Latest sample galleries
Latest in-depth reviews
With its unusual form factor can the Tourbox aid the editing process? Will its price and variety of tactile controls appeal to photo and video editors who would like to streamline their workflow?
Olympus has announced the E-P2 just five months after the launch of its first Micro Four-Thirds camera, the E-P1. It's a minor upgrade with the addition of a port for a new high resolution electronic viewfinder (or external microphone), two new Art filters and a pearlescent black finish. It also gains AF tracking and includes a new i-Enhance 'colour boosting' function. Available from January 2010, the E-P2 with VF-2 electronic viewfinder and either 17mm pancake or 14-42mm zoom lens will sell for a suggested retail price of $1099.99.
The E-P2 represents almost as subtle an enhancement as the company's E-450 does, compared to the remarkably similar E-420. The two models will sell alongside each other, with all E-P2 kits including the plug-in viewfinder. The launch of the E-P2 so soon after E-P1 might prompt the more cynically inclined to wonder whether this is the product Olympus originally planned to create - though its similarity should mean early adopters of the E-P1 don't feel stung for having excercised their credit cards so readily.
London, 5 November 2009 – Welcome back to the PEN story and the next chapter: “Back to Black”. This latest retro-chic digital Olympus PEN builds on EISA’s 2009/2010 “Best Camera of the Year”, an icon of style and quality. To enrich photographic potential, the new E-P2 includes a port for an electronic viewfinder or external microphones. Two additional Art Filters combine with the new i-Enhance function for yet more creativity and image enhancement. Two new Micro Four Thirds lenses are due in the first half of 2010: the M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 (18-36mm*) super wide-angle zoom and M.ZUIKO DIGITAL ED 14-150mm F4.0-5.6 (28-300mm*) high-power telephoto zoom lenses. Cloaked in classic black, the hybrid photo and HD movie Olympus PEN boldly brings fun and simplicity back to SLR quality. It’s the next exciting chapter in a photographic story that is set to run and run. Available from January 2010 for £850 including the electronic viewfinder.
Building on brilliance
The new generation of PEN (E-P2) boasts an enviable pedigree. It comes hot on the heels of Olympus’ award-winning first Micro Four Thirds System camera inspired by the revolutionary Maitani design of the original PEN series. This second digital model takes usability and functionality even further by with diverse fresh features:
Experience true framing freedom
A dedicated accessory port on the back of the camera extends flexibility. The first compatible device, an electronic viewfinder is included with the E-P2. Enjoy bright, high-resolution depictions under all conditions and a 100% field of view. Tiltable by up to 90°, reminiscent of medium format camera viewfinders it also promotes shooting from unique perspectives. Viewing picture information and adjustments as you go is a given. More accessory port attachments starting with an external microphone adapter for a variety of microphones will also follow soon.
Click for creativity
Inspiring creativity, two new Art Filters join the six already introduced by the E-P1. Use Diorama to create the illusion of a model world or flip colours around with Cross Process, both available for use in still or HD movie mode. Meanwhile, the new i-Enhance function boosts specified colours within the frame to add even more punch to the image if you so desire. Like its predecessor, the E-P2 offers the choice of aspect ratios and multiple exposures. Also remaining on board is the level gauge, i-Auto mode, and the flattering e-Portrait option.
AF tracking is added making the sharp capture of moving subjects easier than ever and when it’s time to take a look at the results, just kick back and relax as high-definition slideshows and HD movies can be viewed using the remote of a TV set connected to the camera via HDMI.
A legacy of chic styling and SLR quality continues
The latest PEN inherits the inimitable looks and ultra-compact form of its critically-acclaimed sister model in addition to all its outstanding technologies. Photographers benefit from a defined high-end standard based on the Micro Four Thirds System that guarantees SLR quality results. The large pool of compatible interchangeable lenses provides tremendous versatility – from the ultra-slimline M.ZUIKO DIGITAL Pancake to the complete Four Thirds lens line-up (with adapter). Attachment of an external flash unit, such as the retro-styled Olympus FL-14, extends the possibilities even more.
