 800 IS incorporates ISO 800 to facilitate flash-free shooting indoors - ideal in low-light environments where the use of flash is not desirable or appropriate, such as churches and concerts. A new High ISO Auto setting automatically sets exposure using the higher range of ISO sensitivities, prioritising faster shutter speeds to avoid blur from camera shake or moving subjects.
In keeping with its status as a new class of IXUS, the Digital IXUS 800 IS has a resolutely unique appearance that sets it apart from its predecessors. In an evolution of the Perpetual Curve design found on the Digital IXUS 750, the camera's elegant contours are accentuated by a striking tri-coloured design – 'ice metal' silver and 'moonlight' silver in satin and glossy finishes, complemented by an ebony black gloss surrounding the LCD screen. Designer Kosei Takahashi has dubbed his concept 'Curvature and Stream', a reference to the elliptic curves of each coloured segment and the bold, flowing lines that appear where segments meet.
The large 2.5" LCD screen gracing the back of the camera features a wide viewing angle for easy sharing of images. A selectable Grid Line Display helps with image composition, while Night Display aids screen visibility after dark. The camera's mode dial is embedded into the body of the camera, leaving thumb space clear for an easier grip.
Canon's My Colors photo effects can now be applied to images both before and after shooting, offering users more opportunities to customise their creations without having to connect to a PC. The Digital IXUS 800 IS offers 16 shooting modes including Manual mode. Preset scene modes assist with tricky lighting conditions, including an Underwater mode for shooting underwater with the optional Waterproof Case. Color Accent and Color Swap modes enable dramatic colour effects to be applied to both images and movies.
A new Widescreen recording mode (2816 x 1584 recording pixels) allows for still image capturing in 16:9 format – perfect for viewing images on widescreen television or printing wide photos with a SELPHY CP series Compact Photo Printer.
The camera's powerful movie features enable recording of 30fps VGA movie clips of up to 1GB . A 60fps QVGA mode is ideal for recording fast action sequences and analysing them in slow motion, while the handy Compact mode records up to 3 minutes of footage in low resolution for easy sharing via email.
Printing and other new features
A new Print menu simplifies printing of multiple images. Full PictBridge support means users can print directly to any PictBridge compatible printer without the need for a PC. The camera's ID photo and movie stills features are also available when connected to a SELPHY CP Compact Photo Printer. A Print/Share button allows one-touch printing and easy uploads to Windows or Mac systems.
The camera's menu system now features support for Arabic, bringing the total number of supported languages to 23.
An optional Waterproof Case (WP-DC5) allows users to bring the camera to a depth of up to 40 metres for compelling underwater shots. Specially designed Weights (WW-DC1) are available to control camera buoyancy.
Other accessories include:
The camera is compatible with MMC/SD cards, and comes supplied with a 16MB Canon memory card.
Canon's purpose-built DIGIC II (DIGital Imaging Core) image processor links all primary camera functions for maximum efficiency. High-speed processing results in outstanding responsiveness, rapid auto focus and extended continuous shooting ability. Advanced image processing algorithms deliver superb image detail and colour reproduction with accurate white balance and minimal noise. DIGIC II operates efficiently to extend battery life, for longer shooting on a single charge.
iSAPS (Intelligent Scene Analysis based on Photographic Space) automatically optimises key camera settings before every shot. Each scene is analysed and cross-referenced against Photographic Space – a vast in-camera library of photographic data. This enables the camera to make optimal adjustments to auto exposure, auto focus and auto white balance before image capture occurs.
Canon's 9-point AiAF (Artificial Intelligence Auto Focus) automatically scans and selects subjects from a set of nine focusing areas across the scene. This ensures accurately focused images even when subjects are not in the centre of the frame.
Optical Image Stabilizer
Canon's optical Image Stabilizer (IS) technology uses special vibration sensors to detect and correct slight camera shakes that can cause image blur. It allows photographers to shoot at shutter speeds up to 3 stops slower with no perceptible increase in image blur. IS is extremely helpful in low light situations, at full zoom and when shooting macro photography.
Ultra-High Refractive Index Aspherical (UA) lens technology
Canon's UA lens was the world's first ultra-high refractive index glass moulded aspherical lens. Made from glass with a higher refractive index than other aspherical lenses, it allows for an exceptionally slim and compact lens unit. The glass moulded aspherical shape delivers remarkable image quality and avoids the image aberrations that can occur with spherical lens designs.
The PowerShot SD700 IS Digital ELPH camera will be available in April for an estimated selling price of $499.99.
1/2.5 " Type CCD
|Image sizes|| 2816 x 2112
2816 x 1584
2272 x 1704
1600 x 1200
640 x 480
|Movie clips|| 640 x 480 @ 30 / 15fps
320 x 240 @ 60 / 30 / 15fps
160 x 120 @ 15fps
|File formats|| Still: JPEG (Exif 2.2)
Movie: AVI (Motion JPEG compression)
|Lens|| 35-140mm equiv
4x Optical zoom
|Image stabilization||Yes (Shift-type)|
|Digital zoom||up to 4x|
1-point AF (Fixed center)
|AF area modes|| Normal
|AF assist lamp||Yes|
|Focus distance||Macro 2cm|
|ISO sensitivity|| Auto
High ISO Auto
|Exposure compensation|| +/- 2EV
in 1/3 stop increments
|Shuttter speed||15-1/1600 sec|
|Scene modes|| Foliage
Kids & Pets
|White balance|| TTL
|Self timer|| 2 or 10secs
|Continuous shooting||approx. 2.1fps until card is full|
|Image parameters||My Colors (Off, Vivid, Neutral, Sepia, B&W, Positive film, Lighter skin tone, Darker skin tone, Vivid blue, Vivid red, Custom color)|
|Viewfinder||Real-image zoom optical viewfinder|
|LCD monitor|| 2.5-inch P-Si TFT
|Connectivity|| USB 2.0 Hi-Speed
|Print compliance|| PictBridge
Canon SELPHY Compact Photo Printers and PIXMA Printers supporting PictBridge (ID Photo Print, Movie Print supported on SELPHY CP printers only)
|Storage|| SD / MMC compatible
16MB card supplied
|Power|| Rechargeable Lithium-ion battery NB-5L
Optional AC adapter
|Weight (no batt)||165 g|
|Dimensions||90.4 x 56.5 x 26.4 mm|
I own it
I want it
I had it
Discuss in the forums
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
Much of the Fujifilm GFX 50R is very familiar, but its smaller size and redesigned controls serve to make the 50R handle very differently from its elder sibling. Here's a detailed look at what's different – and what isn't.
Sigma took the wraps off five new lenses at Photokina this year, and we were there to see (and handle) them for ourselves. Click through for more information, and some early first impressions.
Ricoh has announced the development of a third model in its popular GR lineup: The forthcoming GR III will feature an updated sensor and redesigned lens. We're at Photokina, where we took a quick look earlier at an early sample, behind glass.
It's been a busy old day for news: it's not often you get promised three full-frame cameras by different brands and still have a debate about whether they're the most interesting announcements. To make sure you've not missed anything, we've condensed the day's news down into an easy-to-swallow, er, digest.
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced give new lenses at Photokina, including a 'Sport' series 70-200mm F2.8 and a 56mm F1.4 for Micro Four Thirds and Sony E mounts.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.