Editorial: Why I can't stop taking iPhone Panoramas
So Apple unveiled a couple of new iPhones last week - you may have heard. After lining up for the new flagship iPhone 5s last Friday morning (long story, even longer line...) I spent the weekend shooting with it, and in general it was a positive experience. I've been alternating between very big (Nikon D800) and quite small (Fujifilm X100S) cameras for the past few months and leaving everything behind except my phone - which I always carry anyway - is liberating, if a little nerve-wracking.
Apple's new mobile operating system, iOS 7, is a significant visual refresh compared to what I'm used to, and after diving pretty deeply into it over the past week or so, it is obvious that the company is investing a lot of energy in highlighting the photographic capabilities of its hardware and software. The iPhone 5s's camera app is available right from the lock screen (this has been a feature for some time now) and in use the camera is fast, responsive and generally very accurate. In good light images are really nice, low light shots are decent if not outstanding, and the new dual-color flash definitely makes a difference to low light portraits. You'll find a link to the full gallery of pictures taken in a range of lighting conditions above.
We'll be publishing a full review of the iPhone 5S on connect.dpreview.com in good time, but for now, before the week gets too busy I want to take a quick look at what I think is the strongest feature of the new iPhone: its panorama mode. Now, automatic panorama modes aren't new, they've been around for a while, and the feature is now almost standard in most mid-range compact cameras, many smartphones and even some mirrorless cameras. iPhone users have had the functionality since the launch of iOS 6 last year. But the panorama mode in the iPhone 5s is a little different, and that little difference is seriously impressive.
It got a little bit buried in the presentation of the phone (Shiny! New! Fingerprint sensor! Comes in gold!) but for me, the iPhone 5s's panorama mode is definitely its most interesting photographic feature. Why? Well, it's just ridiculously good, that's why. Very fast capture (30fps as you pan across the scene), a simple and effective UI, and spookily accurate stitching make the mode useful, but the killer feature is what Apple is calling 'dynamic auto exposure'.
Available in the iPhone 5s only (presumably because of the processing power required) dynamic auto exposure is basically what it sounds like - exposure is automatically adjusted dynamically across a scene, as you move the phone to create the panorama. So if your scene incorporates bright and dark areas across its span, the phone will take that into account and adjust the metering as you go, delivering a final composite image with a balanced exposure.
As you can hopefully see from the images below, the iPhone 5s's dynamic exposure panorama mode works very well. That's why there are so many panoramas in the samples gallery we published recently, and why I've spent the past few days taking panoramic shots of pretty much anything I can! Keep an eye out for more coverage of the iPhone and all (other) things mobile on connect.dpreview.com.
|Chicago Alley by tko|
from Down the alleyway
|Callan-5680 by vbuhay|
from What Child's Dream May Come
|Widget by Wilfried HKG|
|Oxbow Bend by stickpointed|
from Landscape - Colour #2