Reliably crisp images are secured through the 12.3 Megapixel Live MOS sensor combined with a dust reduction system and high-performance in-camera image stabilisation giving protection against shake to 4 EV. And at the core of this PEN is the guarantor for fast, top-quality image processing, even at up to ISO 6400: the state-of-the-art TruePic V engine. The Live Control GUI simplifies operation while the effect of functions can be monitored in real time – on both the 7.6cm/3.0” HyperCrystal LCD and the 1,440,000 dot electronic viewfinder.
HD movie magic
Capable of recording AVI format movies in 30fps 1280x720p HD resolution and boasting immaculate PCM sound quality, the PEN also lets users discover the magic of movie making. Seven minutes of footage can be recorded in a single shot. Furthermore, many still photography functions and options; including the application of Art Filters, depth of field, angle of view and AF tracking, remain operational in movie mode. Another new perk is the ability to film using the M-mode, good news for those with a creative touch. And because shooting is possible using any attached lens, a whole new world of framing potential emerges. Users can also capture high resolution still shots while filming at the touch of a button.
The Olympus E-P2 builds on its coveted predecessor’s wealth of high-performance temptations. “With the first PEN, many journalists and experts already told us that we had defined a totally new camera segment. Adding superb new features like an accessory port, viewfinder and new Art Filters has made an already incredible camera even better” explains Mark Thackara, National Marketing Manager at Olympus UK. This retro-cool model is finished in classic black and will become available from January 2010 at a price of £849 including the electronic viewfinder. An optional, matching black leather body jacket will also be on offer.
Full UK pricing on all kits is yet to be confirmed. The E-P2 14-42 Zoom kit with viewfinder included is expected to have an RRP of £849. This and the other kit prices will be confirmed nearer the availability date.
The Olympus E-P2 – main features:
Small & stylish design
SLR image quality
Creativity & HD Movie
Additional features of the Olympus E-P2:
* 35mm equivalent
This system tracks the moving subject automatically and keeps it continually in focus for pictures that are optimally focused and exposed. It also memorises subject data even when the subject goes out of frame and resumes tracking when it reappears.
Enables special artistic effects to be created directly in the camera. The following Art Filters are available in the Olympus E-P2:
Diorama: Enhances a composition’s depth of field to give the image an unreal touch and model-like structure.
Cross Process: Returns depictions with striking colour and contrast shifts akin to those achieved through the cross processing technique in silver halide film development.
Pop Art: Enhances colours, making them stronger and more vivid to create high-impact pictures that express the happy, light-hearted feeling of the pop art style.
Soft Focus: Creates a soft tone which gives pictures an ethereal, otherworldly atmosphere. It renders pictures as though they were veiled in heavenly light, without obscuring details such as the hair or flower petals.
Pale & Light Colour: The foreground is enclosed in flat, gentle light – similar to a flashback scene in a film – creating a sense of déjà vu.
Light Tone: Creates a picture with a gentle feel to it, similar to one taken under artificial lighting. Both the shade and highlight areas are rendered very softly to provide a sophisticated atmosphere.
Grainy Film: This effect recreates the feeling of reality evoked by grainy, high-contrast monochrome pictures. The strong presence and dramatic atmosphere make the subject stand out impressively.
Pin Hole: Reduces the peripheral brightness like an image seen through a pinhole. Added to this is a unique colour tone that results in a style that has an air of secrecy or portrays the feeling of being lost in another dimension or space.
Built-in image stabilisation
Built directly into the camera, it enables the photo-enhancing effects of image stabilisation to be enjoyed irrespective of the attached lens. A gyro sensor detects the precise direction of the shake. Using the on-board Supersonic Wave Drive (SWD), the image sensor shifts to compensate for movement caused by camera shake.
Touches up the appearance of subjects even while the shot is being taken. This feature recognises faces and automatically makes skin on the face and adjacent areas appear smoother, brighter and more youthful.
