Exclusive: Fujifilm's phase detection system explained
With the announcement of the Fujifilm F300 EXR and Z800 EXR coming on a day that also saw four other cameras being launched, it would be easy to overlook their most radical feature. Because, with the latest version of its EXR sensor, Fujifilm has achieved something that's been hoped for but not previously brought to market - through-the-lens phase detection autofocus on a compact camera. The company is claiming the system enables focus times as fast as 0.158 sec. We got some more details of the system from Hitoshi Yamashita, manager of the company's Technical Support Group.
What's so special about Phase Detection AF?
All current compact and mirrorless cameras use contrast detection AF, where the lens is racked back and forwards until the camera finds the position that gives the greatest contrast (which signifies being in focus). Their lenses tend to be designed with very light focusing elements that are fast to move so that this process of trial-and-error can be conducted as quickly as possible. Intelligent processing also attempts to minimize the need to hunt too far for focus but there is still some hunting to be done.
Phase detection, the primary focus method used in most DSLRs tends to be faster but works very differently. To understand why what Fujifilm is trying to do is so desirable, it's first necessary to understand how it works.
The easiest way of understanding phase detection is to think about what would happen if you only considered the light entering the far left and far right sides of a lens as it focuses an image.
|In this simplified schematic, you can see what happens to the image cast by the light passing through the left (blue dotted line) and right (red dotted lines) sides of the lens. |
When in focus, the light from both sides of the lens converges to create a focused image. However, when not in focus, the images projected by two sides of the lens do not overlap (they are out of phase with one another).
Of course this is a massively simplified diagram with a single, vertical straight line as the subject (and no inversion of the image as it passes through the lens). The point is that we can derive information about focus if we can separately view light coming from opposite sides of the lens.
| How does a phase detection sensor 'see'? |
And we don't need the whole image to do this. Think about a strip of pixels taken from the sensor in the previous diagram. If you could make one such strip that receives light only from the left hand side of the lens and another that 'looks' only to the right-hand side of the lens, then you have enough information to find focus.
By comparing images from just these two strips it's possible to work out not only how far but also in which direction the lens needs to be moved to bring them into phase.
As you can see, the key thing required for phase detection is the ability to capture light only from certain parts of the lens so that (at least) two distinct images can be formed and compared. This information makes it possible to calculate exactly where the lens needs to be moved to, without any of the trial-and-error of contrast detection AF.
It also makes continuous AF easier, since the system can quickly calculate a new focusing distance (and even assess the subject's rate of movement), whereas the contrast detect system has to hunt again, during which time the subject is still moving, meaning the point of highest contrast will keep changing.
Traditionally, phase detection in DSLRs has been conducted by a dedicated AF sensor. The main mirror on DSLRs is slightly translucent which allows some light through to a second mirror and down onto this sensor. This light is split by a series of prisms and lenses in front of the sensor so that different lines of pixels on the sensor receive light from different parts of the lens.
As soon as you see this, you can understand why conventional compact cameras (and all the current mirrorless cameras) have to use contrast detection autofocus. Their sensor elements (sensels) are designed specifically to catch light from all directions and all areas of the lens at once. As such they have no way of separating the incoming light into distinct images. Even with the fastest, lightest lens elements, the trial-and-error nature of contrast detection tends to make it slower.
How does Fujifilm's system work?
Fujifilm's system provides a seemingly simple solution - masking-off half of a sensel means it only receives light from one side of the lens. By creating strips of these sensels, half 'looking' one way, half 'looking' the other, the camera gets the two distinct images necessary for phase detection AF.
'The structure is equivalent to the two light paths divided by two dedicated lenses in conventional phase detection AF device in DSLR's,' says Mr Yamashita.
Although he wouldn't be drawn on the exact arrangement he does give some detail: 'The AF sensels are only arranged in the center area of a CCD, so when phase detection AF is activated the AF point is fixed to the center of an image.'
Of course this means some sensels are receiving 50% less light than their neighbours. Yamashita suggests it need not be a big problem: 'we use several tens of thousands of pixels in the center area of a CCD, which is a very small number of pixels compared to the 12 megapixels used for imaging.' And, he says, they don't simply go to waste when taking pictures: 'sometimes they are used to compose image data and sometimes not, depending on the situation.'
In low light where there isn't enough light to allow phase detection (since the focus sensels are only receiving half the available light) or when face detection is needed, requiring the camera to focus away from the center point, the camera switches back to contrast detection AF. As such the company is billing the system as 'Hybrid AF,' but that shouldn't disguise what is a potentially significant development for compact cameras. We'll be interested to see how the promise of this system works when we get a chance to subject it to testing.
|Brown Crown by Nilesh Trivedi|
from brown challenge
|D72_4852_DxO Smug by richpics|
from Aviation Legends: X-Planes
|Everyone look at the camera by cjf2|
from Looking down the lens.
|Ancient Bristlecone Pine by ed rader|
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