High-definition video (HD video) delivers high-quality movies at a resolution of 1280x720 pixels and a rate of 30 frames per second.
This “intelligent-Auto” mode uses advanced automatic detection technology to allow the camera to recognise the six most commonly used scenes automatically. They enable the capture of perfect photos without any need for manual settings.
By invoking this function, the camera automatically enhances colours. In this way the saved results resemble the way we recollect memories more closely.
Micro Four Thirds Standard
Micro Four Thirds was developed to maximise the performance potential of digital imaging technology. It allows users to enjoy the same high image quality as the Four Thirds Standard’s 4/3-type image sensor in a much more compact body. The new Micro Four Thirds Standard enables the development of ultra-compact interchangeable lens type digital camera systems unlike anything seen before. It also incorporates a greater number of lens-mount electrical contacts for the support of new features and expanded system functionality in the future.
The E-P2 lets photographers choose from four different aspect ratios that enable individualised framing of scenes. These provide a new means of adding expression to shots and the selected ratio can be seen directly on the camera’s LCD. The available aspect ratios include: 16:9, 3:2, 4:3, and 6:6.
With this function, two RAW images can be overlapped to create a new picture while shooting. Up to three RAW images can be combined in editing mode.
The PEN series was first introduced in 1959 as a half-frame camera. With its revolutionary design and price, this camera made photography available to a much bigger user group. The idea behind its design was pure and elegant – to create a camera that was as easy to carry and use as a pen. The PEN was designed by legendary Olympus designer Yoshihisa Maitani, one of the most famous product designers in the history of photography. In 1963 the PEN F was launched as the world’s first 35mm half-frame system SLR. By the time it was introduced, 16 lenses were available. 17 million PEN cameras were sold, making it one of the most popular and successful cameras ever. Today PEN cameras are a much sought after collector’s item and are traded for incredible prices on the second-hand market.
Supersonic Wave Filter
Dust entering digital cameras with interchangeable lenses can cause damage to photos. The Supersonic Wave Filter is a transparent filter which is located between the camera’s shutter and sensor. It shakes off settled dust particles by generating a series of ultrasonic vibrations. Olympus was the first to incorporate dust protection.
TruePic V image processor
Olympus’ latest image processing engine. It automatically enhances important aspects of image quality including: colour reproduction (colour range, saturation and brightness), picture sharpness (reduced image noise, improved edge reproduction), as well as providing faster processing speeds. Furthermore, it supports Art Filters, HD movie quality recording, and high sensitivity shooting at up to ISO 6400 to enable unprecedented creative expression.
(Body + viewfinder only)
|• US: TBC
• UK: £850
• EU: TBC
|Prices (with viewfinder & 14-42mm kit)||• US: 1099.99
• UK: £850
• EU: €949
|Sensor|| 4/3" Hi-Speed Live MOS sensor
17.3 x 13.0 mm active area
13.1 million total pixels
12.3 million effective pixels
RGB (Primary) color filter array
Fixed low pass filter (anti-alias filter)
|Dust suppression||Supersonic Wave Filter|
|Image stabilization|| "Supersonic Wave Drive" (in-body sensor shift)
Three modes: Horizontal+Vertical, Vertical only, Horizontal only
Up to 4 EV Compensation (claimed)
|Image processor||TruePic V|
|Image sizes (Still)||
4032 x 3024
|Image sizes (Movie)|| 1280 x 720 (HD)
640 x 480
|Aspect Ratio||4:3(Default), 3:2, 16:9, 6:6|
|File formats|| RAW
RAW + JPEG
JPEG (EXIF 2.2)
AVI Motion JPEG
|Lenses||• Micro Four Thirds Mount
• Range of M.ZUIKO DIGITAL lenses available
• Multiply focal length by 2 for 35 mm equiv. FOV
• Compatible with standard Four Thirds lenses via adapter.
• Imager Contrast Detection AF system
|Focus Area Selectable||
|Focus modes||• Single shot AF (S-
• Continuous AF (C-AF)
• Manual focus (MF)
• Single + Continous (S-AF+ MF)
|Manual focus||Focus by wire|
|AF assist lamp||No|
• Pop art
• Auto : ISO 200 - 3200 (customizable, Default 200-800)
• TTL Image Sensor metering system
|Metering modes||• Digital ESP
• Center-Weighted Average
• Spot (2%)
• Highlight based spot
• Shadow based spot
|AE Lock||• AE lock available
• AF lock with shutter release half-press in Single AF mode
|AE Bracketing||• 3 frames
• 0.3, 0.5, 0.7 or 1.0 EV steps
|Exposure compen.||• -3.0 to +3.0 EV
• 1/3, 1/2 or 1.0 EV steps
|Shutter speed||• 60-1/4000 sec|
|Flash X-sync speed||• 1/30 - 1/180|
|White balance||• Auto
• Fluorescent 1
• Fluorescent 2
• Fluorescent 3
• 1 custom preset
• Kelvin (2000 - 14000 K)
|WB fine tuning||• Red - Blue: +/- 7 steps (2 mired each)
• Green - Magenta: +/- 7 steps (2 mired each)
|WB Bracketing||• 3 frames
• 2, 4 or 6 mired steps
|Color space||• sRGB
• Adobe RGB
|Image parameters||• Saturation - 5 levels (Vivid, Natural, Portrait, Muted)
• Sharpness - 5 levels (Vivid, Natural, Portrait, Muted, Monotone)
• Contrast- 5 levels (Vivid, Natural, Portrait, Muted, Monotone)
• B&W filter (Yellow, Orange, Red, Green)
• B&W/Sepia toning (Sepia, Blue, Purple or Green)
• Gradation (4 levels)
|Drive modes||• Single
|Continuous||• 3.0 fps
• RAW: 10 frames maximum
|Self-timer||• 2 sec
• 12 sec
|External Flash||• Hot-Shoe
• Compatible with E-system Flash (FL-50R, FL-36R, FL-50, FL-36, FL-20, FL-14)
• External Flash Control : TTL Auto, Auto, Manual, FP-TTL-Auto, FP-Manual
• Modes: Auto, Red-eye reduction, Red-eye reduction slow sync., Slow sync at 1st curtain, Slow sync at 2nd curtain, Fill-in, Manual (1/4, 1/16, 1/64), Off.
• Flash power: Up to +/- 3EV in 1, 1/2, or 1/3 EV steps
|Super Control Panel information||
• Battery information
|Electronic Viewfinder||External (included)|
|LCD monitor||• 3.0" HyperCrystal LCD with Anti-Reflective Coating
• 230,000 pixels
• 100% frame coverage
• 15 step brightness adjustment
• 15 step Color Balance adjustment (R-B, G-M)
• 100% field of view
|Live View Modes||
• Normal Mode
|Live View Information||• Aperture value
• Shutter speed
• Auto Bracket
• AE Lock
• AF mode
• Shooting Mode
• Battery Check
• My Mode
• Internal Temperature Warning
• Face Detection
• Number of storable still pictures
• Record mode
• Sequential shooting
• White Balance
• Metering Mode
• AF confirmation mark
• Exposure Compensation Value
• Spot metering Area
• Only when E-system Flash attached : Flash Mode, Flash Status, Flash intensity Control, Super FP
|Playback functions||• Single-frame
• Information Display
• Index Display(4/9/16/25/49/100 frames, Calendar)
• Close-up (2 - 14X)
• Movie (w/sound, FF/REW/Pause)
• Picture rotation (auto mode available)
• Slideshow(Still/Movie/Still+Movie, Slide show w/BGM/BGM+Sound/Sound)
|Editing||• RAW development
• JPEG editing (B&W, Sepia, Red eye reduction, Color saturation, Resize, Shadow Adjustment Technology, Anti red-eye)
• USB 2.0 (Hi Speed)
• Remote cable RM-UC1
|Power||BLS-1 1150 mAh Lithium-Ion rechargeable battery (supplied & charger)|
|Dimensions||121mm (W) x 70mm (H) x 36mm (D) (excluding protrusions)
4.7" x 2.7" x 1.4"
|Weight (no batt)||335g (0.7 lb)|
|Box contents||E-P2 Body, VF-2 Viewfinder, Li-ion battery BLS-1, Li-ion battery charger BCS-1, USB/Video Multi cable, Shoulder strap, OLYMPUS Master CD-ROM, Instruction manual, Warranty card.|
* denotes a change in specification over the Olympus E-P1
Design: The E-P2 sees the addition of a new port below the hot-shoe, to connect the VF-2 electronic viewfinder or external microphones. The front side of the camera is identical to the E-P1 except that it comes in a black body.
New Accessories: The VF-2 external viewfinder is a supplied accessory which can be moved in a 90 degree angle for varied viewing angles. Other accessories include external microphones, a black leather strap and body jacket. Two new lenses will also be released in the first half of 2010.
|A new i-Enhance function under Picture Modes claims to boost colours in images.||E-P2 also sees the addition of AF tracking that helps to keep a subject continually in focus.|
|New Art Filters: The new model includes two new Art Filters. The Diorama filter tries to replicate a miniature effect while the Cross Process Art Filter tries to replicate the effects of film cross-processing.|
Cross Process Art Filter (Before)
Cross Process Art Filter (After)
Diorama Art Filter (Before)
Diorama Art Filter (After)
|Olympus PEN E-P2 12.3 MP Micro Four Thirds Interchangeable Lens Digital Camera with 17mm f/2.8 Lens (Electronic View Finder not included)|
|Olympus Pen E-P2 Micro 4/3 Digital Camera Body (Black)|
|Olympus E-P2 12.3 MP Micro Four Thirds Interchangeable Lens Digital Camera with 14-42mm f/3.5-5.6 Zuiko Digital Zoom Lens (Electronic View Finder not included)|
With its unusual form factor can the Tourbox aid the editing process? Will its price and variety of tactile controls appeal to photo and video editors who would like to streamline their workflow?
What’s the best camera for under $2000? These capable cameras costing less than $2000 should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing under $2000 and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
We've updated our 'best cameras over $2000' buying guide, and the Sony a7R IV is now our favorite mirrorless camera in the $2000-4000 price range. It sits alongside the Nikon D850, which is our choice for those who prefer DSLRs.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.
|Rainbow 🌈 of Friendship 🤝 by robbiesydney|
from rainbow challenge
|Sleek, Mysterious......And Fast!! by G Gordon MacDonald|
from Aviation Legends: Lockheed SR-71 Blackbird
|It's a dog`s life by SteveWCM|
from The Floor
|Summer night view of the fjord by Kaappo|
from My Best Picture of the Week
Kodak Portra 800 is a wonderful and versatile color film. And any rumors of it being discontinued, we're pleased to report, are simply untrue. That's a good thing, because it's capable of producing lovely results in all sorts of conditions.
Boering has left the World Press Photo without much of an explanation from either him or the organization, but he tells DPReview the COVID-19 pandemic is forcing the WPP to change the way it makes money.
The standard-size deck of playing cards features unique photography-oriented artwork and act as cheat sheets for photographers.
The Sony ZV-1 and Panasonic Lumix DC-G100 are the first cameras we've seen that are overtly designed with vlogging in mind – and the changes they represent could have implications for the future of all cameras.
The utility allows the E-M1X, E-M1, E-M1 Mark II, E-M1 Mark III and E-M5 Mark II cameras to be used with video conferencing apps over USB.
Olympus is showing final images of its under-development 150-400mm F4.5, which it says will arrive this winter. An unspecified macro and 8-25mm F4 Pro have also been added to the lens roadmap, and the E-M1X's AF gains bird detection.
The scam, which involves sending fake copyright violation notices, has been circulating on the social media platform since at least June 9.
Fujifilm is one of just two producers of tape media (the other being Sony) and it is hard at work on a breakthrough that will allow single tape storage drives to offer 400TB capacities in the coming years.
The National Parks Service says it's investigating the incident, which took place just two days after the park opened following a shutdown due to the COVID-19 pandemic.
Professional full frame lenses are usually large and have fast apertures. In this episode of DPReview TV, Chris and Jordan argue that there's a need for slow professional lenses – inspired by some of their favorite Micro Four Thirds lenses.
The camera maker joins Olympus, Fujifilm and others is a legal tussle over US digital camera technology patents held by DigiMedia Tech.
NASA's Solar Dynamics Observatory (SDO) photographs the sun every 0.75 seconds. In its first decade in space, the SDO has captured more than 425 million images of the sun. NASA has compiled these images into an amazing time lapse, come check it out.
The lens is available for Leica M, Sony FE, Nikon Z and L-mount camera systems, and now holds the title as the world's widest rectilinear lens for full-frame camera systems.
Tamron's new 28-200mm F2.8-5.6 is a versatile zoom lens for Sony E-mount. Well-suited for travel photography, it's compact, lightweight, and fast/quiet to focus.
Fujifilm has announced that its GF 30mm F3.5 R WR wide-angle lens for its medium format cameras will ship in late July or early August.
Fujifilm's latest lens is a sharp, reasonably compact and well-built wide-angle for the company's GFX medium-format cameras. We took it out and about in the warm Seattle summer with the company's 50 and 100 Megapixel camera bodies to see what it can do.
Fujifilm has issued firmware updates to the GFX 100 and GFX 50 models, with the 100MP camera gaining the most significant improvements.
Although the channel is still growing, it currently has nine videos that offer concise overviews of just a few of the cameras Japan Camera Hunter founder Bellamy Hunt has sitting around his Japanese storefront.
ON1 has launched ON1 360, the latest version of ON1 Photo RAW 2020 with ON1's new Photo Mobile application for iOS, iPadOS and Android mobile devices. The new solution syncs raw processing between your mobile device and computer.
Switching screw-on filters between lenses of different thread sizes is much quicker with the Revoring adjustable step-up ring. It uses a sprung iris that expands to fit a range of filter thread sizes, so a single filter can be used on multiple lenses
That's right folks, you heard it here first. Read on for the full interview, with Kenji Tanaka of Sony.
Kodak's discontinued Aerochrome film gets a digital remake in the form of a new Lightroom preset pack from film emulation specialists Really Nice Images.
We've updated our Best cameras under $2000 buying guide, and the Fujifilm X-T4 is our top pick for those seeking a camera that excels and both stills and video shooting.
Chris and Jordan didn't forget about stills when they previewed the video-centric Panasonic G100 earlier this week.
The Canon EF-M 11-22mm F4-5.6 is by no means a new lens, but it's one we've been shooting with over the years, and appreciate for its compact form, solid build and useful wide-angle range.
Mauritius is a remote island off the southeastern coast of the African continent that's never had Google Street View. So, an island resident, Reuben Pillay, decided to use his own DJI Phantom 4 Pro drone to create more than 220 high-resolution 360-degree images of the island.
Pye Jirsa explains how blowing out the highlights in an image — usually a no-no in the world of photography — can result in a 'perfectly imperfect' photo that feels more authentic and natural.
Here's a fresh take on a classic debate, or why both film and digital are awesome.
A recent copyright infringement lawsuit against Newsweek, as well as Facebook's subsequent statement about its sublicensing terms, prompted the judge to reopen the case against Mashable.
Sigma's fp full-frame mirrorless camera is now able to output a 4K raw stream that can be captured as ProRes Raw by an Atomos Ninja V or Blackmagic Raw on the Blackmagic Video Assist 12G, as part of a major update.